If you’re trying to cut back on caffeine, try replacing it with Ali Smith‘s paintings; they are pure visual energy. “With their rough edges, fractured compositions and unpredictable scale-shifts, the L.A. artist paints energetic pictures whose wild swipes and slashes are not expressive — in any way, shape or form. Rather than standing in as authentic emblems of inner turmoil or heartfelt emotions, the whiplash gestures in Smith’s paintings take on lives of their own.” – Los Angeles Times
German artist Felix Schramm likes to make sculptures that confuse you. He uses pieces of drywood, paint, steel frames and paint to recreate parts of architecture matching the space that they inhabit, but are very different than what you would expect. His highly formalized sculptures are a bit like architecture that has stopped pretending to hold itself up. They can be huge chunks of material that have been dumped in the room from a construction site by accident, or shoved through the wall like an art install that has gone bad. Resembling crumpled paper, or layers of torn posters on a lamp post, Schramm makes subtle comments about space, form, structure and the nature of materials with his work.
These group of photos are from a series called ‘Intersection’, and act exactly as that – they intersect, interrupt and divide the space like we wouldn’t expect. The sculptural fragments are reminders of the temporal spaces we inhabit – that architecture is only a fabrication and is easily destructible. These splinters of construction serve to disorientate the viewer. Schramm is able to warp our understanding of these mundane spaces purely by placing chunks of industrial material where they shouldn’t be.
The destroyed fragments of drywall wrapping themselves around existing columns and leaning butted up against pristine gallery walls are beautifully disturbing. Schramm’s work also features formalized ceramics, pieces made from plaster and paint, and smaller versions of ruined architecture. His installations act as a visual reminder of the grey area between chaos and order. These large scale replicas are both gently delicate and immensely strong. To see more contradictions and opposites at play against each other in Schramm’s work, go here.
Although David Drake currently lives in the UK his photos have an Americana road trip feel to them.
Austrian artist Anatlo Knotek is a self described visual poet who creates all his art with the help of the English alphabet. Knotek takes ordinary words and phrases and creates new visual puns and deconstructions. As words fall apart, come together, and reshuffle we see new meanings, poignant ideas, and revealed secret messages. (via)
With the project “Gue(ho)st House”, French artist duo Berdaguer & Péjus re-imagine an old French house into a fantastical architectural and sculptural visitor center. The artists used the structures rich history as inspiration (it was first a prison, then a schoolhouse and then a funeral home) to create what they describe as “Psychoarchitecture.” By covering the house with an organic white veil that flows off the house and onto the surrounding grounds they play with the archeology of the building and its ghosts to create an architectural fantasyland. (via)
German artist Lars Teichmann goops on the black and white paint in his rich textured works.
Emily-Jane Robinson’s photography portfolio is filled with interesting and well taken images documenting Emily’s life and friends. Some of the photos walk the thin line of looking like the standard “look what me and all my sexy drunk friends did last weekend” but there are a handful of very strong photographs that capture all the youthful energy of Emily’s life without the usual cliche trappings. I’ve selected 10 of my favorite photos from her work below.
As usual there is no info for this new video for Fujiya & Miyagi on the vimeo page but it’s still awesome. I looked long and hard for who did the animation but…no dice…. GET IT? NO DICE??? Hahahaha! Thank you, thank you. I’ll be here all week ladies and gentleman.