Kate Moross is a designer/illustrator based in London. She specializes in design and art direction in the music industry. Her style and work stand out because her graphics and colors are always simple and bold. Also, I think she’s responsible for the increased popularity of the triangle (ever since she adopted it as her logo). Whether you want to thank her or smack her for that you can’t deny that she has built up quite an impressive body of work. whether it be in the form of a tote bag, music video or signature clothing line for Topshop, Moross designs have become ubiquitous.
For Ruined Polaroids, William Miller uses a broken polaroid SX-70 that he stumbled upon at a yard sale; quickly discovering that its decades-old gears mangled the film and transformed the exposure, the artist submitted the the whims of the photographic relic, allowing it to form blurred and unpredictably patterned abstractions from his shots.
Within the “ruined” images, we find a surprising emotionality, with the faulty chemical process producing expressionistic renderings of a less literal kind of photographic memory. Cataloging the accidentally lovely results of mechanical happenstance, each shot enters a richly moody realm evocative of the work of mid-century abstract expressionists like Jackson Pollock or Mark Rothko. As the spastic movements of gears, chemicals, and fingers become the subject of the work, the artistic process overrides a predetermined result. Rather than serving as a record of a particular instant, Ruined Polaroids poignantly archives the accidental deterioration of a camera past its time.
Ultimately, the conceptual work also serves to refute contemporary understanding of the photograph. In her seminal work On Photography, published in 1977 at the height of polaroid popularity, Susan Sontag discusses the illusion of a photographic truth, theorizing that the photographer, unlike all other artists, is capable of disguising subjectivity for objective fact. Miller’s work expertly challenges this assumed power of the photographic medium, acutely presenting each image as evidence of its failures. The immediacy of the polaroid image only accelerates this process; printed instantly and held against some imagined reality, the bleeding lights and darks veer jarringly from what we expect from the camera. Take a look. (via Lost at E Minor and This Is Paper)
Toledo Ohio based artist Nate James has been creating album covers for electronic, hip-hop and ambient music groups since 2008. His surreal collages are influenced by spirituality, politics, and are interpretations and re-interpretations of influential music.
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Texas based photographer Nick Minton has been working on a personal project over the past few years titled Days With Rose. The series documents his great grandmother’s journey, at age 90, as she moves from her lifelong home & a life of independence to an assisted living community.
Neon lights are no longer bound to the buzzing drone of roadside restaurant signs as they have been freed by artist Yudi Noor. Yes that’s right, his mixed media works light themselves! Seriously though, check out his cool experimentation with neon tubes.
“Choi Xooang is an artist who sculpts concrete bodies. This may sound somewhat banal at first, but we come to be surprised at his ability to grasp the world pathologically. Choi’s understanding of the world began with his 10-20 cm miniature figures displayed at this first solo show. These miniature figures, suffering from an expansive delusion, do not realize their relative diminutiveness, and tend to overstate their ability and situation. They have a bloated musculature, partly enlarged bodies in macho-like gestures suited for revealing such megalomaniacal symptoms. Their effort to emphasize their existence through bragging and exaggerated gestures at times seems pompous, but they are too diminutive to impact the world, despite their attempts.
Choi’s concern with society’s pathological state later moved to an interest in vegetative states those making utmost efforts in living everyday life undergo. A person in a vegetative state cannot perceive or affect his surroundings at all due to serious brain damage, although he looks like he’s breathing, laughing, weeping, and awakening himself. Choi likens an individual’s mental state intimidated by an unidentified force, to a person in a vegetative powerless state. The artist’s perception of this state is confirmed in the work titled Vegetative State displayed at his second solo show. A bare tree grows from the head of a vulnerable man who has fallen down. This work, depicting a man changing into a vegetative state, like Daphne who transformed into a laurel, appears realistic and elaborate in its finishing, through its amazing figurative imagery and the meaning of the title.”-Ki Hye-kyung, Curator of National Museum of Contemporary Art, Korea
It seems like we just posted about the work of Chad Wys’ but we’re back again with some exciting new pieces by this talented artist. This time around we’re offering Chad’s gorgeously altered busts, china and other ornate antiques melting into fluid and luscious puddles.
Gringoflash has put together an awesome project! They have taken all of their favorite artists and visual designers and made them “MVAs” so to speak (Most Valuable Artist). I like this bizarre combination of two fields that are often kept separated – art and sports.