New Zealand-based artist Karley Feaver creates assemblages that involve a mixture of stuffed birds and various costume-like adornment ( human hair, gold plated metal, wood, and more). The artist claims that the animals she uses are ethically sourced and have died of natural causes.
Through her grotesque yet beautiful sculptures, the artist explores the idea of transformation and adornment, as her current interests rest in nature’s ability to survive in different forms by adapting, adjusting, and mutating into an increasingly man-made environment.
She intends to make these birds look other-worldly. Interestingly enough, she is successful at doing this by using materials that we are very familiar with (human hair, gold, and wood). She makes an interesting juxtaposition between the natural and the unnatural, the familiar and the unfamiliar- specifically to make a point about the unnatural efforts animals (in general) have to make in order to survive in a man-made environment.
Through the ages people have made beautiful things for themselves and others by using materials from their nearby environment. Birds are known to do the same, especially when seeking to attract a mate. Feaver’s new works bring the image of beauty almost to the edge of absurdity, their appearance is both bizarre and extraordinary, unlike any other creature on earth.
André Kertész (1894 – 1985), was a Hungarian-born photographer known for his groundbreaking contributions to photographic composition and by his efforts in establishing and developing the photo essay. In the early years of his lengthy career, his then-unorthodox camera angles, and his unwillingness to compromise his personal photographic style, prevented his work from gaining wider recognition.
Sculptures made out of moss and lichen. The organic foam that grows on rocks and trees and that are usually considered repellant. Lina Hsaio uses these unwanted and rejected elements to create fantasy faces. Whether painted or textured, the portraits depicted by the artist seem to always be comprised of flora.
The face shapes are perfectly balanced. The major features appear distinctly; nose, mouth and cheeks. It almost seems like the plants grew directly onto the human faces. The fuzzy components were perhaps not chosen coincidently by Lina Hsaio. Moss and lichen are different in their form of life. One is a plant, breathing and living; the other is a composite organism but not a plant. Intertwined together, they symbolize life and death. The purpose of Lina Hsaio is to question the human condition. According to her work,it’s all being summarized in the green, bushy portraits. Behind each individuals is hidden a force stronger than themselves.“Lina’s series of mixed media portraits displaying erratic forms of the human condition with elements that are not to be confined to universals symbols”