Whatever Lola wants, Lola gets. You know that anyone who goes by one name is cool as cool can be. So that’s why you should definitely go see Lola’s second solo exhibition, “Ipsum Factum”, at Corey Helford gallery. The opening is on Saturday March 27th, 8-10 pm. But if you absolutely cannot make it out for the reception, the work will be up until April 14th. After the jump, you can get one more sneak peek of Lola’s new work before the show.
I have to admit, while the spectacle of animatronics is impressive, what struck me most about this video is the concept that the “perfect woman” not only exists, but can be created by a pair of two men….as a robot. Her purpose is for pleasing “every man, who could not find the perfect woman,” so she can “love them, understand them, while taking care of the housework.” Excuse me, but was this mindless, speechless robot-woman with unseeing plasticine-glazed eyes and pleasant vocal recognition (when spoken to) voice time warped from a futuristic 50’s, where men believed a dream woman should not actually have an opinion, but be extremely competent at massage and cooking delicious meals? Is this some kind of weird bogus Bill ‘n’ Ted time warp? (At least this robot won’t need to be medicated with speed to complete her tasks.)
Artist Max Gärtner‘s solo exhibit Animal Watching is a bit of a play on words. Much of the exhibits is filled with intricate animal portraits. The portraits of these animal gallery goers are created using carefully cut paper in impressive detail, that are then mounted and framed. It offers gallery visitors a different sort of Animal Watching. Accompanying the wall mounted artwork, are what appear to three figures, each with a different animal head, carefully inspecting pieces. The sculptures are each an animal watching the gallery events. Check out the video to see the way the piece interact within the gallery and some of the art work being created.
Moving through a macabre world of paper mâché, clay and other assorted materials, Roxanne Jackson creates a gnarly wax museum population. In it, her themes of death, extinction and transformation mold into a still menagerie of Jungian imagery where half man/half animal, sleeping snakes, faceless figures and scary kitties are the norm. Her lot of decaying citizens become eerily alive as they slither, gawk, and snarl at the world. In them, a dark vanity is present, fulfilling our every need for gratuitous horror. In her Death Valley, Jackson uses familiar themes associated with the place that run parallel to her own work. Built around a faceless couple’s camping trip, we witness as they encounter human skulls, fateful hands, swans and Harpy; the half man/half bird creature who embodies the real and imagined shamanistic deities we often think of in these environments. Akin to a carnival master readying props for the eve, its outright Jungian excess takes us down a path which challenges expected norms. In Feed Me Diamonds, Jackson focuses on another transformative creature in the form of a mermaid. Except this pretty thing has a bullet in her head and seems to be drowning in a pool of debauched excess. In her hands, a pair of dice and a deck of cards tell us she’s playing with fate. In her mouth, a set of diamonds? Just another example of the grisly world Jackson inhabits which fronts as a pit stop for twisted redemption.
The phrase “3D photos” seems like a bit of a contradiction, right? But no, Letha Projects has been making these amazing minimalist photo sculptures, taking plain pictures and translating them into a work of art that expands on their single dimensional forms. She also works with her flat photos by cutting and manipulating a mixture of color and black and white prints to create texture.
Mark Stockton’s commentary on celebrity culture.
Patrick Nagel was a Los Angeles based artists whose work strongly resembles that of the japanese woodblock and art deco styles.