Informed by his education in biochemistry, photographer Linden Gledhill concentrates his work on the beauty of small, natural objects. With a fully automated macro focusing rail called StopShot (created by Cognisys), Gledhill is able to capture a high resolution macro image stack that is accurate down to 0.01 mm. With this specialized lens, Gledhill explores the structures and textures of butterfly and moth wings, exposing the shimmering and glittering form of the wings that almost look like textiles or flower petals. Beautiful patterns emerge from Gledhill’s photography, ones that mirror large and familiar patterns found in the world around us. You can see much more of Gledhill’s incredible macro photography on Flickr. (via slow art day)
For her series Beautiful Bodies, the photographer Agnieszka Rayss shoots off-beat images of bodybuilders; in the process, the artist both defines and challenges the notion of physical attractiveness. Each provocative shot, capturing a builder scantily-clad in a bikini or a speedo, is a powerful testament to the human desire to craft our bodies according to our wills; depending on the viewer, they might read as either a condemnation or an affirmation of extreme fitness practices.
Unlike Brian Moss, whose enchanting portraits of bodybuilders can be found here, Rayss works within a distinctive color palette; rich copper, teal, and white hues dominate her images, granting them a moody and otherworldly quality. Rayss’s subjects all seem to rely heavily on bronzers, defining their muscled figures with deep tans. In this way, they look inhumanly sculptural, like bronze statues of ancient warriors. Their metallic sheen stands in place of clothes; though nearly nude, they look somehow impenetrable, thickly armored.
Beautiful Bodies is set in an undefined location that we might presume to be a gym. Against a muddy-colored wall, the bodybuilders appear rough and powerful; the walls are marked with their chalky handprints, lending the models some inherent and mysterious grit. In relative repose, Rayss’s subjects display their bodies, caught between moments of exertion. As viewers, we are forbidden from seeing the extreme exercises that caused paint to be scratched away from the gym surfaces, but the mere presence of these formidable bodies create an atmosphere of inescapable suspense and anticipation. Take a look. (via Feature Shoot)
California-based artist Gregory Kloehn often repurposes the still completely-usable trash and street detritus that he finds in the streets. His ongoing project Homeless Homes takes this idea one step further, offering real aid by creating housing for the homeless in Oakland. Dubbed as “eclectic building materials for small but efficient mobile homes.” Kloehn and his volunteers recycle and reuse salvage to offer small, mobile house (they are on wheels), Mostly the size of a sofa or small room, these Homeless Homes offer a safe place and protection, and raise awareness to the needs of the homeless community. “Stuff people just throw away on the street can give someone a viable home,” Kloehn said in an interview with NBC News. “Does it have merit as a solution to homelessness? As far as giving people a shelter, yeah, definitely. Is it a solution to homelessness? It’s an answer. An attempt.”
Kloehn further describes his aims on the project’s website, “Our goal is to bring together imaginative people and discarded materials to make sturdy, innovative, mobile shelters for the homeless people. By sourcing our materials from illegal street dumping, commercial waste and excess household items, we strive to diminish money’s influence over the building process.”
The Singapore-based fashion designer Grace Ciao first started using flower petals in her illustrations when a boy gave her a rose; sad to see the gift wither and die, she incorporated it into a sketch of of a cocktail dress. Soon, the 22-year-old designer began using flowers in all of her creations, from party dresses to bridal gowns. From a single rose stem, she can create up to six separate designs.
The multidimensionality of the petals lends Ciao’s designs a unique and vibrant range; shadow and curve work together to flatter and accentuate the human body. The artist prefers to use flowers that contain within them a multitude of shades and tones; from their natural coloration, she can divine innovative prints and patterns. The garment and the floral organism dictate one another’s movements and structure; a falling yellow petal forms a ruffled embellishment or a bold one-shoulder sleeve, and the white ends of a tulip are layered exquisitely.
Ciao has a unique talent for making all colors, textures, and shapes look appealing and extravagant; an inexpensive carnation and a pricey orchid create equally luxurious garments. One can only imagine that as the petals wilt and eventually die, the garments go through a magical metamorphosis, transforming from fire-engine red to blood red and ultimately to a deep burgundy. As we move into summer, Ciao’s work is a delightful tribute to the ever-changing seasons and to the cycle of life and death. We cannot wait to see what she has in store as new flowers come into bloom. (via Demilked and Buzzfeed)
Chinese artists Ren Hang creates provocative staged photography that focuses on exposing highly fetishistic, mind bending scenes. Hang’s attention to detail and great sense of composition deem the photographs as visually stunning even if it subjects are a bit raunchy and bizarre at times.
Ren Hang’s work is not all about just about naked men and women in weird poses, however. It powerfulness as a political tool is probably the most redeeming quality of his work. Hang’s homeland of (China) is highly conservative and its conventional codes in art and communication will not, and will probably never accept Hang’s work. You are probably thinking that his story is very similar to that of dissident Chinese artist Ai Wei Wei. Consequently, Hang’s rejected work was found to be a reinvigorating addition to the newly flourishing group of young Chinese artists, and because of that, Hang was invited by artist Ai Weiwei to collaborate with him. Hang was part of one of Shanghai’s most pivotal group show to date, ‘Fuck Off’ (2000), which showcased the new wave of 21st century Chinese artists. Ren Hang was also included in ‘Fuck Off: 2′, which took place in the Netherlands back in 2008; the show has been traveling around the world since its debut.
Although Ren Hang’s work has been banned in many parts of China, he is still part of some Chinese galleries. He has also been exhibited widely in Russia, Italy, France, Sweden, United Kingdom, and Austria. (via Juxtapoz)
Made popular by the dinnerware imported by England from China during the 18th century, Willow pattern is a distinctive and delicate pattern. And probably the last place you would expect to see alien invasions, giant robots attacking cities and pterodactyls. Graphic designer and draughtsman Don Moyer started with a fairly basic premise, “I love to draw. The drawings I like best are those that make me laugh. Several years ago, I started drawing Calamityware —traditional willow-pattern dinner plates with a tranquil scene threatened by impending calamity.” Funded by a successful Kickstarter to realize his whimsical drawings into actual dinnerware, Moyer has realized his dream of correcting an ancient problem, that “too many plates have been too boring for too long.”If it all seems light-hearted, it really is. Moyer’s drawings retain the traditional line quality and palette of their inspiration, but add in sinking ships, flying monkeys, and villages on fire. These drawings are then transferred to blank plates and fired to set the illustrations. Definitely beats your grandmother’s antique china if laughter is what you are after. (via mymodernmet)
For his series “Face Cartography,” the photographer Daniel Boschung creates an unnerving portrait of the human face, bringing it into a hyperrealistic focus that exceeds even the powers of the naked eye. Each high resolution likeness is composed of approximately 600 individual shots, each of which boasts the astounding size of 900 million pixels. The artist programs an ABB industrial robot to scan the entirety of his subjects’ faces, forcing them to sit still for up to 30 minutes per session.
Boschung’s photographs are visually jarring in part because they allow us to scrutinize the features of others in ways that are not possible in daily life. We rarely get close enough to view another’s pores and nose hairs; even if we did, our eyes would focus on a single spot, and the rest would fade into our peripheral vision. “Face Cartography” presents its subjects’ flesh with a depth of field beyond that of human vision, and as we move our eyes across the page, we need not fear that they will move, blur or obstruct our view. In this way, the portraits are uncomfortably intimate and unsettlingly vivid.
The artist explains that in his photographs “emotions are completely missing;” because his subjects must hold the same position for a longer period of time, fleeting emotive expressions do not register on the composite image. In this way, the work might be read as a powerful reflection on gestalt visual psychology, which proposes that the sum of the parts of an image do not necessarily reflect the whole. The up-close high-resolution parts that compose the final image are certainly transfixing, but when added together, do they accurately reflect the person photographed? What do you think? (via Design Boom)
Australian artist Ben Frost creates image mashups that combine fast food, pills, and iconic figures of popular culture. He paints these celebrities on things like McDonald’s french fry sleeves and boxes for prescription drugs. We see Superman, Popeye, Mr. T, and even Snoopy the Dog all painted on objects that symbolize excess and gluttony.
Frost finds inspiration for his work from graffiti, collage, photo-realism, and sign writing. It’s not a surprise, as he tags things much like a graffiti artist would. His work is subversive and doesn’t hold back any punches. I’ve included stuff here that’s generally safe for work, but if you check out his website, you’ll see a lot of hyper-sexualized manga-inspired characters. But even with these relatively tame images, you can still sense the scathing critique of the mainstream. Greasy meals, too many pills, and processed foods are rotting our health in a similar fashion that television, media, and politics are rotting our brain.