British artist Charlotte Mann is known for her elaborate wall drawings and drawn room installations. These densely detailed 1:1 scale drawings of rooms in rooms are invariably made with thick black marker pen on a white ground. The medium may be simple but Mann’s obsessive attention to detail pushes her work into a new realm creating dizzying installations that make you take a second look at your surroundings.(via)
Self-portrait as woman in Les Demoiselles d’Avignon by Pablo Picasso
Self-portrait as Yoda in L’admiration by William-Adolphe Bouguereau
Selfies are a ubiquitous mode of self-expression. Photographer and performance artist Jaimie Warren integrates pop culture. humor, and a bright color palette to create visually striking self-portraits that are absurd, humorous, and campy. In one photo series, Warren becomes celebrity-food characters, fusing their names into an offbeat expression. In another, she re-creates images from art history, embellishing them with her signature pop culture camp style. Warren’s selfies subvert the form of traditional portraiture by using absurdity and grotesqueness to supplant the selfie’s identification with vanity. In addition to her individual projects, Warren also co-directs an internationally touring “faux-cable access show” called Whoop Dee Doo, a nonprofit that partners with youth organizations to introduce kids to wonderfully strange art that is meaningful, fun, and compelling. (via la monda and vice)
Shan Hur‘s sculptures interact with the gallery space in a unique way. He embeds his sculptural work inside walls and pillars throughout the space. Each piece almost seems if it is in the middle of being excavated right out of the gallery wall. In this way the sculpture brings the entire gallery into the work of art, and by extenstion its visitors. Interestingly, Hur says of his work:
“One of the issues I have focused on is how to reduce the burden of the volume of sculpture. I then connect this mass to its surroundings, but not just as part of the whole. I think sculpture should communicate with its circumstances.”
Andreas Pihlström is an extremely talented Swedish designer working in the arenas of graphic design, typography, web, and interactive work. You might know him as the creator of Dropular (pictured above), an extremely slick and well engineered image sharing and tagging website. I assumed based on these credentials he was more of a coder than a designer, but really he is equally strong in both disciplines, as you can see after the jump.
PS: Mr. Pihlström, if you read this, can I get a dropular invite? Please?
Premier website builder Made With Color and Beautiful/Decay have teamed up again to bring you exclusive artist features. We show you exciting artists and designers who use Made With Color to create a clean and modern website. But it doesn’t just help artists create a minimal, mobile-responsive website; Made With Color also allows them to do it in only a few minutes without have to know any coding. Today we’re presenting the work of Los Angeles artist Sherin Guirguis.
An explosion of colors and an intriguing set-up. The work of Sherin Guirguis blends geometric patterns, beams of vibrant shades and see-trough lattice patterns that are carved directly into the surface. Her work is inspired by her hybrid background as a non-Muslim woman born in Egypt and living in the U.S since the age of fourteen. Guirguis’ unique worldview brings together eastern and western references and harmonizes contradictory elements, both formal and social. Guirguis produces work that investigates the frictions between the contemporary and the traditional, the reductive and the ornamental. Her work engages both formal and social concerns by juxtaposing the reductive Western language of minimalist aesthetics with that of Eastern Arabic ornamentation.
I usually don’t like viral videos that promote products but this is really creative and unique. 36 Freeborders re-create a giant falling block video game down the streets of San Francisco at night. It’s like Gleaming The Cube meets Tetris… Awesome!
Anya Gallaccio‘s installation Red on Green may leave elicit a different reaction depending on when you catch the show. Gallaccio plucked the heads of 10,000 roses and arranged them into large neat rectangle. At first the installation may resemble a grand romantic gesture. However, Gallaccio’s interest is piqued by what the installation becomes. In a way Red on Green turns into a type of natural performance as the field of red shifts to brown. She utilizes the loaded symbol of the rose as a starting point for investigating the natural processes of death and decay.