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Next Day Flyers Presents: Rey Misterio


I’m absolutely loving the work Buenos Aires based  illustrator and character designer Rey Misterio. His Imaginary Japanese Ad characters are some of my favorite in his portfolio. See the entire series and more after the jump!

 

Article presented by the sticker printing company, Next Day Flyers.

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Manuel Vason

Italian born, London based artist Manuel Vason explores the relationship between performance art and photography.

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PFFR-LEGACY IIX

Brooklyn based production company/art collective/band/enigma PFFR are known for their outrageous humor and lo-fi production.  They have collaborated on shows such as Wonder Showzen, Xavier: Renegade Angel, and the sadly short-lived Doggy Fizzle Televizzle.

If you are lucky enough to be in Los Angeles you can catch their antics next month at “Legacy IIX”. The mysterious show opens April 3rd at Synchronicity Space and runs until May 1st. Your guess is as good as mine what might happen.  Flyer for the show and other works after the cut.

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Jun Kitagawa’s Giant Zippers Open Up Large Public Spaces

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For the last few years, Japanese artist Jun Kitagawa has installed large zippers in public spaces. Sometimes they are painted on the wall, but more often and impressively, they are placed as sculptures in the middle of rooms and in public ponds. There, the ground looks as though it’s opening up and going to swallow you whole. Kitagawa has fashioned larger-than-life zippers, complete with his name on it (akin to the popular manufacturer YKK). Between the giant zipper’s teeth you can see what’s below, like wooden beams or most of the time, a dark void.

Kitagawa’s work plays into the wonder we have of what lies beneath the surface, and is a metaphor for making light of the unknown. The giant zipper reveals what can’t easily be seen, and what we often wish that we could. Even if the zipper is “open,” many times the artist fills it with nothing, saying that the truth or reality isn’t all it’s cracked up to be.  (Via Colossal)

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Jason DeMarte’s Juxtaposes Sublime Landscapes With Cheetos And Donuts

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Artist Jason DeMarte‘s photography juxtaposes sublime, remote landscapes and commercially produced and processed products such as Cheetos, Donuts or chips. The odd pairing can go two ways, for one, his work may spark an intriguing dialog between what’s man-made and what runs wild, second, the compositions might be alluding to our new-found pleasure in consuming these products. What once gave us so much life and inspiration (breathtaking landscapes, natural phenomena) is now second to last in our list of pleasurable things to experience.

DeMarte, however, presents this pairing in beautiful ways- ultimately making them coexist in a way that we never thought possible.

“I represent the natural world through completely unnatural elements to speak metaphorically and symbolically of our mental separation from what is ‘real’.”

(via IGNANT)

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Jens Reinert’s Miniature Graffiti Tunnels

I’m loving these beautiful miniature maquets by German artist Jens Reinert. My favorite pieces are his Tunnel pieces (pictured above). They remind me of my youth, when I would spend hours hanging out in tunnels and storm drains painting graffiti and generally being up to no good.

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Jennifer Davis

Jennifer Davis is a painter based out of Minneapolis, Minnesota with, among other things, a great color palette, mixing muted hues with more vibrant pops of pink and yellow. Her paintings are delightfully quirky too. I mean, have you ever seen a skeleton wearing striped toe socks, or a purple goat sporting a multi-colored sweater? Well, you and I have now.

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Cesar Santander’s Hyper-realistic paintings of vintage tin toys

Cesar Santander’s hyper-realist paintings of vintage toys, trinkets, and carousels are gleaming and shining works that will make you take a double take to make sure you’re not looking at a photograph. Dealing with themes of Nostalgia these exquisitely painted images transport us to a simpler time when toys didn’t talk back and were simple images of our favorite cartoons.

“Once I conceive an idea for a painting, I arrange the objects and then use the camera to produce the strongest photographic example of my original idea. Then I paint the photographic image. Superficially, I appear to copy the photograph, but I make many adjustments to the photographic image as I complete the painting. I try to impose my own vision by subtle adjustment of colors, edges and details so that the finished painting is the strongest representation of the original idea.”

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