Whispery sweet images from brooklyn-based photographer Erin Mulvehill. She’s also the brains behind “The Camera Project,” a magnanimous exploration into how children perceive their environment. Erin believes that beauty will save the world, and she’s doing her best to help speed up the process.
Tessa Farmer’s miniscule sculptures reinvigorate a belief in fairies: not the sweet Tinkerbell image in popular conscience, but a biological, entomological, macabre species translating pastoral fable into nightmarish lore. Constructed from bits of organic material, such as roots, leaves, and dead insects, each of Tessa’s figures stand barely 1 cm tall, their painstakingly intricate detail visible only through a magnifying glass.
Hovering with rarefied, jewel-like beauty, Tessa’s tiny spectacles resound with a theurgist exotica: their specimen forms borrow from Victorian occultism to evolve as something alien and futuristic. Playing out apocalyptic narratives of a microscopic underworld, Tessa’s manikin wonders rule with baneful fervour: harnessing mayflies, battling honey bees, attacking spindly spiders. Presented as wee preternatural discoveries, Tessa’s sculptures conjure a superstitious premise, dismantling the mythos of fantasia with evidence of something much more gothic, sinister, and bewitching.”
– Patricia Ellis
I first encountered the work of Nashville-based painter and visual artist Danielle Duer at a local restaurant-slash-coffeeshop. The order line separating me from my hipster-approved gourmet grilled cheese — well, it was long, but I didn’t mind. All the while that we inched forward, salivating obscenely, my eyes were glued to the walls of the establishment, for it was there that a number of Duer’s creations hung. I may or may not have jostled a few fellow salivaters aside so as to get a clearer view of each piece, hanging there against haphazardly stuccoed walls beneath little strips of birch bark that simply read “Danielle Duer.” First thought: I want one.
Duer’s paintings and drawings couple dainty details with fanciful landscapes, all rendered in vivid color. Ships sail in from far off places and bears cavort on unicycles in imaginative scenes that would look right at home on book covers. As the artist once said, she learned as a child to create places, whether through writing, painting, or drawing, that were smothered with the most “delicious, bizarre scenery.” As her creations show, she is also well aware of the importance of “oddities and peculiarities” in making something beautiful.
Take a closer look at Danielle Duer’s beautiful somethings after the jump.
When director Tatia Pilieva instructed couples to kiss, she did so with a twist. The two kissers are complete strangers, and don’t even know each other’s names. In this intriguing short film, aptly titled, First Kiss, we watch each of these people meet, realize they must smooch, and proceed to do so. Not surprisingly, it’s a little awkward for most of them, but when it happens, the moment is endearing and beautiful.
As you watch this three and a half minute video, there’s varied responses to what Pilieva asks. Some people try and make a joke out of it while others look nervous. One person introduces themselves. Finally, they all go for it, and the kisses range from a full-on make out to a shorter, more diplomatic kiss. It’s interesting to see how quickly people become comfortable with each other and are able to let go of their inhibitions to embrace the moment.
Aside from the charming concept, you might have noticed that everyone is nicely dressed and is conventionally good looking. As Jezebel and other media outlets have pointed out, this video is actually and ad for the clothing line, Wren. While it might be an inconvenient truth that no doubt puts a damper on the spontaneity of the video, it doesn’t totally detract from the pleasure we get from watching it.
Jörg Brüggemann’s work captures the raw aesthetic behind the fans of heavy metal in order to illustrate the genre’s ability to unite the fans of it’s sound in order to create a unique culture, despite social, economic, or political differences. The photographs have been taken all around the world including Argentina, Austria, Brazil, Egypt, Germany, Indonesia, Malaysia, Switzerland and the USA.
These are much more than simple balloon animals. Jason Hackenwerth‘s creations float like giant swimming organisms. His newest creature, Pisces, which recently debuted at the Edinburgh International Science festival is particularly massive. Pisces is built of thousands of balloons blown up and tied together. It took three of members of the festival six days to blow up all of the balloons for the 40 foot structure. The piece now hangs in the Grand Gallery of the National Museum of Scotland through April 14, 2013.
Artists are magicians in their own right for making something from nothing, for infusing the everyday mundane tools and objects with poetic meaning and creating a whole new experience from it. In the holiday season, with a good part of society taking part in excess shopping, people are becoming increasingly conscious of what we discard. Our relationship to the accumulation of stuff and the level of waste humans produce seems to be collectively shifting. The artists whose work is shared here: David Ellis, Vik Muniz, Gabriel Kuri, Song Dong, Tim Noble and Sue Webster demonstrate the way individual artistic voices arise from this consciousness and the beautiful and often magical work that is informed by our accumulated or discarded stuff.
iri5, or Erika Iris Simmons, is an atlanta based artist who uses cassette and video tapes to create amazing pieces of art.