Sydney, Australia based Alexander Seton’s sculptures are a thing of wonder. Stare at them for a while and you’ll soon realize that these casual images of light weight clothing are in fact carved out of marble, one of the heaviest stones around!
“Alexander Seton’s work memorializes impermanence and the transitory. His marble sculptures give permanent form to fleeting cultural moments and fashions, capturing icons of the contemporary world. In Elegy On Resistance Seton has arranged around a central figure [Soloist] a group of CCTV cameras [Quartet 1 – 4] and hanging hoodies [Chorus 1-7]. The naming of these objects implies a relationship, like a musical performance, an ensemble that bears witness to the resistance of the individual against the apparatus of surveillance and control. The central track-suited man might be a heroic figure, but, in reality, the cities of the modern world are full of such figures, faces shrouded and bodies stooped, faceless everymen who habitually pass through train stations, shopping centres and the outer zones of the non-place. These hooded figures are ambiguous citizens, often feared as potential criminals, or as wild youth gone wrong. In Seton’s work, however, the figure recalls the pose of a Buddha, but with its substance – the body within – missing. There are connotations of religious art here, but in the generic striping of the tracksuit, the hands in pockets, the crossed legs and the unmistakably casual pose of a street beggar, a skillful conceptual play between the ubiquity and invisibility of an instantly recognizable, yet largely ignored figure.” -Andrew Frost
Jacob Ring captured images in Melbourne and Brisbane, Australia, as well as Hong Kong, Singapore and Thailand. His collections of film photographs are done on straight 35mm and shot on an old nikon f4. The collection was created to document travels to various destinations, while focusing on visual abstraction and strong color depth.
Amy Ross, as she herself states, is quite interested in the idea of artists as “mad scientists”. She posts the question, “What would happen if the DNA sequence of a plant or mushroom were spliced with that of an animal?“. As she tries answering this question herself and to the viewers, her latest works titled, “Brother Wolf” addresses just that.
The art of Christopher David White seems like it could be found decaying in the forest at the end of your street. However, the gnarled wood, patina copper, rusting metal is all meticulously worked ceramic. White’s work is at once quietly peaceful and playful dealing out a subtle surrealism. He offers curious find on objects that would normally be passed over. Regarding his ultra-realistic style and themes of deterioration, White explains:
“Through the use of trompe l’oeil, we look closer; we rediscover the amazement, joy, and tranquility that come from our environment…Neither good nor bad, decay is simply a natural process of our world that at times can produce deeply moving and beautiful effects.”
Jonathan Payne’s sculptures of remixed human body parts are utterly disgusting. Warty skin and overgrown toenails, a tooth-penis-nipple hybrid, and a tongue with teeth in place of taste buds are some of the highlights of his shudder-worthy pieces. The sculptures evoke a very physical reaction in the viewer. They are extremely life-like, and so it’s easy to project your own senses into the toes and teeth, to imagine what it would feel like to have those body parts connected together. They’re anxiety inducing, but you can’t look away, they’re so horrifyingly real. If you’re wondering what they’re made of to look so realistic, Payne uses super sculpey, polymer clay, acrylic, and human hair.
Payne calls the sculptures Fleshlettes, and in his description says that he’s interested in “bizarre and fantastical surrealist characters”. Surrealism was concerned very much with the psyche, and I think Payne’s work does a good job of withdrawing and exploring some deep set insecurities with ugliness and deformation in his strange body part sculptures.
In an article on the blog Street Anatomy, it’s listed that each sculpture has a kind of name and character. The toothed tongue, for instance, is Tonya, and she’s the mother of all Fleshlettes. The eyeball is named Eileen “for obvious reasons”. This sense of humour is refreshing and also seems to suit the strange though ultimately nonthreatening characters.
Hungarian photographer Flora Borsi has come up with a hilarious small series of works that shows us how photoshop would work in real life. Shorten your nose in just a few clicks and cover up that massive pimple on your face with the help of the patch tool. Oh if only life was so easy! (via)