Shannon Richardson‘s photographs have a “presented without comment” feel to them, documenting the signage and structures of American countryside with the intent to preserve. In addition to the observational and timeless sights of Texas, Richardson’s book, Route 66 American Icon, is a compilation of scenes from along the historic Route 66 highway.Richardson is an Amarillo, Texas-based photographer.
American artist Jenny Fine creates Flat Granny, a life-sized cardboard cut-out of her grandmother. The artist is interested in creating a tangible ‘thing’ that would resemble her dear, and very influential relative. With this cut-out, she attempts to extend a relationship beyond death. Apart from the cutout, Fine goes a bit further and develops a more’ carnal’ approach to the cut-out of her grandmother…
In an interest to reanimate her still image, I turned Flat Granny’s photographic body into a costume.
The bizarre, yet endearing idea is inspired by Victorian traditions of post-mortem photography, as well as the novel concept of a Flat Daddy/Mommy , photographic cut-outs of deployed soldiers for their children/ family while the soldier is away at war.
The photographs you see here feel and look surreal. However, there is no way to escape these vibes when you are looking at an object that in essence represents the absence of someone dearly missed and loved. This project is personal, but it also goes deeper than just a moving gesture from a loving granddaughter. It brings forth the realities of our attachment to the physical world- and the physical body, as well as the lengths we would go to in order to fill that void we feel when we’ve lost someone important in our lives.
Can something like this do the trick? Or would it be just plain weird and inappropriate?
Satan as a headless-masquerade holding ghost on an abandoned island floating in the deep, dark void of space creating life from clay and striking them down, all in front of tiny children. Yes! Amazing excerpt from a stop motion version of Mark Twain’s Mysterious Stranger, by Will Vinton. Censored from many TV stations. Yes!
Artist Nespoon, based in Warsaw, knows how to make people smile and forget, just for a second their worries. Random streets, abandoned spaces and tree trunks is where the artist chooses to install her intricate lace patterns, taking street art to another level. She stencils sidewalks, sprays signposts and hangs handmade crochet with no other intention than to create a surprise for the streetwalkers.
She calls her art “public jewelry”. Her devotion to making the streets look prettier is poignant. The lace patterns she uses are traditional, bold and extremely detailed for their sizes. She is inspired by textiles and makes sure to outsource local suppliers. The geometric and airy patterns generate harmony. Just what a busy jungle city needs: peace and beauty. By adding a touch of femininity to urban spaces, the city becomes lively and vibrant.
Lace has a special meaning for Nespoon. It has a history that speaks to the majority, mostly women. As for centuries, women were the only one crocheting, leaving a heavy heritage that can be now counterbalanced to their own benefits. They can recognize in the artist’s work a familiarity, a deja-vu and embrace the installations. (via Behance).
Max Siedentopf is a car transformer. He pimps cars which, in his opinion need an upgrade. He sneaks up at dawn in the streets of Amsterdam and with a couple of euros tapes cardboards onto the cars. The add-ons recreate the design of race cars, low budget style.
It’s all thought through. All the major components, rear wings, side pods and front wings, help imitate a fancy expensive supercar. Max Siedentopf cannot get his head around the fact that in a world where personalization and self-expression is craved and sought after, cars are still so poor looking.
Car owners are usually like pet owners, proud and close to the subject they affectionate and take care of daily. They usually end up looking alike. Would this mean ugly looking cars have ugly looking owners? Thanks to Max Siedentopf, and if the owners keep their upgrade on, this will never be brought up anymore.
German photographer Robert Schlaug creates Limited Area, a series in which we get to know landscapes, not as the usual sublime, endless terrains, but simply as a place that is contained and eventually terminated. In essence, Limited Areas reflects the “limits of human experiences via everyday landscape photographs.”
“Sometimes we feel we’ve run into a wall or stand in front of a precipice, not knowing how to proceed further. Or suddenly there opens up before us an insurmountable wall, and we know no way out. Even our thoughts and our imagination constantly finds their limits.”
By digitally manipulating the images, Schlaug re-creates something that we are used to seeing in our computer screens- a corrupted file, a glitchy image. Precisely, he drags down streaks of color across each section of his photographs; the result, a visual experience that he hopes will “raise awareness in times of total sensory overload.” His images, turn into colorful abstractions that will perhaps remind the viewer of the grand Abstract Expressionist works from the 1950’s. (via Phaidon)
Brighton-based artist Jake Wood-Evans‘ classical influences are readily apparent. A 21st-century Caravaggio? Who knows. But dude’s definitely on the right track. Celebrating his heroes while producing work that’s relevant to his period, Woods-Evans executes drips and fades in disaffected, casual gestures. Laurel wreaths and nuclear explosions are likely to meet in a single composition. If you’re near Brighton next month, check out his work at the Brighton Media Centre the 7th through the 16th. More images of the artist’s work after the jump.