English ceramist Beccy Ridsdel has worked as ceramics technician at York College for nearly 10 years and recently discovered her love of bone china and porcelain. Her latest work is an installation set up as an interrupted laboratory experiment – ceramics being dissected, like an autopsy, to find out what lays beneath the surface. This dinnerware cruelty/beautification was inspired by her mother, who is also a ceramist!
One of the hottest talents to come out of South Africa lately is painter Kurt Pio. His practice includes printmaking, painting and sculptural pieces, exploring many different topics. But the most eye catching of his works, I think, would be his diamond series. A collection of abstract, fragmented, striking paintings of jewels, diamonds, and gems, his canvases are a display of his sensitivity to color.
With a background in interior design, Pio thinks of the designer’s point of view while painting his fine art pieces. He likes to create work that will suit the environment they could be placed in, and is finely tuned to the colors and atmosphere of his surroundings. This may have something to do with growing up in the picturesque Cape Town and appreciating it’s unique aesthetic.
You are constantly told by foreigners that the city is very beautiful. It’s a constant thing that you hear. But until you go traveling and compare your city to other places, that’s when you realize that what they say is true. I wanted to pay patronage to my home, and to celebrate the beautiful place that I’m living in. (Source)
Pio says the things around him are a massive influence on him; they are the things that make him the most excited. So, taking mundane objects, he combines that with a love of colors and contrast to produce some beautiful work. The talented painter is looking forward to the future, and is currently obsessed with the idea of using gold in his work. But as we can see from Pio’s Diamond series, gold is not the only thing that glitters. (Via The Jealous Curator)
There is never a dull moment in Jeremy Bailey’s performances – I’d like go ahead the deliveries of his stand-up/software demos/karaoke sessions as the funnier “artistic” Steve Jobs. In “The Future of Theatre” debuting tonight, he plays “this hopeless and foolish slave trying desperately to conjure his machine to do increasingly absurd tasks of questionable use. Computers are the new chauvinist modernists.”
Just when you thought Banksy was the real trickster of the art world, along comes . . . Hanksy, the puntastic street fartist. His use of satire not only challenges the smug, but playfully subverts the current street art standard with a necessary dose of light antagonism.
Check out the video after the jump to see a short documentary about Hanksy’s mysterious persona: his meager “greeting card” beginnings and current mission statement, which centers on a dream of meeting Tom Hanks.
Indonesian painter Haris Purnomo started painting babies covered with dragon tattoos over 20 years ago and has slowly included women and men into his oeuvre. Initially starting illustrating babies because “they were cute”, Purnomo quickly realized they could be a effective symbol for the Indonesian lower class. His portraits now include all ages, demographics and classes. Like some sort of branding or gang symbol, the faces he paints all bear a marking of a certain culture. They all belong to the same time and place. Purnomo was a painter during the time of the military dominated government of Suharto and his work shows a certain sort of forced introspection – a focus on pain and mysterious, subtle symbols.
His paintings are highly political as well as highly stylized. As a member of the Gerakan Seni Rupa Bary, The New Art Movement, and of PIPA, two innovative art movements from Indonesia in the seventies, he not only challenged Suharto’s power and the preexisting aesthetic, but also people’s understanding of their own culture. These are his own thoughts on why he produces artwork and it’s social importance:
Once we are faced with the necessity to make a choice or a stand, everything that makes up our backgrounds will play its part: time, age, economic, social and political considerations, idealism, behavior, creativity, et cetera. All these may alter, strengthen, undermine, or develop anything we believe, and the ‘Pipa’ artists are not exceptions in this. As a father seeing his children growing up I experience a sense of losing [sic], I feel the strong drive to give more attention to children, including others’ children; that is what has been going on in me Being hopeful about my children and wanting to be more attentive to children in every aspect, I think these two things provide the basis of the central theme of my works.(Source)
Purnomo’s artworks are not only culturally relevant for Indonesia, but can teach us a whole lot about the human condition, it’s strength, fragility, resilience and adaptability.
Gehard Demetz was born in 1972, in Bolzano, Italy. Currently he lives and works in Val Gardena on these amazing woodcarvings. His vision is on point, and his work is nothing short than breathtaking. Check it out.
Grainy, dreamlike images from Rob Simons. In addition to being a photographer, he also had a collection of his stories, Things Kept Burning, published in September 2006. He also collaborated with German director Werner Herzog on the script for Rescue Dawn. He also used to be an English Professor at Cosumnes River College in Sacramento. Basically, he’s pretty talented.
Daniel Eatock, AKA the co-creator of indexhibit has some interesting participatory projects of his own. This project, “No photographs” asks that people submit photos of signs telling them not to take photographs.