For the last three years, urban explorer and photographer Matt Emmett has taken pictures of hidden locations across Northern Europe. He finds it thrilling to enter a previously-forgotten world and discover its new idiosyncrasies firsthand. Emmett is particularly fascinated in industrial remnants and ex-military sites, and he’s documented it in a series titled Forgotten Heritage.
“Having a camera with me allows me to prolong that thrill long after the building is gone,” Emmett writes on his website.“It’s an often quoted cliché but there really is a strong sense of palpable history present in abandoned buildings, the items left behind like paperwork in a drawer or plaques or signs in an industrial plant, allow you a glimpse into the past. I consider experiencing these places to be a great privilege.”
The landscape images feature hulking machines now obsolete. Rust, dirt, and grime covers control panels and infrastructure as the earth reclaims the land. Emmett is interested in capturing the aesthetics, character, and history of the buildings. He describes this process:
From the point of view of a photographer there is a total lack of distraction in the stillness of a derelict building; the sound and movement associated with people or workers has been removed, for me this makes them far more sensory than when they are occupied. Your mind can easily focus on what is around you and takes in so much more. The building’s voice is clear and a character and visual aesthetic emerges that was much harder to define than if it was a busy, populated environment. (Via designboom)
Yes, it is as strange as it sounds. Japanese ketchup company Kagome has taken product placement to another level. Unimpressed that most marathon runners rely on bananas as a fuel source, they decided to invent a tomato feeding robot that athletes can wear. Weighing 18 lbs and able to hold 6 tomatoes, the Tomatan is designed to combat fatigue and raise the appeal of tomatoes worldwide. While on your morning jog, all you need to do is to pull the level next to your arm and a ripe juicy tomato will pop into your mouth.
And what’s more, if you decide that the Tomatan is too heavy, there is a smaller, more petite option also. The Petit-Tomatan weighs half the weight of the original design and will be tested at the Tokyo Marathon this Sunday. It has a delivery tube attached to a mini-tomato holster worn on the wearer’s back and even a timer to stop the runner over-indulging.
Designed and completed by company Meiwa Denki, known for it’s off-the-wall devices and musical instruments. The Tomatan is a brilliant example of Japanese humor. I’ll end with something CEO Shigenori Suzuki from Kagome said about how serious the business of tomatoes are.
Tomatoes have lots of nutrition that combats fatigue. (Source)
I think we have all been underestimating the power of tomatoes for too long now. This is their time. (Via Gizmodo)
Spanish illustrator Irma Gruenholz constructs hand sculpted, three-dimensional scenes using clay. Her surreal compositions primarily involve portraits of rosy-cheeked humans coupled with fantastical characteristics. A woman, posed like a frog, captures small human flies with her long tongue. Another illustration features a woman catching small bits of light between two chopsticks. Gruenholz forms the clay into smooth, elegant figures that don’t immediately read as handmade – they look like they could’ve been digitally produced.
A lot of work goes into crafting these illustrations. Gruenholz individually creates each character each character and scene using sculpting tools and paint. They’re held in place by stands and posed correctly. Scenes are photographed and later edited to remove the supports and produce the illusion that they could possibly be real.
Kevin Dowd creates photo collages that examine the familiar in surreal environments. An amusement park ride is suspended in mid-air; the lonely peak of a roller coaster ride frames a mysterious moon. His artwork resonates with emotional meaning, evoking feelings of uncertainty and isolation. By using the totems of our childhood — brightly colored balloons, swings, and theme park rides — Dowd also calls up a sense of unsettling nostalgia.
This is no coincidence. One of his collections is called Technostalgia: a pair of balloons tethered to a telephone pole, at odds with a wisp of cloud in the background that could either be coming or going. The artist’s intent is to examine “the nature of communication, the analogous methods of wired transmission, sound and even thought.”
Dowd is a thoughtful artist who has grand metaphorical meanings behind his work. Field Day: Ascent, the collage of children on swings rising into the sky, is meant to “capture sensations of awe and beauty, while recognizing the tentative nature of such experiences.” The photos of the roller coaster, named Babel I and Babel II, “explore the hubris of man.”
Whether or not the viewers grasp those exact interpretations, though, Dowd’s work still stirs up feelings of traveling to times and places long gone. (h/t I Need a Guide)
Since 1999, Brazilian artist Herbert Baglione has been populating the cracked walls and floors of forgotten places with shadowy, painted specters, which are characterized by their elongated limbs and emaciated, sinuous bodies. As the years have passed, his ghostly installations have emerged in dark corners all over the world, including Brazil, Germany, and France. In July 2013, Baglione found what might be his most eerie location to date: an abandoned psychiatric hospital in Parma, Italy. Down the building’s moldering, littered corridors, the artist’s ghosts aimlessly trail their wispy bodies up the walls and through open doors. At this time, the ongoing project was officially named 1000 Shadows. Describing his creative approach to forgotten places and their inhabiting spirits, Baglione has explained that “The ‘reading’ of these places allows [him] to take the shadow to a unique path, which usually feeds and broadens the discussion because it brings light to the abandoned environment […]. It is as if the soul is leaving an invisible trail on these places” (Source).
What makes Baglione’s work so simultaneously fascinating and unsettling for the psyche is that it plays with the dichotomy of presence and absence — two states of being that we often assume are fundamentally separate. By creating these shadows, not only has Baglione left his physical “mark” (his presence) for passersby to ponder (who was here? And what does it mean?), but he reminds us that other people were there long before us, and perhaps their energy still remains, making absence a form of presence. We feel drawn to these sad specters, and perhaps a bit frightened; they are traces of a persisting darkness that inspire us, emotionally and imaginatively, to close the gap in time. The wheelchair deserted in the hallway with its accompanying ghost is a particularly visceral referent for this troubling of past and present life.
Just like a modern day Wallace and Gromit, Stefano Colferai‘s clay creations are cute, light-hearted and can be enjoyed by adults and children alike. He spends many hours with his cutting board, modeling knife and colored clay. Carving out hamburgers, candies, tacos, chicken nibbles, sneakers, boobs and self portraits (all with big googly eyes), Colferai is no stranger to having a laugh to himself and indulging his own sense of humor.
These behind the scenes videos show us a candid insight to his process and creative practice. Creating different campaigns, posters and images for many clients, Colferai approaches them all in the same way. If he’s not enjoying himself, then the viewer won’t be either. About his Boob poster creation, he says:
As a big fan of boobs, I have tried to study their shapes, reproducing some of them in plasticine. I decided to play with the consistency, trying to emphasize the materiality. (Source)
Personifying objects and giving them some sense of life is Colferai’s specialty. Like all good animators he can convincingly tell us a narrative through an unexpected image. Like his ‘Shit Selfie’ – a humorous look at a modern day phenomena. His fresh take on different ideas is what makes him an exciting talent to watch. See more behind the scenes footage after the jump.
Instead of using mixed media or found objects Eckart Hahn paints them. With a painful realism he creates opposing materials to find his pictures. A gorilla’s hairy body paired with crumpled garbage bags produces a strange dynamic which is visually captivating. In another, a group under multi-colored plastic bags disguised as a nativity scene is even more unique. It’s hard to find striking subject matter to paint because nine out of ten times it’s been done before. But somehow Eckart Hahn manages to reinvent. People have called his work “new age surrealism” which is true but there are also fantasy and advertising motifs at play. Hahn’s use of fast drying acrylic paint allows him to finish pictures quickly lending a spontaneity that goes well with his oddball subject matter.
Creatures appear consistently in many of Hahn’s paintings. He repeatedly identifies with different species of bird. The winged animal can represent freedom, wisdom and renewal. In Hahn’s paintings these characteristics manifest into a biopic figure, one that seems to echo Hahn himself. All art is biographical in some way or another and provides a chance for the artist to explore unresolved or untouched emotions or feelings. The bird in Hahn’s work has alluded to death, friendship, love, humor and awkwardness. Perhaps these were the same ideas he was feeling at the time of creation. The German born artist is self-taught and has exhibited his work worldwide. (via juxtapoz)