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Charles Huettner’s Seamless World Of Adorably Weird Animation

Charles Huettner

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Pennsylvania-based Charles Huettner is a 2D animator who crafts symbiotic relationships between doughy eyed pudges, shapely humanoids, and anything with a blank stare and bulbous limbs. His animations employ seamless transformations and an athletic flow that quickly cuts and softly glides at all the right moments. The blankness and mushiness of the figures make them capable of anything, making them perfect vessels for experimentation with form and motion.

His 2013 short entitled The Jump, is a beautiful glimpse at a spirit world where two teenagers dabble in visionary experimentation with suddenly tragic results. With a sophisticated Akira-esque score, we watch as these teens’ innocent curiosity leads to a dark tragedy, all the while a red ghost stares empty and indifferent. The Jump was a standout in “Ghost Stories”, a recent release from Late Night Work Club. Along with many other animators he contributes to the Late Night Work Club, “a loose, rotating collective of indie animators”, which has been shown to put out some of the most impressive shorts in the online animation community.

Read his thoughts on his Twitter, or gawk at his Tumblr.

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Never Ending Summer- The Dreamy Paintings And Ceramics Of Dan McCarthy

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It’s a never ending summer inside Dan McCarthy’s world. The mirage created by the blue ocean and the red flesh of the bodys on the beach, captivates the eye which is enticed to stare at the warm nuances that the painting is offering. The “dreamscapes” are liberating.
The artist is not only is a painter, sculptor, messenger; he is a poet. Through his art, his desire is to create a memory. The details don’t have to be remembered; the viewer leaving with a feeling of freedom and comfort is the optimal destiny of his work.

The barely dressed women and men are expressing personal emotions and allowing the viewers to feel their fragility. Accessorized by fish, birds, mountains and rainbows they encourage a dialogue in the direction of nature and the world at large. The props such as a guitar, skateboard and surfboard are symbols used to reiterate location; these devices lead the viewer to fill in the gaps based on other clues like paint handling and materiality.

Dan McCarthy works quickly by rinsing and blotting thin layers of washed out pastel tones, allowing the paint to drip down the canvas. It’s a process based largely on intuition and working within the moment. He is stripping it all down to the essential basics, trying to let the sunshine in.
He recently started to work on ceramic sculptures that he calls Facepots. Wanting to express emotion, attitude and humour in his work, he chose faces as an obvious starting point. As Dan Mccarthy once remarked: “I’d like to include in my work something of the living spirit, something positive that can be taken away and built upon by a viewer. Certainly more a feeling than an attitude or ideology”.

Dan McCarthy’s work is currently shown at the Suzanne Tarasieve Gallery in “le marais” district in Paris, France until July 25th 2015.

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God’s Own Junkyard: The World’s Largest Collection Of Neon Signs And Artwork

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“Godfather of Neon” Chris Bracey is the artist and collector behind London’s God’s Own Junkyard, the world’s largest collection of neon signs, art work, light sculptures, and other reworked, salvaged props. Bracey’s signs and props have appeared in many Hollywood films such as “Blade Runner,” “Charlie and the Chocolate Factory,” “Mona Lisa,” and “Eyes Wide Shut,” to name a very few. After filming’s done on a movie, the signs and props get tossed out, but 25 years ago, Bracey decided to start collecting and storing many of his more iconic creations. In this short film, Bracey explains that his experience of neon is like visual cocaine, an experience of visual addiction. He also claims that he was the first person to create the iconic and oft-used “Girls Girls Girls” sign seen at adult establishments, both in real life and in films.

After he began collecting his discarded film commissions, Bracey says he decided that he should name the collection. “I had this yard with all the stuff in it, and I’ve got loads of sheds with neon signs in, piled up. And I thought, what am I going to call it? And then I read about this book that was about an architect in the 60s who didn’t like urban America because of all the movie signs, petrol stations, gambling casinos, diners on Route 66, and big signs all over the landscape. He said ‘they’re turning God’s own country into God’s own junkyard!’ And I thought, yeah, that’s what I’ve got here. I’ve got all this stuff from God’s own junkyard which is very much like America, with all these signs. I love this stuff so much, I thought if God had a junkyard it would be full up with all this stuff, these neon signs, because I think God would really like all this stuff. It’s really magical to me.” (via unknown editors)

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Lucy Gaylord-Lindholm’s Remixed Oil Painting

 

Lucy Gaylord-Lindolm’s  remixed take on traditional oil painting and art history injects elements of surrealism and pop culture into a familiar setting. Characters from The Wizard of Oz and Pinocchio find their way into the artist’s cleverly referenced paintings, establishing bold compositions where perfectly good paintings once already existed. The result causes us to look a little deeper into that which we previously took for granted. I’ll go wherever she’s leading with these. (via)

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Gerald Davis Is A Perv And We like it

At first glance you might write off Gerald Davis as another pervert painting his sick thoughts on canvas but this LA based artist has some serious painting and drawing chops. I recently saw his work in person and was blown away with the richness of his work and his glowing use of light. Gerald is a serious artist taking our funny and dirty thoughts and creating bold and imaginative works out of them.

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Yago Hortal

Yago Hortal

Berlin-based painter Yago Hortal.

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B/D Book: 7 Sneak Peak Part 3 & Contest!

You only have 2 more weeks until the new B/D book is revealed! As you read this the latest book is traveling the unknown seas in a cargo container towards the US. There will be only 2000 copies produced (all of which are ad-free) and only subscribers will receive their copy before anyone else does. You also save 33% by subscribing versus waiting to buy at a bookstore (plus you don’t have to go past your mailbox to get it!). Subscribe today and secure your newest addition to the Beautiful/Decay series.

 

 

BEAUTIFUL/DECAY BOOK SEVEN COVER PUZZLE CONTEST CONTINUES!

To get you excited and ready for the release of Book 7 dust off your tablets and fire up your copy of Photoshop because today we begin a contest to give away a free copy of Beautiful/Decay Book: 7 to the fastest computer gun in the wild wild interweb! Each Tuesday for the next 4 weeks we are going to be releasing a new piece of Beautiful/Decay cover to get you guys ready for the upcoming issue. The rules are simple: Be the first person to piece together the cover of Book: 7 and email the completed image to [email protected]. Not only will your eyeballs be rewarded by our gorgeous new cover but your speed of hand will be rewarded with a free copy of the book for solving the puzzle. So wrangle up your magic lassos and get busy winning!

 

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Desire Obtain Cherish’s Sculptures Explore Our Obsession With Consumerism, Fame, And Luxury

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“Ideas win today in our society. […] I ingest, then digest. Art is really just a mirror of ourselves.”

A truthful quote that Desire Obtain Cherish  (DOC) aka Jonathan Paul takes into account while conceptualizing his body of work. The pop sculptor, obviously influenced by Jeff Koons and Andy Warhol, combines street, pop, conceptual and appropriation art in order to create sculptural pieces that explore contemporary society’s ever-growing obsessions:  sex, gender, drugs, commerce, media and fame.

Desire’s kitschy, yet critical work exposes “society’s inability to control itself as it examines the commercial promise of fulfillment and happiness that ends in dependency.” DOC employs an exaggerated and sarcastic outlook that might come off as cleaver but pretentious and judgmental, but never in a bad way. New Yorker art critic Benjamin Genocchio characterized DOC’s work as “not malicious [..] He is more like our social conscience, delivering up uncomfortable and unpleasant truths wrapped in the most beautiful and seductive of packages.”

Although a conventional artist in paper, DOC deviates from the stereotypical standards of “good taste” in art as his ideas are more in line with contemporary commerce and marketing methods rather than traditional artisan methods. (via ARTNAU)

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