Kunihiko Nohara creates lofty sculptures whose subjects hover between the earth and sky. Using a single piece of wood for each of his pieces, Nohara replaces clothing with clouds making his figures seem ready to take flight in a hot air balloon.
Nohara’s works have earned him the name “The Cloud Man” in Taiwan. But while this name visibly connects him with his works, the clouds also mean something else to Nohara. In interviews he says that clouds are emblematic of his practice in that he often feels “blurry” within his own thoughts. Dealing with this space of fuzziness between thoughts and dream, he further says that his “creations are not necessarily based on fantasy, but neither are they overly grounded in reality – they’re just reflections of my experiences of the world.”
Despite the delicacy and softness of these sculptures, Nohara works entirely in wood and, more notably, only uses one piece for each work. His preference for wood emerged in school but he also believes the use of material aligns his work with Japan’s propensity towards wooden objects, like houses and furniture.
Nohara’s works were recently shown at “Laissez Faire,” a group show presented by Gallery UG at the Luxe Art Museum in Singapore. His sculptures were included with works from 17 other Japanese artists.
This performance is the culmination of a fascinating project by Jeannine Hann and David Riley to create textile based musical instruments. Below are images of the performance costumes and another video further detailing their process.
Jason Bard Yarmosky’sElder Kinder pays homage to the idea that age is not a deterrent to living fully, but rather a springboard for exploration. His paintings examine the relationship between the limitations of social norms and the freedom to explore, particularly the juxtaposition between the young and old. The carefree nature that is associated with youth often gives way to borders and boundaries placed on adult behavior. As we transition from adult to elderly, these raw freedoms often reemerge. As a child you learn to walk; later in life we learn to unwalk, literally and metaphorically. However, the dreams of the young, often sublimated by the years, never really disappear.
“I choose to explore this theme with two people very close to me, my eighty-four year old grandparents. The process of aging has always intrigued me. The lack of permanence in life and the inevitability of aging has always been on my mind growing up. I am also interested in how people, in both mind and body, respond to the passage of time. As Madeleine L’Engle said, “The great thing about getting older is that you don’t lose all the other ages you’ve been.”
The resulting paintings capture the intersection of the battered body and the vibrant soul. The images in this series can be seen as either humiliating or empowering. The pessimist sees the images through the lens of shame and vulnerability, weighed down by social convention. The optimist sees a sense of liberation, where an adolescent’s playfulness and the freedom to dream complement the wisdom of old age.”
Yes it’s true. We have so many talented artists that subscribe to B/D. Everyday I get to see new work by amazing artists who not only support B/D but contribute to our little creative community. Want proof? Check out the work of Fionn McCabe. Fionn creates mindblowing layered graphics that will have your eyeballs darting side to side. keep up the good work Fionn and welcome to the Cult Of Decay!
At first glance the work of Vincent Tomczyk appears to be normal ready-made objects. However, each piece is carefully constructed almost entirely from different types of paper. Yeah, paper. You can’t sit on these chairs or slip into those shorts without ripping it. In a way, this seems to be Tomczyk’s intention. Tomczyk and his viewers investigate these objects by painstakingly rebuilding them without their utilitarian properties. He says:
“Although my work can be categorized as realism, my intention is to distill the emotion of an object, then through expression, reconstruct it into my view of its essential self – free of function.” [via]
Photographer and pop surrealist Dina Goldstein’s large-scale project titled Gods of Suburbia features a collection of deities and religious figures set within the context of modernity. Buddha, Mohammed, Satan, and others exist alongside technology, science, and secularism as it relates to living in the (anywhere) suburbs. Goldstein explains:
The series plays with narrative and religious iconography in order to communicate how organized belief has become twisted within a global framework driven by consumerism and greed. The project challenges the viewer — religious or secular — to embark on a journey of self-reflection as they contemplate the relevance of dogma in modernity.
Goldstein’s moody images highlight some less-than-stellar facets of our modern culture. Lack of compassion, unwillingness to learn/accept other beliefs, and bullying are just some of the themes that the photographer touches on. The series, while strange, is poignant and relatable as we read more and more bad news everyday.
Each photo in Gods of Suburbia features thoughtful and interesting explanations of how every figure relates to contemporary society. Read it on Goldstein’s website.
Philip Treacy takes millenial millinery to new heights! His outlandish creations play with conceptual implication of hats- which, in Treacy’s world are more like bizarre sculptures that people can wear on their heads. Hats don’t just hide bad hair days, but transform into rococo floral landing pads for butterflies, the moon and stars, or….another face? His heshin’ haberdashery is favored by everyone from British Royalty to Lady Gaga, pictured above rocking a Victorian mourning veil inspired face-lace. You may now kiss the bride….of Frankenstein.