Robots is a new London-based artist collective specializing in site specific public art. Their gigantic sculptures are composed of really just trash. Reclaimed and recycled wood, old furniture people throw away – really taking the phrase, “one man’s trash is another man’s treasure” to heart. The New York Times even wrote an article about them. If you would like to learn more about Robot, check out their short documentary where the film follow this group during their build at the 2010 Secret Garden Party Festival.
Will Ainley is bringing weird back! His illustrations are all about creatures with spindly arms, crazy teeth, and funky personalities. You have to wonder what a conversation might be like with one of them; they seem like they could be friendly, maybe just misunderstood, but sweet. His portfolio consists mainly of pencil illustrations and vector work, sometimes together, sometimes separate; Ainley’s Prog Rock Monster is a cool example of how he drafts and produces his creatures, down to the last detail. He’s got a great sense of color, and adds a lot of character to his illustrations by exploring line theory, texture, and distortion. More after the jump!
Using herself as a model, Spanish photographer Ángela Burón creates surreal and often optically perplexing photographs. With askew imagery and mysterious compositions, Burón seeks to disorient the viewer and prompts them to question the reality of what they are seeing.
While Burón boasts a diverse body of work, a common motif in her photographs is a focus on hybridity. Feet replaced by hands, breasts conjoined with thighs, and legs sporting two sets of knees are just a few examples of these peculiar pieces, which make up a large portion of her celebrated portfolio.
In addition to her surreal photographs, Burón also dabbles in more conventional portraiture. Spanning coy self-portraits, sensual nudes, shots of amorous couples, and even a close-up of a bright-eyed cat, these works—though seemingly realistic—still convey the artist’s unique and curious style. Characterized by unnatural poses and disconcerting expressions, this side of Burón’s oeuvre still captures her inherent tendency toward the surreal and, thus, portrays her unique and unusual style. (Via Inkult)
Painter and sculptor Emma Hack‘s collection, “Wallpaper,” is a series of meticulously painted models made to blend in with the designs behind them – true wallflowers! Hack must have been incredibly patient when working on canvases that move and breathe; her work is so precise, if you blur your vision, the models effortlessly become part of the wallpaper.
This is Red Bowl, an installation piece put on by Cao | Perrot studio (L.A./Paris) in Beauvais, France. The work draws its inspiration from hardship and pain (biblical lepers) but is actually quite pensive, complete with a small pond “covered with a veil of water lentils to create a soft green proliferating surface.” The concept of renewal comes forth pretty strongly as Red Bowl “recalls man’s moral dimensions and the belief in being able to purify the body of diseases by a bath of blood.” A couple more images after the jump but definitely take a look at what else is coming from this really nice landscape architecture studio. (via)
Jean-François Lepage’s fashion photography has a mysteriously surreal feel that you don’t usually find in fashion photographs. With complex non-traditional sets, makeup that is more often seen in horror films, and hand drawn line drawings directly on the photos surface, Lepage creates a world that lies at the intersection of art, film stills, theater, and fashion. (via bumbumbum)
Kyle Field, an Alabama native living in San Francisco, was born in the 1970s– and his artwork tends to reflect the mood of not only these two places, but also that era. Each craftily drawn watercolor depicts a folk narrative infused and confused with melodious psychedelic tendencies. It’s all so playful and harmonious. We find it challenging not to think of Field’s work in any other way but musical.