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Catherine Ryan’s Mystery

Bad boy Christians, sheet covered ghosts, cat kidnappers, and bizarre cults can all be found in the mysterious narrative paintings of  San Francisco based Catherine Ryan.

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B/D In Wonderland

 

What the inside of my brain looks like after a long day of art making about Beautiful/Decay working!

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Milo Moire Drops Eggs From Her Private Parts To Create Abstract Paintings

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The German performance artist Milo Moire gives birth to her paintings… literally; in pushing eggs, filled with ink and acrylic paint, from her vaginal canal, she allows them to break and splatter onto a pristine white canvas. The unusual work, titled “PlopEgg,” necessitates that the artist be nude from head to toe, and it is the first of a series of similar performances at the opening of 2014’s Art Cologne fair.

For Moire, the work embodies the creative and spontaneous powers of femininity; her exposed body and vagina give rise to streaming rivers of earthy colors: rich reds, browns, and grays. The muddied hues recall human birth, from the breaking of the water to the release of blood; her hulking, straining body stands like a statue on high, and the act of labor is elevated, made majestic and potent. The visceral image of her lengthy squat, the cracking noise as egg hits pavement, serves as a testament to the symbolic strength of the vagina, the power of both woman and the creative mind to conceive and reproduce.

Inspired perhaps by Carolee Schneemann’s 1975 Interior Scroll (and even Casey Jenkins‘s recent vaginal knitting project), Moire uses her internal sex organ to birth something external and tangible, but she simplifies the process; where Schneemann removed complex words, Moire births primitive splashes of colors. In doing so, she doubles the sensuality and feminine context of her efforts; where text is often associated with maleness, the chaotic, free-flowing aesthetic of “EggPlop” is normally iconographically linked to womanhood.

At the close of her performance, the artist folds her paper canvas like a bed sheet, sweeping over it so as to transfer the paint from one side the another. In this way, the image is reproduced; like a cell divided, one becomes two. The symmetrical of the resultant image is also evocative of the female reproductive system, vividly mirroring the uterine structure. Take a look. (via Source Fed)

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Steve Nishimoto’s Abstract Magnifications

Steve Nishimoto lives and works in New York. He creates large pieces that approach abstract painting with a sense of humor. His paintings frequently examine modern subject matter such as the anonymous character featured on the display of generic ATM machines spread throughout the city or the word “Time” written as if it were a CAPTCHA on the internet. Another trademark is his magnification of the mundane and overlooked, from the security patterns within envelopes to 99 Cent Store tags Nishimoto reminds the viewer that anything can inspire.      

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E.V. Day’s Tongue And Clam Sculptures Ooze With A Grotesque Eroticism

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Untitled (2005). Abalone, coyote tongue, black mother of pearl, and resin.

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Pearl (2005). Rubber coyote tongue, fresh water pearl, and resin.

E.V. Day - Sculpture

Tongue Tied 5 (2008). Cast rubber, nickel-plated rings and chains, on wood panel. 11 x 12 x 5.5 inches.

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Doublestuff (2004). Clam with mink and raccoon tongue and resin.

E.V. Day is a New York-based installation artist and sculptor who knows how to stimulate the senses while engaging the mind. Recognized for her bold explorations of gender and sexuality, her works ooze with a critically-engaging — and sometimes grotesque — erotic energy. This particular series is an ongoing project that Day began in 2003, and it features intriguing combinations of animal tongues, clamshells, and resin. Drenched and dripping with saliva, muscular tongues extend out of and into open, opalescent clamshells. Some are mounted on walls, with piercings and chains pulling them together; one even incorporates a nylon thong, which has been made to look grossly visceral. Most of the sculptures feature a glistening pearl as a finishing touch.

It goes without saying that the sexual imagery in this series is intensely palpable — the tongues are seen as phallic, and the clamshells and pearls evocative of female genitalia. However, Day’s work goes beyond representing biological sex in a reductionist way, and in fact resists such dualism. As her biography states, her work is aimed at “transform[ing] social stereotypes and playfully illuminat[ing] contradictions of gender roles by re-animating the recognizable into new forms and new meaning” (Source). With tongues and clams, Day has constructed a clever, dark, and almost humorous subversion of the male/female binary by creating abstract hybrid pieces; we identify sexual symbols in her sculptures, but they are fused together, interacting in surprising and unexpected ways that challenge heteronormative representations of sex. The fact that they are animal tongues adds an additional layer of categorical ambiguity and discomfort, but — aside from the initial shock and aversion — the result is a set of artworks that provoke us into reinterpreting the body’s relationship with sex and desire.

Visit Day’s website for a catalogue of her varied and fascinating work. Well-known for her suspended sculptures, other projects include animal skeletons hovering in dynamic poses, and a wedding dress exploding into abstract shards. More tongue-and-clam hybrids after the jump.

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Justine Khamara’s Warped Photograph Collage Sculptures

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The work of Melbourne based artist Justine Khamara may at first appear to be digital manipulations, but these sculptures are in fact photographs that have been physically manipulated. By cutting, shredding, and shaping pieces of mostly portrait photographs, Khamara creates these absurd and warped images. She sculpts some photographs into spheres or other three-dimensional forms, others she weaves or skews but maintains more of the image of the original photograph, only with a warped effect. In some of her work, she has copied the image of a single body part multiple times, and sculpted fractal-like shapes that give an appearance of continuity. The hand-cut precision of these constructions demonstrates Khamara’s fine attention to detail and use of a medium that usually utilizes a broader variety of images. (via skumar’s)

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Spew Barrymore

I have blogged about Lachlann Rattray before in the stone and mortar days of our old blog, but now that we have these nifty “tag” things, I wanted to formally re-introduce this artist to the new system as one of my fave Flickr-Finds-Forevs along with some of his new stuff. His work is hilarious and almost always composed of gooey deformed pastel neon combinations- usually mocking celebrities and humans in general. He also prints his own awesome shirts and sweatshirts. They’re all so good I don’t know how to choooooseeeeeeee ahhhhhh….

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chen wenling

Chinese artist Chen Wenling’s massive sculptures are completely grotesque, perverse, and completely fascinating. In other words one of our favorite finds for the week!

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