Beautiful dark photographs by Maria Datsykova.
Beautiful dark photographs by Maria Datsykova.
Igor Eskinja’s simplistic installations are elegant and optical illusory. Using basic and inexpensive materials such as tape, wires, and cords, Eskinja practices his art with precise measurements and an architectural eye. His work straddles the transition between 2D and 3D perception. He thoughtfully uses the space of the wall and floor of his installations, requiring viewers to stand at a particular angle in order to experience the effect given in these photos. The simplicity of his form and the perception between what is visible and not introduce space for interpretation and meaning. Oftentimes, after the installation is over, the work is thrown out due to the instability of his work, drawing attention to the impermanence of the forms he creates.
My friend at Zachary Kellogg at CalArts is having an opening tonight. It looks really great- whoever in the area should go check it out. I’m probably going to attempt the 357875445 mile treacherous drive as well.
Zachary Kellogg’s practice revolves around an ever changing fantasy typically using motifs involving fictitious relationships, masculine symbolgy, queer aesthetics, love/ obsession, and sadness/ hope.
Like looking into the private thoughts of a diary, photographer Adeline Mai creates narratives of intimacy, portraying poetic scenes of human interaction. In her body of work, she creates ethereal images of profound closeness between her subjects. With titles like J’ai Embrassé L’Aube D’Été, French for I Embraced the Summer Dawn, Weightlessness, and Dirty Weekend, the names of each series are just as lyrical as the photographs itself. The Parisian artist captures stunning images of contorting bodies, displaying breathtaking views of the human body. In her series I Embraced the Summer Dawn, each photograph contains a stark emptiness except for the two, nude figures beautifully entwined as if they are attempting to become one body. This same sense of intimacy is embodied in her series Dirty Weekend. Only instead of gracefully posed, flawless bodies, we are now given a view of a more natural nudity, out in the woods and in more candid positions. Mai not only captures a playful kind of nakedness, but a shared closeness between clothed subjects as well. She is a master at capturing tender moments between her subjects and laying them out for all to see.
Mai having the ability to brilliantly capture light on her subjects, her series Weightlessness includes floating figures with soft, warm light consuming their surroundings. These figures appear to be floating, but they are actually underwater! The photographer has turned this normally cool-colored environment into a glow of yellows, reds, and oranges. Adeline Mai’s entrancing photography pulls you in to its intimate scenes of magnificent nudes being swallowed up by a sea of color or by human embrace.
Ron Nagle makes mini sculptures using a variety of colors and shapes. He takes ceramics to another level, transforming utilitarian pottery into abstract modern art. In the ‘Five O’Clock Shadow’ series he presents innovative forms mixed with saturated colors.
He uses different methods to produce his pieces such as slip-casting and hand-molding. Dealing with traditional and non-traditional materials, including glazed ceramic, Sculp-metal, polyurethane, and epoxy. Ron Nagle always lays his inspiration on paper. Transferring the sketch into a 3 dimensional piece. The sculptures are never more high than a few inches. The shapes are figurative and translate the artist’s passion for tea cups, its handles and bowl volume. His gets inspired by the works of Giorgio Morandi, Philip Guston, Japanese Momoyama ceramics, and George Herriman.
Ron Nagle injects in his art pieces a glimpse of pop art and a dash of music. He is a ceramist as well as a confirmed singer. The sculptures seem to be on the verge of moving. At any moment, they can get moving. The top parts, which are almost all twisted and contorted are waiting for the signal of the viewer to maliciously escape from their pedestal.
The artist wants to trigger new sensations from the viewer. His work is meant to be singular. According to him, there’s no point in looking at a form of art for which we already felt something. Emotions generated from his work has to be fresh and possibly never been experienced before.
Elaine Reicheck is a New York-based artist who uses embroidery to explore conceptual and aesthetic ideas in art. Though she has a background in painting, actually receiving an MFA from Yale in the subject, she began to question her training and wonder what kind of statement she wanted to make with her art. Though she experimented with knitting wool, hand-paining found photographs and other techniques, embroidery emerged as Reicheck’s material of choice. She creates beautiful works on linen using needle and thread.
Though she does quite a bit of her work by hand, Reichek also experiments with computerized sewing. She doesn’t feel this is a shortcut in anyway, as her work is as much about the concept as it is the end result.
There is also an undoubtedly feminist aspect to Reicheck’s work. She attributes it to working with so many male painters during her training. Embroidery, a historically feminine pastime, allows Reichek to explore the same ideas as her male painter counterparts, but, as she says, “if I make them that way, of course their meaning changes, since the meaning of an artwork is always bound with its media and processes and their history.”
Usually selecting a theme to base a series around, Reichek’s latest embroiders consider the myth of Ariadne. Ariadne gave Theseus a ball of thread with which to retrace his steps allowing him to escape the Minotaur’s labyrinth. Reichek created art-historical portraits, many of which contain Araidne’s image, and paired them with quotes from literary sources such as Nietzsche or Catullus.
“Distressed, destroyed, or embellished, it’s the chosen fashion of outlaws, punks, rebels and bikers. To them, a jacket is an identity, a medium to express loyalty, acceptance, love, hate, rejection, freedom and nonconformity. In most cases, one can easily identify the rebellious type by their jacket alone. More specifically, members within their respective communities recognize the significance of various colors and patches as marks of rank and origin or acts of violence committed on behalf of the club. In punk subculture, even the chosen type of spike or stud adornment has a specific connotation. Because of its inherent mobility, potential for variety and badass undertone, the jacket is an art form like no other.
To introduce its new space, an incubator for creativity, ALLDAYEVERYDAY will present a selection of unique jackets, as customized by talents from the colliding worlds of art, fashion and music.” – ALLDAYEVERYDAY
Their show opens this saturday (the 27th) in New York. Wach the commercial for their show after the jump, sounds great!