“Graffiti Girls” is a stunningly beautiful portrait series by Austin TX-based artist Kevin Peterson. His blend of both hyper realistic portraiture and natural graffiti penmanship is a new one, and his command of both styles is impressive. Peterson uses the rough and jagged shapes of wall tags to directly juxtapose the soft beauty of young girls; the ragged and worn versus the innocent and clean. Though subject and backdrop are polar opposites, the girls seem empowered by the art behind them, instead of shying away from it. They may live in a world that’s tagged up, but they aren’t scared of it. The color and design of the spraypaint behind them seems to enhance the girls’ beauty and personalities, especially with Peterson often coordinating the tags with the girls’ outfits. These portraits help to make the argument that graffiti is becoming a more normalized form of public art, and though it’s not always pretty, younger generations growing up in this world are used to its presence, instead of threatened by it.
Hungarian photographer Bence Bakonyi‘s series Dignity is a clearly personal one. The white arctic-like landscape is contrasted against deep black fields. The inky pools seem to be light swallowing and even begin to envelop a figure in some images. Bakonyi’s photographs are intensely lonely. Referring to the series, he speaks about a distinction between the body and mind as expressed in the photos.
Speaking about struggles between the two he relates, “It’s so alluring, sometimes as if the will of the body would want to swallow me, leaving my thoughts behind, but then comes the soul to pull me back.”
Photographer Jeremy Kohm has travelled & lived around the globe, honing his skills. He began his career as a surf photographer in Japan. Now based in Toronto, Jeremy works primarily as an editorial photographer and as an affiliate photographer for Fever Films. His images are clean, straight-forward and refreshingly minimalistic.
For photographer Ellie Davies, the forest is her studio. Her images are an immersive mix of realism and heightened fantasy. In a mossy clearing, for example, galaxies have been interposed with the landscape like clouds of will-o’-the-wisps, while elsewhere, stars resembling flaxen particles drift down in a column, illuminated by the sunlight. Her landscapes are not only places of mysticism and beauty, but of darkness, as well. Fog and clouds drift amongst the trees like ghostly breaths expelled from the twisted, bronchiole-like branches. In one particularly haunting photo from Between the Trees Triptych (2014), skeletal trees flank a spectral cluster of mist.
Whether glowing bright or cast in shadow, all of Davies’ images reveal a reverence for the forest, as well as her intimate understanding of the way such landscapes have manifested themselves in our cultural imaginations. As she writes in her Artist’s Statement:
“UK forests have been shaped by human processes over thousands of years. […] As such, the forest represents the confluence of nature and culture, of natural landscape and human activity. Forests are potent symbols in folklore, fairy tale and myth, places of enchantment and magic as well as of danger and mystery. In recent cultural history they have come to be associated with psychological states relating to the unconscious.”
And it is true; all of these cultural legends, practices, and traditions have made the forest — indeed, “nature,” as a concept — a construction, a story we tell ourselves to try and understand our individual connection with it. We imagine the woods as a symbolic place of “elsewhere” and “otherness,” and this cognitive distancing allows us to romanticize it, fear it, and/or exploit it.
Davies wants to confront us with these fictions “by making a variety of temporary and non-invasive interventions in the forest, which place the viewer in the gap between reality and fantasy” (Source). She creates her scenes in what she calls “small acts of engagement [that] respond to the landscape” — she builds things, creates pools of light, incorporates craft materials such as paint and wool. As I read it, the images have several effects. They resonate with our fantasies about the forest, but at the same time, we recognize their construction, which helps us to perceive that our cultural relationships to the forests of the real world are also constructed. In unveiling such narratives, Davies’ work encourages a more ethical connection to the woods: we recognize “reality” as a series of stories that have been told to us, we sense that we are not truly separate from what we call “nature,” and we accept that we can never fully understand it — an acknowledgment that fosters both respect and peaceful coexistence.
Brazilian artist Henrique Oliveira creates monumental, site-specific installations that confront the viewer with oddly formed, but organic looking sculptures. Oliveira’s way of shaping and installing the material against the gallery wall make it seem like an ever-changing parasitic growth upon a manufactured, man-made landscape. The objects’ swirls, knots and root-like quality allude to both natural and artificial substances.
The artist’s way of merging varied materials, amongst them recycled wood and decayed debris from the Sao Paolo streets, suggest that the artist is interested in manipulating both indoor and outside space to finally create a harmonious coexistence between urban design, plant life, and biology. (via Design Boom)
pro snowboarder and filmmaker ANDREW HARDINGHAM is a fun-crazy-wild rider who likes to get weird… and I love it. This video is what I like to call as a bio on his life. From first discovering fire to boobs, Andrew went through some changes…
Susan Kare User Interface Graphics is a digital design practice in San francisco, California. Susan is a pioneer as a computer iconographer. She began her career at Apple, Inc. as the screen graphics and digital font designer for the original Macintosh computer. She feels that “good icons should be more like road signs than illustrations, easily comprehensible, and not cluttered with extraneous detail.” Kare graduated from Mount Holyoke College and received MA and Ph.D. degrees from New York University. Pretty sweet.
In just 30 years Future Shop has turned from a small one store electronics shop in Vancouver, BC to becoming Canada’s biggest retail and e-tailer of Electronics. So it should come as no surprise that Future Shop continually brings you some of the exciting and popular pieces of tech and electronics.
The above video by Future Shop showcases the Bose OE2i headphones which are some of the most lightweight yet durable headphones on the market. These headphones don’t have any of the bulk that you’re used to seeing on other premium headsets but they pack a powerful audio punch with advanced acoustic design that gives you surprising depth and clarity, adding further nuances, deeper lows and clearer highs to your favourite tunes. Best of all the Bose OE2i headphones are equipped with an inline remote and mic that’s compatible with most Apple products making it easy to control your device whether you’re in the studio painting all day or running around town.