The images of photographer Álvaro Sánchez-Montañés‘ series Indoor Desert seem like elaborate installations. However, he actually found them this way. These buildings were once part of a town named Kolmanskop in southern Namibia. It had been situated near a gold mine. When the mine ran dry it was abandoned as was the town. The strong winds quickly overtook the town filling its buildings with the sand of the nearby Namib desert. The homes now filled with desert instead of families only emphasizes each photographs loneliness and underscores the immense power of nature.
Nicholas Bohac is a San Francisco based artist who works with printmaking methods and acrylic based media. His two-dimensional paintings and drawings are an investigation of human influence on nature, and natures influence on humans. Bohac has created his own version of a modern day landscape, encouraging his audience to think about the ecological climate and human stweardship.
Marie-Lou Desmeules is French-Canadian artist currently based in Spain who uses layers of paint and plastic to perform “surgery” on people, sculpting them into bizarre representations of celebrities, world leaders, housewives, bondage, and more. Encounter Desmeules’ creations and you will undoubtedly look twice (or thrice): her “living canvases” are alarming and oftentimes grotesque. The slabs of paint make her sculptures look as if their skin is about slough off like wax in a fire, leaving a mouldering skeleton beneath (when, in fact, there is real flesh and bone). The glued-on hair also lends to a creepy, cadaverous effect. There is a tangible element of satirical humor, as well; from Obama’s Mickey Mouse ears, to fashion icon’s Karl Lagerfeld’s melted face, to the manic smile of a woman on a blind date, Desmeules has done a brilliant job exploring the line between disgust and delight.
Shock and intrigue aside, Desmeules’ choice of “living portraiture” is rife with social commentary. By disfiguring admired cultural icons such as world leaders and celebrities — people who always appear to be perfectly composed — she playfully “dethrones” them, unveiling them in all their flaws and fleshly humanity. As John J. Staughton writes:
“Celebrities are praised for their beauty and perfection, yet that isn’t what makes them so desirable or recognizable, as Desmeules’ work shows. It is actually the very fact of their fame and prominence that draws us to them; they are as grotesque and outside the realm of normalcy as anyone with a humpback or a facial deformity. Our attraction is just as powerful in the opposite direction.” (Source)
As a further comment on standards of beauty and perfection, Desmeules calls her sculptures “surgeries.” Instead of a scalpel, her instruments are her paint brushes and hands, moulding “normal” people into “idolized” figures who end up mutilated by projected aspirations of status and beauty; what was once venerated and desirable becomes ludicrous and revolting. Desmeules’ work is a sobering — and amusing — reminder of the power of the image to influence and deceive. (Via Juxtapoz)
Caroline Larsen weaves, splotches, goops, and dabs oil paint all over the place to create thick and juicy oil paintings that look so good you want to eat them.
Spanish illustrator Irma Gruenholz constructs hand sculpted, three-dimensional scenes using clay. Her surreal compositions primarily involve portraits of rosy-cheeked humans coupled with fantastical characteristics. A woman, posed like a frog, captures small human flies with her long tongue. Another illustration features a woman catching small bits of light between two chopsticks. Gruenholz forms the clay into smooth, elegant figures that don’t immediately read as handmade – they look like they could’ve been digitally produced.
A lot of work goes into crafting these illustrations. Gruenholz individually creates each character each character and scene using sculpting tools and paint. They’re held in place by stands and posed correctly. Scenes are photographed and later edited to remove the supports and produce the illusion that they could possibly be real.
I threw up in my mouth a little bit while I was watching this. Phil Hansons work conjures up all the reasons I no longer dine with 6 year olds. Dont think I wouldnt understand if you disagreed with me. Sure, its art. Its also the reason why the rest of the world hates us, right? The only rewarding thing about this video as far as Im concerned is that awesome little dog, who must’ve been convinced that day that he could control people with his thoughts.
Oh yeah. One more thing. Its an Arbys Commercial. Consumerism has now officially penetrated every orifice of my daily life. Boo
Photos documenting a performance piece by artist Gwen Van Den Eijnde. The costumes are amazing.