Combining elements of illustration, drawing, and digital media, Ryan Seaman‘s work has a lot movement and a lot of layers. Inspired by photography, painting and drawing, his design contains many elements of grunge, that he successfully combines with other media to create dynamic designs.
Mari LaCure is an artist interested in the minute. She understands the importance of every single element – and explores them with woodblock printing, etching, watercolor, pen, colored pencil, and hand-stitching. Her work uses the macro and microscopic of nature for inspiration to create an aesthetic that looks incredible on screen, and probably even better in person.
Mathieu Lefevre’s multidisciplinary practice, encompassing sculpture, painting, and photography use humor, irony and cynicism to test the fragility and the flexibility of the mediums he employs in his work.By seeking to rearrange and disrupt the relationships between viewer, creator, commodity and context his work raise questions as to what art can be, what it is worth and what is its role in a cultural and commercial framework.
Straight out of Rutger’s MFA Painting program, Paul DeMuro is creating some wildly thick paintings. The first time I ever saw his work was at Jolie Laide’s Tri-State show, and he flat-out stole the show. These paintings are way too physically powerful for the internet to capture any of the ka-pow they possess, but you can still get a general feel for these high-energy works. Unfortunately, he just finished up a two-man show with Alex Da Corte at Jolie Laide, entitled BLEACH, but I’m sure he’ll have plenty of future shows so you can get a chance to check out his work in its proper environment (a primer).
Collaborators Marquismontes must be a fashion shoot chameleon, able to shoot in hundreds of various styles, looks, and techniques that keeps the viewer on their toes and wondering what they’ll do next!
Jota Castro is an artist concerned with security. His pieces show you everything and forget to beg for forgiveness. They seem to like people, but hate owners. The work offers no chance for remorse, but that is the best thing about them.
Rupert Shrive turns his paintings into sculptures by crumpling, twisting, and sometimes including odd materials to create architecturally evocative works. In some of his works, the three-dimensional elements complement his portraits; in others, they deform the faces of his works, twisting cheeks and lips and replacing noses and eyes to create a patchwork of various styles and colors.
When you look at Shrive’s work, you get the sense that there’s something urgent and almost desperate being communicated. At the very least, you feel a slight wince as you think about how much of a calculated risk he must have taken. In an interview with Michael Peppiatt, Shrive says of his process: “… It is painful and I’m always very scared when I start crushing them and it’s very risky because you only have so many movements you can make before you’ve lost the big dynamic crush that you’re going for.”
Risky as it is, that extra third dimension is a crucial element of Shrive’s artwork, enabling him to highlight certain features and create unique landscapes out of his portraits. (h/t I Need A Guide)