During a recent trip to Istanbul, Spanish artist Pejac completed a series of three murals in Üsküdar. Titled “Lock, Poster and Shutters,” each piece has been meticulously painted and employs a trompe-l’oeil technique to suggest three-dimensionality. Through painted-on shadows and methods of forced perspective, Pejac renders realistic architectural elements, including a keyhole receding into a stone wall, a ‘poster’ of a lancet window, and unlatched shutters framing a small, intricately patterned screen.
In order to impeccably blend each piece onto its architectonic canvas, Pejac utilizes lifelike, subdued hues—namely black, white, grey, and gold. To further evoke realism, the artist paints each object true to size, and even creates illusions of elemental exposure through synthetic discoloration and signs of tarnish. Echoing the existing imperfections apparent on each façade—including chipped paint, subtle cracks, and accumulated dirt—Pejac’s murals simultaneously trick the eye and call attention to the innate potential that surrounds us on a daily basis.
In an interview with Société Perrier, Pejac notes his recurring “intention to not only play with the concept but with the very perception of reality.” And, if “Lock, Poster and Shutters” is any indication, his playing proves successful.