If you’re in Toronto, or going to be before november 3, you should check out Permanent Demandat Cooper Cole Gallery right now. CC put together some smart, funny, and energetic pieces loosely about art and consumerism by Jesse Harris, William Buzzell, and Andrew Jeffrey Wright to make what looks to be a great show.
“This exhibition, Permanent Demand, explores the impact consumer culture has on society and the idea of art as commodity. Subjects tackled include wealth and social structures, luxury goods and real estate, politics and products. While each artist works in a very different style, a dialogue between the three exists through shared cultural influences of a generation. This exhibition will feature an accompanying catalogue available in a limited edition.” – Cooper Cole Gallery
Pedro Campiche (AKA.CORLEONE) is a graphic designer and illustrator from Portugal. His work includes illustration and type play. He is also the founder of OK! Collective, a platform for creative and artistic projects. At just 24 years of age, it’s definately impressive. Stop by his page and give him some positive feedback because his work is awesome.
The end of 2013 is just around the corner and we are in the mode of individually and collectively reflecting back on the past year and looking towards the coming year. The List is one of the ways we do this and the practice of making lists is in full force right now. Lists like 50 Best Albums of 2013, Top Five Artists To Watch In 2014, Highest Paid Actors/Actresses Of The Year, the classic new years resolutions lists, and so on, are everywhere. We are obsessed with lists. And as I personally began compiling categorical articles that are essentially lists in their own right on Beautiful Decay in 2013, covering topics like 8 Heavy Metal Artists and 6 Artists Who Work With Trash, I felt it only appropriate to finish the year with a list based article covering artists who have used the format of the list in their artworks.
Moroccan painter Zakaria Ramhani creates large-scale portraits using Arabic calligraphy as a medium to convey form. Ramhani uses the beautiful painterly forms of Islamic calligraphy to depict and further expound and question political issues, Muslim identity, Islamic piety, text and image in the Muslim culture, amongst other things. Through his technique, the artist defies and contradicts the religious taboo on figuration, which is, to say the least, a very scandalous thing to do. These works are part of a collection called May Allah Forgive you, a name derived from childhood memories of his father, a landscape painter, trying to avoid working on commissioned portraits of the human figure for religious reasons. His father would explain to Zakaria that ‘only god will forgive’ him for the sins he committed whilst painting the commissioned portraits.
Ramhani’s earlier work, precisely a piece called You Were my Only Love (2012), incited much controversy, as the work questioned religious tradition and the prevalent coercion at hand during the last couple of years in Egypt and the Middle East. The piece was banned from last year’s Art Dubai.
Zakaria’s first U.S. exhibition opened November 6th, at the Julie Meneret Contemporary Art (JMCA), a new gallery on the Lower East Side in NYC.
The work of artist Michael Murphy emphasizes personal perspective. Murphy builds upon several layers to construct a larger image only seen from a precise angle. When stepping away from that angle the image descends back into abstraction. Murphy uses this to express the social and political ideas implied several of his pieces. A portrait of Barack Obama diffuses to reveal very many shades of skin tones which accumulate to form a whole portrait. The simple shape of a Christian Crucifix is dismantled into an iconology of the symbol – a visual conversation of contemporary issues associated with the religion.
JeongMee Yoon’s current work, “The Pink and Blue Projects” explores the trends in cultural preferences and the differences in the tastes of children (and their parents) from diverse cultures, ethnic groups as well as gender socialization and identity. The work also raises other issues, such as the relationship between gender and consumerism, urbanization, the globalization of consumerism and the new capitalism. The topic seems to be well tread territory already but it’s still crazy to visualize. Some of the poses that these kids strike are interesting too.
Food artist Tisha Cherry turns the mundane into magical with the use of simple foodstuffs. She creates art on Oreos with the sweet frosting acting as her “paint.” The results are portraits of Yoda from Star Wars, Snoopy the dog, Mona Lisa’s face, and more. The small, impressive works look impeccable and present a conundrum for those who have a sweet tooth: to eat or not to eat?
Cherry’s food art extends beyond the twistable cookies. On her Instagram, you’ll find food arrangements, portraits, and a love for The Simpsons under the hashtag #ArtintheEats. Her Oreos are the most impressive, however, just based on their 2 inch scale and craftsmanship. The white icing has a luscious texture with subtleties that look like they were applied using a palette knife.
If you enjoy these portraits, check out the work of Judith G. Klausner. She also created relief sculptures on the iconic cookies. Is this a tasty new trend in art? (Via Illusion)
If you are lucky enough to be in Los Angeles you can catch their antics next month at “Legacy IIX”. The mysterious show opens April 3rd at Synchronicity Space and runs until May 1st. Your guess is as good as mine what might happen. Flyer for the show and other works after the cut.