Andrew Bannecker is an illustrator from Washington D.C. His style is a mix of clean, simple shapes, with textures giving it an aged look. But his work is far from simple: just looking at it work sparks your imagination. Traversing a variety of different subjects, his characters have a retro 60’s cartoon twist to them. I dig it!
Los Angeles based photographer Jordana Sheara makes lovely work, both personal and commissioned. With an inclination towards fashion photography, Sheara creates two distinct worlds in each of her photographs; the illuminated and the shadowed, lending instant drama to her photos. Her subjects always have a beauty about them, even right after waking up, when all you really care about is that first cigarette of the day.
Meet Canadian artist Alice Gibney. Her work has a hauntingly beautiful presence, layering intimate charcoal lines on large scale paper panels. Her recent series are filled with imagery depicting self vs nature and human manifestation of grief. She’s currently spending some time in Berlin, hopefully gathering up loads of inspiration for her next series of work when she returns to NYC to finish her MFA at Parsons.
Mark Adams, Managing Director of Vitsoe, discusses Dieter Ram’s 10 principles of good design during a visit to Vitsoe headquarters in London. Mr. Adams gives unique insight into the history of the brand and its meaning to Dieter Rams. He also demonstrates how Rams’ principles relate directly to the style and success of the Vitsoe name.
Meet Ivan C. – a visual artist from Mexico. Although he works commercially, his work is conceptul, believing art should now be “Cosa Virtuale,”with technology not leading the ideas, but setting free all the visual possibilities for the interpretation of reality. Ivan releases his imagery through multiple mixed-media processes involving digital photography, digital collage and experimental graphic manipulations.
Using a unique surface Jason Middlebrook creates abstract motifs. He takes tree bark and combines its natural grooves with ideas which speak to nature in a way that celebrates its form and at the same time symbolically shows how man has put his stamp on it. In his plank series he takes different types of discarded wood such as maple, black birch and cottonwood to create paintings which follow the natural pattern of bark but in the process creates a beautiful design. They exaggerate what’s already there and makes beautiful process out of recycled materials.
In wall works Middlebrook takes it one step further and mimics the tree bark with materials such as bronze and stainless steel. These evoke more of a cave mystique. The darker surfaces and nature reference rocks and harder surfaces. The colors in a few are subdued hinting again at the random way things are formed in a natural state. While the wall works made of tree bark begin to resemble minerals found in rocks due to color and application of paint. Middlebrook finds a nice common ground to play with what’s found in nature and remaking it using another raw material. Middlebrook has been working with wood for many years. Some of the other projects he’s been involved include garden gnomes, park benches and birdhouses. He currently lives and works in Hudson, NY.
Lauren Utter, a New Jersey native, documents her punk rock inspired, pan-handling, train-hopping adventure filled life through her aggressive yet delicately drafted drawings. Lauren briefly attended the School of Visual Arts, but decided that her experiences outside of the institution’s walls were what truly inspired her.
Every little mark on the surface is stark, rigid, and untamed. Lauren isn’t interested in dressing up her subject for the purpose of comfort or aesthetic. She wants to bring to the audience her encounters exactly as how she found it. Yet upon closer inspection, you are guided to notice the underlying beauty, and appreciate the aggressive approach of Lauren’s work. This is where the irony in her work is present. It is the moment, confrontation, and/ or eye contact captured. The kind of transient situation most of us rarely have the time or guts to pay closer attention to.
When all else is gone, it is often the things we most take for granted that endure, like an old, torn t-shirt. For her collaboration with writer and actress Hanne Steen, photographer Carla Richmond collects intimate portraits of the brokenhearted, women wearing shirts left behind by ex-lovers. Hanging loosely about the contours of bodies they do not quite fit, the shirts and their wearers remain anonymous, their words recorded only in unending, stream-of-consciousness style poetry.
Alone in Richmond’s tight frame, against a simple and unembellished background, the women clutch at the forgotten fabric, hugging themselves and bracing against the intrusions of memories. The irresistible poignancy of the work lies in the inextricable nature of the banal or incidental with the profound and monumental. The shirts’ unexplained tears, accidental stains left by the passage of time, and obscure graphic lettering collide with mournful faces, eyes both resolute and pleading. These t-shirts, gifted by accident or on purpose, serve as the painfully insufficient evidence of great loves, irretrievable losses, and things unsaid.
At times, the shirts themselves become integrated into the very fabric of their wearer’s being. A woman wears a grey-blue shirt and dusts her eyelids with shadow of the same hue; similarly, a scarf or ring might match the color of a now-faded garment. As the only tangible remnants of something that exists no longer, the shirts become reminders of something in danger of being forgotten, a soft comfort that may be turned to in quiet, private moments. (via Feature Shoot)