Tom Price melts a lot of plastic in his work. He bends the distinctly man-made material to his specifications, creating highly conceptual chairs, tables, trees, and other objects. It’s easy to see which aspects of Price’s sculptures are the result of his molten process, and some element of intense heat and power lingers long after required cooling periods. You can almost feel the plastics melting in your hands, and smell the awful scent of burning tar. Such lingering power is what makes these works so intriguing. They’re also beautiful, but who’s counting? (via)
Using both printmaking and embroidery in his work, artist Max Colby explores themes of death and transformation in his series Role Play. He first prints on handmade paper, creating a collograph. This type of printmaking applies materials to a rigid board. Things with a lot of texture like sandpaper, leaves, cardboard are inked and printed. Colby has controlled the shape of the print, manipulating it in a very deliberate way. Once printing is done, he then adorns it with hand-sewn embroidery.
In a short statement about his work, Colby refers to his the imagery in his work as “figures,” which I take to mean as beings. Not necessarily human, but some other living force. Their “body” is made out from printing, while the embroidery acts as embellishment for the figure. Colby writes that Role Play features “sculptural ‘skins’ which showcase fragility and temporality in conjunction with highly embellished and extravagant applications using notions of death and transformation as a catalyst.” I imagine that these could be armor or headdresses, with pieces that have spikes sewn-in or tactile objects like beads and buttons.
There is a stark difference between the delicate collograph printing and the visually-heavy embroidery. At times, it engulfs the figures, which I think is the point. Garments last a lot longer than we do. Items are passed down from generation to generation, and evidence of what a jacket looked like will be surpass our lifetime.
AJ Fosik is the mastermind behind these insanely colorful wood sculptures that seem to be part-alien, part-folk tale monster. For some reason, these creatures remind me of a demented “It’s A Small World”–like some of Seth Adelsberger’s work in 3D form.
Happy Halloween from us guys and ghouls at B/D! To celebrate the season here’s some crazy pumpkin sculptures by Ray Villafane. He seems to gravitate towards the obvious Halloween iconography of possessed grim reaper demon skulls, giant alien man-eating spiders, and George Bush. If you’re so inclined, you can even read a tutorial on how to carve your own squash into these hauntingly delightful mimetic designs on his website! And I thought I was talented for managing a triangle eye and jagged mouth on my pumpkin….
Kueng-Caputo is the Swiss design team of Lovis Caputo and Sarah Kueng. The duo has created a series of colorful furniture they call The Sand Chair Series. Both sculptural and functional these monumental chairs were produced with “…a pigment colored mixture of sand and mortel. Layer by layer is poured in a casting mold. Then the massive object is worked to a stool by hammer & chisel.”
Are you always in search of the perfect color palette? Well, Pantone Café has not only given you just that, but their brilliant hues are available now on a platter. Finally, food that is worth snapping a picture of! Now, the food you eat can match your mood or even your outfit. Each serving tray, cup, napkin, slushy, and food item has been matched with its Pantone color equivalent. Even the espresso machines hold incredible, eye-catching colors that are impossible to ignore. The menu at the Pantone Café is a masterpiece in itself, with the food and beverage choices being grouped in palettes that are to die for.
This minimalistic café provides an incredibly modern, aesthetically pleasing atmosphere down to the last napkin. Each colorful edible has its appropriate Pantone color name, with delicious hues such as pistachio green, canal blue, strawberry pink, and dazzling blue. Each meal contains such amazing color that it is almost too beautiful to eat. The café is a perfect little Pantone universe where color and design meets culinary beauty. This is a place where you can truly taste color and create delicious palettes for your own palate. This pop-up restaurant is located at the Grimaldi Forum and will be open only until September 9th. (via The Creators Project)
David Bayus is a painter based in San Francisco currently working on an MFA at San Francisco Art Institute. His awesome collage/painting work almost make both of those previously mentioned techniques indiscernable from each other. Which one is it??