London based painter Andrew Salgado enjoys focusing on the language of emotion through the male body, and media usage. His paints are generously and passionately applied onto the canvas, as are his explorations through masculinity, identity, sexuality, etc.
In a Holland that seems to be at political boiling point and from within an art world that doubts its own identity, upcoming artist Daan Samson and renowned photographer Jeronimus van Pelt felt the need to surround themselves with only their most vigorous fellow art world inhabitants. In collaboration with the illustrious art gallery TORCH they present a photo series of the most delectable babes in the contemporary field of art. Eight female curators, theorists, artists, critics, museum directors and other art related women have agreed to be portrayed as sexual beings.
The woman as an inspiring muse is a recurrent theme in Western art history. Daan Samson invited photographer Jeronimus van Pelt to explore and interpret this timeless fascination together with him. What followed was a probing search for the female beauties within the contemporary field of art. At exhibition openings and art do’s they approached only the most ravishing art professionals. Likewise, on social network sites like Facebook only the cutest art hotties were invited to pose as objects of desire.
In 2005, Heather Benning acquired then began restoring a 60s-era abandoned and decaying farmhouse near Sinclair Manitoba, Canada. After finishing her restoration and furnishing the home with 60s-era furniture, she then removed the north-facing wall and replaced it with plexi-glass. In June 2007, the house was opened to the public where it remained “tomb-like” as a life-size dollhouse until this March 2013. Eventually, the house began to deteriorate and the safety of the structure was compromised, leading Benning to end the project with fire. The Dollhouse images are currently represented by “Telephone Booth Gallery” in Toronto.
Our friends over at Lost At E Minor have just launched their sleek new site. We at B/D know all the hard work that goes into a site re-design and we’re loving LAEM’s new look. When you cover visual content it’s important to let the images shine and that’s just what LAEM’s redesign does. You can read about their redesign process here and go check out their new site.
Roof Runners (2015) is a series by photographer and filmmaker Michael Snyder. As an avid traveler and international artist, his work typically explores the intersections of social justice and environmental sustainability as they occur around the world. This series—which depicts people leaping daringly across rooftops—takes a more personal turn, drawing on Snyder’s childhood imagination. In the following project statement provided to Beautiful/Decay, he explains:
“Car sickness plagued me when I was a child (it still does). While my siblings were able to read or play video games on long road trips, I always had to look out of the window to keep from being sick. To fight the boredom I would project myself out of the car and into the landscape as it passed by. Often, I would imagine myself as a runner, crossing rooftops and hurdling from building to building at high speeds.”
Snyder turns the urban architecture of Columbia Heights (Washington, DC) into a kind of real-world platform game, where the protagonist is a powerful projection of oneself, navigating the world with a sense of adventure and invulnerability. For Snyder, this reinvestment in a youthful fantasy operates as testament to the importance of personally-derived creativity. In a fast-paced world dominated by electronic entertainment, Roof Runners encourages us to return our gaze to the corporeal world for imaginative outlets and self-exploration.
Cody Hoyt titled his website ART, and with a wide selection of silkscreen, photo lithography, and etching mixed media projects, as well as siiiiiick album covers and posters, I can’t say it’s an inappropriate title.
London-based artist Chloe Early works primarily in oil, creating paintings that set themes of “love, beauty, and innocence” against “worldly symbols of agression” -bombs, bullets, urban development, etc. And we’re talking right up against each other. Subjects as disparate as weapons and flowers seamlessly come together as one to create a kind of informal pattern. Missiles, engines, and guns -harsh, metallic things- spiral away from lovers and graceful figures. In creating such a sharp contrast of subject matter, Early captures an elusive, sublime moment. That perfect, last second of beauty before everything falls to shit. That enormous show of strength in the midst of destruction and decay. More paintings after the jump.
When looking at the work of Alex Passapera, the first words that come to mind is chaos. He offers an intense and playful ride using skillful illustrative visuals and chaotic narration to portray the intangible something, “mainly instinct”, which becomes a common theme throughout his work.