Nicholas Bohac creates psychedelic collage landscapes that fuse fantasy with images of urban and bucolic spaces. These landscapes reveal both the natural environment as well as man made structures within those spaces. Bohac is concerned with our current ecological climate and while the role of urban spaces is not overtly problematic, the works represent the struggle of control between man and nature.
Bubi Canal is a Spanish visual artist living in New York City. Bubi teleports us to impossible worlds full of emotions and mysterious and intriguing characters. His work combines different types of media and artistic methods including photography, video and sculpture and deals with the recurring themes of human wishes, dreams, magic and love.
Aaron Leif Nicholson has an affinity for creating life-sized sculptures of imposing characters (like witch doctors and Yetis) that seem to have stepped straight out of a nightmare. Nicholson’s “Coney Island Star Man” is a prime example: faceles and hunched over the ground, he lurks on a beach as if he’s watching you. Nicholson brings his sculptural background to other works as well, which include mixed-media drawings and paintings, lending traditionally two-dimensional art a three-dimensional quality.
Sheena Matheiken decided to start The Uniform Project in May 2009 by pledging to wear the same uniform dress for the next 365 days. She has 7 identical dresses, 1 for each day of the week, and the only thing that will change are her vintage, hand-made, or second-hand accessories and how far her creativity will take each outfit.
The Uniform Project is aimed at raising money for the Akanksha Foundation, a movement that hopes to change the lives of many children in India with the gift of education. As someone who was raised in India and had no choice but to wear uniforms to school, Sheena Matheiken has now chosen to rewind to the days of uniforms for a good cause.
Canadian artist Erin Loree crafts luscious abstract paintings that have an incredible sense of light. The vibrant pictures feature incredible blues, magentas, yellows, and many more spread over a canvas. Loree varies her approach to texture, with some areas of smoothly-applied paint and others with short, thick brush strokes. They work together and form alluring artworks that resemble portraits and at times, landscapes.
Considering the scale of Loree’s strokes, the subjects that she’s painted seem to be captured at a close range. Large, sweeping lines form vague outlines of heads and shoulders, and with names like Energy body, it’s hard not to associate them with that. But, instead of giving us the an idea of what this physical body looks like, Loree uses gesture and intense hues to communicate an inner spirit or feeling. Some of her works appear as if they’re glowing from within – the essence of an intrinsic light that exists inside living beings.
Nice selection of illustrations on Neil Preston’s portfolio site. I especially like the Shakespeare cover series (pictured above)
For his series Animal Eyes, the Armenian photographer Suren Manvelyan captures close-ups of animal eyeballs belonging to diverse creatures, revealing both the complexity and universality of the organ. Beneath his macro lens, these small circular organs appear paradoxically vast; at times, their curved surfaces resemble the entirety of planet Earth as seen from space, cloudy with ribbons of pigmentation. Here, the eyes, considered to be windows to the soul, reflect back a cosmic realm that evokes the metaphysical, but at the same time, they are startlingly material. The pupil, a seeming abyss ascending into the unknown, is cushioned by substantial tissues that ground us firmly within the corporeal world.
Though the species shot here vary immensely, a comforting uniformity emerges from the images; through the changes in iris hue and pupil dilation, there is a shared urgency in each gaze, a sweeping desire simply to see. The horse, his eyes veiled in straw-like lashes, fixes the lens with the same intensity as the hippo, whose wrinkled, fleshy eyelids peel back. Where most photography relies upon the assumption that we may watch without fear of being observed ourselves, Manvelyan’s images inspire within us a sense of being seen; are these opened eyes, these celestial orbs, looking back at us? What do they see? Check out the artist’s photographs of the human eye here. (via Agonistica)
Photography by Ryan Pavlovich.