It’s a never ending summer inside Dan McCarthy’s world. The mirage created by the blue ocean and the red flesh of the bodys on the beach, captivates the eye which is enticed to stare at the warm nuances that the painting is offering. The “dreamscapes” are liberating.
The artist is not only is a painter, sculptor, messenger; he is a poet. Through his art, his desire is to create a memory. The details don’t have to be remembered; the viewer leaving with a feeling of freedom and comfort is the optimal destiny of his work.
The barely dressed women and men are expressing personal emotions and allowing the viewers to feel their fragility. Accessorized by fish, birds, mountains and rainbows they encourage a dialogue in the direction of nature and the world at large. The props such as a guitar, skateboard and surfboard are symbols used to reiterate location; these devices lead the viewer to fill in the gaps based on other clues like paint handling and materiality.
Dan McCarthy works quickly by rinsing and blotting thin layers of washed out pastel tones, allowing the paint to drip down the canvas. It’s a process based largely on intuition and working within the moment. He is stripping it all down to the essential basics, trying to let the sunshine in.
He recently started to work on ceramic sculptures that he calls Facepots. Wanting to express emotion, attitude and humour in his work, he chose faces as an obvious starting point. As Dan Mccarthy once remarked: “I’d like to include in my work something of the living spirit, something positive that can be taken away and built upon by a viewer. Certainly more a feeling than an attitude or ideology”.