Browsing through Keith Allen Phillips’ website, I found many sexy portraits of nude women, but with his series Messy, he takes his photography in a different direction. Phillips covers his models with a variety of foods from chocolate to Cheetos to sprinkles and icing sugar, and the results are pretty unexpected. Although some are still quite sexual, like when the model looks out at you from below a layer of creamy and chocolate while licking a finger, most don’t have that ‘food sex’ kind of vibe. By the time I reached the ones with a pink marshmallow mohawk, I realized I was barely processing the food as food, anymore.
Recently I wrote an article about Will Cotton, and Phillips feels like the anti-Cotton. Whereas Cotton’s world of food and women is soft, beautiful, and delectable, Messy has a harder edge, and one that I find more appealing. Once again, I’m drawn to the marshmallow mohawk woman, this time screaming out. She looks like a very intimidating alien. I find that although I have some difficulty with the idea of Phillips smearing food all over these women, the women rock it with a powerful presence, which is more than I can say of Cotton’s work. Each artist is experimenting with food, and beauty and sexuality in women. Phillips takes the viewer somewhere they didn’t expect to go. (Via Lost at E Minor)
Indonesia based artist Debbie Tea was a multi-media student, but she now chooses to express herself primarily through her camera. Her photographs, many of which she presents in series, are observations of a peculiar sort. She pulls together that which tends to reamain separate, and displays her subjects by playing with their absence.
Don’t miss Charlyne Yi’s performance with her band Flesh the Racist Crayon for “Art Works Every Time” tomorrow night! This Jane of all Trades is a comedienne/actress/producer/writer/painter extraordinaire whom you may remember from such box office hits as Knocked Up and Paper Heart. But even more importantly you’re seriously going to be kicking yourself with a snowshoe if you miss her FREE performance at “Art Works Every Time” and have to pay to see her at the UCB Theatre. Details after the cut.
New York-based artist Lucas Blalock constructs images that are photographed in film and then uses digital overlapping and editing to distort. The work’s overlapping elements, merging and mutilation of pattern and playfulness of colour show Blalock’s clear experimentation with humour and absurdity. Check more out after the jump.
It’s difficult to overstate how large Jorge Rodriguez-Gerda‘s portraits are. While much of his work consists of enormous charcoal portraits inhabiting the sides of entire apartment buildings, Rodriguez-Gerada’s Terrestrial Series are best viewed through an airplane window. The artist typically uses natural materials such as sand and dirt to draw out faces from the earth. Speaking about the reasons for his portraits’ huge scale he says:
“I am critical of the marketing that has crept into so many facets of our lives. I decided to do work that would counter it by using the same codes used by advertisers such as scale, visibility and eye catching images. I wanted these new iconic images to be huge and placed in strategic places.”
New Zealand-based artist Karley Feaver creates assemblages that involve a mixture of stuffed birds and various costume-like adornment ( human hair, gold plated metal, wood, and more). The artist claims that the animals she uses are ethically sourced and have died of natural causes.
Through her grotesque yet beautiful sculptures, the artist explores the idea of transformation and adornment, as her current interests rest in nature’s ability to survive in different forms by adapting, adjusting, and mutating into an increasingly man-made environment.
She intends to make these birds look other-worldly. Interestingly enough, she is successful at doing this by using materials that we are very familiar with (human hair, gold, and wood). She makes an interesting juxtaposition between the natural and the unnatural, the familiar and the unfamiliar- specifically to make a point about the unnatural efforts animals (in general) have to make in order to survive in a man-made environment.
Through the ages people have made beautiful things for themselves and others by using materials from their nearby environment. Birds are known to do the same, especially when seeking to attract a mate. Feaver’s new works bring the image of beauty almost to the edge of absurdity, their appearance is both bizarre and extraordinary, unlike any other creature on earth.
These photographs are taken from two series by NYC photographer Amy Stein: “Domesticated”, and “Halloween in Harlem”. The photos were put together a while ago now, but I’ve always loved them. And, as Ms. Stein seems to be dealing with an issue involving use of her work without permission and $40,000, I figured she deserved some love.
“Domesticated” depicts real stories ivolving animals and humans culled from local news stories. Stein used often used taxidermied animals in her perfectly positioned shots, which include bobcats confused by newfound construction and curious bears checking out backyard pools.
“Halloween in Harlem” is pretty straightforward: Stein’s eye set to run freely capturing the spirit of the holiday and creepy children in masks on the street.