It is difficult to believe that the astounding, realistic sculptures of husband and wife duo Allen and Patty Eckman are cast from paper. Inspired by cast paper techniques of mid-20th century Mexico, the couple has developed and trademarked a unique process called the Eckman Method®. Pouring paper pulp instead of bronze into silicone moulds, they are able to produce lightweight sculptures with an astonishing level of detail. Allen’s work centers on the history of the American West and Native American civilization, content that blends seamlessly with Patty’s focus on wild flora and fauna.
Allen, who himself is of Cherokee descent, seems to pick up where 19th century American bronze artists like Hermon Atkins MacNeil or James Earle Fraser left off. Echoing the sentiment of these early settlers to the West, Eckman portrays the vanishing Native American population with dignity and reverence. Many of their sculptures are colossal, looming above viewers with magnificent authority. Others are miniature, precious to behold. The Eckmans capture scenes both active and pastoral with equal attention to detail; the cowboy, blazing ahead on horseback, lasso in hand, is seen with as much clarity as the native American hunter, who rests for a moment with his equine companion, absorbing the sights of the natural world. Like living specimens of times and cultures too rarely recorded by history, mothers and children dance in historically-accurate clothing.
In their stunning visual work, the Eckmans are able to merge a new, innovative process with subject matter as timeless as our country, breathing new life into the cannon of work created by great American sculptures of the past. (via BeautifulLife)