Performance artist Millie Brown uses her body in an uncomfortable way in order to create bright splashes of color on canvas (and sometimes clothes and people). Brown mixes colors into soy milk before regurgitating the milk onto her preferred canvas, akin to the drip-color style of Jackson Pollock. The artist first began experimenting with this method in 2005, and has since performed this act in many places, including for Lady Gaga’s 2006 video, “Excorist Interlude.” Brown, a vegan, only performs this body-exhaustive piece once per month. She fasts for 2 days before each performance so that her stomach is empty and her regurgitations purely the color of the milk she’s ingested; she can drink anywhere from one pint to four liters of liquid depending on the type of performance. The result of her performances are works of bright colors that are not obviously the products of puking.
Responses to her work have varied, ranging from laughing to crying, declarations of love, and even death threats, but Brown maintains that art is supposed to inspire powerful emotions in people. “I have an inherent desire to push my own boundaries within my art… By creating art from the very depths of my own physical being I am able to challenge people’s perception of beauty, expressing raw elements of human nature and in turn challenging myself both physically and mentally.” (via daily mail)
Constance & Eric are a married couple from Brooklyn who have carved a niche and figured out how to make a living taking pictures of people having sex. Blurring the lines between high art and commercial photography, the duo have photographed over 140 couples. Beginning the project out of disappointment in the way commercial photography generally treats bodies and sex, the couple came up with their own parameters for “sexy.” Disenchanted, as many of us are, by the narrow definition advertising and media give to the term, Constance and Eric decided to pursue a visual journey through the erotic and corporeal.
Subtle in their abstraction, the duo’s photographs transcend pornography or explicit imagery and become mere suggestions of the actual act. But there is a sensual nature to the images that feels incredibly personal, even if a viewer can’t actually discern what precisely he is looking at. In an interview with Nerve, Constance said, “The abstract images help create more of a feeling of the moment. It enables the viewer to put themselves in the image without the distraction of recognizable features.”
In an interview with Huffington Post Constance and Eric said that the part of their job they enjoy the most is “Showing people how beautiful they are together.” Check out their website, and if you’re brave enough, grab your significant other and contact them for a session. (via HuffPost & Nerve)
In a surreal and slightly disturbing series titled Running Gag by the Hamburg-based studio POP. Postproduction, they imagine what it would be like if shoes teeth to accompany their tongues. POP specializes in photo-retouching, and manipulated the images has the loafers, boat shoes, and Converse sneakers laughing and grinning. Some have a gap tooth, others a gold grill, while some have hardly any teeth at all.
There is some correspondence with the teeth and the shoe. For instance, the pink canvas shoe with decorative laces has a mouth full of braces, so we’d imagine they are a teenage girl. The gold-studded loafer is an “alternative style” to the preppy shoe, so its gold lip ring feels appropriate.
Despite being slickly-produced and brightly-colored series, the Running Gag is subtle, and it’s only after more than a seconds glance that you realize there are teeth in these shoes. It’s POP’s Photoshopping skills that add to the believability of these characters, and they look liked they’d be right in place in a horror film. (Via Design Taxi)
Something big is happening at the 5th Avenue flagship Uniqlo store in New York City. We just watched this mysterious video that teases at a massive installation on the second floor of the store. The video shows a time-lapse of the second floor of the store being cleared out with massive lettering covering the walls spelling out SPRZ. We at B/D don’t have a clue as to what SPRZ could possibly mean but we’re intrigued! An outside shot shows a crazy cast of character working on the installation throughout the night. Not much clues in the video as to what they’re up to but we’re spotting T-Rex’s, giant bananas, and dancing chorus lines running around like crazy. Hopefully one of our NYC readers can go on a spy mission and fill us in on the details.
The Montreal based photographer, an avid cataloguer of trans and queer communities since early 2000′s, creates Alone Time, a series of photographs in which he recreates typical domestic environments that play around with the idea of gender stereotypes. For this project he uses one model only; the one model is to play both the male and female characters in the image. The result, Levine said, “challenges the normative idea that gender presentation is stable or constant. Rather, gender expression can be fluid and multiple.”
“work is emerging at a moment when people are starting to talk more about gender and sexuality in the public sphere, which allows more space for queer cultural production and representation in the mainstream.”The thought-provoking work gives us the chance to become vulnerable and empathetic towards
The thought-provoking work not only give us, the viewer (of any gender,) the possibility to become vulnerable and empathetic, but also the ability to imagine ourselves in this specific situation. What would it be like to be a member of the opposite sexes? Do I, in anyway, resemble some of all the male/female/transgender characteristics?
Levine, a trans and queer man, uses his sexuality, gender and past experiences in his art in order to reach out to those who are not necessarily familiar with the subject. He intends to expand awareness through creating work that is familiar to all, and not just one gender. He notes that his images “talk about and celebrate marginality from a place of familiarity and self-exploration as opposed to voyeurism.” (via Slate)
Move Mountain is the latest stop-motion animation by Kirsten Lepore, a Los Angeles based director and animator. We’ve featured films by her before, and Lepore’s newest work does not disappoint. She describes the short film as “A girl journeys through a vibrant, pulsing, macrocosmic landscape, but a precipitous incident compels her to venture up a mountain in an attempt to save herself.” The story itself is a surreal tale, and at one point oscillates between dreams and reality. It also shows us that at any given time, we are at the mercy of our environment.
The film is Lepore’s Master’s thesis from California Institute of the Arts and took her two and half years to produce. The use of handcrafted characters and fully modeled sets is really impressive. With the current trend being slick-looking techniques, it’s nice to see evidence of the hand in this film. (Watch the behind the scenes video after the jump.)
In addition to Lepore’s own character designs, she’s enlisted the help of animator friends, including the likes of Julia Pott, Lizzy Klein, Ethan Clarke, and more. They make one of my favorite scenes in the film, which is an unexpected but welcome surprise.
Dilok Lak’s recent series “The rabbit ears” is the graphic designer’s respite from everyday tedium and a retreat into imaginative play. Drawing on children’s books and the trope of the talking animal, he imbues his illustrations with a minimalist innocence and charm. The title of the work harkens back to whimsical fables, but it also applies to the artist’s own persona, as he was born in the zodiac year of the rabbit. The work lightheartedly examines the existential questions of a young human mind: the caption for a few images reads, “Why is life so boring?”
Placed starkly against a white and pale pink backdrop like murals on a child’s bedroom wall, furry friends perform unlikely feats. Some of the illustrations are brilliantly nonsensical; in a sort of modern Dadaist exploration, Lak combines a vintage photograph of a young girl with a high-resolution duck and collaged orange. Collaged creatures appear to wander in and out of his frame of their own free will, teetering on its edges and leaving empty space in their wake.
“The rabbit ears” is a childlike ode to the imagination, bringing with it hints of critical self-parody. The brilliantly ironic series reads like a 21st century kind of pop art, using commercial graphic design techniques to satirize human behaviors and pretensions. An absurd cat sips on a cappuccino and sports classic hipster-style glasses; an erudite bunny proudly displays a portrait of himself in a suit. A bored kitty chews on bubble gum. In Lak’s delightful world, animals play as humans and humans play as rabbits, and ultimately, all our everyday worries seem a little less serious, and life feels a lot more fun. (via iGNANT)
Ludovic Florent‘s new photoseries Poussières d’étoiles (which translating as Stardust) features the natural beauty of the human body in motion, capturing dancer’s poses in moments of ecstasy, distress and grace. Each photograph is highlighted by the staging, a chalk and sand floor which enhances each movement, with dust clouds mirroring the appendage’s motions to create a dramatic physical presence of their own. Florent says, “In our changing society, my photographic work is guided by a humanistic look, willingness to foreground the natural beauty of the body, free to express his grace and personality.”
The Metz, France-based Florent created Poussières d’étoiles for Gallery HEGOA, and in anticipation for the European Festival of Nude Photography in Arles, France in May, 2014. The photographer further explains his work, “‘Behind every carnal envelope hides a soul that is both sensitive and flamboyant as I try to capture in each of my photographs.’ We certainly enjoy his work guided by a humanistic look, finding expression in a series that is both, sensitive and vivid.” (via ignant)