In two of Aurel Schmidt’s more recent series, the artist’s highly rendered drawings depict leafy vagina lettuce and ginger toes, among other inventive combinations of body parts and edibles. Her older drawings focused more on hedonism and a kind of consumptive chaos. She created party beasts constructed from accumulations of coke baggies, cigarette butts, pabst cans etc. They mischievously smiled out at the viewer like a visualization of a hangover. Even with discarded condoms and burn holes, she’s always had a tendency for beauty, though.
In contrast, the ideas in FRUITS are refined to a few poignant elements. There is a strong focus on associative forms, and Schmidt’s choice to pair white grapes with a plump penis emphasizes the gravity in the image. The nippled melon is equally sumptuous, and it’s great to finally see melon and breast united in one. Her style is laborious, but it doesn’t show in her drawings. She’s funny, with an I-don’t-give-a-fuck attitude that’s present throughout her work. It’s not indignant or aggressive; it’s joyful and celebrates absurdity and decay.
Black Drawings returns to a more standard subject matter for Schmidt, and the drawings become more severe without colour, maybe even cult-ish. The bellybuttons are the most seductive, because of their subtlety and curiosity. It takes a while to identify them for what they are. This series definitely demonstrates Schmidt’s breadth of ability, where the spurting penis cross is much more in your face than the bright sunflower nipples.