Dutch photographer Isabelle Wenzel’s playful photographs bend, twist and manipulate the human form into new and unknown positions. Whether it’s tackling the idea of the artist as artifact or manipulating the minimal and mundane motions of office workers Wenzel pushes the envelope of how we see the human form and how simple juxtapositions and movements can completely transform the most familiar image into the unknown. (via)
Friend and past-professor Aaron Meyers created this amazing project on his free-time. It allows you to map YouTube videos onto an interactive 3D cube and then save it to a database so you can show your friends. As you spin around a YouCube, the sounds of the different videos fade in and out. Its seriously amazing. My video is the last on the list but the first one to be created during the trial run… its called ‘Hamster Wheel’, so look for it! Aaron’s also worked on the awesome Radiohead video House of Cards. You can see more of his projects after the jump.
Dear Beautiful/Decay Readers-
We’ve had some exciting news as of late- we’ve recently wrapped up Book 3, which was quite a task, compiling hundreds of reader submissions from around the globe. Book 1 has already sold out, and Book 2 is nearly there. This month, we also released our latest apparel line for Spring 2010 , of which many styles are already sold out. We’ve also watched our online readership more than triple in under a year. So, whether you are a B/D subscriber, B/D Apparel t-shirt wearer, or avid B/D blog reader, we’d like to thank you for your support of Beautiful/Decay!
We’d also like to take a minute to encourage you to subscribe to Beautiful/Decay. It’s one of the best ways to stay up to date with the creative world, for inspiration, and in return support us and the emerging artist community! By now, you’ve seen the quality, attention to detail & design that the new and improved B/D book has to offer. You know that every book in the limited edition series is lovingly hand-numbered, and stocked full of special artist giveaways and personal touches. From hand-drawn covers to signed silkscreen poster inserts, we strive to make each and every copy of Beautiful/Decay a unique, collectable art & design sourcebook.
You’ll also know by now that instead of cramming our pages full of advertising, we dedicate B/D entirely to the continued support of emerging artists.
So please- subscribe today. We rely on you, the subscriber, to support not just Beautiful/Decay, but the community of up-and-coming creatives from around the world!
Thanks for all your support- expect more surprises to come!
Amir H. Fallah
I like these digital collage works from British artist Hayley Warnham. Solid, bright color meets vintage 1940’s, 50’s, and 60’s personal photography in the pictures, which capture a nostalgic, innocent vibe. The use of flat color with found photography evokes the work of legendary American artist John Baldesarri. We wonder if he was a direct influence on Warnham. A lot of these are composed in such away that suggests the vantage point of a youngster, which reminds you of a time when things were much simpler. When skylines and relatives may as well have been flat blocks of color with very little texture as far as you were concerned. You didn’t yet grasp the complexities of every person and setting in your life, and everything was a mysterious wall of impenetrable brightness. (via)
We’re keeping the steady stream of amazing artwork coming as a part of our partnership with premiere website building platform Made With Color. Each week we bring you some of the most exciting artists and designers working today who are using Made With Color to create clean and sleek websites. Made With Color sites aren’t just good looking, they are extremely easy to set up with no coding involved and an intuitive user interface that makes building a site a breeze. This week we are delighted to bring you the kooky and humorous celebrity illustrations of Benjamin Grossblat!
Benjamin Grossblat’s illustrations are fanciful, innocent and twisted at the same time. And no more is this evident than in his celebrity portraits. In his portraits Morgan Freeman is almost boyish with his curly lashes, freckles and sparkly eyes while Kim Jong Il is an endlessly wrinkly amorphous blob with mustard yellow teeth. The faces of these famous figures are instantly recognizable, by distorting them, Benjamin manages to capture their essence; the portraits have a certain vulnerability and humor that makes even the scowling Trump more likeable.
Artist Ivan Puig likes for his work to surprise and amaze, and two of his series, Fed Up and Artificial Growth do just that. Using a car and chair, respectively, he gives the illusion that these very solid, massive objects have sunken into the ground, as if they are in quicksand. The preciseness of Puig’s work and the fact that he’s cut the chair backs and Volkswagen Beetle at a perfect angle add to the believability of it all. While the artist strives for his work to have humour, he wants the viewer to read it in multiple ways, and glean various metaphors from his playful execution.
His installations are not only meant to delight us, and the sinking chairs in Artificial Growth have a more serious message. This piece comments on educational doctrines and their power structures that are present in Mexico. With this series, he brings to light the idea of the artificial education – like the lies and half truths taught and passed down to students which we only realize are wrong many years later.
Here’s one for all you typography nerds out there: Londoner graphic designer Sebastian Lester is a typographer, doing freelance work for clients such as GQ, Dell, and the New York Times. He seems to specialize in this sort of formal loopy script stuff, which I find quite impressive. If you like his work, you can buy high quality prints of some of his designs here, though it’d probably help to be British if you want to buy them, cause the exchange rate from dollars to pounds isn’t so good.
Clay Hickson‘s work has got that “Saved By The Bell intro meets a Matisse collage meets a Lichtenstein painting meets Greco-Roman sculpture” feel to it. He takes you into simple rooms occupied by simple foods, simple men, and simple women, with great speed and pacing. He uses an ancient and modern language. It’s a pleasant viewing experience. He tumbles and flicks.