In his new show “My God” Qiu Minye presents us with a new way of seeing. Well, he at least offers us a new way of experiencing objects and the recording of those 3-dimensional things with photography. By painting with light, Minye has suggested different forms of objects that could be real, and then photographed them, resulting in haunting, iridescent, airy images. Whether it is an outline of several figures huddled together watching something in the distance, or an ambiguous geological shape, mythological creatures or floating forms of babies, these snapshots all belong to another space and time.
Minye’s playful images all have a gracefulness to them, and more than most photographs seem to have successfully frozen a moment in time. By removing any fussy details (whether it is light, shadow or color) that may anchor an object in the mundane, he has elevated the idea of the object/subject to something majestic and mystical. The fish for example seems to spitting sparks of fire and is caught in an ethereal state – in a way we don’t see our everyday fish. Minye has managed to capture some sort of life force or see-able movable energy and it is a very calming thing to witness. He has a very existential approach to his art. He poses numerous questions when speaking about his past photographic projects:
What part of humanity is lost in time? How can we transform these moments into eternity? There are always two worlds, the world of yesteryear that has collapsed and the real world. Here, it is to travel between the two. (Source)
Minye seems to be coercing a particular response out of his audience – suggesting we look at the things surrounding us in an abstract, philosophical way – where it’s more about the idea of the thing rather than the tangibility of it. (Via Designboom)
Jon Hopkins released his fourth full length solo album earlier this year, Immunity on Domino Records. “The first sound on Immunity is that of a key turning, unlocking the door into Jon Hopkins’ East London studio. It’s followed by the noise of the door slamming, then footsteps, and then finally the crisp, clipping rhythms and pulsating bass of ‘We Disappear’ emerge, signposting the most club-friendly music Hopkins’ has made to date.”
I was able to catch Jon open up for Purity Ring the other night at the Fonda Theatre in Hollywood and while it took the crowd a few songs to warm up to him, by the end of his set everyone was dancing along to his hypnotic beats. Jon recently remixed Purity Ring’s “Amenamy” and Megan from Purity Ring added vocals to his track, “Breathe This Air”, it would have been a great opportunity for them to perform together on stage, but that never materialized. They did however give out a very limited 12″ vinyl that had both tracks on it if you were one of the first 150 in the door.
Jon will be performing this coming Saturday, August 31st at MOMA PS1’s Warm Up in New York and will also be appearing later that night at the Cameo Gallery in Brooklyn. He’ll then head back to Europe for a string of festival shows. Check out the beautiful new version of, “Breathe This Air”, featuring Megan of Purity Ring and be sure to catch him at one of his upcoming shows.
I have to admit that one of my guilty pleasures is watching an occasional episode or all day marathon of the tv show Hoarders. Maybe it’s the fact that seeing the chaos in someone else’s life makes me feel better about my own never ending laundry pile. I admit it’s not my finest moment but hey at least it’s not the Jersey Shore.
Given the above confession it should come as no surprise that I was immediately captivated by the series The Art Of Keeping by Argentinian photographer Paula Salishchiker. Since 2011 Salishchiker has been working on this fascinating project documenting the homes of hoarders in the UK. (via feature shoot)
I photograph the houses of people who have difficulty in throwing things away. Their objects help them feel safe, they take their time, they require their care and are there for them. However, they also make their lives difficult, sometimes forcing them out of their own homes, suffocating them with their never ending expansion. – Paula Salishchiker
At the live show for Flying Lotus‘ ‘You’re Dead’ tour, audience members were treated to a visual spectacle few were expecting. Using his artist name of Strangeloop, David Wexler joined forces with John King (Timeboy), not only to produce hypnotizing visual art, but to transform the whole experience of FlyLo’s new stage show. Calling the sculpture Layer³ (pronounced Layer Cubed), this multi-screen set up is an expansion of an earlier project called Layer 3.
Working under the label Brainfeeder, Ellison and Wexler reconnected and began combining their respective talents of creating memorizing tunes and animations. Recognizing that most moments we remember are cinematic ones, Ellison knew he wanted a strong visual component to his stage show. With none of the animations pre-programmed, Timeboy and Strangeloop are responding to FlyLo’s tunes in real time, trying to visually produce something that reinforces the audio experience. Wexler describes the logistics of making the animation cube:
It’s essentially two projectors—a rear projected screen and a front projected screen. You can get a certain amount of three-dimensionality because we have a foreground projection, Flying Lotus performing in the mid-ground, and a background projection. (Source)
For FlyLo, to play in between the screens and not be able to engage with the audience in a conventional way allows him to delve into his set more; really trying to communicate the story he wants to tell through his music. He is trying to find the place that reminds him of being a kid, and wants to transport his fans to the same magical place he loves.
I think as we get older that idea of magic is taken from us, there’s just less and less of it as we get older. I really try to dabble in things that feel magical. (Source)
Space age abstraction – the power of design tools. Bechira Sorin’s recent digital work, especially the one above, retain a Neo-Dali aesthetic. I love how seamlessly everything ties together, and how fluid his composition is. That said, the futuristic surrealism does not speak for all his work, check out his other illustrations and experiments with typography after the jump.
Chinese artist Li Hongbo’s sculptures are quite bizarre. Walking up to them you may think that they are made out of delicate porcelain but as you examine it further you’ll see that it in fact is made out of thousands of sheets of paper manually glued together. As you pull the paper apart the figures twists, turns, bends and abstracts creating stretched out imagery that is at once horrifying and exquisite. (via)
Working in her studio in Sausalito, CA, sculptor Sophia Collier uses a combination of acrylic block and algebraic function (with a little help from a CNC router), to carve sculptures of wind. The clear, floating relief works look like freeze-frame slices of the water’s surface. She spends a great deal of time replicating the effects that both wind and light create on a large body of water using custom rendering software and sound recordings of the wind. Collier carefully mimics its movements and reactions with a series of digital “brushes” she has created, working to develop unique strings of information to carve out each piece. The sound waves move and fluctuate in the digital space just as they do in the physical realm—and the result is a crystallized portrait of the wind, giving the visual effect of sunlit water. She outlines her entire process here.