Jeffrey Meyer‘s latest investment is creating a series of collages. Maybe not a series, but a bunch of collages. They’re retro and weird and fun and bright and everything we here at Beautiful/Decay love and adore… including space and high-waisted pants.
Chances are that you’ve probably never seen a dog made to look like Disney’s Pluto. Well, it exists. Photographer Paul Nathan captured the odd world of creative dog grooming in his series (turned book), Groomed. It features professional groomers who use semi-permanent hair dyes and blowouts to style pets. Last year, Nathan traveled to Intergroom, one of the largest international dog and cat grooming conferences, and documented dogs that look like leopards, flamingos, and even people.
Groomed is strange, unexpected, and even shocking if you’ve never seen a dog made up like this. It might seem a bit cruel to subject these animals to this type of star treatment, especially when it comes to coloring their fur. The photographer explains in an interview with Feature Shoot that the priority is to make sure the dogs are comfortable. “In most cases the colors are done in stages on different days, usually in sessions of no more than three hours with plenty of breaks for the animal.” He states, later adding, “There is a vast variety of hair coloring products for dogs. They are all non-toxic and semi-permanent. Depending on the kind of coat the dog has it can last from a few washes to a few months.”
With that off your conscious, you can focus on how amusing these dogs are. They represent a relatively unknown subculture in grooming, and it’s only at events like Intergroom where groomers flex their creative muscles. They are responsible for their designs and take pride in them. And, the campy fun doesn’t end there – the people are often dressed to match the dogs they’ve styled. (Via Feature Shoot)
Customized USB drives have swept the photography industry by storm in the past few years. They’re a creative, fun way to connect with customers and potential clients, while also solving one of the biggest problems photographer’s have had with digital delivery.
In the past, professional photographers like Marirosa Anderson usually gave out copies of their photos on CDs because they were cheap and easy to burn. But she soon began to notice, like many others in the industry that began to hurt her brand image. After spending so much money with a shoot, clients felt as though this was a rather dull way to have their photos delivered. Not to mention, more people everyday can’t use CDs since the new laptops and desktops aren’t coming with optical CD/DVD drives anymore.
At the same time, simply sending an email proved to be difficult, time consuming, and didn’t offer photographers like Jayson Mullen any opportunity to really spread his brand and company image.
Custom USB drives from USB Memory Direct are a creative, original way to freshen up your digital delivery. They take your logo or brand artwork and customize it just the way you want it onto one of their hundreds of usb styles. Can’t find something you like? UMD can also create customized 3D shaped USB drives as well, so you can basically make your own style.
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Cai Guo-Qiang was born in 1957 in Quanzhou City, Fujian Province, China. He was trained in stage design at the Shanghai Drama Institute were he initially began working with gunpowder to foster spontaneity and confront the suppression that he felt from the controlled artistic tradition and social climate in China at the time. Pretty bomb. Check out some of his work after the jump.
Minale-Maeda’sInside Out Furniture series is designed specifically to be downloadable in order to reduce enviornmental issues related to transport, costs of stockkeeping, and explore collaborative design and distribution. The concept was to turn pieces inside out to make construction simple, while brackets and structural details become distinctive and attractive features. The connections are 3D printed to suit various sizes of wood, and the crafting is minimal requiring only cutting to length and drilling. Another interesting project by the collaborative duo is the Lego Buffet, a buffet table gorgeously made entirely out of you guessed it, Legos! See more images after the jump!
Judy Miller’s Imaginary Dioramas series is the kind of work that makes you think, “Wait, what?” The famous faces in the photos are recognizable, but off in some subtle way. The backgrounds are ambiguous, and the combinations of celebrities and scenes, “Outakes” as they’re titled, create curious narratives.
It’s almost a relief to find out that these artists and celebrities, whose faces we’re so familiar with, are actually wax figures photographed at Madame Tussaud’s and Photoshopped into scenes. The strangeness abates, but only briefly. It’s not only the waxy visages that are uncanny, but the situations as well. Most of the celebrities are not named or tagged, which presumes a certain amount of pop-culture familiarity in the viewer. Some photos only include a part of a face or body, making the identification even more difficult.
Robert E. Knight, Executive Director of the Tucson Museum of Art, writes, “Judy Miller does not create her work in the isolation of a studio. She researches, travels, photo¬graphs, and then brings her images back in-house for final editing. Culled from the photo files of celebrity wax figures the artist has compiled over the years, Miller cleverly inserts her figures into fantasy settings with the finished composites ranging from humorous to odd, and compelling to camp. … Resembling excerpted film stills, the discordant emotional separation of Miller’s figures are in¬triguing in their awkward uncertainty. They truly have become actors in her play, and they’re just waiting for their cue. Even titling her images as “outtakes” references the artist’s interest in, and respect for, the influence films have had on our society.
What, for example, are Einstein and Picasso doing dressed alike, deliberately avoiding eye contact in a round room with many windows in “Newton’s Nightmare”?? Seemingly less bizarre is “Outtake #22, Exit Left”, which shows Jacqueline Kennedy facing front in the foreground and Marilyn Monroe’s red sequined back in the background. It’s easier to find context for this work but no less thought provoking. What if the two women really did meet? Each image poses unanswerable questions, which is Miller’s intention.
My goal is to create a dynamic juxtaposition of elements that spark individual interpretation.
Germany based Kuin Heuff paints portraits on paper which she then cuts up from the layers of paint into ornate lace-like structures. These intricate cuttings create a complex web of patterns that reference everything from anatomical drawings to woodcut prints. (via)
Jane Perkins reproduces classic paintings using found plastic objects like buttons, beads, jewelry, shells, toy figures, LEGOs, and other plastic items. With her careful and meticulous arrangements, she faithfully recalls well-known works, enhancing the texture of them and creating interesting depth. She implements each item’s original color and shape skillfully into the compositions, illustrating shades and lines with the outlines of the objects. From afar, her pieces could pass for prints of these famous works, but up close, the viewer is granted another layer of appreciation for them. Perkins applies her background in textile design to her plastic found object arrangements, artfully utilizing the textures of each object. (via my modern met)