Cuban artist Erik Ravelo is known for his ability to confront the difficult and taboo directly by presenting fearless, visually provocative work (previously featured for his Los Intocables, or The Untouchables, series here). Lana Sutra (combining the Spanish word ‘Lana’ meaning ‘Wool’ and ‘Sutra’, which means the thread which connects us) takes the idea of these strings – love, humanity, sexuality – and displays them literally, binding human forms together in intense colored poses.“I’m a human being and I don’t believe in borders. I think the world belongs to everyone born on Earth. This is my planet, our planet. No man is an island. Yes, I was born on Cuba but, above all, I was born on Planet Earth. I like to think that Lana Sutra talks about universal love which cancels diversity.”
Created during his residency at Italian communication research and artistic grant center Fabrica (connected with clothing brand United Colors of Benneton), Ravelo began Lana Sutra by guiding models to pose together, and then casting these poses in plaster. The plaster mannequins were then covered in yarn (in the fall colors of the Benneton line), with separate colored threads from each mannequin being bound together in Kama Sutra positions. Bursting with color, the fifteen installations of present a completely unbiased version of humanity, no longer separated by race, religion, creed or sexuality, and merely bound by our shared humanity. (via collater.al)
The abstract ceramic work of Netherland-based artist Mieke de Groot is full of repetitive patterns and geometric shape. Her vessels resemble natural archetypes found in nature, such as the winding pattern on an acorn or the perfectly balanced patterns in honeycomb. These spiky exteriors are somehow still warm and inviting, so full of texture, begging to be touched. Holding a precise shape with intricate detail, Groot’s work still contains an organic quality. Each piece displays careful incisions that exhibit a skillful and complicated method. However, this intricacy and density is contained in one unified, brilliant color, mostly hues of greens and blues.
The delicate forms in her work wind and bend around, obstructing which end is which. However, not all of her ceramic pieces contain such smooth glazes as the ones shown. A different approach this multifaceted artist uses is one in which she creates a rough, cracked surface, creating a much different aesthetically versatile exterior. Groot’s style molds and transforms along with her ceramic medium. Each piece seems to grow both organically and systematically, even though they are constructed by hand. Even more impressive, Mieke de Groot also is an established painter, on top of creating remarkable ceramic vessels. The Dutch artist has artwork in collection all over the world including the National Glass Museum in the Netherlands and The Corning Museum of Glass. She is currently represented by galleries in several different countries including Holland and Germany.
Leandro Erlich should be everyones favorite Argentinean installation artist. He could even be my favorite artist of all time. Leandro simple kills it! He was born in Buenos Aires, Argentina and now lives and works in Paris, France. His latest project, “Shattering Door,” is on display at Luciana Brito, São Paulo, Brazil. Make sure to check out more of his projects in his stunning portfolio.
Eddie Martinez details a strange and wonderful world of googly-eyed pots, Cosby sweater wearing owls, recurring characters and colorful, quirky compositions. In a recent interview, Martinez details his no-nonsense, back to basics approach to creating work. Unlike the intense philosophical considerations and conceptualizations inherent in so many artists’ meandering methodologies, Martinez takes an almost blissfully ignorant approach in the laconic tradition to making his works: “Sometimes an idea will work its way into a drawing … I don’t know…I don’t really make plans for [the painting] so much.I usually just start it.”
Normally you would be quite concerned if you could see the inside of any firework, explosive, or pyrotechnic device. But Seattle based photographer Andrew Waits has thrown caution to the wind and dissected different fireworks, creating a strikingly graphic series called Boom City. The result is something that is almost as beautiful as the fireworks are when ignited. The explosives turn out to be quite interesting indeed – columns of cardboard or mulched paper encased in colored tissue, or some delicate covering, and stuffed full of intriguing colored pigments. Resembling some sort of school science project, the fireworks look deceptively amateur, and certainly not something that can cause such serious accidents. Names like Flying Color Butterfly Rocket, Lightning Flash, Ground Bloom Flower, Moon Traveler’s Bottle Rocket, give the impression of fireworks being delightfully playful.
Waits quite often chooses subjects where he can study differences by comparing similarities. His past projects have included studies of people traveling in motor homes, living permanently on the road, and comparing the same site at both sunset and sunrise. Also having taken a series called Artifacts and Specimens, he seems to enjoy ordering and analyzing the things that surround us. Boom City is the perfect example of how Waits’ curiosity is piqued by examining the details of a particular subject.
See here for more of Waits’ beautiful aesthetic and interesting projects. And here is a video of drone footage seeing fireworks from yet another angle. (Via Boingboing)
Ivonne Dippmann’s unflattering, raw, and distorted drawings of hefty men in disguises is not what one would describe as “gorgeous.” But it is, maybe not right off the bat, but the obvious attention to the design and detail of shape, texture, and mark-making pulls these into one heck of a killer style of drawing.
Via Colossal: “Sculptor Manuel Martí Moreno lives and works in Valencia, Spain and forms these wonderful figurative pieces out of iron nuts. Via email Moreno says that he is most interested in showing the passage of time, the transience of life, and our collective awareness of our own mortality, seemingly evidenced by the spectre of decay at the edges of his works. You can see more images including installation shots on his blog, and also here. If you liked this, also check out the sculptures of Park Chan-Girl.”
Ethan Cook lives and works in New York. He utilizes dye and pigment to create large abstractions that are both earthly and galactic. The press release from a May 2012 exhibition at Ed. Varie in NY states that “Cook’s current body of work is a continuation of his interest in representing time and space through the exploration of traditional craft and process. Through an additive and reductive process of dyeing, bleaching, boiling, painting, folding and staining, the materials Cook employs become a part of the canvas’ weave. The canvases are worked, dried and reworked again and again to completion, resulting in an indexical manifestation of it’s own history.”