I first saw these a few months back and slept on posting them. But after bumping into them again I had to share them with my fellow cult members. Street artist Evol has redecorated those ugly electric boxes and other utilitarian outdoor structures into mini skyscrapers and apartment complexes. My favorite piece is the planter that is turned into a section 8 housing unit complete with tiny graffiti. See that and more after the jump!
Eric Wareheim of Tim & Eric is officially my favorite new music video director. His videos are jaw dropping weird, funny, low tech, high tech, offensive, and hallucinogenic all at the same time. He’s known for his comedy skits but I really think he has a future in being a full time music video director having made videos for MGMT, Maroon 5, Ben Folds, Phantom Planet, and many others. Be warned some of these are vulgar and should not be watched at work. I’m speechless… Amazing!
It’s pretty fun discovering the fetus shapes in each of these sangria colored pieces of wrinkled fabric. I know, that probably sounds weird but Canan Cengel really deserves all praises for her eye on detail, creating the perfect positioning and shadowing for her aptly titled project: f. Check the rest below.
New York artist Bing Wright has a clever way of creating something simple and visually striking. For his latest series Broken Mirror/Evening Skies, he has photographed various sunset scenes in shattered mirrors, resulting in beautiful, understated images akin to stained glass windows. The images are full of calming blues, glowing yellows, haunting greys and ferocious reds. In this way Wright really is a photographer painting with light.
While more abstract than some of his earlier works, the composition carries a narrative that enables the viewer to collectively experience the beauty of the sunsets the artist has captured, while facilitating an individual interpretation of the emotion they imbue. We are presented with pictorial images, fragmented and in disrepair – a reminder that everything beautiful is flawed and imperfect. Bing’s signature large format lends these images symmetry and exact composition, giving them a majestic quality. (Source)
Fascinated with the subtlety of changing weather patterns, landscapes and seasons, Wright is known for his poetic photographic series. His past work includes Greyscapes (very bleak, but not bland, views of nature’s tones of grey), Wet Glass (a close up series of droplets and drips on panes of glass), and Windows (a series that narrates the passing of time through the same one window).
Wright has gravitated slowly toward an aesthetic based around reflections, mirrors, silver tones, and foil. He has photographed silver bits on mirrors, mirrors on mirrors, and now simply has captured his surroundings in mirrors. But don’t let the simplicity undersell the elegance of this sunset series. The combination of a violently broken mirror and the tranquility reflected in the shards, has a surprisingly enchanting effect. The charm of these works lie in the juxtaposition between these two worlds.
Whether or not Yochai Matos is creating an installation to view inside or outside a studio space, he pays careful attention to the way light creates an atmosphere. For his indoor installations, existing studio light can make his work appear more ethereal, something to which “You Are a Saint” affirms. His work sometimes directly addresses the absence/presence of light, as in his outdoor installations “Landscape” and “Flame (Gate).” Because the perception of his work changes with the amount of light available for any installation, the experience of his work is as fluid as the experience of natural or artificial light in any given environment.
Ever wish you could have a nice private chat with one of the biggest artists in the world where he would give you some valuable advice? Well here is your chance. Hear painting icon Chuck Close discuss why it’s best to make art during a recession and find out what his favorite era in art was. All this and more after the jump!
In March 2011, an earthquake and tsunami struck Japan causing widespread damage and destruction across the country. The fishing town of Otsuchi along the Sanriku Coast was hit especially hard, with 60-foot tall waves destroying 60% of the town. Argentinian photographer Alejandro Chaskielberg heard about the devastation in Otsuchi from the curator of an exhibit of his work in Tokyo in 2012. Upon visiting Otsuchi, Chaskielberg discovered large mountains of debris and places that were visibly demolished. Because Otsuchi is such a small town, the photographer easily found people whose homes were destroyed, most of them living in small temporary housing units. For his “Otsuchi Future Memory” series, Chaskielberg had some of the town’s inhabitants pose inside their now destroyed homes or work places during the night, taking black and white long exposure photographs of his subjects. He’d then use the color palette of decayed photographs found in an album among the ruins to color the his portraits.
Chaskielberg says, “It’s a reflection on the tragedy as a whole—the losses, the memory—and my way of seeing the world. These historic images are the bridge to the past I create through the use of colors…These photographs speak to the way the Otsuchi inhabitants decided to record their lives. From my viewpoint, I try to build a story about the city and its people.”
This method results in haunting and surreal photographs, ones that almost appear strangely collaged or layered, but are only enhanced with color and lighting. (via slate)