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Angelo Merendino Photographs His Wife’s Battle With Terminal Cancer

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Five months after being wed in Central Park, while most couples are settling into a new blissful life together, Angelo Merendino and his wife Jennifer received troubling news: Jennifer had breast cancer.

Of this diagnosis, and the journey that ensued, Angelo states, “With each challenge we grew closer. Words became less important. One night Jen had just been admitted to the hospital, her pain was out of control. She grabbed my arm, her eyes watering, ‘You have to look in my eyes, that’s the only way I can handle this pain.'”

Angelo took his wife’s request seriously and his photographs, collected here, document not just her struggle with cancer, but also a certain compassionate way of looking– a presence from behind the lens that is not exploiting nor agenda-driven. Each black and white image from Angelo shows the necessity of bearing witness or being a vulnerable presence that is sharing in the difficult and very human experience of love and loss.

Angelo additionally notes, “We loved each other with every bit of our souls. Jen taught me to love, to listen, to give and to believe in others and myself. I’ve never been as happy as I was during this time.”

For those of us touched by cancer, we can relate to Angelo’s statement — sickness is not just about the disease, it’s about relationships: how we deepen with one another by practicing empathy and how this feeling palpably echoes long after someone passes. Capturing this feeling in art, the way Angelo has, connects not just two people, but many millions more.

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Marc Quinn’s Provocative Surrealist Sculptures

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Marc Quinn’s surreal sculpture work is undeniably provocative and captivating. While he uses many different materials for his sculpture and installation work, he always seems to address the idea of bodies and their boundaries, the materiality of the human condition, or the relationship between nature and culture. Quinn’s 2004 exhibition, The Complete Marbles, is a collection of marble sculptures depicting amputees and disabled individuals that alludes to the style of Greco-Roman statues. Quinn recently donated his paradoxical sculpture from 2008, “Planet,” for permanent display at the Gardens by the Bay in Singapore. Very large and heavy, this sculpture depicts his son as a sleeping baby and appears weightless, almost floating. His most recent solo exhibition, All the Time in the World, is currently on display at Mary Boone Gallery in New York until June 29th.

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Tim Flach’s incredible Photographs of Dogs

Everyone love a cute photo of a dog but London based Tim Flach’s dog photographs show mans best friend in a completely new light. Bringing the viewer into close-up proximity with their animal subjects, painstakingly lit, carefully cropped for maximum graphic impact and animated by telling gestures, these photographs place us in an intimate relationship with their protagonists. They are far removed from wildlife photography’s documentary images of animals observed in their natural habitat. In fact, the treatment accorded to these particular creatures is not dissimilar from close encounters with individuals that are the stuff of human portraiture.

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Night Lights

Night Lights is an installation project by YesYesNo, who teamed up with The Church, Inside Out Productions and Electric Canvas, to transform Auckland Ferry Building into the fun-nest most interactive large scale installation project I’ve seen. From technical details of software making, to the audience jumping up and down, playing with this big installation project space, this video will leave a smile on your face and wishing you could have tried jumping and tapping as the folks on the video were.

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Jati Putra Creates Surrealist Landscapes By Distorting And Manipulating Photographs

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In Jati Putra’s world, gravity doesn’t apply. People, nature and urbanism move around in total freedom. The sky becomes the ocean, dolphins dive in between seas and people enjoy a day at the beach inside a stadium. The pictures’ new aspect and the washed out colors resemble surrealistic landscapes inspired by Salvador Dali.

The Indonesian graphic designer knows how to manipulate and distort the simplest sceneries and create bizarre yet reassuring new environments. Using photo manipulation, he flips the main subjects around, alters ‘normal’ angles and shifts his characters into intriguing scenarios. The process is achieved in an unpretentious manner. Each picture demonstrates the ability for Jati Putra to envision an imaginary set as close to reality as possible.

Playing with reality, changing perspectives and the way we look at our daily lives. Without extravagant scenarios, the designer creates entertainment that is subtle and graceful. A surfer on the surface of the earth, jellyfish flying over a mountain or a lady admiring the earth imitating a sun-set. There’s no logic in Jati Putra’s elements. Only an invitation to travel in between a dimensional space of his own, drifting the viewer’s unconsciousness from the earth up to the sky, from his reality to his dreams. (Via Design Boom)

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Jon MacNair

Jon MacNair

Jon MacNair was born in Seoul, South Korea and grew up in the suburbs of southeast Michigan where he developed a love of drawing. After many years of having people tell him “You should be an artist”, he decided to attend The Maryland Institute College of Art where he earned a Bachelors of Fine Art in illustration. These days Jon can be found doing freelance illustration for many editorial publications. He has also enjoyed success with his fine art, having shown work in galleries across the country.

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Dominik Tarabanski’s Editorial Photography is Surreal yet Minimal

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New York based fashion photographer, Dominik Tarabanski, creates surreal editorial photographs that evolve around the notion of a ‘modern human’–minimal and sophisticated yet weird and edgy. Think of it like this: a mix between the early surreal photographs of May Ray and Lady Gaga’s outrageous closet and styling.

My interest and inspirations evolve around the modern human, photography is always the ultimate form of reflection. I hope that my visual sensibility will one day lead to a simple, pure and perfect organic form. I want to talk about the phenomenon of fashion in my own conceptual way, which leads to a smooth transition into the art domain. – Tarabanski

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Ben Frost

Ben Frost

Australian artist Ben Frost’s Lost in the Supermarket (now showing at Bout, a reference to The Clash song, remarks on the over stimulation, confusion and daily hypnosis we are trapped by, as we struggle to stand still on a buzzing psychedelic landscape of brands, identities and social demands.

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