Skote disrupts your normal routine. Founded in 2006 by artists Jill Pangallo and Alex P White, Skote is a performance collaboration dedicated to the value of artistic play and group dynamics. Skote utilizes the unpredictability of public interventions and the accompanying documentation to evoke an alternate universe that blurs the boundaries between visual art and theater, audience and performer, fiction and fact. “Produce. Consume. Discard. Are you buying?”
One of the best things about publishing a magazine is having packages from distant lands (Canada) show up in our PO Box. You never know what you’re going to get. Sometimes we get complete junk…. but once in a while, we hit the jackpot with something that you want to hang on to. Case in point: this cool mini ‘zine by T. Reilly Hodgson called C inical Depression. Not only is this a great example of what a few bucks and some time at your local copy center can create, but I also love getting packages with hand written notes. Even our address is tricked out on the envelope! Reminds me of B/D’s humble beginnings when we hand wrote notes to subscribers. Maybe we should go back to that?
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The artist Kim Jae Il is playing a game, using a make-believe print effect to entice the eyes to get lost into the pattern; voluptuous lines of textured round drops running on the canvas. This is the beautiful visual Kim Jae Il is giving us. If watched from far away the viewer is mesmerized by the scenery, colored water bubbles creating a spiral, loosing itself within the white background.
The bubbles seen are in fact the opposite of a texture. They are the result of an image incised into a surface, the negative space accentuating the hollow shape. This technique is called intaglio. It’s a print technique where the lines to be printed are cut into the base material. Kim Jae Il is using three dimensional sculptural expressions blended with two dimensional pictorial expressions. The cubic and plane layers are meant to push forward the perspective and fabricate an optical illusion.
Kim Jae Il’s intention is to turn the most ordinary into a dynamic mode. Using the motion as a vanished mirage; leaving a vague trace that can only be remembered. The artist wants to “engrave his own vestige”. He gracefully invites us to dig into his art, not just to admire it from far. Because like this vibrating world that we are living in, there’s more that can be decrypted.
I don’t know what the weather is like where you’re at but it’s officially beach weather in sunny California. It’s been so hot that even gramps is tossing on his bathing suit, putting on the coppertone, and blasting the jams at the beach. Don’t believe me? Just watch this video by Columbus after the jump and see for yourself!
Ghostly figures and landscapes by Stef Driesen.
Someone had to do it. Catherine Chalmers did it beautifully. Damn. Why are you keeping it so real?
The work of Italian artist Alberto Tadiello peeks into the vagaries of technology, nature, and their relationships. For example, the first five photos of this post depict the installation EPROM (an acronym for Erasable Programmable Read Only Memory). The installation mounted on the wall consists of music boxes connected to small electric motors, which are in turn connected to transformers. While the tinny notes of the music boxes may conjure memories of childhood at first, the motors and music boxes are soon spinning faster than the mechanisms can withstand. Eventually the motors wear out reducing the ‘music’ to a hardly noticeable noise. Of this event, the gallery statement says:
“Once the pawls wear out the noise slowly becomes less noticeable and even indistinguishable. The high-speed movement is associated with a sort of cathartic event, which relieves the music box interface from bearing nostalgic feelings.” [via]