French GIF artist Axel de Stampa creates Architecture Animée, a series of GIFS that show various buildings in motion, precisely to show them off through different perspectives. In opposition to the real life experience- one where the viewer moves around the building- these GIFS let the spectator remain static as the buildings shift and change positions.
Fagerholm’s lovely work is infused with a playful sense of anxiety; his characters, both human and otherwise, curl on the ground of tightly enclosed spaces like affrighted children. Wide-eyed and appearing to move manically back and forth, they hold their knees close to their chest. In these strange, surreal narratives, we are invited to feel the claustrophobia of a time out, recalling the lonesomeness and isolation of being bound to our rooms. One girl seems to be trapped within a TV screen, seemingly sucked into a blue, static-filled haze by her own imagination, peering curiously and excitedly outward.
These sweet, solitary creatures play and daydream in a dark state of nighttime unease. A seven-headed dragon evokes images of the beast from the biblical text Revelations, recalling (in an unexpectedly adorable way) frightful notions of eternity and punishment. As if pulled from films like The Shining or Poltergeist, Fagerholm’s characters transcend the real world, reaching instead for a chaotic, nervous aesthetic. With eyes dazed like hypnotic spirals, these little monsters seem to wait impatiently for sunrise and open air, for someone to keep them company. (via Demilked)
Japanese artist Takahiro Iwasaki, seen previously meticulously carving topographical maps from electrical tape, has created a new body of work that’s equally as detailed. This time, the artist uses cloth fibers, human hair, and dust to depict miniature scenes of large refineries and power plants. The works were apart of an exhibition at the Kawasaki City Museum earlier this year entitled Out of Disorder.
The charcoal-colored landscapes look like they’ve been under a lot of pressure and are on the edge of collapse. This inspiration came from the industrial rise of Japan, and Iwasaki used satellite images from Google Earth to recreate its old cityscapes. He began forming these sculptures by first soaking towels in ink and then dirtying them to create rags, serving as the base for the delicately-constructed generators and gantry cranes; it’s meant to signify the lands that were leveled in the WWII air raids. These gritty and melancholy scenes depict an era of post-war Japan that is now past, but still recalls the labor and sweat that went into it. (Via JunkCulture, Spoon & Tamago, and Azito Art)
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Interdisciplinary artist and illustrator Lilli Carré‘s “Moving Drawings” are simple and abstract and capture, in looped form, the surreal whimsicality to be found in her comic illustrations and animations. Based in Chicago, Carré has created several comic books and is a co-founder – along with her animator husband, Alexander Stewart – of the Eyeworks Festival of Experimental Animation. Carré’s animations are playful, evocative of childhood, and deal with themes of mundanity and transformation. Aware of the way animated gifs command attention and provoke feelings of delight and curiosity, of her gifs, Carré says, “They help me get little images in my head — like a woman incessantly eating flowers — out of my mind and into moving forms. They don’t have to be part of bigger projects; they can just exist on their own and live forever on the Internet. They’re like little breaths of fresh air.” You can find a collection of Carré’s animated films over on Vimeo. (via juxtapoz)
Wouldn’t you just love it if all your everyday interactions with household items were as fun as looking at these cute crochet creations? Nicole Gastonguay, a graphic designer and fiber artist, replicates mundane objects- food, toast, pickles, and even boom boxes- by using yarn. She puts a smile (or a frown- depending on what the object is) and a pair of big googly eyes in all her creation. (via Brown Paper Bag)
Fed up with the shame surrounding their periods, the Spanish performance collective Sangre Menstrual took over the public streets in sets of white pants stained with menstrual blood. This performance artwork was politically motivated; as the group writes in their “Manifesto for the Visibility of the Period,” the taboo surrounding menstruation serves to oppress women and reinforce patriarchal systems.
By making a public display of their shedding uterine linings, the group hopes to reclaim the female body and free normal bodily functions from shame and judgement. Since the earliest books of the bible and before, menstruation has been viewed as unclean, and often women have even been kept separate from men during their periods. Sangre Menstrual, whose name literally translates to “menstrual blood,” intends to change all that. In their manifesto, the group of women write, “I stain [my pants], and it doesn’t make me sick. I stain [my pants] and I don’t find it disgusting.”
The implications of Sangre Menstrual’s street performance extend beyond menstruation and into larger debates surrounding reproduction and the female body. Like the feminist artist Barbara Kruger and her legendary print “Your Body Is A Battlefield,” the blood-stained performance aims to present the body as a political act of defiance. The manifesto states, “the visibility of the period [is meant] to increase the visibility of the body, as political space.” Do patriarchal, sexist institutions persist in part because of the repulsion with which we treat menstruation? Is this work of art a groundbreaking innovation or a silly shock tactic? (via BUST)
Clubs exist for nearly everything, even things you that wouldn’t expect because they’re so strange. Ursula Sprecher and Andi Cortellini document the off-beat organizations that make it possible for people share their interests.Hats, pigeons, nudity, and Santa Claus are all real clubs that make up the series titled Hobby Buddies.
The photographs are staged portraits featuring a variety of clubs. Each image features the members, either in their costumes or with the items of interest. The coloring and lighting looks dated, and these pictures look like they could be out of a Wes Anderson film. They are quirky, humorous, and endearing, especially when you consider how connecting with people who have the same interests can make someone not feel so alone in this world. And, that’s Sprecher and Cortellini’s point. The images are dedicated to the “joy of pursuing a common cause or shared idea.” (Via It’s Nice That)