First saw this being projected on the walls when So Many Wizards played at the Tangiers. Maybe it was something about the lighting and the music, or something, that left a big impression on me.
The economy is down the pipes. Experts say its only going to get worse. But seriously, isn’t it innovative art like this we need to get this country out of this fiscal toilet? During the height of the great depression money was so valueless in Europe that people were burning it to keep warm: uncreative!
Hanna Von Goelers work incorporates paint, collage, and money to explain cash as a cultural artifact vs. cash as a mass produced item.
A sandwich chewed in the shape of a gun; genius!
Fashion for the stylish art history nerd alert: Dr. Martens has drawn inspiration from Hieronymus Bosch’s “The Garden of Earthly Delights.”
You can now find a collections of combat boots, oxfords and satchel bags that beautifully display the heaven and hell imagery of this 16th century Flemish masterpiece. The Capsule Collection items are now available on the Dr.Martens website and in select dealers around the world, amongst them Urban Outfitters and Journeys.
Emily Malan‘s intimate style of photography gives her shots the illusion of being candid. You get the sense that you’ve come to know her subjects without ever meeting them. Her focus is on portraits, but she has her eye on the fashion industry; perhaps one day we’ll see her effortless photographs in fashion spreads in Vogue.
Artist James Nizam calls photographs documents of ‘light sculptures’. For the series he captures the sun and manipulates it into various ‘structures’. Using precise cuts into the exterior of the house, small mirrors mounted on ball joints, and studying the movement of the summer sun Nazam was able to capture these images. A synthetic fog emphasizes the concentrated beams of light, making them almost palpable like floating fluorescent light bulbs. See photos of Nizam preparing the house after the jump.
In the last year, we’ve featured a variety of artists who are using embroidery in unique ways, such as Leah Emery’s erotic stitches and Juana Gomez’s anatomy portraits. Featured today is the work of Lisa Smirnova, who embroiders images that ripple with impressionistic life. Her subjects range from animals, to pensive tattooed men, to creative portraits of icons such as Frida Kahlo. Body parts are also recurring throughout work—such as a heart in a bouquet, and a pelvis on a white shirt—lending the otherwise “unassuming” medium of embroidery a flavor of surrealism and the macabre.
Smirnova’s artworks require time and patience, some taking months to complete. This is not surprising, considering the way she masterfully stitches threads into the likeness of skin, fur, and bone. The colors blend together seamlessly, capturing the reflection of light on skin and the red-blue tones of the heart. Texture and emotion arrive together as the threads interlock, each character appearing to vibrate with an inner life.
I think I have a thing for photographs like Maija Luutonen’s lately and maybe that’s a reflection of my own need for indulgent escapism? I don’t know.
Brian walker is a contemporary digital artist whose images explore and exploit the realm between fantasy and reality, recreating scenes that meld illustration and fashion with an element of surprise.Stemming from a passion for illustration to depict his ideas and concepts of surrealist landscapes and characters, Walker first began using photography as a tool to represent these ideas of the impossible within the believable context of photography.
Walker ‘s works have featured compositions such as battery packed human figurines, fur clad models destined for the meat market and a post modern take on the beloved nursery rhyme Jack and Jill.
Walker is heavily influenced by photographer David Lachapelle, “I’m interested in his ability to iconograph a scene from popular culture and to make it look so real that it is contrived. I would say our processes are similar, I use a lot of concept sketching as my works are highly manipulated, I have to plan almost every detail before a shoot to make sure I have every element I need. I meet with the make up artist, models and stylist to make sure things run smoothly and that they share my vision.”