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Chris Appelhans

Character Design for Monster House: Jenny, DJ, and Chowder

Character Design for Monster House: Jenny, DJ, and Chowder

 

Chris Appelhans has done some awesome production and character design for films like Monster House, City of Ember, and Coraline. He exhibits a fabulous range, from the ultra-dark and disgustingly well-rendered to the innocent and simple–and oftentimes the two realms overlap. How his work always seems to retain a sense of hope is beyond me! 

 

Check out his Frank and Frank cartoons as well as his modern-day adaptation of Alice in Wonderland (pictures after the jump, of course!). 

 

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CLICK TO COLLECT- AFFORDABLE ARTIST ORIGINALS PRESENTS: Steve Kim

Supersecretpowwow, 2011
8.5 x 11 inches, colored pencil on paper,  $450

Welcome to this weeks offering of Click To Collect, Beautiful/Decay’s campaign to help art lovers start their collection of original artists works at affordable prices. Our featured artist this week is Steve Kim whose delicately rendred color pencil drawings look like futuristic blue prints for the human body. This is the very first time we’re offering Steve’s original drawings for sale as part of our Click To Collect initiative to bring original works of art to the masses at affordable prices. Read more about Steve’s work, see detail images of these gorgeous drawings, and find out more about Click To Collect after the jump!

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Magomed Dovjenko Site Relaunch

Magomed Dovjenko updates his portfolio site with all sorts of new illustration goodness. Keep an eye out for Magomed in the June issue of Beautiful/Decay along with a killer new shirt design by him.

 

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Awesome Video of the Day: Reloaded by Baskerville

Claymation at its finest can be found in this video by Baskerville. Tagged as “a scientific experiement gone terribly terribly wrong”, It’s so detailed right down to the smoke which is made out of hair! Watch the video after the jump.

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Happy Halloween

This video is complete nonsense but I’m amused. This kid is creative!

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Chris Bors’ Hardcore Confrontation Of Violence

Paintings by Chris Bors.

“My recent paintings, which appropriate logos from hardcore punk bands, are meticulously hand painted to resemble silkscreen prints. I often incorporate drips of color that activate the surface and create a jarring contrast, which also references stain paintings of the 1950s and 60s. To compose the paintings, I combine images from various sources including vintage magazines, children’s activity books, websites, and my own drawings. The juxtaposition of these elements resembles the compositions of and mimics the tactics used in political messaging. The work also plays on the confrontation of violence and solidarity as expressed in a music genre that has roots based on a struggle for social justice.”

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A1One’s Street Calligraphy

A1One (aka Tanha) has claimed his influences to be as diverse as Australian Aboriginal art to Mayan narrative hieroglyphics, but what stands out most in his recent works is his strong connection to his Persian heritage and his Iranian homeland. A1One has been gaining recognition lately and rightfully so. His colorful, intricate scrawls on Tehran’s walls and canvases artfully blend Arabic calligraphy with current street culture, as well as address social issues around the globe.

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Hybrid Futures: Amy Congdon Uses Tissue Engineering To Grow Fashion Accessories

Amy Congden - Fashion, Design Amy Congden - Fashion, Design Amy Congden - Fashion, Design

Amy Congdon is a designer and researcher whose speculative “Biological Atelier” project brings fashion into the laboratory. The question driving her work is as follows: “What role will textile design play in the creation of biological products of the future?” (Source) Can we use tissue engineering to literally (and sustainably) grow fashion products, without creating waste, and without killing animals for their parts? As Congdon describes in the above video interview with Dezeen, her prospective collection would include a broach grafted onto the skin, and a collar attachment grown from an “an exotic mix of scales and leather.”

By combining textile design with tissue engineering, the possibilities for fashion products are virtually endless. “You could engineer specific properties into them,” Congdon explains. “They could be water repellent, or you could engineer the colour into them so you’re not having to dye them.” Furthermore — and here we enter the realm of a maybe-not-so-distant sci-fi future — Congdon hypothesizes that we could create hybrid materials, textiles deriving from combinations of organic tissues that have never occurred in nature.

While the conceptual pieces are beautiful, they may produce a sense of unease for some. Fashion, after all, usually involves commodities we put on and over our bodies, not ones that we graft on, and certainly not those made of materials birthed in a laboratory. This creates fascinating questions for the future of our bodies (and our consumer habits) — we could conceivably become hybridized by our fashion. As Congdon writes compellingly on her website:

“With one of the most controversial sets of materials becoming available for manipulation, i.e. our body, and those of other species, it could be argued that future fashion is grown from the ultimate commodity.” (Source)

Whether the concepts behind the “Biological Atelier” project fascinate or unnerve us (or both), Congdon points out the necessity for such speculative work. “We really need to acknowledge that we are living on just one planet, so we have finite resources,” she explains in the video. “So we really need to think about new ways that we might produce materials and products.” Such research, after all, may one day mean less suffering for the people, animals, and environments harmed by commodity production.

Visit Cogdon’s website to learn more. (Via Dezeen)

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