Brian Robertson’s paintings are executed with the precision of a surgeon, but beneath this graphic hard-edged aesthetic is an honest and delicate appraisal of humanity that subtly reveals itself the longer you spend with the work. The human condition could be defined in many ways – our never ending attempts to understand the meaning of life, the ongoing search for gratification, our sense of curiosity, the inevitability of isolation, or the innate knowledge of our eventual demise. Robertson’s practice dives headfirst into this existential quagmire with a level of honesty and playfulness that is rarely executed so well.
Oddly familiar (yet simultaneously foreign) worlds showcase a variety of anthropomorphized structures that seem to exist in a place just outside of reality.Recognizable elements in the paintings serve to ground the otherworldly figures as they traverse unknown environments. These moments of certainty establish a point of reference for the viewer, but the tightly organized chaos surrounding these moments forms a whole new set of questions. What are these strange objects? Do they serve a purpose? Where are they? In each case, there is no definitive answer, but the carefully constructed scenes lend themselves toward metaphorical interpretation. Certain paintings evoke a quiet solitude while others maintain a sort of liveliness, as the structures attempt to understand their current environments.
Robertson’s paintings all seem to function as a metaphor of humanity’s ongoing quest to navigate our way through an uncertain world. In that respect, we are very much like the futuristic amalgamations depicted in these works.