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Kimsooja’s Mirrored Installation Transforms Classic Greenhouse Into Psychedelic Rainbow Room

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Perhaps the fascination for artists utilizing chrome and mirror in their works is the increasing divide between seeing ourselves more and more via social media, yet understanding ourselves less. This is particularly evident in the work of New York-based Korean multidisciplinary artist Kimsooja, which often deals with the self-perception and the self and the other. In her installation To Breathe – A Mirror Woman at the Palacio de Cristal, Parque del Retiro, in Madrid, Kimsooja transformed a classic greenhouse by removing everything and replacing it with a mirrored floor. Next, the Tague, South Korean-born artist used a translucent, light-diffracting film to coat the windows, which cause an array of naturally occurring rainbows, which were in turn continuously reflected by a mirrored surface that covered the entire floor. Like many of her projects, an audio pairing accompanied the visuals. Visitors would experience a recording of Kimsooja breathing, enhancing the contemplative yet personal and relatable mystery of the installation.

Taken from Kimsooja’s description of the project, “Outside light filters through the glass of the pavilion and reflects off the diffraction film. It diffuses into rainbow spectrums, transforming the external panorama seen from within the palace. The resulting effect is that the entire structure as well as the rays of colour reflecting off the mirrored floor. Natural light, colour, and sound are all ethereal elements within the empty space. The artist’s breathing from the performance, The Weaving Factory, bounces off the mirrors and fills the entire building to intermix with it, breaking down barriers of inside and outside, self and other, and reality and fantasy.”

Kimsooja’s most recent project most recently wrapped the Korean Pavilion with a similar film treatment at the 2013 Venice Art Biennale. (via myampgoesto11 and colossal)

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MMmade

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MMmade have just released three new posters, available for purchase on their site. The posters, called “Order/Disorder,” represent the spaces between order and disorder, as the title implies.  MMmade has a good mix of both commercial and self-initiated works, which you can view on their website. Check out more pictures of their poster series after the jump.

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The Beautiful/Decay 50% Off Sale Ends Tonight At Midnight!

BD-SALE_lastdayYou may be back at work today but that doesn’t mean that you missed out on saving big at the Beautiful/Decay shop. Everything on the Beautiful/Decay shop is 50% off until tonight at Midnight (PST Time). Use discount code holiday50 to get all our books, magazines, artist posters, shirts and accessories at half the price. We have limited quantities of everything and will not be restocking any sold out products so act fast to take advantage of this rare holiday sale!

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Preview: Steve Powers Solo Show At Joshua Liner

 

That good stuff right here.

Ice Man, beauti-loser, and love letter scribe Steve Powers is hitting NYC’s Joshua Liner Gallery with a solo show on September 6th. You can expect some pretty tasty typography and graphics from the artist this go-round. The show is entitled  A Word is Worth A Thousand Pictures and is definitely one to check out in person. The works on display range from 10-x-8 in. to 10-x-10 feet, and include Powers’ “Metaltations”- spontaneous enamel works on aluminum. And if you can’t make it over to Chelsea before September 29th, check out a preview of the show below.

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Lucy Mcrae & Bart Hess


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Weird-beard grow your own crystal colored bath foam appendage fashion. Ephemeral bubble garments? Bizarre sculpture? Yes. Collaboration between Lucy Mcrae and Bart Hess.

 

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Alain Vonck’s pixelated Wallpaper

I’m absolutely loving the 80’s retro graphics of recent design school graduate Alain Vonck. His graphic wallpapers  with imagery and icons from the early era of the world wide web have to be my favorite, making me want to cover every single square inch of my home with pixelated roses, hourglasses, and type!

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Portraits of Chinese Swimmers Showcase a New Fashion Trend, “Facekinis”

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There’s a new fashion craze that’s happening along Eastern China’s seaside city, Qingdao. Publicly-dubbed “Facekinis,” are protective head masks that are being worn by many beachgoers (mostly women). Photographer Peng Yangjun has documented them in a series of portraits that are set against the backdrop of the beach.

The colorful style is no doubt a strange one, and it’s reminiscent of luchadore and ski masks. This bizarre fashion trend has a more practical purpose, however, and that’s to protect swimmers from the sun, in addition to repelling insects and jellyfish. It’s often paired with long-sleeve bodysuits that help people maintain their natural complexion because bronze skin is often associated with those who perform physical labor in many Asian countries.

We’re often used to seeing swimmers wearing next to nothing or going completely nude. This style takes modesty to the next level, completely covering people up rather than stripping them down. It’s a surreal sight to see someone posed with bare arms and legs but a completely covered face; the photographs showcase an individual style but are devoid of the feeling and emotion we read from the face.  (Via Flavorwire)

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Kehinde Wiley’s Bold Paintings Reconfigure The Way African American Culture Is Portrayed

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Kehinde Wiley‘s impressive painting career is being celebrated at the Brooklyn Museum in a grand exhibition that is open right now. For fourteen years, he has been painting bold, decorative oil paintings that are reconfiguring the way African American culture is portrayed in art. He takes the techniques from the old European portraiture masters and turns them into modern and fresh images, relevant to a post-colonial culture. Old stuffy aristocrats and patrons wearing flouncy blouses and ridiculous wigs from centuries gone by, are replaced by black subjects with a certain street style to them.

Wiley asks different people – most of whom are regular passer-bys on the streets in Harlem, to sit for his portraits. They are given different art history books full of ornate backgrounds to choose from to complement their portrait. Wiley then paints them reenacting certain poses, imitating the European subjects and places the chosen embellishments behind and over their image. His style is a fusion of many different elements – French Rococo and the High Renaissance, Islamic architecture, West African textile design and urban hip hop, and is a result of his own mixed heritage.

Wiley later went on to create a series called The World Stage, where he traveled to Mumbai, Senegal, Dakar and Rio de Janeiro to portray different cultures and traditions in his work. He explains more:

One of the reasons I chose Brazil, Nigeria, India and China is that these are all the points of anxiety and curiosity and production that are going on in the world that are changing the way we see empire. As I’ve been traveling, I started to notice that the way many people in other parts of the world interact with American culture is through black American expression. It’s an interesting phenomenon. (Source)

Kehinde Wiley: A New Republic is an exhibition showing over 60 of his paintings and sculptures, and is on until the 24th of May.

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