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Millicent Hailes’ Provacative Photos Mirror Relationships In A Strip Club

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Photographer Millicent Hailes recently completed a two-month stay in Los Angeles where she traversed some of the city’s finest strip clubs. “You can find the erotic anywhere, you just have to look for it,” Hailes told Dazed, and her journey included spots where Courtney Love danced pre-grunge era.

Hailes was on the hunt for a club that breaks away from the chauvinistic, clichéd joints that we’re used to seeing. She found a string of clubs where women hold the power, prostitution is low, and the women actually enjoyed themselves. In a place called Cheetahs, Hailes explains, “The girls each had a different style of dance and look, and each danced to a song of their choice,” she says. “It felt a lot more personal, and it was a lot of fun.”

To pay tribute to Cheetahs, Hailes began a project that mirrors the separation between dancer and customer. She placed a sheet of plastic between herself and model Nadia Lee. “The plastic sheeting is a metaphorical barrier between the model and the audience. She is pressed up against it, but you can’t fully see her or touch her,” Hailes explains to Dazed Digital. “I wanted the shoot to seem very ‘bodily’, and by having the body pressed against the plastic and capturing the breath creating a fog over the images, it feels a bit intrusive, but also has a distance because of the sheeting.” (Via Dazed)

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Adam Lister’s 8-bit Watercolors Of Iconic Moments In Popular Culture

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Adam Lister combines geometric abstraction, cubism, minimalism, pixelation, and popular culture to create his vibrant watercolor paintings. Through visual abstraction, Lister is able to render familiar images from film, television, and the art world, combining various nostalgic representations. In a collaboration with artist Isaac Budmen, Lister also creates 3D sculptures of these 8 bit paintings by using a 3D printer and sandstone that are available for sale.

Lister explains to The Washington Post, “Having grown up playing Atari and Nintendo video games, this broken-down, angular method of processing and displaying information became an interesting guideline for me to translate and selectively restructure some of the most famous paintings in the world.” (via neatorama)

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Lisa Hanawalt

Lisa Hanawalt just may be my new favorite artist.  She is a cartoonist and illustrator living in Brooklyn, New York.  I love how she takes the mundane and puts a grotesque spin on it.

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Plywerk Your Work Contest Winners!

Thanks to everyone who submitted their artwork in our Plywerk Your Work contest. Unfortunately though, we can only have one winner…

Artwork by Natalia Sanabria

…congrats to Miss Natalia Sanabria, artist, photographer, and designer based in Costa Rica! We really liked her collage and fashion illustration-esque elements. Runner ups are after the cut. Keep making awesome art! We’ll keep having more contests like this in the future.

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Tim Lahan’s Still Life With Sex Tape

A friend just came back from Brooklyn with New York based artist/designer Tim Lahan‘s art zine Still Life With Sex Tape, and man is it a joy to look at. His drawings are simple, graphic, and funny. It mostly consists of taking ultra banal, overlooked objects and moments, reducing them to a few distinctive lines, warping them a little, and in doing so makes them silly, interesting, and just plain cool. If you like what you see, you can order his zine from Smalltime Books. They’re only ten bucks, made on recycled paper, and free shipping to boot– there’s no reason not to have this in your life! More of his zine along with some of his still life drawings after the jump.

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Jonpaul Douglass’ Amusing And Surreal Photographs Of “Pizza In The Wild”

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Los Angeles-based photographer Jonpaul Douglass gives us a glimpse into the secret lives of pizzas in his series Pizza in the Wild. These strange and amusing images are just that – perfectly-shaped pies that are alone in this crazy world, draping themselves over street signs, satellite dishes, and even a pony.

These photographs were inspired by a graffitied image of pizza that Douglass saw in his neighborhood. He was tickled by the sight and decided to replicate it using the real deal, but wanted a very specific type of pizza. It had to be the quintessential pie, like the one the Teenage Mutant Ninja Turtles would devour. Douglass found the perfect pizza in the form of Little Caesar’s $5 pepperoni pizzas.

All told, Douglass has gone through 20 pizzas or so in his series. In an interview with Global Yodel, he reveals that some are better kept than others:

Much of time I will pick up two pizzas and then after I run around town photographing them I will put them in my fridge in case I get another opportunity  If you look at the series you can see that some pizzas are fresh and some look to be days old. This works because some situations call for a floppy pizza and some call for a stiff pizza. I also must admit that there has been times where a used pizza gets eaten anyhow, it’s tough to ride around with a freshly baked pizza and not be tempted. (Via Neatorama and Global Yodel)

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Through Magnified Faces Tony Oursler Is Teaching Us That Biometric Data Recognition Is Going Too Far

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Tony Oursler - Photography 4Common movie scenes are showing us police mug shots, incognito faces in crowds and wanted killer posters. None of these seem unnatural or chocking anymore, we are tamed by cyberculture and technology. We could not imagine having to go through an identity check other than with our passport, signature or a police officer physically present in front of us. Yet, we’ve already left those ancient methods and engaged with facial, retina and odour recognition; fingerprints and hand geometry. We’ve entered the biometric data era. Not always conscious of how fast the world evolves around us, Tony Oursler has set a mission to “invite the viewer to glimpse themselves from another perspective that of the machines we have recently created”. He has been exploring the link between the growth of our technological dependance and its effect on our psychology.

The artist has created magnified face images, some of them coated with a stainless steel panel embeded with video screens and others marked with geometric patterns of algorythmic facial recognition mapping. He is embarking us with a dash of humor into the disturbing technology’s effect on the human mind. Tony Oursler plays with the face. Starting with the eyes and going down into the neck,  he is suggesting that technology will use every bit of skin and organ to study the daily behavior, emotions and rituals of humans in order to categorize them. The viewer when facing those giant profiles is left with the strange feeling of being watched. The artist wants to highlight how uncanny is the process of teaching machines how to observe only the external appareance and to pretend, from there, to understand human’s true nature.

Tony Oursler is currently represented by Lisson Gallery.

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TONK

Collaborative unit created by two photographers in Germany. 

Moment of truth (eminem), part 2

Moment of truth (eminem), part 2

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