“This spot is in a highway ghost town about three minutes from my house. I only ever go there to check the post office box or to waste my money on expensive petrol. The bag on the ground at the start of ledge has about a hundred tea candles in it. I had to use about fifteen of them before I was sliding at all. The wall is really rough and it’s a lot closer than it looks. The challenge was more to not cut my hand on the jagged bits of concrete poking out than to do the noseslide. The ledge is full of cracks and holes and isn’t really the easiest thing to skate. All those blurry yellowy/orange areas along the ground are leaves. Lots of little piles of dried out winter leaves; perfect for landing in and rolling through. The shot is taken not more than five meters from the edge of a road that happens to be the Pacific Highway – the segment of Highway 1 that joins Brisbane to Sydney and is thus a pretty intimidating audience of bikers, truck drivers and travellers to perform in front of.
But what I dig about this photo is that none of that is apparent.
The ledge appears smooth and seems to slide, the wall looks harmless, the leaves are more shimmering puddles of gold than they are crunchy yellow landing hazards and the composition isn’t concerned with the hundreds of people that would’ve driven past while we were skating there. I don’t usually like photos or videos of myself skating. It’s so easy to criticize yourself. But this photo has a lot more going on that just the trick…I love this photo.”
These photos were shot by Isaac’s brother, Gabe Roxburgh, with the new Lensbaby Spark. Lensbaby is running a photo story contest called Show and Tell over on their Facebook page. Check it out here to see more photo stories, and share your own for a chance to win.
Fashion photographer Per Zennstrom & 3D artist Torsten Weese collaborate on a multimedia project, White Noise Shores, that juxtaposes 3D technology with old-school photography in order to create sculpture compositions.
These beautiful shots resemble human bodies that mesh with what seems to be the digital fabric of what makes the basic 3D animation. The stunning compositions are strictly rendered in neutral colors and, at times, its vague composition is reminiscent of early abstraction (in that it is not fully abstract since it is somewhat figurative).
After the real-life photoshoot, the 40-50 still frames captured were uploaded into the free AutoDesk 123D Catch software which allows anyone with an internet connection to create real 3D models of virtually any object. The software stitches the images together and produces a 3D model in about 30 minutes.
The model acquired through the AutoDesk was then“sculpted by hand” in Sculptris to refine and enhance the digital sculpture. The next step was to hand the model over to Thorsten Japser Weese and his team at Recom-CGI for processing and editing. The camera flight and the rendering for the ANIMATION is done inf VRED professional and the passes were comped in NUKE and got little FX in After Effects. The team at Recom rendered a number of stills, video and 3D models which were then brought back to Per Zennstrom for final editing in Premiere and After Effects.
Welcome to this weeks offering of Click To Collect, Beautiful/Decay’s campaign to help art lovers start their collection of original artists works at affordable prices. Our featured artist this week is Todd Ryan White who brings us explosively detailed drawings of wizards, warlocks, and bearded goblins all exquisitely rendred on hand featured paper. For the first time ever we are offering Todd’s original drawings for sale as part of our Click To Collect initiative to bring original works of art to the masses at affordable prices. Read more about Todd’ss fantastic work and see more pieces that are available for sale after the jump!
Artist Stefanie Herr’s topographic artworks are inspired by maps. When traveling, she writes, they facilitate navigation and orientation, and drawings by cartographers are the starting point of her work. To create her sculptures, images are printed on photographic paper, mounted on matboard, hand cut into tiny pieces and assembled. They resemble maps that show changes in elevation once completed. But, instead of rivers, plains, and mountains, Herr features faces of people.
She calls these pieces experiments on landscapes models that merge photography and sculpture. They often take weeks to complete. In an artist statement, Herr writes:
Photography abandons the two-dimensional plane and sets out to conquer the space. In search of suitable maps, however, I do not only focus on the shape of the terrain, but also on place names. As toponyms can inspire strong images or even stories, they often interfere in the development of my projects. When shooting photos, I mainly choose top, side and front view representations – I particularly like making use of “aerial” views on a scale of 1:1.
In addition to this inspiration, Herr is also concerned about environmental degradation and rapid loss of biodiversity. She further explains:
Unique natural heritage is gradually being depleted or replaced for the mere purpose of economic growth, and it seems that we have completely forgotten about the aesthetic values of landscape. As a world citizen, I am concerned about contemporary landscape change and the prevailing landscape perception. Topographic Fine Art mainly deals with these issues and, even though on a reduced scale, attempts to capture some of the natural beauty that surrounds us. (Via Lustik)
Photographer James Florio created the series Homeless in Orlando. Alternating between slides of text and black and white photographs. The series captures the home and life of a homeless couple, Robert and Heather. Robert and Heather live in the woods of Orlando, Florida. The words and images describe the events that led to their home among the urban forests of the über-developed tourist hub.
The series feels much more like a film with its strong and touching narrative. Using a minimal amount of words and elegant photographs, Florio presents Robert and Heather in a way that is surprisingly emotionally engaging. He shows how typically simple tasks such as taking a shower, can become absurdly challenging. Homeless in Orlando provides a rare insight and is especially affecting. The rest of the Robert and Heather’s story unfolds after the jump. You’ll want to see it through to the last image.
London based Wilfrid Wood’s quirky abstractions based on the human head are a wonderful reminder that the act of play should always be present in art. Created out of baked clay and airbrushed to perfection these silly interpretations must be as much fun to make as they are to look at. (via)
Yup this video is as weird as the image above. If you’re a big fan of Mike Kelly, Ryan Trecartin, and alternative psychedelic music, New Zealand based Connan Mockasin just might be your favorite new band. Watch the full video after the jump.
In addition to creating public work in cities, Spanish street artist Borondo has recently used spray paint to recreate monochromatic portraits using a hay stack as as a canvas. Although he’s using this unconventional material (even for a public artist), his classically-inspired style and flawless technique are sustained. No matter the materials used, each piece of Borondo’s is blended artfully into its surroundings, creating a subtle, ghostly effect. While touring Italy this summer, Borondo painted a few large public pieces, including this haystack work in Cotignola, but his work can seen around the globe. (via from89)