This week we’re bringing you another talented artist as part of our partnership with premiere website building platform Made With Color. Each week we bring you some of the most exciting artists and designers working today who are using Made With Color to create clean and sleek websites that are optimized for desktop, mobile, and tablet. Made With Color sites aren’t just good looking, they also feature powerful yet simple backend which allows anyone to create a professional site with just a few clicks.This week we are excited to share the detailed paintings of Scott Greenwalt.
Oakland based painter Scott Greenwalt’s dense paintings sway back and forth between abstraction and representation in a nervous frenzy. With references to cosmic galaxies and the human nervous system, his otherworldly paintings weave both the familiar and the unknown through one another creating ornate futuristic worlds.
“Scott Greenwalt presents images that illustrate with an uncanny precision the palpable horror of our physical situation. And like the alchemists of old, he instills in the work an element of the mysterious, a fantastical imagining of our souls and bodies transformed in matter and energy.
The result is landscapes and portraits populated and magnetized by cloudy æther, sinewy, degraded and corporeal fragile forms, fine filaments of hair and flesh transmutated by rays of energy streaming from eyes and orifices. The work captures a moment of profound fantastical physical change and refer to a thing larger than that what we can see with our own eyes, a nightmarish dimension of the alchemist’s gaze made manifest in all its magnificent terror.” – weekend
Pedro Campiche (AKA.CORLEONE) is a graphic designer and illustrator from Portugal. His work includes illustration and type play. He is also the founder of OK! Collective, a platform for creative and artistic projects. At just 24 years of age, it’s definately impressive. Stop by his page and give him some positive feedback because his work is awesome.
In her series Reno, a component of her larger project, Wandering In Place, Jennifer Garza-Cuen captures a hidden America.Through images of abandoned theaters, plastic covered casinos, dust collecting disco balls, women bound to decks of cards, and quiet, empty, almost pallid landscapes, she is able to inherently provoke an aura of nostalgia. She describes the work as a “metaphorical memoir,” pulling at the strings of what “the American dream” truly means and looks like. In a country formulated through vast histories, how does a cultural identity extensively exist? What does it mean to be an American? Her work captures a more subtle, yet convoluted portrait of identity, proving that the American identity is innately faceless and multifaceted.
Her photographs confuse cultural memory, bringing us back in time, despite depicting the present. In what she refers to as a “constructed-documentary style,” she dances around the idea of documentation versus constructed narrative, blurring the line between fact and fiction. She brings us into a dreamland where it seems time has stopped. Her photographs capture moments of silent contemplation. They are almost cinematic period pieces. Perhaps, stills of the scene directly following aclimax. Her photographs are not clear portrayals of darkness nor light; they provoke the viewer to search for an almost Lynchian meaning. She displays moments of what may be misfortune, missed opportunity, or confusion. She allows a sense of yearning and misunderstanding, getting at the very ethos of Reno. She states:
“Reno is a place that embodies ideas of Western idealism, the frontier spirit, of transience and the gambler’s impulse to risk everything for the chance at a better life. It was founded as a toll, a passage across the Truckee River, and on silver from the Comstock Lode. In Reno I attempt to come to terms with the defining force of place while returning to my own experience of being a wanderer, a state that obscures identity and embodies what it means to exist outside the codified order of the defined.”
Starting today I’ll be posting interviews I’ve conducted with artists participating in the live video/performance art show I am curating, presenting itself in it’s entirety and in REAL LIFE 3D SPACE this weekend. Not only are the videos colliding, so are the performers- meeting minds from Berlin, Canada, Colorado, the 310, 818, and 323, holler! This will also give me a great opportunity to showcase (you should really you know… come to the event) everyone’s work because it’s an awesome roster of young artists crazy enough to come and do this. I also want to thank Megan, my partner in this comedy duo, and all the artists as well.
Jon Huck‘s “Breakfast” series exhibits portraits of people along with exactly what they ate/drank that morning. Some of these people bear a striking resemblance to their food! I’m fond of these parallels, especially the one between the bald man and his hard-boiled egg.
Petrina Hicks’ latest series Beautiful Creatures appeals to our senses. Immediately alluring the large-scale, hyper-real photographs, are all rendered so clearly and with such control that they are reminiscent of advertisements, promoting a slick new television series perhaps, or teen clothing range.
Often working within the realm of fairy-tales and folk-lore, artist Su Blackwell cuts out images from books to create three-dimensional dioramas. Her material is important to her. Interested in both the fragility and the strength of paper, as well as the conceptual depth of old books, Blackwell finds something both accessible and precarious in her method. Believing in the power of imagination (an avid reader herself) Blackwell transforms description into a version of enchanted reality—the story becomes another translation of the story.
She says of her works, “I tend to lean towards young-girl characters, placing them in haunting, fragile settings, expressing the vulnerability of childhood, while also conveying a sense of childhood anxiety and wonder. There is a quiet melancholy in the work, depicted in the material used, and the choice of subtle colour.”
A scene caught in time, presented as if it grew out of the book itself, Blackwell’s sculptures are fantasy turned reality, which still manage to feel like fantasy. There is precision, attention to detail and a feeling of diligence present in Blackwell’s pieces each functioning to further both the illusion and the veracity. Inciting wonder, curiosity and imagination all at once, Blackwell’s sculptures are like fantastic little worlds all unto themselves that a viewer feels lucky enough to catch a glimpse of.
You may have seen Alex Seton‘s previous work: lightweight pieces of clothing, heaped casually in a corner, draped on a pair of hangers — and carved from marble. Seton’s sculptures are incredibly hyper-realistic, creating an illusion of malleability and texture that insists on a closer look. In his latest exhibit, “Someone Died Trying to Have a Life Like Mine,” Seton again uses cold, hard marble to replicate objects that would float rather than sink: inflatable rafts, palm trees, and life jackets.
This contrast is part of what Seton is exploring with his art; the depth and contradiction of the objects he portrays and their actual substance. In an interview with the gallery Sullivan+Strumpf, Seton says, “There’s no easy read on these objects. They are both an optimistic and shining series of objects, but they’re also sardonic, they also have a darker side.” The installation addresses the complex topic of those who seek asylum, largely by risking death by sea or other means, only to be turned away.
“Each of these is both inflated and deflated; each of these is welcoming and unwelcoming. How do you justify shattering a life?” Seton asks. “Or a desire or a dream? How do you do that? And what are the long-term impacts of that?”
The objects around him, which appear in a kind of memorialized limbo, have no answer for him. They are frozen by stone and time.
“Someone Died Trying to Have a Life Like Mine” can be seen September 16th to October 11th, 2014 at Sullivan+Strumpf in Sydney, Australia. (via Design Boom)