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Roberto Foddai Turns The Camera On Himself In His Dramatic, Erotic, And Comedic Self-Portraits





It is the age of the selfie, and yet Roberto Foddai’s self-portraits feel like anything but. His images range from dramatic, erotic snapshots to costumed and posed portraits. The Photoshop manipulations he executes, notably in the “make it double!” series, are both subtle and transformative. He merges pictures of himself into the same frame, doubling the impact. Two Robertos laughing together, two lying on the same bed, and, memorably, one pleasuring his “other” self. The effects are transparent and the narrative in the pictures exists outside of their computerized genesis.

Why the costumes, the playacting and grimacing? Why two Robertos in the frame? He answers:

1. I like to be other people as I am often bored of myself.

2. It is easier to be boring in my daily life and dressing up in photographs fills the need I often have to be different.

3. I think, as Feminist and writer Carol Hanish said “The Personal is Political” so it is me in the pictures but they are often a political statement and maybe not as personal as they look.

We see Roberto Foddai as Freida Pinto. Roberto Foddai as a pink gowned ingénue. Wearing a necklace of shuttlecocks. In a swim cap, a nightgown. In underwear and red socks. Cindy Sherman’s self-portraits in disguise are called to mind, but unlike Sherman, Foddai makes very little effort to camouflage himself completely.

I always liked the idea of documenting my own life for myself. Keeping a visual diary of my life also gave me other ideas or other subjects I could work on. This is clearly a work in progress and without any doubt one of my favourite parts of my work. I often struggle with the way I look but it helps me to look at my life in a more objective way.

In many of these self-portraits Foddai is not conventionally attractive. Sweaty, with decayed looking teeth, and testicles poking through his underwear, these images are raw and unadorned. And it’s that truth in the images, in the portraits, that makes it difficult to look away.

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Chain link Fences Transformed into Lace Patterns

Lace Fence is a design of Dutch Design House Demakersvan. It is a high-end metal fabric that gives new insights in how you can create unique environments. It combines the ancient craft of lace making with the industrial chainlink fence. Every fence is unique in its design by its craft and assembled patterns, which come in a variety of themes. From antique lace floral to contemporary designs and custom art patterns. Lace Fence shows how something which was meant purely functional can also be decorative. Hostility versus kindness, industry versus craft.

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Peter Bowen


Peter Bowen, a London based illustrator, creates detailed works that carry a whole lot of raw energy and humor. A wide range of influences put a hand into his work, as he derives inspiration from lowbrow counter-culture to dense Victorian engravings.

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Josephine Cardin’s Haunting Photos Depict An Emotional Lock And Key

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New York-based photographer Josephine Cardin’s poignant images examine the beauty of the human body as well as the complexity of the mind and emotions. Cardin’s series, featuring self-portraits, is titled Between Lock and Key . It explores “the dichotomy of how we have both the ability to mentally imprison ourselves, while simultaneously holding the key to unlocking our freedom,” she writes. Muted, vintage-esque compositions showcase her donning a long, black dress in elegant poses (she’s a trained ballet dancer). Cardin is surrounded by expressive, distressed marks and multiple hands that read as both soothing and troubling.

The marks that surround Cardin’s body are visual representations of the mental blocks that we all face from time to time. Thoughts clouded with anxiety prevent us from moving forward with life and seeing things clearly. Cardin draws scribbled clouds around her head and crosses out her eyes using short, energetic strokes.

While there’s a lot of visual strife in Cardin’s series, there’s hope, too. The same lines that hold her down lift her up. It’s as if she’s overcoming adversity and doubt to rise to her true potential. (Via Asylum Art)

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Made With Color Presents: Justin Waugh Breaks Down Painting

Justin Waugh painting

Justin Waugh painting

Justin Waugh painting

Beautiful/Decay has partnered with premiere website building platform Made With Color  to bring you exclusive artist features. Each week we join forces to bring you some of the most exciting artists and designers who use Made With Color to create their clean and sleek websites. Made With Color helps artists create gorgeous websites without any coding. This week we’re excited to bring you the work and website of Los Angeles painter Justin Waugh.

With a desire to break painting down to its fundemental components of color, line, form, and surface, Justin Waugh creates a restrictive set of criteria that has a rich dialogue with minimalism and post minimal abstraction.  Using those movements as a starting point, Waugh working to engage the language of  minimalism with a contemporary sensibility that is both familiar yet subversively fresh. Justin had this to say about this series:

“This series began as paintings that address the repetitive horizontal grid, a hallmark of minimalism, and the use of industrial materials. Instead of a consistent, mechanized application of paint there is evidence of a hand painted surface; the use of oil paint and graphite, traditional painting materials; and a bold use of color. As the series progressed I began working on handmade paper, further giving the work an organic quality that created an interesting tension with the rigidity of the pattern. I am also interested in the overall compositions being made up of repetitions of two inch bands of color, rendering them in a sense without focal point, and egalitarian in composition. I’m fascinated by the use of repeated forms and patterns, and how one can take a very simple gesture and scale it up into something greater than the sum of its parts. “

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Benedict Radcliffe’s Turbo Lambos

At first glance at London-based Benedict Radcliffe’s work, I thought, “Oh, a computer generated drawing of a car…okay.” Then I immediately realize it is not as boring as I had first assumed! No! These are, full scale, actual wire-frame representations of a Lamborghini, Subaru, etc.

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Ryan Wallace

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Inspired by singularities, LHC and other high science, Ryan Wallace creates complex abstract images based on visual data. Nerdy? Yes. Completely beautiful? Also, Yes. Keep an eye out on this young New Yorker. Upcoming projects include a group show @ Cinders, a solo exhibitions @ Morgan Lehman, and a curatorial endeavor @ Raid Projects LA.

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Ray Bartkus’ Clever Waterfront Mural Comes To Life Only When Viewed In Its Reflection

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Lithuanian artist Ray Bartkus has recently painted an intricate mural on the sides of a building near water in the Lithuanian town of Marijampolé, depicting swimmers, dolphins, and other aquatic scenes. Upon first glance, it merely looks like upside down street art. However, this mural has one very particular characteristic: it is painted upside down, in such a way that it must be reflected into the water in order to be complete.

The reflected version of the mural makes it seem like the water is full of swans, boats and people swimming. He has managed to create a clever combination of art and nature, by painting his art upside down; he has made it dependent on the reflection of the water in order for it to reach its full potential. Once the mural is projected into the water, it becomes a whole new work of art.

On top of the originality of this idea is the execution itself. The precision with which Bartkus has painted his landscape is amazing. He gets up close to the wall to paint all the lines, dots, and shapes necessary to achieve perfect symmetry in his mural’s reflection. He has managed to paint everything upside down and by doing so, he has a created a mural that goes both towards the sky and into the water.



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