Ohhhh holy 7up and astral cheeseburger, i haaz!
Ohhhh holy 7up and astral cheeseburger, i haaz!
Neil Krug produces images that make you wonder if you’re looking at photos that have been lost for years. Psychedelic imagery mixed with soft light tones make his work seem from a different era, but lovely imagery nonetheless. His work is very inspiring. Love his work? Krug has a book out named PULP Art and has directed a video for Ladytron.
What you’re looking at isn’t an abstract painting or a layered digital image. It’s a series of brilliant photographs created by Tatiana Gulenkina using long exposures of light on contact paper in the darkroom. The result is a rich image full of texture, layers, and ambiguous mystery that captures the movement of light.
Artist Katrin Sigurdardottir offers unexpected perspectives by way of her installations. For this first installation High Plane, Sigurdardottir set up two ladders in the gallery for visitors to climb. The ladders lead to a hole for the visitors to insert their heads. Once visitors peek through the holes they see they are at eye level with a miniature landscape. Pale blue islands seem to dot a white sea, the visitor looking from god-like perspective. However, the viewer also encounters another viewer peering through the other hole, reminded of their absurd size and situation. In another installation titled Boiserie, she sets up an entirely white parlor-type room adorned with period furnitutre. Mirrors mark the corners of the room which create an endless loop of reflections of the rooms interior. The mirrors, though, are interrogation mirrors visitors can use to look inside the room. The parlor is essentially only a set and roughly hewn from the outside.
Looking at these landscapes, you’d never believe that they were underwater. The incredible fishtanks are entries from the obscure Japanese-based International Aquatic Plants Layout Contest, the largest of its kind. Tiny worlds are meticulously assembled over the course of months or even years. This is not a cheap hobby; fragile aquascaping layouts like these are expensive to grow and maintain.
Considering how grandiose these tanks are, it’s no surprise to learn that the fish are not the primary concern. They aren’t included in many aquariums, although you can spot some of them in these photographs.
Competitors need to be skilled in more than just aqua construction to do well. They need to be experts in areas including biology, design, and photography. The best fishtanks are a combination of complex landscape arrangements and healthy yet unusual-looking greens. These aquatic layouts are escapist, in a way. For a moment, we forget what we’re looking at and that it’s underwater. Instead, its unusual miniature features make us feel like we’re an omnipotent giant that could destroy these worlds at any time. (Via 22 Words)
Austrian-born artist Alois Kronschlaeger creates work that exists at the intersection of art and architecture. He is interested in environment and light, and in exploring time and space via geometry. Often referring to his works as “architectural interventions,” Kronschlaeger is fascinated by the way viewers rearrange themselves within a space occupied by one of his interventions.
At times Kronschlaeger’s work feels surreal, as with Habitat, a large-scale installation in the Mammal Hall of the former Grand Rapids Public Museum. For Site:Lab 2012 Kronschlaeger created what he called “a very awkward imagery of juxtaposition.” He took the existing landscape of 27 habitat dioramas built in the mid-20th century and incorporated contemporary architectural interventions. The impact of the combination of the organic and the geometric was strange and disorienting. A viewer wonders about what is real and unreal, an inquiry that requires the him to further analyze his experience.
At other times Kronschlaeger’s work feels like pure science fiction, as with Spire, the massive installation he did for Site:Lab in 2011. For this work Kronschlaeger’s installation occupied three floors of an abandoned commercial building in downtown Grand Rapids. The work took over six weeks to create and the finished project was a grand demonstration of Kronschlaeger’s interest in environment, light and the ways new materials can revive and transform a space.
Kronschlaeger furthers his inquiries in his less dramatic works as well, such as his skylights, wall pieces and smaller sculptures, which I am particularly drawn to. This fall he will finish a large work at MOCA Tuscon (see video below), and will then head to Beijing where he will create another site-specific structure.
Sven Lukin blends minimalist painting with op art relief sculptures in his iconic “three-dimensional” paintings.