Helen Frankenthaler once said, “I don’t start with a color order but find the color as I go. I’d rather risk an ugly surprise then rely on things I know I can do.”
Likewise, we get the sense that LA based artist Caitlin Lonegan’s process is similar. Her color palette (collected here) meditates on the bravery of a spontaneous stark of brightness erupting from the murk. Yet, there is also an overall resonating calm sense of vibrancy that is truly understated, not forced.
As viewers, we can’t help but embrace the comfort and excitement of well laid paint in seemingly simplistic guttural compositions.
Artist Ed Fairburn is using maps and star charts as a base to draw detailed portraits. Inlaid in the weave of the roads, signs and lines, the faces appear textured and emotional.
Ed Fairburn draws dashes or fills up a specific area on the map. Playing with the existing colors symbolizing lands, water or housings. It takes him a couple of days to a month to complete a drawing. The artist draws on vintage road maps looking forward to discovering uncommon names or places he once visited in the past. The star charts drawings confer a different atmosphere, a poetic mood to the faces trapped in the constellation. He chooses his ‘canvas’ himself. The patterns and orientations are key for him to start drawing. In terms of details, lines, names printed on the maps; the more cluttered, the better outcome.
The more contrast exists between the lines, shapes and shadows on the portraits, the more depth it creates on the overall drawing. Not two inches are ever the same, and yet the accumulation of dashes and small lines create a pattern inherent to a part of the face. For either the road or star maps; the association of a land, a space with a human face resonates with evasion and travel. The possibility for the viewer to escape from reality and dive into a foreign land, a dream destination. ( via Booooooom)
Ed Fariburn’s drawings will be displayed at the Mike Wright Gallery in Denver, Colorado until December 19th 2015.
Normally, fairytale princess characters are the epitome of chastity and innocence. With her series on folk stories, the Spain-based illustrator Marilen Adrover turns the concept of feminine modesty and purity on its head, presenting the gruesome mugshots of legendary heroines. Far from her days of resting piteously in a glass coffin, Snow White, an icon of the selfless domesticity of any ideal wife or helpmate, is arrested for sexual misconduct. Little Red Riding Hood, blood smeared across her once naive rosy cheeks, is taken in on murder charges. Poor, young Goldilocks, no longer a helpless child in search of shelter, has lived a life of crime, and she is reprimanded for breaking and entering. Lewis Carroll’s sweet Alice has grown disillusioned with the real world, turning to her own dangerous wonderland of psychotropic drugs.
By placing these icons of feminine docility and martyrdom in the context of contemporary crime, Adrover cleverly subverts the traditional madonna-whore dichotomy that persists narratives about young women. Like an angst-ridden teen, each vixen stares at her captives teasingly, hoping to challenge their authority. They are no longer defined by their histories of idyllic pastoral innocence, but they certainly cannot be pegged solely as unruly miscreants. Both beloved and dangerous, they refuse to conform to a single fantasy, playing with our culture’s deeply ingrained prejudices and assumptions.
In another ambitious series, Adrover explores the painful pressures facing the bodies of women, presenting evocative portraits of eating disorders and plastic surgery. Her imagined manifestation of anorexia is a bloody red orb, shining outwards from the belly of a woman. In her vision of orthorexia, the orb is blue. Each image, evocative of watercolor painting, subtly explores the persistent emotional traumas and obsessions that burden the human spirit. Take a look. (via Lost at E Minor)
Multimedia artist Gavin Worth uses steel wire and rods to sculpt beautifully minimal forms and figures that look like they were sketched in the air. 3D representations of 2D conceptual drawings, each of Worth’s sculptures portray human forms and silhouettes, with careful attention paid to the details of these “illustrations.” His large scale portraits of faces that depict thirsty visages are perhaps his most detailed and deliberate constructions. For these, Worth sought to convey an emotional anxiety through the sculpted faces. Of his work, Worth writes,
By bending black wire into something of freestanding line drawings, I create sculptures that engage the viewer by involving them in their subtle changes. When the light in the room shifts, so does the mood of the piece. A breeze might softly move an arm. My wire sculptures tell stories of simple human moments: a woman adjusting her hair, a face gazing from behind tightly wrapped arms, a mother gently cradling her baby. The honest, unguarded moments are the ones that I find to be the most beautiful.
UK graphic designer Joe Porter has a refreshing style. A combination of minimal color and collage inspired design makes his work eye catching. This young new designer is a recent graduate from Brighton University. He has already been featured in several publications i.e. Computer Arts and Wallpaper Magazine. Not too bad for this up incoming designer.
Photographer Ines Kozic captures modern fairy tales decorated with bone and hair. The mood is contemplative, with a subtler flavor of body horror as her fair-haired women spin their hair into thick braids and pose with ruby-red lips and a court of insects. There’s also a sense of playfulness: a woman painting with her hair in an Escheresque exercise of physics; a man’s beard woven into a basket.
According to her artist’s statement, Kozic’s work is “a reflection on the body’s ornamentation, post-mortem photography and fairy tales’s world.” Her inspiration from photography of the recently deceased in repose is especially clear in the photos where her subjects wear garlands of delicate bone.
The ever-present sense of solitude in her photography make it seem as though everyone is frozen in time. The result is an unsettling mix of beauty and the kind of disquieting daydreams that one might find in a languishing surburbia. Her subjects perform everyday chores — sewing, weaving — but with surreal objects, bedecking themselves with beetles instead of jewels.
If, as Kozic says, she’s searching for “macabre poetry,” then she’s certainly found it. (via Yatzer)