British photographer Vikram Kushwah recreates pieces of the past with staged photography. Working with fashion designer, writer, and researcher Trisha Sakhlecham, the two produced a series of images titled Memoirs of Lost Time. The subject matter, its tone, and coloring of the photographs are a dreamy and hazy. They straddle the fine line between what is a dream and what is a memory. Each image features a person gazing beyond the landscape, as though they are longing for something lost.
On his website, Kushwah writes about Memoirs of Lost Time. He says that the series is inspired by the romantic notions of childhood memories, and goes on to say:
…A biographical documentation of sorts, of seven creative personalities’ childhood recollections, this book captures not only what was, but also suggests a very imaginative take on what could have been.
Stories evocative of the intimate moments and bygone days of these personalities are embellished with wondrously staged pictures featuring the subjects themselves. Each chapter takes you into the personal and never seen before world of one of these personalities with a short story, an insightful interview and photographs, weaving in and out of reality, where you start beginning to drift into a realm of imaginative possibilities and yet remain attached to the facts that were.
With dreams, like distant memories, we sometimes question whether or not something actually happened. While this could be distressing, Kushwah chooses to embrace uncertainty and magic of it all. There are some fantastical elements, like a woman that is carried away by small umbrellas. But mostly, these images lack action. Instead, they depict quiet moments in the company of many books or the vast outdoors. Reading and nature provide the perfect fodder for imaginations to run wild. (Via My Modern Met)
When looking at Josh Podoll’s paintings they won’t give you anything to think about, and that is sort of the point. My eye gets caught in the air-brushed, optical illusion like, geometric patterns in a sort of empty, humming, awake way. Josh grew up in Fairfield Iowa – which is the former home of the Maharishi (of Beatles White Album fame) and one of the main centers for Transcendental Meditation in the US. He is in a show at Christopher Grimes Gallery in LA that opens January 16.
KwangHo Shin is an artist based in Yeongdeok, South Korea, who paints abstract portraits of human emotion. On massive canvases, Shin outlines the contours of a face before filling them in with thick, messy layers of oil and acrylic. As his process videos on YouTube demonstrate, he works from dark to light, allowing the paint to stream down and across the canvas before blending it out. The result is a series of “faceless” portraits, faces transformed into technicolored and monochromatic landscapes that exude a raw range of seemingly conflicting sensations: rage and sensitivity, fear and confidence, sadness and hope.
Shin’s intuitive, creative process—from blank canvas to storms of emotion—allows him to express the deep nuances of his subjects. As curator Myung-Jin You describes, “[The] complexity of human emotions, which is hard to be defined in one word, is left as momentary traces on the empty space, after the long agony of the artist’s inner side.” Following this, “the fear of blank space is collapsed, and [Shin’s] inner side’s fear and the ecstasy . . . coincide” (Source). The finished piece is a culmination of Shin’s energy that dissolves the facades of muscle and skin to reveal the textures of internal experience.
The impenetrable geometries of John Powers’ abstract sculptures call to mind a wide range of influences, borrowing equally from art movements like postminimalism and pop culture icons like Star Wars. Meticulously constructed by hand, Power’s forms are constructed out of a limited formal vocabulary: Polystyrene blocks cut to a selection of preset sizes, attached to each other at 90 degree angles. The resulting structure gives the appearance of being a computer-aided design but is in reality the outcome of a human-executed algorithm, dictated by the artist’s intuition expressed through the repetitive action of connecting blocks.
The Good folks at Hennessy bring you a three part mini documentary featuring Elliott Wilson, Founder of Rap Radar and Editor-in-Chief of Respect. In this first video Wilson heads to the barbershop where, he explains, the voice of the street is heard. The man with endless talking points reminds us that, “your opinion is nothing unless you can back it up.” Join Wilson and Hennessy on a trip down the rabbit hole and watch more Hennessy videos with some of the worlds leading pop culture creatives at neverstopneversettle.com.
Russian photographer Katerina Plotnikova creates, what she calls ‘another tale about wonderland’. The various photographs bring forth a beautifully shot series that includes images of human/wild animal interactions and whimsical fashions.
Evoking a mythical, fairy-tale world, the images transport the viewer to a place outside of modern settings. The gentle and serene colored landscapes turn these images into something that, upon observation, takes the viewer to a world familiarized though childhood stories; the images can go both ways though; it can remind them of the latter, or of a high-fashion, fantasy photo-shoot.
The subjects’ interaction with wild animals are what make these photographs more surreal than not; in one of the photographs we see an auburn-haired young woman hold out her hand to a grizzly bear, as though the majestic creature is asking her to dance. But, how can a a small figured girl be dancing around with a live, three-ton bear you ask?
Plotnikova was able to pull off these incredible shots with the help of two professional animal trainers.
Eibatova Karina a.k.a Ei Ka is an illustrator based in Moscow, Russia. I love her creative typography and her illustration skills. She also does photography! The well trained lines and subtle color is what makes me fall in love with her work.