London based artist Nathan James argues the idea that mass media and materialism can deliver the kind of leisure and happiness it promises but at the expense of one’s humanity. His photo based paintings are of young, trend-oriented people who are interrupted with strips of neon, cuts, graphics, typography, etc.
Mia Christopher lives and works in San Francisco, CA. Her vivacious paintings are executed in an intuitive manner with a wide variety of materials. Latex, glitter, eyeshadow and more are utilized to create luscious abstractions that immediately storm the viewer. Equal parts exuberant and grim, the dichotomy of her work derives from innermost feelings that are poured out to each surface as a way to communicate and promote personal exploration.
Built in 1995 in the Austrian village of Wattens, Swarovski World is perhaps the worlds most unusual Flagship store/theme park. Designed by multimedia artist André Heller, the site features 14 underground chambers of wonder dedicated to the versatile artistic interpretation of the material crystal. The result is a universe of discoveries and a simply unique experience that is a must see for your next Austrian vacation.
Some of our favorite Attractions at Swarovski World include:
Crystal Dome: With 590 mirrors covering its walls, the Crystal Dome offers a kaleidoscope rich with colours: light is reflected in all facets. This breathtaking spectacle is stylishly accentuated with music by Brian Eno.
Mechanical Theater: The desire for transformation, passion and erotic fantasies excites people – and also the mechanical world of Jim Whiting. An Adonis and the graceful Walking Woman represent the male-female relationship and form the central motif of the British artist’s stomping, leaping installation. However, the mechanical theatre could also be described as a surreal fashion show in which rigid things suddenly spring to life and clothes fly and dance through the air as if by magic.
Crystaloscope: The crystaloscope is the biggest kaleidoscope in the world. Upon taking a look inside, the harmonizing power of crystal becomes perceivable to body and soul. The installation, designed by André Heller and therapist Peter Mandl, casts endless variations of images that appear from the ever emerging crystal formations.
Watch a video of Swarovski World and see more pictures after the jump! (via)
Julie Heffernan‘s paintings take all the tropes of Northern Renaissance painting, combines them, and makes them into absurd works that feel like art history collages rendered by one of the masters themselves. She has a show coming up at the Mark Moore Gallery on November 3, so if you like what you see, make sure to check out her opening, it sounds great!
Honk Kong-based artist Johnson Tsang creates alternative ceramic creations that spook viewers. Employing a realist yet surreal sculptural technique, Tsang looks to produce exaggerated, almost cartoonish, bizarre human forms that look very convincing (and very disturbing). Besides his famous creepy, chubby, porcelain babies–whom he calls his own ‘children’–Tsang is known for his ability to morph both functional objects and the human body to put forth an alternative line of work that challenges the craft oriented world of ceramics. Much like Beccy Ridsdel Dissected Ceramics, Tsang has the ability to make ceramic pieces that in a way remain functional, but still work as a conceptual piece of art.
In photographer Susan Dobson’s series Sense of an Ending, she taps into our fascination of abandoned buildings. We ask ourselves, what happened to these places? Why is no one there, and how did they come to be in such disrepair? The once majestic-looking structures now sit among ruins and overgrown vegetation, and these haunting images remind us that everything built will eventually turn to dust. Dobson often frames her compositions so the homes look tiny when compared to a large, ominous-looking sky.
The photographer’s intention was that these works were timeless. They could point to a post apocalyptic future or relics of the past. In a short statement about her work, Dobson explains:
I am interested in how photographs have the ability to sit outside of any definitive time period, and to feel dislocated in time. It allows for associations to be made with a range of historical periods. For me, the series evokes images I have in my mind of the ruins from WWII that were still evident in Germany when I lived there as a child. (Via Flavorpill)