Photographer Claire Sloan spent the last year documenting her life in a photographic journal, “the diary,” recording images of sleeping, meals, and the weather, so that each month stood out from the last. Be sure to check out her site and the rest of “the diary;” I love how she moves from black and white to stronger and stronger color as she transitions from the cold winter months into the summer.
In an attempt to finally stop the social stigma surrounding HIV, the German magazine Vangardist has printed over 3000 copies of their latest issue in a special ink infused with HIV+ blood. The blood was taken from 3 different volunteers who are living with the virus, and combined with printing ink at a ratio of 28 parts ink, to 1 part blood. Scientists at Harvard and Innsbruck Universities have come up with a unique way of mixing the two substances, and are certain the hard copies of the magazine carry no risk of infection. Even with all the assurances of the paper being perfectly safe to handle, the concern surrounding HIV is still worrying some critics. It would seem the attitude to the HIV virus is not so different to those of 30 years ago.
Julian Wiehl – the Publisher and CEO of Vangardist recognizes this and thought they could help inform people on the touchy subject. He says:
The editorial team at Vangardist is committed to dealing with a wide variety of topics affecting our readers. We believe that as a lifestyle magazine it is our responsibility to address the issues shaping society today. With 80% more confirmed cases of HIV being recorded in 2013 than 10 years previously, and an estimated 50% of HIV cases being detected late due to lack of testing caused by social stigma associated with the virus. This felt like a very relevant issue for us to focus on not just editorially but also from a broader communications stand point. (Source)
The launch of the Spring issue was designed to coincide with the Life Ball – one of the most important HIV events in the world, held in Vienna. The magazine has been available to subscribers since April 28th, and there is an online campaign that aims to breakdown the taboo. Be sure to read more about it here. (Via Fastcodesign)
Today we go behind the scenes with Emory Allen, one of the ten featured artists in our upcoming “Art Works Every Time” exhibition. Emory will be showing his latest series, which uncovers and explores the mythology of his Filipino heritage. The result is a collection of strange and beautiful images, vibrating with energetic linework. Read on to discover more about Emory’s work!
Treasure Hunt “Treasure Hunt is based on the artist’s childhood memories. Lee devoted three months to crafting the lush multitude of wire leaves – it evokes a child-like wonderland.”
South Korean artist Jee Young Lee spends weeks and even months converting her work space into an elaborate tableaux which the artist then photographs (and never alters with computer after effects). In a Seoul studio measuring smaller than 12′ x 13.5′ x 8′, the artist creates intricate scenes, employing various materials, and camera tricks to create narrartive photos which reference fables, cultural metaphors, and stories personal to the artist herself.
According to curator Hyewon Yi “Lee’s constructed realities belong to the “directorial mode,” employed since the 1980’s by Postmodernist photographers in repudiation of the Modernist practice that sought truth in the everyday world. Lee’s “constructed image photography” may be compared to the works of German sculptor and photographer Thomas Demand…U.S. installation artist and photographer Sandy Skoglund’s orchestrated room-size installations. But in contrast to these earlier artists, Lee’s subjects are deeply personal and intensely psychological. Drawing upon prodigious powers of imagination, she labors for months to create effects that seem to expand and contract physical space. And always, a lone figure inhabits and completes her narratives. Jee Young Lee assumes the roles of set designer, sculptor, performer, installation artist, and photographer – and she executes them all magically.”
OPIOM Gallery in Opio, France will be presenting Lee’s first European exhibition, a selection of her ongoing body of work called Stage of Mind. The exhibition opens February 7 and runs through March 7, 2014.(via mymodernmet)
Something is not quite right with Nandan Ghiya‘s portraits. Indeed, several are titled Download Error. Ghiya’s antique portraits of upper class men and women from the past seem to be physical manifestations of garbled JPEG files. Each portrait is collaged and each frame carefully modified in a ways that resemble corrupted digital photographs. The now forgotten subjects of these portraits may have sought posterity through these images and the artist seems to communicate this in a familiar visual language of the digital. He uses life documented through JPEG’s, glitches, and error messages to reflect the modern plastic identity.
Say hello to Harrison Roberts. Harrison stopped by our offices to drop off his work for the upcoming Art Works Every Time exhibit. He was a bit flushed and out of breath – having lugged his pieces, many of them quite large, up several flights of stairs on a muggy Los Angeles afternoon – and then we made him pose for our camera! I’ve been admiring his collection of 2 and 3-dimensional works. They speak so boldly from afar but I can’t help inspecting them from very close in order to take in all the unexpected details; his concoctions speak equally well – albeit with altered voices – from both perspectives. You can see Harrison’s complete collection next Saturday, June 12th, at the Art Works Every Time opening reception at L.A.’s Synchronicity Gallery. Thanks Harrison!
Simon Monk lives and works in London. He has an ongoing body of work entitled Secret Identity that consists of various action figures painted with oils exactly to scale. Depicting these figures within a plastic confine allows for a reflection on consumerism and commodification. These encapsulated mythic heroes are simultaneously honored and belittled.
Aorta is the name of a collaborative project between photographers kristian kraen and marco grizelj. since 1998 the two swedes have been working as a creative team in the most diverse photographic areas. the range of aorta includes people, fashion and still life photography for advertising, editorial and artistic purposes. kraen and grizelj are characterized by a playful use of film elements and a mode of expression that includes pathos and mysticism, as well as a fair allowance of profound humor which gives their photographic scenarios an unmistakable emotional concentration.