Imagine a recorder made of a hollowed-out carrot, a guitar carved from celery. Using knives and drilling machines, the one-of-a-kind Vegetable Orchestra constructs their instruments entirely from fresh and dried vegetables, mimicking the sounds of everything from bass drums to airy flutes. Because the Vienna-based band works with organic materials that perish or dry out after a single performance or recording session, they must continually create and reinvent the tools of the medium.
The group currently has thirteen members. Since its inception in 1998, The Vegetable Orchestra has been dedicated to incorporating the talents of musicians, visual artists, writers, and designers, all of whom have equal say and contribute to a unique multimedia experience. The aesthetic figures prominently into the work, and the rich colors of the fresh instruments is given much thought. With their unusual instruments, orchestra hopes to draw out and make visible the vitality and potential of the natural world.
The Vegetable Orchestra travels around the world, creating immersive artistic spaces; at concerts, they play music, screen video performances, and offer audience members a fresh bowl of tasty vegetable soup that they charmingly refer to as the edible “encore.” The orchestra’s sound is certainly unlike anything we have ever heard. Though many instruments—like the pepper horn and the pumpkin drum— nearly replicate the sounds of familiar instruments, others sound entirely foreign. Inspired by seemingly discordant styles like house music, dub, electronic, and free jazz, the orchestra draws inspiration from diverse sources, composing syncopated pieces that are both chaotic and restrained. (via Juxtapoz and Lost at E Minor)
Artist Leonardo Ulian offers another interpretation of the mandala with his assemblages of electronic components, copper wire, and more. The intricate, finely detailed works radiate the innards of what makes technology tick. Ulian crafts smaller geometric patterns within a larger, more general shape that become more impressive once you see close up shots of his handiwork.
The mandala is typically a spiritual symbol that is often destroyed after its created (like the ones created from sand). This is a practice that establishes a sacred space, which is Ulian’s technological collage can be a metaphor for. Circuit boards, computer chips, and wire connectors have not only transformed the way we live, but the way in which we see the world. The artist could be saying that our dependency on it is akin to the worshiping of a larger being. (Via The Inspiration Provider)
Maja Daniels, a Swedish photographer based in London, compiled the series “Monette & Mady”, a photo collection of identical twin sisters, Monette and Mady.
Daniels approached the identical twins in 2010 after years of watching them from afar in the streets of Paris. The photographer was intrigued by their way of being and coexisting with each other. Neither Mady nor Monette have married or had children, they always eat the same kind of food in identical portions, they dress the same, and they move in similar ways. If they ever go out dressed in different outfits, people stop and ask why they argue- there is no room to be different from each other.
With the beauty of the Parisian sidewalks as her backdrop,Daniels shoots photos of the twins’ interactions and eerie resemblance. Some may look at the collection as a classy lookbook, others may find that there is something quite peculiar and surreal about their ways with each other. Many will wonder about the mysterious bonds between twin siblings.
This addition of fiction makes for a dreamy atmosphere, a bit like a mirage that reflects my initial impression of them. The streets of Paris make the perfect backdrop for such ambiguity to be played out, confusing us with its references to fashion, film and art. It makes the documenting of everyday events somewhat surreal.
Cari Vander Yacht animates old photographs she found in thrift stores located near her hometown in Portland, Oregon. For the Amsterdam-based art director’s side project, TGIMGIF (Thank God It’s Monday Graphic Interchange Format), she breathes humor and new life into photographs that have been abandoned. Vander Yacht says she stares at the photos until she finds herself giggling over her animation ideas; she then scans and digitally manipulates the images until they become the animation she envisions. Her only rule is that she has to use the elements already in the photograph. Of her acquisition of these old photos, Vander Yacht tells Fast Company, “At a certain point, one must justify their creepy acquisition of other people’s pasts. Either you make up stories about how you’re related to the people in the pictures or you animate them.” Vander Yacht’s website is currently down for maintenance, but you can view more of her work on Tumblr. (via fast company)
If traditional engagement rings aren’t really your thing, Pittsburg based jewelry designer Paul Michael Bierker has some unique designs that might just float your boat. As the jeweler to science fiction buffs everywhere, he creates custom-made pieces inspired by everything from the Star Wars franchise to Marvel comic books. Bierker has built for himself quite the fan base of young, eager clients, and he is proud to have worked with several US troops over seas in Afghanistan towards creating one-of-a-kind engagement bands.
Popular designs include an R2D2 -inspired engagement ring and a band featuring a diamond encrusted TARDIS from popular television show Doctor Who. Though evocative of these pop culture treasures, Bierker’s collection maintains an elegant subtlety. Rings modeled after the TIE fighter or the X-wing shed the unwieldy bulk of the star ships in favor of clean, sophisticated lines. The X-wing ring becomes a delicate ornament, its bands stylishly crisscrossing in the center the finger. Bierker’s tender references to geek culture meld effortlessly with the maturity of his craftsmanship, appealing both to playful and refined clients.
Bierker occupies a groundbreaking space in a one of our countries biggest industries, subverting elitist limitations on what and what does not constitute an engagement ring. This symbol of lifelong commitment should be as individual and the couple who wears it, and amid the mass of conformity, it’s nice to see something new. As we move into the adult responsibilities of marriage, we hope to carry with us each of our childhood pleasures, and Bierker’s original work certainly reminds us that marriage should be as much of an adventure as a trip into space. Take a look. (via Lost at E Minor)
The beauty of the .gif file movement is the documentation of the moving image. This leads to explorations in effects, one of the most impressive being the zoom, which taken to it’s logical conclusion can have stunning results. One .gif in particular, taken by James Tyrwhitt-Drake, utilizes a scanning electronic microscope from the University of Victoria’s Advanced Microscopy Facility, and clipping each scanned image into a fantastically detailed, zooming .gif.
Tyrwhitt-Drake, who also runs the blog Infinity Imagined, begins the .gif with a view of anamphipod (a classification of shell-less crustacean), zooming in further to reveal a diatom (a class of algae notable for their silica shells) on top of the amphipod, and further revealing a microscopic bacterium.Proving once again (if proof was needed) how visually stunning science can be. (via smithsonian)
Russian-based photographer Andy Prokh captures images of his 6-year-old daughter, Katherine, and her pet cat, LiLu, as they grow up together. With the recent addition of a new feline to the Katherine and LiLu friendship, Prokh has now been photographing the friends as a trio. The threesome play chess, do homework, have tea, and play games with each other. Each photograph tells a story, each story resonating with childhood’s creative imagination. Prokh’s use of black and white enhances the whimsy and nostalgia evoked by his images. Prokh says he takes photographs of the friends because he loves them and believes “a photographer must love what he shoots.” Equally as impressive as his playful, fine art aesthetic is Prokh’s ability to stage and pose his pets, as cats are creatures not generally known for their obedience of human commands. You can check out Prokh’s full gallery of this series on his website. (via my modern met)
Often in our daily lives, something needs to be taken out of it’s normal context to be seen with renewed appreciation. In Arnaud Lajeunie‘s recent photoseries Water meets colour, colour meets water, the Paris-based photographer explores new waves of seeing the constant ebb and flow of ocean waves by making them more visible, through the use of biodegradable, sugar-based dyes. Arnaud’s interventions tint the surging water with a plethora of colors, which are captured using an extremely fast shutter speed, which produces photos of violent, colorful takes of traditional landscape photography. Taken out of a normal context, one can see more clearly the natural beauty and fury.Says Arnaud, “Here, colour is seen as a raw material, as are the waves and the rocks. Colour adds density and thickness to transparent water, thus enhancing the flux fixation process.”
As writer Eugenia Lapteva notes in an essay on the series, Colours of Absence, “As the colours bleed into the sea, the texture of the water thickens and the motion of the waves is (re)defined, revealing its hidden course and complex networks. The crashing waves, which are carefully contained within the camera frame, pull the viewer into a vortex of frozen shapes and novel configurations that are otherwise indiscernible to the human eye.”
In his own words, the photographer explains, “I rely on the camera as a device with technical features that can give tangible shapes to ever-moving fluxes, in this case the waves. The high shutter speed transcends the human reflex of persistence of vision: it reveals existing shapes that the ‘mortal eye’ cannot perceive on its own.” (via mymodernmet)