Untitled, 2014. Styrene index cards, metal, wood, paint and glue
(detail) Untitled, 2014. Styrene index cards, metal, wood, paint and glue
Tara Donovan (previously featured here) has famously used inorganic materials to emulate organic shapes, resembling hives, mountains and other natural configurations. Her most recent exhibition, Tara Donovan, at Pace Gallery’s Chelsea, New York, expands on the artist’s use of inventive materials, including index cards, a first for Donovan. Featuring two large-scale works, “the artist continues to explore the phenomenological effect of work created through the accumulation of identical objects”
The former Macarthur Foundation ‘Genius’ Grant recipient is known for her commitment to process, inventive materials, and evocative installations. Says Donovan,
“There is a sense I get of wanting to choreograph someone’s experience of my work, because the surfaces of my work do often shift and follow the perspective of the viewer, there is a perceptual movement that coincides with a person’s physical movement within the gallery space.’”
These surreal landscapes are a series titled Con/struct by South African designer and photographer Justin Plunkett. He compiles imagery into scenes of desolate or forgotten places, where often these structures are the tallest thing on the horizon amongst swirling clouds and dusty streets. They are patched together exteriors of slated roofs, windows, shipping containers with advertisements on them. An artist statement about this series gives insight to these unusual buildings:
Con/Struct is an exploration into the themes of empowerment and imagination. Plunkett, using his own photography, has created new juxtaposed environments that encourage questioning and exploration: inviting the debate around how marketing- induced aspiration and perceived value can empower but can also corrupt, how it can be both perverse and create beauty. At the same time, at the core of his work, he honours and applauds ingenuity and the creative spirit. (Via Colossal)
Inspirational Tattoo artist Vinnie Myers boosts the confidence of breast cancer survivors by giving them back what they lost.
Working out of his Finksburg, MD studio, Myers gives women back the bodies they loved before surgery by tattooing special nipple designs on their lovely lady lumps. Myers, who started as a traditional tattoo artist while in the army, currently mixes a wide palette of paint to achieve a 3-D effect design of areolas. Too often, he says, women just get the basic, nothing too fancy but that does the job of bringing back color and livelihood to the area. The women he tattoos say that the process doesn’t hurt much since most sensation is lost during surgery.
Photographer Tim Dodd has long loved space, so when he happened to find a vintage Russian high altitude space suit on an auction website, he had to have it. The purchase has definitely been worth it. After owning it six months, he’s worn the suit at least 17 times to photograph himself in the series Everyday Astronaut. It depicts Dodd as an astronaut character that’s doing the everyday activities we all do, like walking the dog, cooking dinner, and grocery shopping, but all with a hilarious (and sometime tragic) twist.
In all of these images, the spacesuit is present. It’s the narrative thread that connects all of the Dodd’s stylishly-shot photographs. The character is an everyman, just going through the day like anyone else, except that he has this special suit. Does it give him super powers? No, but we get the sense that he might think it does, which adds a humorous touch to this series.
It’s impressive at the amount of details that Dodd included in each image. Every photo is an attribution NASA in some way, and some are more obvious than not. Like shopping for tang, watching Apollo 13 on TV, and even down to the bedding, take a look and see if you can spot all of the photographer’s carefully-placed references. (Via Fast Co.Exist)
For her project Rouleaux, the French multimedia artist Annastassia Elias builds tiny world within single toilet paper rolls. Lit from behind, her delightful cardboard scenes appear like stills from a mysterious work of shadow puppetry. Here, the roll, most commonly a piece of trash associated with the mundane rituals of domestic life, becomes elevated to the realm of high art. Elias’s visual narratives span time and space; as surely as summer swings fade to frigid snowmen, we move from an underwater universe to the barber shop around the corner.
Caught between the circular borders of the toilet paper roll, Elias’s characters seem to emerge from the cardboard of their own volition. Each racehorse and dinosaur is constructed from cut pieces of paper that share their color with the naked roll itself. The artist chooses not to paint either the rolls or the scenes that emerge from within them, allowing the textured, sand-hued paper to maintain a uniform circularity; ultimately, each tiny world appears to be eternally collapsing into itself. Horses run in circles, and a weary man and his donkey, who lowers his head in exhaustion, appear to trudge forward down a path that will only lead to the start.
Fitting in the palm of one’s hand, Elias’s delicate pieces remind us of the preciousness of even the most banal moments. Beneath sheets of toilet tissue, we might discover secret universes, available only to those with a childlike imagination and a thirst for adventure. Rouleaux is now available as a book, and the pieces are currently on view at the National Museum of Singapore until August 3, 2014. (via Demilked)
Merging sound and landscape, Ukrainian architect and designer Anna Marinenko has created a series of images – called “Nature Sound Form Wave” – that presents juxtapositions of sound waves alongside panoramas of sky, water, mountain, and tree lines. Marinenko’s pairings demonstrate the synchronicity and parallels to be found in different patterns among natural and manufactured designs, the similarity between the forms remarkably uncanny. Because Marinenko meticulously lines up the designs and maintains the same color palette throughout the images, ocean waves, flight paths, and landscapes appear to be transforming into the sound waves, the transition nearly seamless. (via design boom)
French GIF artist Axel de Stampa creates Architecture Animée, a series of GIFS that show various buildings in motion, precisely to show them off through different perspectives. In opposition to the real life experience- one where the viewer moves around the building- these GIFS let the spectator remain static as the buildings shift and change positions.
With his collection of delightful three-dimensional GIFs, the illustrator Dain Fagerholm creates whimsical universes that are both wondrous and terrifying. Filled with monsters reminiscent of Maurice Sendak’s “wild things,” the precious animations exist in a space caught between childhood nightmares and dreams. The artist draws each by hand, and the illusion of three-dimensionally of the work is expressed by a fast-paced alternating between a few images drawn from similar but differing perspectives.
Fagerholm’s lovely work is infused with a playful sense of anxiety; his characters, both human and otherwise, curl on the ground of tightly enclosed spaces like affrighted children. Wide-eyed and appearing to move manically back and forth, they hold their knees close to their chest. In these strange, surreal narratives, we are invited to feel the claustrophobia of a time out, recalling the lonesomeness and isolation of being bound to our rooms. One girl seems to be trapped within a TV screen, seemingly sucked into a blue, static-filled haze by her own imagination, peering curiously and excitedly outward.
These sweet, solitary creatures play and daydream in a dark state of nighttime unease. A seven-headed dragon evokes images of the beast from the biblical text Revelations, recalling (in an unexpectedly adorable way) frightful notions of eternity and punishment. As if pulled from films like The Shining or Poltergeist, Fagerholm’s characters transcend the real world, reaching instead for a chaotic, nervous aesthetic. With eyes dazed like hypnotic spirals, these little monsters seem to wait impatiently for sunrise and open air, for someone to keep them company. (via Demilked)