The sculptures of Anthony Howe intriguing as they are – gleaming in the yard of his rural home. However, when a breeze picks up and flows through his work, the sculptures take on new life. These kinetic sculptures unfold in the wind with mesmerizing movement. He says of his work:
“I attempt, with an economy of means, to construct objects whose visual references range from lo-tech sci-fi paraphernalia to microbiological or astronomical models. Utilizing primarily stainless steel armatures that are driven either by hammered curvilinear shapes or flat fiberglass covered discs, I hope the pieces assume a spare, linear elegance when conditions are still, mutating to raucous animation when the wind picks up.” [via]
Philadelphia based artist Erin M Riley creates incredible handwoven tapestries with hand dyed wool on nylon warp. Her work touches on issues of death, self exploitation through gender and the internet, addiction, and loneliness.
Diggin’ on these illustrative ink and watercolor works by James Ulmer. His repetitious, almost vintage-looking characters roll on and on across the page in a flood of really earnest, straight-up human appeal.
According to the artist’s website, we can look forward to seeing his work in a group exhibition at Grass Hut in Portland very soon.
Laurie Lipton’s meticulously rendered drawings are what nightmares are made of complete with skeleton kings, scary clowns, and ghostly reapers.
The artist on her work:
“It was all abstract and conceptual art when I attended university. My teachers told me that figurative art went ‘out’ in the Middle Ages and that I should express myself using form and shapes, but splashes on canvas and rocks on the floor bored me. I knew what I wanted: I wanted to create something no one had ever seen before, something that was brewing in the back of my brain. I used to sit for hours in the library copying Durer, Memling,Van Eyck, Goya and Rembrandt. The photographer, Diane Arbus, was another of my inspirations. Her use of black and white hit me at the core of my Being. Black and white is the color of ancient photographs and old TV shows… it is the color of ghosts, longing, time passing, memory, and madness. Black and white ached. I realized that it was perfect for the imagery in my work.”
Dane Lovett mixes retro and modern electronics with the tried and true classic, floral still life, to create a completely modern take on the idea of “still life”. His work looks into modern relationships with technology and pulls at the strings of technology of days past. Each piece is serene and intriguing, feeling both familiar and new all at once.
At the intersection of fashion, photography, film, stagecraft, and design, artist Marina Fini creates hallucinatory, alternative worlds. Based in California, she collaborates with friends and artists alike in the staging of these otherworldly scenes, using colorful costumes and her own handmade, plexiglass jewelry to turn her photographic subjects into ethereal cyber goddesses. When asked how she builds these characters, Fini remarked, “there’s something about transforming someone into someone they wouldn’t normally be … that is, creating an extension of themselves that I see in them.” All of her characters exude a captivating power, like the whimsical and intangible figures seen through a psychedelic dream. By exploring alternative selves in familiar contexts – a convenience store, or the Californian seaside, for example – Fini explores how subjecthood is fluid, and how such creative “shape-shifting” can alter they way we perceive our immediate reality.
While beautiful, there are also darker and more satirical elements in Fini’s work; in her own words, there’s something compelling about “juxtaposing what we associate as innocent with something horrific or insane.” In her short film Tree Temple, for example, a group of forest sprites — their faces eerily obscured by their colorful hair — dance feverishly around an altar made of Apple computers. Shortly after destroying the altar in their frenzy, they fade into mourning and death. As this film exemplifies, integrated throughout Fini’s scenes are emblems of our contemporary cyber culture — the Apple logo, wifi symbol, hand cursor, and so on. Speaking to this, Fini says that the use of such icons “specifically pokes fun at our internet-obsessed culture,” thereby producing a playful — and sometimes dark — cultural critique of our digitized existences.
In addition to her photographs and videos, Fini is well-known for her aforementioned jewelry, as seen on many of the models in these photos. In pursuit of new projects, she has recently announced that she will be phasing out her jewelry, but her Etsy shop will remain open until mid-January 2015. If you enjoy immersive art and playful reconfigurations of reality, check out the surreal worlds she has created on her website and Tumblr pages.
Dimitri Karakostas is a hard working photographer from Toronto, Canada. He’s made a whole pile of new work since we last checked in. His sometimes beautiful, sometimes beautifully garish images are the result of his dedication to the analog medium. Rejecting common digital editing has opened his work to a whole world of great tactile manipulations and experimentation, techniques often overlooked by other young photographers.
And hey, Dimitri also co-founded Blood of the Young Zine in ’08. Its a great project aimed at promoting and publishing new photographers, creatives, and troublemakers. If you’re in Toronto until Dec. 10th make sure to check out his work in the Dying Breed group exhibition at 285 Dundas W. This Canadian doesn’t quit!
Alexander Kostinskyi is a photographer hailing from Kyiv, Ukraine. His work is chilly, sparse and sometimes a bit strange. Some of his images give me the heebie-jeebies while others make me smile, all while retaining his natural untouched style.