Ramsey Dau, an LA-based artist, loves America, Disneyland and you. Well, actually, not really, but he makes wonderful art that makes you smile and cry a little at the same… only because it’s so colorful (not in the example above, obviously.. unless you’re colorblind, then I’m very, very sorry if I’ve offended you). Ramsey uses typography as artistic expression, forcing your eye to read the page and take in the flow.
The “illuminati” is at it again! Not really, but you may think so once you see the levitating all seeing eye created by artist Guy W. Bell. He has created a real-life, levitating “Eye of Providence,” featured on the back of the U.S. one dollar bill. Made from slate veneer and distressed brass, the pyramid Bell has created is split in two, with the top half literally levitating, thanks to innovative technology involving two magnets of the same charge. Because of these repelling magnets, the top section of the pyramid not only levitates, but can also spin, giving this “Eye of God” a 360-degree view. This panoramic line of sight can be seen through the eye in the pyramid, which contains a wireless, pinhole camera, giving the phrase “the all seeing eye” a whole new meaning. The eye itself is actually a prosthetic, larger than life eye replica created by ocularist and anaplastologist Michel D. Kackowski.
The Eye of Providence has been referred to as an illuminati or Freemason symbol, and was also commonly used in ancient Egyptian hieroglyphics. This symbol has become such a cult image, it is amazing to see a fairly large scale, levitating, moving sculpture that really does look back at you with its uncanny and familiar eye.
A talented painter, Bell had been interested in this idea of creating this infamous symbol, but had not yet made a sculpture of this technological magnetite. Luckily for Bell, with the help of the Arkansas Regional Innovation Hub, he was able to make his dream a reality. This incredible sculpture can be seen at Bell’s solo exhibition Fourteen Minutes and Forty-Nine Seconds presented by the Thea Foundation in Arkansas. (via The Creators Project)
Emma Kisiel‘s series of photographs At Rest is as intriguing as it is simple. Kisiel happens upon animals that have died, typically roadkill, and sparsely decorates the site. Simply by placing stones and flowers around the carcass, Kisiel draws attention and returns a certain dignity to each animal. Typically these animals are only seen from inside a car as it momentarily passes. Kisiel says of her interaction with the animals in the series:
“They are happened upon, visited with, remembered, and left to return to nature.” [via]
Pascal Bernier’s art work depicts an ongoing theme about human and animal relationships. This Brussels based sculptor uses and manipulates different representation of animals to take a detached look at social behavior. Some of Bernier’s work is a social commentary about game hunting (and what is done to the animal’s body after it is killed); Bernier work represents animals in a very sad manner questioning your own ethics on animal rights.
Joanne Leah‘s photographs have a kinetic aura, a dark mysterious crackle of energy that seems to hint at struggle and loss. Even with swathes of jewel tones, Leah’s work is muted, almost like crime scene photos. Some of her subjects are strewn about the floor like fallen souls on a battlefield. Others seem to be entombed — though whether in a sort of grave or a chrysalis, it remains to be seen. Permeating all her photos is a feeling of suffocation, of the inevitability of the inescapable.
In her artist’s statement, Leah says:
“When I was a child, I would explore the woods behind my house. I ventured alone, following a small creek. One winter day, I deviated from my usual path. As I walked, I heard a man shout. A pack of barking dogs ran toward me. I immediately dropped to the snowy ground and pretended to be dead. I held my breath. The dogs surrounded me, sniffed and snorted. I had never felt that kind of fear before, the fear of being eaten alive.”
There is a surreal fairy tale feeling to Leah’s photos. There is also an unmistakable feeling of intimacy. There’s also a sense that this is a cautionary tale, that these everyday people have come to quietly grim fates that could happen anywhere, to anyone. (via Dark Silence in Suburbia)
Everybody likes a dash of mystery. We got a submission from a German illustrator named Amrei. Her body of work is called Vertico’s Puppets. She also seems to go by the name Sosima. Which one is her true identity? You be the judge! Either way, her illustrations are cute yet deadly like a pink bunny rabbit with a switchblade. Enjoy the amazingness!