Jon Kessler’s installations respond to our current information-saturated culture where the search for the self often occurs within the realm of digital media. His most recent exhibition, “The Web“, immerses viewers in our technology obsessed world. Cameras and surveillance equipment abound, constantly capturing and clicking photos and videos of participants. The installation itself is a conceptual clusterfuck that suggests our importance of ritualistic clicking over what’s actually being captured with the clicks. His other work similarly addresses themes of capture, surveillance, fame, and mass media by using related techniques. These installations confuse us and ask us to consider the nature of reality and the authority we grant to technology and mass media with regard to our own identities.
Paris born London based Noemie Goudal‘s installation based photographs recreate rivers out of flowing fabric, bring large forests indoors, and transform a room into a cavernous hideout under the boardwalk.
South Korean artist Jihyun Park creates incredibly complex images by burning minute holes in rice paper with incense sticks. He then mounts the finished ‘drawings’ onto varnished canvases. The final results are beautifully serene images of trees, mountains, clouds, forests and branches. As a kind of reverse pointillism, Park is interested in the contrasts between empty space and positive space, or by taking something away (parts of the paper, and the incense stick) to create something new (the image).
Inspired by the books Gulliver’s Travels, Utopia, and Erewhon and after seeing the Japanese animated movie Castle in the Sky, Park became interested in the ideas of utopia and harmony. He expands these connections in his work further:
My recent work, Incense Series, focuses on this relationship while searching for the promised harmonic balance that utopia brings. Ironically, the word “utopia” in Korean is “Yi Sang Hwang” and “Hwang” means “incense”. (Source)
Park also talks about the ideas of positive and negative further. He says the shadows created by the holes in the paper are playing off of the light reflected from behind them. To him this is a fine example of Yin and Yang and two opposites who complicate and strengthen each other. He also chooses to outline his subjects or to fill them in – working with reverses in an aesthetic sense as well.
The subjects addressed in my work range from the natural world to memories of the past, reflecting the constant physical and emotional changes in our environment. It is my hope that the “moments” I captures of my subjects are ones when they are at their most ideal– true utopias. While drawing them with the incense, I am “holding” a split moment of harmony in my hands. (Source)
(Via Bored Panda)
Normally, fairytale princess characters are the epitome of chastity and innocence. With her series on folk stories, the Spain-based illustrator Marilen Adrover turns the concept of feminine modesty and purity on its head, presenting the gruesome mugshots of legendary heroines. Far from her days of resting piteously in a glass coffin, Snow White, an icon of the selfless domesticity of any ideal wife or helpmate, is arrested for sexual misconduct. Little Red Riding Hood, blood smeared across her once naive rosy cheeks, is taken in on murder charges. Poor, young Goldilocks, no longer a helpless child in search of shelter, has lived a life of crime, and she is reprimanded for breaking and entering. Lewis Carroll’s sweet Alice has grown disillusioned with the real world, turning to her own dangerous wonderland of psychotropic drugs.
By placing these icons of feminine docility and martyrdom in the context of contemporary crime, Adrover cleverly subverts the traditional madonna-whore dichotomy that persists narratives about young women. Like an angst-ridden teen, each vixen stares at her captives teasingly, hoping to challenge their authority. They are no longer defined by their histories of idyllic pastoral innocence, but they certainly cannot be pegged solely as unruly miscreants. Both beloved and dangerous, they refuse to conform to a single fantasy, playing with our culture’s deeply ingrained prejudices and assumptions.
In another ambitious series, Adrover explores the painful pressures facing the bodies of women, presenting evocative portraits of eating disorders and plastic surgery. Her imagined manifestation of anorexia is a bloody red orb, shining outwards from the belly of a woman. In her vision of orthorexia, the orb is blue. Each image, evocative of watercolor painting, subtly explores the persistent emotional traumas and obsessions that burden the human spirit. Take a look. (via Lost at E Minor)
It seems Los Angeles has finally decided to warm up to us and the heat is slowly but surely attacking our foggy lovable city. I was trying to find something to post here that would welcome the heat wave back in LA after months of rain and freezing cold nights. Although this commercial is obviously targeting the concept of using natural gas in “winter”, I feel like if I could describe the heat in LA right now, would be a wool covered house.
The commercial is made by Lovo Films, a company that operates in Europe. They are known for making great commercials for companies like Belgacom, Coca-Cola, Telenet, Yamaha, TDK, Mio, McDonald’s, Gordon Beer, Center Parcs, Renault and Seat. They also have a “making of video” of this awesome commercial.
Now get ready to welcome the heat of Los Angeles with open arms~! HA!
We’re gearing up B/D Apparel for another season of collaborations with artists from around the world. It might seem like we just send our the art for the shirts to the printers and wait for them to ship us finished shirts but that’s far from the truth! We spend weeks camped out at our printers fine tuning every single shirt. The process can be grueling with some shirts taking an entire day just to get right. Here are some shots from a recent day at the printer….
Ed Bing Lee’s delicious knotted sculptures combine two of my favorite things, food and art! Now I only have one question. Does that burger count as a veggie burger since it’s made out of linen?
Artist Randy Ortiz has been tantalizing the eyes of illustration fans for years, illuminating concert and movie posters both professionally and as creative tasks for a great imagination. While past work emphasized ink line work and detailed black and white charcoal drawings, recent work has become more colorful, with flat background colors which perhaps surprisingly emphasize the darker thematic weight in the mystical figures and composition.
The self-taught Canadian artist uses evolved techniques to illicit a near-Surrealistic response from his often-human figures, draped in masterfully rendered drapery and fabrics. Despite the often serious undertones immediately noticeable in his work, the obvious sense of humor is evident (mutant visual remixes of Drake’s oft-mocked album cover seen below for example). In other works hooded figures clamor over each other, all reaching for a disembodied hand holding a small heart talisman representing love, or mystical-triangle-eyed cats eye floating balls of string. With Ortiz’s visual narratives and painting style evolving at a rapid pace, he is definitely ahead of other illustrator/artist to watch.