Inspired by past experimentation with graffiti culture, Jakob Tolstrup paints eccentric and bizarre characters and worlds. Most of his work combines images from the animal and human worlds and either exposes or makes fun of various aspects of these worlds. He uses humor and straight forward but absurd imagery to subvert ideas associated with the worlds he portrays. “I’m very fascinated by why people make the choices they do in this world, why we live the way we do and all the contradictions I see in the streets all over the world. Often with an alternative reality in mind.” Tolstrup was born in Denmark but currently lives in Berlin.
Born in Oklahoma to a Vietnam veteran, Geoffrey Michael Krawczyk grew up in close proximity to the violence and sacrifice required by war. “My work is an exploration of the mythology of spirituality, the politics of aesthetics, and the connections between sacred and profane,” says Krawczyk. His series, “Passages,” was most recently shown at Artspace Gallery in Buffalo, New York, where he now resides.
Artist Soo Kim severs, cuts, and reconstructs photographs until they become a more ethereal, delicate version of what they once were. Kim’s work portrays buildings fading away, and creates new geometric forms from different objects. Her cityscapes turn into beautiful framework of a concrete jungle after she slices them into their new form. They become a new, unique style of architecture and design that is created from layers of hand altered and manipulated photographs. Her highly architectural work examines these manmade forms in the midst of their environments. She often snips away at the manmade structures, but leaves the lush landscape in the background alone.
Often using photographs of scenes from different cities all over the world, these once extremely diverse places now are stripped down to their bones where they look somewhat similar. Soo Kim’s hand-cut structures unify these contrasting places, creating a balance of harmony. The incisions in her layered and cut two-dimensional work form a sense of volume, a three-dimensional element is added with her manipulation of foreground and background. Soo Kim’s art can often be more abstract, creating more vividly colored work with the same incredible cutting technique. Not always focused on architecture and manmade structures, the artist’s body of work also includes several ephemeral scenes of nature. With a light and airy palette, her tree branches droop, curve, and jut out of the composition in every direction, creating an amazing sense of depth. Make sure to check out more of her work on Angles Gallery’s website, where she is represented.
Some of my photographer friends hate on digitally manipulated images but how can you when photographers like Koen Demuynck makes such breathtakingly powerful images with a bit of help from our old pal Mr. Computer? Each image is more amazing than the next with piles of elephants, crazy chimney sweepers, and Santa throwing a very naughty new years party. All of these and more after the jump!
Usually construction tunnels in the US are boring structures made out off steel bars and decaying plywood. But in France designer Miguel Chevalier, design firm Trafik and musical composer Michel Redolfi have come together to collaborate on a temporary tunnel between Forum Des Halles and the place carrée that will send you into sensory overload! Using LED technology “The Pixels Crossing 2012″ is a sensory installation that features successive graphics and psychedelic colors all set to the music of Michel Redolfi. The result is the fantastical transformation of a regularly forgotten space that will make you rethink the drab and mundane corners of the city that we all walk by during our daily commute. ( via designboom)
Description of project by Diego:
In the garden of my house there’s a tree with lots of randomly grown twigs. It looks odd and nice at the same time. One day I asked myself if I could create a piece of music with it.
To tune the tree I picked a fundamental note and tuned the twigs by trimming them with a pencil sharpener. I used two Røde NT6 and a NTG-2 as microphones, combined with a customized stethoscope.
I recorded the tracks live on a Pro Tools LE system. I didn’t use any synthesizer or sampler to create or modify the sounds. All the sounds come from playing the tree, by bowing the twigs, shaking the leaves, playing rhythms on the cortex and so on.
James Esber, a New York based artist, will be featured at the Pierogi Gallery in his new show: You, Me, and Everybody Else. James is known for addressing, through his work, the notions of distortion and perception. Colorful, incredibly wacky, but always engaging. So if you’re in the area, make sure to join James Esber this Friday Nov. 19th for the opening of You, Me, and Everybody Else at the Pierogi Gallery, located at 177 N 9th Street Brooklyn NY 11211.
Melbourne based Joseph L. Griffiths’ drawings and mechanical installations seek to transcribe the living relationship between man and machine. The relentless accuracy of the drawings evoke the printed sheen of digital reproduction, simultaneously celebrating and denying the human touch. His interactive drawing machines propose a return to primitive technologies and encourage a reconnection to the natural and man -made worlds through manual crafts. Directly engaging the audience in the creative cycle, his work seeks to reevaluate the human position in the technological equation, and realize the potential for art to permeate everyday life. More images of the drawing machines and drawings after the jump.(via pulmonaire)