Norwegian-born, Seattle-based artist Sail Uselessarm has a somewhat comic-like and dark style of illustration. Most of his work is labeled as mixed media, with use of gouache and acrylic, amongst other mediums. What really stands out in his work is the stark contrast between the background and the subject, the intense and heavy shadowing within the scene, and how this tight control of light creates an ambiance of film noir that feels very photographic and, in the same breath, filmic. His tendency to off-center the compositions reveals an implied motion that is also quite cinematic.
Concerning his work, Sail related the importance of the narrative:
“I try to tell a story with each piece or at least hint at a larger narrative. Suggest a history, a movement, even if you’re only seeing a moment… I think the weight of that history should exist in that moment. We’re defined by our experiences. I don’t think art is any different. Pulling from folklore and mythology as I do a lot of these characters come with a story, so it’s hard to not have some of that come through in trying to represent them.”
Sail will have a new body of work up in his next show, titled “Canna Intrat,” opening in Seattle at the Roq La Rue Gallery on October 2nd and showing through November 1st.(Excerpt from Source)
David Welch’s photographs document sculptural assemblages that form pseudo monuments, or totems of consumer goods and debris. The totems speak of accumulation and materiality and encourage debate about consumption, media, class, gender and the ways in which we feel compelled to consume.
The technological wizards at Burton Inc. have developed a 3D laser display that can project images onto thin air. By focusing laser beams onto a single spot and firing the lasers in bursts of 100 times per second, images appear out of nowhere like 21st century pointillist magic. So far, the images are rudimentary, looking for the most part like simple sketches in .GIF form. But it’s still a fantastic advancement of the technology.
“This is the only device that can show text and pictures in mid-air, without using a screen,” says Akira Asano, Burton Inc.’s director and head researcher. The first and foremost application of the technology has been for emergency warnings — such as in a tsunami scenario — or as signals in pedestrian-heavy areas, such as at a crosswalk.
Not only does Burton Inc. hope to see this technology implemented in public spaces but also in people’s personal cars, thereby transforming even civilian vehicles into portable 3D displays. (via This Is Colossal)
Sam Alive is a New York city-based photographer who has truly aced the digital lens of an iPhone. His project “Through the Phone” features stunning landscapes, urban cityscapes and natural sceneries all captured with a mobile camera.
The key to Sam’s work is the juxtaposition between the sharp and detailed view presented on the mobile screen and the blurry unrecognizable background behind it. To mock the late influx of smartphones in our lives, artist takes these wide breathtaking vistas of sea shores, valleys and skyscrapers, and crams them into a tiny 4-inch display. Thus, limiting the viewer’s vision and making a good point about the change in our perception.
“Life is like an adventure, because you never know what is going to happen next; you only have one life, all we can do until we die is live everyday to the best of our ability. As long as I am still alive, I will continue to take pictures everyday of my life.”
Sam started his project “Through the Phone” two years ago and already had a chance to travel and take photographs all over Taiwan, Japan, Hong Kong, San Francisco and New York. In his Tumblr blog, he promises to keep on traveling and updating his project with more captivating shots through the phone. (via designboom)
To celebrate the city-wide museum show Pacific Standard Time: Art in L.A. 1945 – 1980, iconic west coast rapper Ice Cube takes a few moments to celebrate the life and work of legendary designers Charles and Ray Eames. Touring the home of Charles and Ray Eames, known as Case Study No. 8, Ice Cube explains how hip-hop mirrors the couple’s beautifully designed home as both make use of prefabricated pieces that fit together to form a whole. Who said rappers can’t like high end design? Watch the full video after the jump!
British artist Anthony McCall (born 1946) has a cross-disciplinary practice in which film, sculpture, installation, drawing and performance overlap. McCall was a key figure in the avant-garde London Film-makers Co-operative in the 1970s and his earliest films are documents of outdoor performances that were notable for their minimal use of the elements, most notably fire. After moving to New York in 1973, McCall continued his fire performances and developed his ‘solid light’ film series, conceiving the now-legendary Line Describing a Cone (watch a video of a gallery-goer’s interaction with it), in 1973. These works are simple projections that strikingly emphasise the sculptural qualities of a beam of light. If you want to know more about the light magician, you can read an interview with Anthony by the writers at BOMB Magazine.