Mark Titchner’s esoteric aura portraits, heavy tubular bells and subliminal messages. Magical works that subversively explore belief systems the imagery that surrounds them and the other side.
Lori Field’s paintings depict a world where animals and humans live together in enchanted forests filled with two headed skeleton kittens, Tiger gooe head cows, and baby ram angels.
Italian charity La Collina dei Conigli ONLUS rescues rabbits, mice, rats, and guinea pigs from labs or mistreatment. The now-adoptable pets were the recent subjects of a photo series by Rachele Totaro that’s inspired by Lewis Carroll’s famous novel Alice in Wonderland. Volunteer Attilia Conti had the idea, and it commemorates the first 10 years of the charity’s operation. So, why Alice in Wonderland? Because the book and organization both started with a white rabbit.
The fantastical photographs feature the animals holding objects, poking out of a teapot, and of course, gazing into the looking glass. “Mice were the most cooperative models, while guinea pigs were the laziest (they stayed still only with food present),” Totaro writes. “Rats were the most attractive, and rabbits… were the most disapproving.” You can see that with some of the critters, there was no coercing them into any sort of cutesy pose.
The charity’s rescue center is located in Monza, near Milan, and many of the animals are still looking for new homes. If you’re local to the city, you can adopt one. (Via Bored Panda)
Jen Mussari is a Pennsylvania native fine artist, illustrator, typographer, and maker of DIY handmade art. She is now at MICA in Baltimore working on her BFA. Check out her new series of hand printed poster series called Very Important Posters, which are a combination of hand-drawn typography and minimal illustration to communicate varied messages. These messages range from critical to welcoming, comical to concerned. You can collect all eight on her ETSY store!
Canadian Photographer Jeff Friesen uses the iconic Legos to build dioramas that he later photographs. In the series 50 States of Legos, Friesen satirizes each state in the United States using the toy’s characters, blocks, and accessories. Scenes are set against colorful backdrops like mountains, beaches, and grassy lands. Some include aliens, cowboys,and even historic figures like George Washington.
Each state has their own legacy or a reputation for something. Friesen plays on these associations and includes witty captions that accompany them. I live in Maryland, for instance, where eating crabs is a cherished pastime. Friesen pokes fun at this, turning crabs against a couple trying to boil a crab. Other places receive the same, if not more over-the-top treatment. Alaska features a Yet fishing with an Eskimo. A cowboy in New Mexico is prodded by an alien. There is a dragon in the mines of West Virginia. Friesen’s series is a light-hearted look at the states, which are made even more amusing the more time you spend with them and their details. (Via Honestly WTF)
It is the age of the selfie, and yet Roberto Foddai’s self-portraits feel like anything but. His images range from dramatic, erotic snapshots to costumed and posed portraits. The Photoshop manipulations he executes, notably in the “make it double!” series, are both subtle and transformative. He merges pictures of himself into the same frame, doubling the impact. Two Robertos laughing together, two lying on the same bed, and, memorably, one pleasuring his “other” self. The effects are transparent and the narrative in the pictures exists outside of their computerized genesis.
Why the costumes, the playacting and grimacing? Why two Robertos in the frame? He answers:
1. I like to be other people as I am often bored of myself.
2. It is easier to be boring in my daily life and dressing up in photographs fills the need I often have to be different.
3. I think, as Feminist and writer Carol Hanish said “The Personal is Political” so it is me in the pictures but they are often a political statement and maybe not as personal as they look.
We see Roberto Foddai as Freida Pinto. Roberto Foddai as a pink gowned ingénue. Wearing a necklace of shuttlecocks. In a swim cap, a nightgown. In underwear and red socks. Cindy Sherman’s self-portraits in disguise are called to mind, but unlike Sherman, Foddai makes very little effort to camouflage himself completely.
I always liked the idea of documenting my own life for myself. Keeping a visual diary of my life also gave me other ideas or other subjects I could work on. This is clearly a work in progress and without any doubt one of my favourite parts of my work. I often struggle with the way I look but it helps me to look at my life in a more objective way.
In many of these self-portraits Foddai is not conventionally attractive. Sweaty, with decayed looking teeth, and testicles poking through his underwear, these images are raw and unadorned. And it’s that truth in the images, in the portraits, that makes it difficult to look away.
Have you ever wondered what you would look like without your head? Artist pepedsgn has been asking himself the same question: his most recent series #Losingmymind consists of a collection of colorful photographs depicting people, whose heads have been edited out. The result is both frightening and beautiful all at once and t forces you to reflect on the importance we give to the head and, the face, and the eyes in our everyday lives.
Pepedsgn plays with the double meaning of “losing your head” both in the literal and figurative senses in this decapitation series. The idea that the pressures of living in a modern world full of overstimulation, paired with the flood of human emotion we live with on a daily basis, paint a background for the loss of self depicted in these photographs. The depiction of headless subjects gives both a playful irony and, a certain thoughtfulness to the series by physically showing subjects without their heads.
The uncanny beauty of seeing people without their eyes, faces, or mouths makes the series all the more fascinating in the sense that their heads ,which govern all emotions and most non verbal communication are gone. Pepedsgn leaves it up to the public to imagine the possible emotions of the subjects and takes the notion of “brainspace” to a beautifully explicit level which allows us to reevaluate the way we read emotions.
Deke Smith makes fun illustrations!