I’ve been dealing with food poisoning all morning but I mustered enough energy to post this lil trippy video. Not much info on this other than “Experiments in ovine geometry” but it’s pretty funny and well worth a look. Watch the full video after the jump!
Izumi Keiji’s figurative sculptures seem to ridicule their subjects’ oblivion, in a playful way. Does anyone else find it humorous his poor sculptures are trying so hard to be normal, but can’t contain their bizarre idiosyncracies? It’s almost as if Izumi takes delight in rendering a white T and blue jeans, business-only bun wearing woman into a magical, blue lagoon water-fall headdress goddess with rainbows erupting from her armpits, as if about to take off in flight. She stands sort of delicately, both aware and inanimately unaware of her liminal position between a world in which anything is possible, and the mundane one you and I reside in. Not to be missed is the casual wear young man whose “afro” is turning into a martian below, completely unbeknownst to him…who knows, maybe I have a giant bolt of lightening erupting from my armpits, and I just don’t know it?
This winter, frozen castles made from innumerable icicles are available for your full exploration. It all started with Brent Christensen, a devoted dad. He moved to Utah with his family, where he built an elaborate winter playground for his daughter, complete with an ice slide, cave, and castle. From there, the concept of Ice Castles was born—a beautiful, crystalline landscape for families to enjoy. There are four locations this season: Midway, Utah; Eden Prairie, Minnesota; Lincoln, New Hampshire; and, for the first time ever, Edmonton, Alberta.
Each awe-striking structure is built by hand. The architects “grow” 10,000 icicles every day, which are then placed throughout the castles for the water to freeze to. As time passes, each individual piece becomes a part of the icy walls and caverns, creating a megalithic labyrinth of tunnels and caves. The structure appears blue, due to the deep thickness of the ice, and the quality of water to absorb all colors of the spectrum. At night, the castles are illuminated with different hues, making it resemble a fairy-tale landscape. Watch the video above for a tour of the Eden Prairie location.
Visit Ice Castles’ website and Facebook to learn more. The sites are open until March, 2016. (Via Fubiz)
During the summer of this year a small group of people struggled to preserve a public park. Quickly the scope widened, crowds grew, and the underlying anger became about something much larger than a park. The demonstrations were considered to be widely peaceful. At times, however, emotions and force erupted with violence. Photographer Barbaros Kayan was on the ground to capture the unfolding protests. There is a subtle difference about his series Occupy Taksim that distinguishes it from much of photojournalism covering the events, a certain frank grittiness. Its almost clear from the images, the photographer is familiar with the city, intimate with the battleground.
Stephen Silk began practicing gyotaku in 2008. Gyotaku is a Japanese printing method that uses actual fish to make art. Ink or paint is rubbed on the fish allowing an incredibly textured print directly onto the paper. The lumped paint and palette match the New Hampshire coastal seascapes in oil fusing a really cohesive collection completely reflective of the area and its subjects.
There is something intrinsically fascinating about seeing the ordinary created in new, surprising ways. Artist have long used this technique to make their viewer contemplate new connections and possibilities, and the internet has proven to be a particularly useful tool in spreading this type of work. South Korean artist Seon Ghi Bahk is an expert at this method. Using charcoal and other natural materials en masse to form familiar objects, Bahk reminds of us the connection between man-made goods and their source.
Bahk’s precision is absolute, meticulously hanging large groups of charcoal at specific heights to collectively echo architectural and building elements, such as stairs, columns, shelves and planters. Using translucent nylon thread to hang individual pieces gives each installation a floating quality, further separating them from their everyday inspiration.
In an interview with the Korean Art Museum’s Korean Artist Project, Bahk explains how he came to use charcoal in his installation work. “I first used stones as materials for the installations…but the supporting structure and installation became unnecessarily large and overwhelmed the stones so I replaced the stones with charcoal. Since I spent my childhood out in nature, I wanted to embrace natural things in my work. I found that my favorite things in nature were wind, mountains and trees. But it was difficult to express wind or mountains in my work, so I chose trees as an alternative, and charcoal comes derives from that…now I seek natural encounters between man and culture…I emphasize the materiality in its poetic shapes.”