Claymation at its finest can be found in this video by Baskerville. Tagged as “a scientific experiement gone terribly terribly wrong”, It’s so detailed right down to the smoke which is made out of hair! Watch the video after the jump.
Fine art photographer, Angela Bacon-Kidwell, creates incredibly nostalgic, and poetically narrative works that lull us into a dreamy state of mind.
Miami Project, one of the biggest fairs in the Wynwood district this year, celebrates some of the most sought after artists this year. Most importantly though, as Jillian Steinhauer brings to light in her article ‘The Women of Miami Project’, most of the impressive works here were created by women. Consequently, most of my favorite works in this fair were created by women too!
Here are some of the highlights at the Miami Project art fair:
Brooklyn based artist Kate Clark creates sculptures that are a lifelike fusion of a human and an animal. The surreal object, almost human-sized, investigates which characteristics separate us within the animal kingdom, and more importantly, which ones unite us.
The unexpectedness of the human face on these animals also evokes curiosity. They are obviously reconstructed yet they are not monstrous, they are approachable, natural, calm, innocent, dignified. The facial features are believable and the skin, which is the animal’s skin, has been shaved to reveal porous and oily features that we recognize as our own. The viewer has an intimate relationship with the face and then identifies with the animal, acknowledging the animalistic inheritance within the human condition.
Vanessa German, a multidisciplinary artist [sculptor, photographer, painter, actress, poet] and advocate for the black female experience, creates these female figures that are made out of plaster, wood, glue, tar and found objects: hair, shells, old jewelry. They each represent aspects of female experience, power, and her cultural heritage.
These GIFS from David Alexander Slaager, otherwise known as General Dikki, will mess with your eyes (and possibly give you a headache if you don’t quit staring at them). The GIFs use a technique called stereoscopy. Stereoscopic images create the illusion of depth by presenting two images that are very slightly different from each other. Each image is presented to each eye and the brain combines the two images to create a single image that seems three dimensional. Slaagers GIFs quickly alternate between these two images nearly creating the same three dimensional effect.
Canberra, Australia based artist Jacqueline Bradley creates artwork that is perhaps best described as dreamy – sleepily strange. Her sculptural work is squarely based on familiar objects that recall a house and the home life inside. Yarn, glasses, dinnerware all seem to diverge subtly but perceptibly from normal use. In this way the sculptures seem more like playful memories of objects than the actual objects themselves. Bradley’s work explores the home as a place and the way people engage with it.
I’m loving this project by Jose Guizar called “Windows of New York.” Every week, Jose walks the streets of his city streets in New York and documents the neighborhood windows. After picking out windows of interest, he takes them into illustrator and makes magic happen. In his own words: “I’m into all kinds of visual things, sharing good stuff with great people, and apparently, staring creepily at windows.” Check out a selection of Jose’s windows after the jump, and follow along at windowsofnewyork.com
For her frightening and beautiful portraits, the artist and designer Tamara Muller uses her own face, pasting it atop various haunting figures. Within the context of these crudely drawn bodies, her features, seen over and over again, take on an uncanny, trance-like quality, allowing them to collectively span her entire lifetime from girlhood to the present. Within this expressionistic realm, the barriers between childhood’s innocence and the guilt of adulthood are disturbingly blurred to create a narrative where play and fear work in tandem.
Muller’s faces leap dizzyingly through the ages: baby, child, adult, blurring the lines between male and female in the process. A seemingly incomplete rendering of the bodily form appears to the post-Renaissance eye as primitive or childlike, creating a cognitive and visceral tension with the heavily weighted heads, which are given a disproportionate depth and dimensionality. For this reason, the fleshy, flushed faces seem dangerously precarious, as if they were too psychologically burdened to rest comfortably on a naive and doll-like body.
In a realm where child self and grown self live side-by-side, an uncomfortable eroticism emerges, carrying with it the guilt of innocence lost. In one image, a woman bears her naked breasts, her head taxed with the weight of a baby face robbed of her body. In another disturbing piece, a young girl sits on a rabbit, normally a symbol of fertility and sex, baring her disturbingly youthful genitalia. A woman holds a younger version of herself, and the latter’s body wilts, rag doll like. In these powerful images, it’s unclear who is haunting whom; is the grown self plagued by her childhood, or is it the other way around? Take a look. (via HiFructose)
With a highly respected and influential panel of judges and an award that offers international audiences and recognition, the A’ Design Award & Competition is one of the world’s leading annual juried competitions for design. While design-lovers would be interested in perusing past years’ winners, artists and designers should know: the application period is now open.
The sought after “A’ Design Prize” entails an extensive winners kit including a certificate, a trophy, inclusion in a hardcover yearbook publication and much more, culminating in invitations to an exclusive gala-night in Italy. Winners also receive vital tools for international promotion and marketing such as project translation into more than 20 languages, media appearances through the press partners of A’ Design Award & Competition as well as press release preparation and distribution.
Each year, submissions are judged and winners are ultimately selected by a panel of leading designers, academics, entrepreneurs and prominent members of the press. This diverse group of panelists are selected from a variety of fields for their recognition and, more importantly, their experience and technical knowledge. To ensure fair evaluation, the basis for any proper design competition, the panelists abide by a conflict of interest policy and a jury agreement and judge the submissions anonymously using a rigorous methodology.
Does your work fit in with past winners and panelists’ favorite projects? I may not be a panelist (or even describe myself as “esteemed”), but enjoyed picking 20 winners from past years that especially caught my eye. When the results from this year’s competition are made public, we’ll feature a selection of our favorites once again. Enjoy the collection and best wishes!