Artist Zsuzsi Csiszer’s installation may at first seem massively out of place. An actual subway car emerges out of the floor into the Museum Kiscelli in Budapest. It seems poised to make a stop and move on to its next otherworldly destination. The subway clearly references a journey – one of more significance than just from one neighborhood to another. More importantly perhaps, subway cars transport groups of people. Maybe it sounds cheesy, but the piece is similar to a larger journey we all make. One in which we share with various people who come and go.
Sean Anderson is a painter based out of Santa Barbara, CA. The jungle is a reoccurring theme in his work, and connects to his past experience of being an artist in residence in Bolivia for two years. He plays with novel color relationships and combines non-traditional media, such as spray paint and florescent enamel alongside oil on canvas. Bold and vivid, with their dilapidated houses fixed in florescent hues, the paintings often appear lit as if by nuclear blast.
His jungle paintings sometimes demonstrate an interest in commercial art and advertising, taking direct influence from pop artist Ed Ruscha by combining landscape and text to bring new meaning to ordinary or nonsensical phrases.
In addition to his work as a painter, Sean is co-curator of the Anderson Art Collective and works alongside his brothers (also artists), Benjamin and Ron Anderson. He has an upcoming show at Firehouse30 gallery in Walla Walla, WA.
Tabloid is everything you want in a documentary, a wacky, eccentric protaganist, engaging visuals and a few twists and turns. Errol Morris (GATES OF HEAVEN, THE FOG OF WAR) brings us a story that’s “the kind of thing where he finds an article in the newspaper about something weird or quirky, then gets interestedin it and investigates.” And if you’ve ever wondered about a snippet you read in passing, you’ll thoroughly enjoy Tabloid- about Joyce McKenna, the world’s first Tabloid Femme Fatale, a beauty queen with a high IQ and a bone to pick with the Mormon Church.
We usually don’t post about emerging fashion designers, but Iris van Herpen is definitely an exception to this rule. Her designs, handmade with lace, leather, wire gauze, and gold brass, are sculptural masterpieces! Excellently crafted and textured, her designs are fierce, futuristic, and feminine (yay, alliteration!). The Dutch fashion designer only graduated from the ARTEZ School of Arts in Arnhem in 2006, but her unique, avant-garde fashions are already being showcased at Amsterdam’s International Fashion Week!
More photos after the jump!
Philadelphia-based photographer Chad States creates ”Masculinities’, a series of photographs and text devoted to create real, tangible accounts of men and their thoughts on masculinity in order to expose the complexities and difficulties in trying to define the masculine. States, interested in creating a large sample of men and their accounts, exposes his project on Craigslist and only takes subjects who are interested in participating in this project.
“Growing up as a gay man in the U.S. I have always been aware of how men were supposed to act and I judged myself against these ideas. Masculinity was always something that was attractive to me but when I tried to unpack what made someone masculine I found it hard to define. Masculinity seemed based on relativity and shifted in different circumstances and cultures.”
The series, inspired by State’s own struggles with understanding conceptions of gender at an early age, set out to investigate the matter by photographing these men in their home. States explains that “the structure of the project created a special circumstance in which those who were still willing to participate had a strong need to have their own masculinity confirmed by the photograph.” The men got to choose the ways in which they were portrayed, they picked what they wanted to wear and they choose to stand by or sit in any position they felt truly comfortable in.
I used a 4×5 camera only taking about 8-10 shots per sitting, so the poses and choices are very intentional on part of the sitter.” (via Feature Shoot)
On May 29 at the Musée d’Orsay in Paris, Luxembourgian performance artist Deborah de Robertis, wearing a gold sequined dress, plopped down in front of Gustav Courbet’s painting “The Origin of the World,” and spread her legs and vaginal lips, publicly exposing herself. The artist’s intent was to re-enact the famous painting, but with an open, exposed vagina in contrast to the vagina presented in Courbet’s piece. Eventually, de Robertis was escorted from the premises by police officers, and two museum guards filed sexual exhibitionist complaints against her after the incident.
“This is a typical case of disrespecting the museum’s rules, whether for a performance or not,” the Musée d’Orsay’s administration said in a statement. “No request for authorization was filed with us. And even if it had been, it’s not certain we would have accepted it as that may have upset our visitors.”
de Robertis, of course, disagrees with these accusations (as does Banksy). “If you ignore the context, you could construe this performance as an act of exhibitionism, but what I did was not an impulsive act,” she explained to Luxemburger Wort. “There is a gap in art history, the absent point of view of the object of the gaze. In his realist painting, the painter shows the open legs, but the vagina remains closed. He does not reveal the hole, that is to say, the eye. I am not showing my vagina, but I am revealing what we do not see in the painting, the eye of the vagina, the black hole, this concealed eye, this chasm, which, beyond the flesh, refers to infinity, to the origin of the origin.”
de Robertis says she’s performed this piece, “Mirror of Origin,” more than once in the same museum without causing a hysteric scene, and unsurprisingly, this is not the first time a performance artist has imitated a famous work of art by exposing their body: last year, performance artist Arthur G stripped down and appeared in front of Musée d’Orsay’s parade of male nudes, “Masculin/Masculin.” It is also not unusual for female performance artists to use their bodies as a medium for messages about our culture and the way it conceptualizes female anatomy and sexuality: I’m thinking of recent Beautiful/Decay features, like Milo Moire’s vaginal egg-dropping and Casey Jenkins’ vaginal knitting. The reactions garnered from such performances reflect our culture’s current conception of female anatomy and sexuality and prove that our stripped-bare biology continues to be seen as obscene, threatening, and attention-seeking, even within performance-based contexts. (via art fido)
Surreal photography by Khan & Selesnick.