San Francisco-based artist David Berezin creates still lifes by manipulating low-res stock photos, often found on Google Images, and Photoshopping the disparate parts into coherent collages that mimic commercial photography. Berezin’s use of “new media” methods of making produces an ironic contrast between contemporary, post-internet life and all that cultural baggage left by the Twentieth century’s top-down, capitalist media. These digital assemblages make the ha-has by reconstructing the out-moded logic of genre narratives through the use of culturally-loaded objects that rely on vocabularies of cliché developed in pop forms like B-movies and boilerplate novels.
Brendan Tang is a ceramic artist who sculpts elaborate pieces that fuse together various cultural imageries and traditions. The series of work featured here, titled Manga Ormolu, can best be described as “mechanized vases”—vases that combine Ming-style ceramics with the biomorphic mechas of comic books and science fiction. The forms are abstract and futuristic-looking; there are pots and plates with rocket engines, valves, wires, tubes, and more. Some of the creations seem to be caught in the moment of “turning,” creasing ceramic skin to expose the robotic structures beneath. As objects of curiosity and ambiguity, Tang’s works look as unpredictable and otherworldly as they do beautiful and decorative.
The seamless hybridity of Tang’s Manga Ormolu explore contemporary discourses on technology and globalization. Born in Ireland to Trinidadian parents and currently residing in Canada, Tang brings his own diverse background and experience into his work. As his sculptures evolve into unique cultural-technological beings, they comment on how disparate cultural histories are encountering each other in the present-day world—and the speed at which they are doing so. The harmony embodied by each vase-hybrid, however, also seems to signify a unique form of transnational identity: one that overcomes the limitations and demarcations of national borders without losing its sense of culture and history.
If you think your dog sweaters or home cooked dog food doesn’t quite express the extravagant love you have for your dog, you might want to take a note from Kenya Hara designing and building a house specific to their size and aesthetics. Hara is a japanese art director, designer, and architect who commissioned eleven architects from around the world to design tiny structures based on the personalities of individual dogs. I love these. Partially because it’s reminiscent of the fact that humans effectively designed all these dog breeds themselves, but mostly because it is always fun to see dogs’ complete disinterest to things people have spent huge amounts of time designing for them, like presenting newborn babies with the socks you crocheted for their feet–just having no idea what caring even is, much less to care about whatever this thing on or around you. Yet the elegant maze does seem Papillon-esque and the geometric dome like a neurotic pug. Tons more day-makers after the jump. (via)
The secret lives of invisible magnetic fields are revealed as chaotic ever-changing geometries . All action takes place around NASA’s Space Sciences Laboratories, UC Berkeley, to recordings of space scientists describing their discoveries . Actual VLF audio recordings control the evolution of the fields as they delve into our inaudible surroundings, revealing recurrent ‘whistlers’ produced by fleeting electrons . Are we observing a series of scientific experiments, the universe in flux, or a documentary of a fictional world? Watch the video after the jump and find out.
Dutch painter Joram Roukes’ large scaled oil paintings of collaged images bring together moments of abstraction, figuration, and pop iconography together to create dynamic mutating and morphing figures. His imagery refers to the moral dilemmas one may find himself in, viewing today’s western society. Through experience by participation Joram Roukes reflects not necessarily on an opinion on society’s flaws in his work, but rather observes and reports on typical western phenomena, leaving judgement up to the viewer, who thereby, establish their own position in these matters. (via)
Jered Sprecher says something about painting. As Sprecher speaks, just underneath my skin, the blood starts dancing. Pulsing its ruby hips along to a great horn section, a mildly panicked Bossa Nova heartbeat. This is circa 2001, and Jered is a year or two ahead of me at the college we were at, and he was thoughtful about painting. He thought about the surface, and he thought about abstraction. He thought about what painting meant to other people. On the other hand, my education was from the school of immaturity, famous for using the word vomit and bad jokes in poor taste. I learned from him, and began to look seriously at paintings as more than an image. Today, Jered’s paintings are even stronger evidence of his thoughtfulness and clarity of vision.
Sprecher’s new paintings combine abstraction with imagery. Some of the images are based on variations of a single photograph of three pigeons or doves. When painting, Sprecher worked on some of the pieces with a process of moving from top left to bottom right, the same method a dot matrix printer uses, and other paintings used a more intuitive method of layering paint. The human, the machine, the image, and the abstraction live together in this wor/k/ld.
Jered Sprecher has a solo show, Half Moon Maker, at Steven Zevitas Gallery in Boston. The show is up until May 10th, 2014. All photos courtesy of Steven Zevitas Gallery. Below you can find an interview with Jered about his newest paintings.
Environmental and seasonal artist Nicole Dextras is no stranger to using ice as a medium. For her series, “Iceshifts,” Dextras combines ice and clothing to create deconstructed wardrobes frozen in time, then photographs them up close and within natural settings. Often, the clothing has been frozen over several winters, creating layers and layers of ice. When Dextras composes her photography, she positions the blocks of ice to effect beautiful light refractions, giving the work a haunting and ethereal glow. The clothing appear to be specimens, ready to be excavated and studied. Sometimes, Dextras will include plants or leaves when creating her pieces; she’s even used stockings for arms and bras as wings to illustrate the many layers of the self .
Dextras explains, “This frozen wardrobe acts as a metaphor for the multilayered affinities between the self and the environment. On a deeper level, the mercurial aspect of ice alludes to the transient nature of the environment and of the inherent poetic beauty of the ephemeral.” (via my modern met)
Artist Jason Freeny scoops out the insides of our favorite toys and characters, and sculpts their inner organs and skeletons. Having a sculpture professor as a father, the artist was exposed to the medium at a young age. Freeny was originally trained as an industrial designer, until he began creating this series of adorable abominations five years ago. He begins with the toy itself, and then takes it apart to study its structure and fill it with its skeleton. Freeny began using polymer clay to create the insides of each toy. Now, they are sculpted from epoxy and carved with a variety of miniature tools like pumpkin carving tools and those used in dentistry.
Freeny has taken lovable toys and turned them into something somewhat dark, but also a bit educational in a way. The anatomical accuracy in his sculptures is impressive, as each creature or character most likely will have its own unique anatomy. Freeny gives an example of this by explaining that Mario has a skull more like a child than of a grown man. The detail in each character’s body is so intricate, that it makes its anatomy incredibly believable. Interestingly enough, the artist does not just dissect popular toys like Lego’s and My Little Pony, but strange oddballs as well. A couple of his dolls with their inner organs exposed look somewhat demented; like they could star in the next Child’s Play. Whether you find Freeny’s work fun or creepy, the time and technique involved in his process speaks volumes to his brilliant skills in sculpture. (via The Creators Project)