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Jasper James

London photographer Jasper James has visited some international meccas: New York, London and Beijing, trying “to get as high up in the city as possible to give [him] an overview and a sense of scale to the size of the city,” and to to combine the micro with the macro- the individual and the cityscape into one shot. Even though I’m in China right now, I’ve yet to see the beautiful same view as he’s managed to capture in these shots.

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JK Keller’s Self Obssessed

Designer/Artist/Self-Obssessor JK Keller really knows how to make use of his tools. Witness his curious expertise as JK wills the computer to create these amazing works of art. With a conceptual work ethic that borders on mischief, Keller humorously exposes to us the inherent beauty within the hidden structures in our lives.

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Interview: Human Empire

Human Empire is a multidisciplinary design collective that creates playful and iconic works. Beautiful/Decay recently interviewed them about how their collective was started, their influences, and recent projects.

 

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Sarah A. King

fruit

London based illustrator Sarah A. King mastered up these playful typography illustrations – on fruit!?  It’s interesting how the type looks slightly burned on the fruit, even tattooed.

You’ll find an impressive collection of work on her site including a typography illustration of Darwin.  Included are a lot of close-up images so you’re able to see the detail and work that’s been put forth.

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Jacob Escobedo Illustrates The Shins Album And Ray Bradbury’s Last Story

A beautiful of collection of mixed media illustrations by Jacob Escobedo including a bunch of artworks for The Shins as well as six illustrations for the June Science Fiction issue of The New Yorker that illustrated Ray Bradbury’s last published story. The New Yorker issue was released one day before Bradbury’s death.

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A Warped House from Martine Feipel and Jean Bechameil

Martine Feipel Jean Bechameil installation2 Martine Feipel Jean Bechameil installation1

Martine Feipel Jean Bechameil installation9

This installation of Martine Feipel and Jean Bechameil is as much about the structure as the empty space within it.  The installation’s title Le Cercle Fermé, or the Closed Circle, offers a clue.  Like a closed circle Feipel and Bechameil offer a finite space that in some ways look familiar, much like a home.  However, the artists playfully alter the structure and its furnishings to throw viewers off balance.  The warped rooms make visitors acutely aware of the space and how they interact with it.  In a way this calls to mind more benign spaces like bedrooms or kitchens, and encourages us to consider how such familiar spaces influence daily life. [via]

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Richard Wathen Mines The History Of Painting

Richard Wathen mines the history of painting tipping his hat to everyone from Picasso to Ingres.

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Helmut Smits’s Sculpture Turns Coca-Cola Into Water

Helmut Smits - Sculpture

Helmut Smits - Sculpture

Helmut Smits - Sculpture

Helmut Smits - Sculpture

Helmut Smits’ repertoire of sculptures mostly consists of mundane objects such as pieces of bread or a candle stuck in a lamp, so it may come as some surprise that his most recent sculpture is somewhat of a reverse miracle. Most of us have heard of water turning to wine, but Smits has collaborated with Martien Wurdemann to turn Coca-Cola into water.

Coca-Cola is an icon that many artists have addressed over art history. What’s interesting in this idea, is that Coca-Cola is a corrosive substance, used sometimes even for cleaning car engines, and yet the artist is still able to extract the nutritional substance of the beverage. It’s clear that the water to original Coca-Cola ratio is low, which makes a lot of sense, and it also seems obvious that, of course, there would be water in Coca-Cola. Still, I’m impressed that it can be separated from whatever other questionable ingredients are floating around in there.

The sculpture is simple in its design, title, and concept. The title, ‘The Real Thing’ points to the idea that water is the real sustenance, at least as far as I can interpret. Can’t agree with you more, Smits! (Via Dezeen)

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