Artist Xochi Solis‘ work combines painting with collage into smartly layered pieces. Rather than spreading the elements throughout the composition, Solis places them all at the center. She layers each piece on the on top of the one before it, revealing only pieces of found images or painterly strokes. The round images almost appear cellular though still resisting easy interpretation or identification. The Austin, Texas based artist’s materials range from acrylic and oil paint to found images and acetate.
Megan Van Groll paints women– mediating on the fine line between nakedness and nudity, or how these two concepts relate to freedom or identity. Likewise, from bathing in cocoa puffs to sensually brawling at a donut shop, her food motif is an interesting one, often working in tandem with the female form– provoking thoughts of fetish from the outside, but also, a much more personal and complicated binging ceremony.
Of her own craft, Groll states, “My narrative portraits of women are, at their core, a painted attempt to understand and portray how modern women create identity and meaning from the world around them. I am interested in exploring the way we perform our projected ideal personas, for ourselves and for others.”
The histories of geometric abstraction and quilting collide in these hard edged fabric paintings by Linling Lu.
Artists are magicians in their own right for making something from nothing, for infusing the everyday mundane tools and objects with poetic meaning and creating a whole new experience from it. In the holiday season, with a good part of society taking part in excess shopping, people are becoming increasingly conscious of what we discard. Our relationship to the accumulation of stuff and the level of waste humans produce seems to be collectively shifting. The artists whose work is shared here: David Ellis, Vik Muniz, Gabriel Kuri, Song Dong, Tim Noble and Sue Webster demonstrate the way individual artistic voices arise from this consciousness and the beautiful and often magical work that is informed by our accumulated or discarded stuff.
Gorgeous, futuristic, and a bit dark, Spanish fashion photographer Alvaro Villarrubia does not disappoint. Enter his world of beauty, robots, the grotesque, and the sexy after the jump.
Beautiful/Decay has partnered with premiere website building platform Made With Color to bring you some of the most exciting contemporary artists working today. Made With Color allows you to create a website that is professional and easy to use with just a few clicks and no coding. This week we bring you the beautifully grotesque paintings of Christian Rex van Minnen whose clean and sleek website was built using the Madewithcolor.com platform. See Minnen’s solo show entitled “Welsh Rats” at Robischon Gallery in Denver Colorado running through May 4th 2013.
“Welsh Rats” is a complexly layered presentation of new and recent paintings by emerging, New York-based artist Christian Rex van Minnen. Extolling his lavishly ornamented personal vocabulary of subtle and outrageous grotesqueries, van Minnen’s unsettling and disfigured, yet comical portraits hang alongside still life paintings of twisted tulips and hyper-real glistening entrails. Equally tangential, the exhibition title of “Welsh Rats,” is the Anglicization of the German word ‘Weltschmerz’ a reference by John Steinbeck in “East of Eden” meaning “world pain.” This sincere yet somewhat naive American (mis)interpretation of weighty European concepts of the past, reflects the confusion of language and history which is crucial to van Minnen’s artistic stance. This extends not just to the artist’s perception of European culture and painting but, also to how Native American and other ancient histories are also assimilated through art. Likened to a modern Archimboldo, van Minnen states, “I find myself either suppressing or indulging of my own desire to associate personal narrative to the raw visual information inherent in the material and process. Construction, destruction and reconstruction are symbiotic elements in the creative process allowing the image to fluctuate between abstraction and representation, truth and illusion, personal and archetypal.”
Have you heard the news? Beautiful/Decay Book 1 is almost sold out! There are only 75 copies of this limited edition bad boy left. After Book 1 sold out on the online shop, we felt sorry for all you readers who didn’t get a chance to snap up your very own copy! So, out of the goodness of our hearts, we put the last 75 copies of Beautiful/Decay left on this earth(!) for sale again! You get a real bang for your buck- at just $20 a pop, you get an original artwork by Kyle Thomas, a one-of-a-kind sticker, and of course, 165 pages of glossy artist interviews and spreads!
Don’t miss out this time- pick up your copy on our online shop!
Loyal B/D reader, let me introduce you to Erik Beehn, a supremely talented painter, photographer, printmaker, and all around excellent artist. Erik’s work tends to focus on spaces, and the details that define those spaces. Says Erik, “It is the small details within a space, such as the lighting, textures, shadows, and even the balance of negative space between objects that grasps my attention. My work investigates the use of emptiness within a space, and its relationship to either its viewer, or its occupant.” Erik recently moved his studio to Las Vegas, and has been working like mad on several different projects, while always keeping his eyes open to the subtleties of the american landscape. I caught up with Erik the other day, and asked him some questions about his former life as a master printer, his unusual painting techniques, and his new life in Sin City.