When I first saw this inventive fusion of technology, art, and style, I thought it had to be something from a science fiction novel. This open cast, cleverly titled the Osteoid, is the invention of the designer Deniz Karasahin, who is known for previous creations of like a sleek, elegant vacuum cleaner and trendy yet comfortable lounge chairs.
Unlike traditional plaster casts, the Osteoid has ventilation holes and might easily be removed; while it is capable of holding the broken limb in place, it also conveniently avoids causing irritation, itch, and odor. Trail-blazing ultrasound treatments have proved effective in healing bone, but the technology is rarely used, as the plaster cast renders its benefits insufficient. With the Osteoid, it is possible to target specific sites with healing ultrasound systems, which can be inserted into the cast itself. If used for only 20 minutes per day, it could help bone to heal at a rate 40-80% faster than normal.
The invention is as fashionable as it is groundbreaking; with its eyelet holes and jet black hue, it situates itself firmly within the 21st century. If Futurist artists like Giacomo Balla or Umberto Boccioni, with their lust for speed and mechanical ingenuity, could see us now, 100 years later, they would surely be beaming with pride. I shattered my elbow a few months ago, and I can now say, from an honest and personal space, that a magical bone-healing machine would have suited quite nicely. Take a look. (via Demilked and Geekologie)
For his powerful series 141 Boxers, photographer Nicolai Howalt shoots young amateur boxers in Denmark before and after their first brutal fight. The artist, known in part for his elegant images of car wrecks, once again finds an eerie beauty in violence, capturing sweaty faces sprinkled in fresh blood. On the left, his subjects present their game faces, poised in a moment of calm determination prior to the battle; on the right, the violence and competition has ended, leaving their faces bruised and swollen.
For these teenage athletes, the first foray into the ring presents itself as a rite of passage out of childhood and into manhood. Afterwards, they are irrevocably changed, as if all of puberty were condensed into a single test of machismo. As viewers, we might be unsettled to see these round, blushingly cheeks marked by punches; though outwardly baby-faced, Howalt’s subjects possess a knowingness and understanding of aggression that transcends their youth. Thrust into the environment of the controversial sport, these pimpled, wide-eyed adolescents are aglow with their own glistening sweat and an uncomfortable sense of adult virility.
Arranged neatly in a grid as they are in gallery installations, Howalt’s violent images are paradoxically sterile. Set against a pale gray background, his subjects seem restrained in a way that contradicts the nature of their sport. Many of the photographs look like clean mugshots pinned cleanly and simply on a wall; the young boxers are at the mercy of our judgement. Do we condemn or celebrate this ruthless sport? Take a look. (via Agonistica)
Jess Douglas is in her last year at the University of Plymouth, UK, where she studies Illustration. In her About Me section, she states the following: “Everything I discover around me has potential… urban detritus, peeling paint and filthy concrete structures. I find the ugly and mundane to be beautiful, its character and stories inspiring.” These are photos mainly of her screen prints and drawings from her sketchbook. I feel they definitely capture the beauty in the mundane in the way that they isolate the objects and structures, translating them into solid lines and eliminating the daily clutter that usually surrounds them.
Australian graphic designer Filfury (Phil Robson) is a sneaker freak, and it shows in his latest images. He takes photographic details of bright and colorful sports shoes and re-imagines them as new intriguing shapes. His series of images include different objects such as butterflies, beetles, skulls, bats, body organs and guns. Robson takes the textures, patterns and characteristics form classic sneakers like Adidas Originals Superstar, the Air Jordan 4 Retro, and the Reebok Shaq Attack, and chops them up. Threaded shoelaces become teeth in the jaw of a skull; breathable mesh turn into wings of a dragonfly; the Adidas stripes morph into the wings of a bat; the toes of a sneakers are now the body part of an insect.
After collaborating with many many corporate brands such as Nike Basketball, Adidas, Reebok and Sneaker Pimps, Robson is a pro at creating sharp, modern graphics. He has been featured on many top artist lists, and is definitely a talent to track. You can see more of his streamlined aesthetic here on his Instagram feed. (Via Design Faves)
The sculptures and installations of MyeongBeom Kim are very dreamlike – it makes just enough sense to prevent you questioning it. Objects transform into other objects, other inexplicably float, and yet others are designed to be entirely useless. Yet, somehow, it all seems right. Also like dreams, Kim’s work is playful but not without out a latent sense of anxiety. A noose, a crutch, an axe suggest a possible dark turn toward realized fears, a nightmare.
If you ever wondered what it would be like to occupy the same room as the sun, try Nasa’s Solarium. Currently making stops throughout the U.S. the show produced by a division of the space agency known as Solar Dynamics Observatory or SDO, is actually a spacecraft that has been taking pictures of the sun for the past five years. It brings findings using photographs taken over the past year, into an intimate space documenting the blistering star’s movement per second. The material collected is the first of its kind and splices together incredible footage into a series of HD gifs and stills giving you an idea of what it might feel like landing at the gates of hell.
Not surprisingly, most of the photographs portray a round star with several thousand fires burning at once. Constant explosions accompany the flames making you wonder how planets in the solar system don’t disintegrate immediately by her immense power. Other interesting shots capture the mother star in a dormant state depicting a series of smoldering smokestacks. In another unexpected and humorous portrayal, the sweltering star looks like a flame-grinning jack o lantern. Very cool, (or hot) indeed.
The sun is at the center of our solar system and approximately 130 times larger than earth in size and 330 times larger in Mass. It’s mostly made up of hydrogen and helium. Without the sun, all planets in the solar system including earth would die. Despite what might appear to the naked eye, the sun is actually white not yellow or orange in color. The reason for the false hue is atmospheric scattering. This is when molecules are diffused by the solar beam into the earth’s atmosphere changing the sky’s color. (via citylab)