I don’t normally go in for crafty stuff, or faux-vintage design, or, um, purses, but I have to say I am really digging these embroidered purses from Olympia Le-Tan. They may appear to be books, but as style.com reports “The ‘books’ in question are actually rectangular box clutches that feature hand-knit copies of the covers of some favorite reads.” These make me wish I carried a purse, err, “rectangular box clutch.” Maybe she can make some laptop bags or something? Or some actual book covers? Come on Penguin, commission this woman!
We have featured the work of Yago Hortal in the past (here). He continues to produce lush abstractions that pulsate with energy. In his newest series he takes the Impasto technique to the extreme. Massive gobs engulf his canvases. Tidal waves of color confront existing surfaces adding increased depth to his kinetic compositions.
Japanese art photographer FUKE P-San transforms his photographs into emotional experiences by applying expressive color palettes. In FUKE’s photographs, color and light becomes the subject of the work, as opposed to an objective characteristic. FUKE photographs the world around him, then uses digital color and light effects to give the photograph a painterly aesthetic, one that mirrors the beauty he sees and feels when experiencing the scenery he encounters. He says, “There is so much beauty in our everyday life that goes unseen simple because we develop a different sense of how we value beauty often influenced by our every day life routine.”
FUKE’s color palette and composition evokes the work of artists like Edvard Munch, Egon Schiele, Vincent van Gogh, and Claude Monet, and registers an emotionality not frequently seen in photographic work; this is largely due to his work’s painterly qualities. He hopes his images enhance viewers’ perceptions of the world, and influences the way they perceive beauty.
“Open new windows in your mind and heart, notice and catch the beauty of ordinary small things, watch them well and find a way to make this beauty even bigger. Find the mystery in everything; feel it and this will open your heart to new worlds that you previously thought they never existed. Art can give us Happiness, and help us communicate with ourselves and others to a higher level.” (via cross connect and life treasure collector)
Central Saint Martins MA grad Oat Montien does some really nice illustration work that’s filled with fantasy. He often features young, isolated male figures in his work positioned in and amongst quietly rendered, slightly dark alternate worlds. Also, his stuff is stylistically on point. I particularly like the trees in the work pictured above. Montien, who’s worked with Universal Music among other clients, probably arrived at his mystically-oriented approach naturally. He grew up in a “superstitious family” and is the great grandson of a “heroic shaman”. More images of Oat Montien’s work, including a few from his MA project, Journey of a Mystic Lost, after the jump.
Already a huge presence in Australia, Flume has been gaining a lot more attention in the US, especially with the recent release of his self-titled debut on Mom + Pop Music. I was lucky enough to catch his recent sold out performance at the Echoplex in Los Angeles.
Truth be told, I don’t go to a lot of EDM shows, but after hearing his album I was hoping to see some of the guest vocalists that are heavily featured on his debut. WIth the likes of George Maple, Chet Faker, Moon Holiday, and Jezzabell Doran all appearing on his record, it would have been extra special to see some of them perform live. Unfortunately that didn’t happen, BUT I did manage to dance my ass off with a crazy sold out crowd to his ear-shattering beats.
Songs like “Insane” featuring the before mentioned Moon Holiday had the crowd singing along and jumping wildly to every beat. He’s currently in the midst of a US tour with shows coming up at Portland’s Mississippi Studios on March 31st and a sold out show at Brooklyn’s Music Hall of Williamsburg on April 2nd among others. In May he’ll be back in Australia for his first headlining tour titled, The Infinity Prism Tour with Chet Faker supporting. Check out the video for Left Alone and definitely try to catch him live before he heads back down under.
Using imagery taken from popular culture, photographer Alexander Khokhlov creates whimsical portraits of models with famous logos on their faces. By combining the brand with the figure chosen to sell it he examines the role personalities play in representing certain products and how they become associated with that brand sometimes for their whole careers. The placement of the logo incorporated onto the face from an aesthetic standpoint puts emphasis on the persona which sells it. Some of the logos which decorate the models faces then shot on black and white film include Mickey Mouse and Chanel . Besides commercial brands the artist has photographed paintings of corsets, lightning and eight balls on model’s faces which lend a strange dynamic rooted in painting. These take on more of a circus-like narrative, perhaps something akin to what the performers in Cirque du soleil would wear.
Throughout history facepaint has been practiced in wars, ceremonies, sports and entertainment. It’s mostly associated with the native Americans who used it to prepare for hunting, spiritual enlightenment and death. The different marks and colors appropriately symbolized what tribe they belonged to. (via artfucksme)
Scott Hazard’s photo constructs blur the lines between photography, collage, and sculpture creating three dimensional portals into the urban landscape. (via laughing squid & colossal)
The objects I make serve as devices for poetic awareness. Looking into them creates an atmosphere of in-betweenness which helps frame the small extractions and resonances of the world featured in each work. Commonplace elements in the natural and built worlds provide points of origin for helping people gain insights and understandings of the landscape around them. My work incorporates extractions from sites in urban and pastoral landscapes, whether the material extracted is local stone or wood, video, or photographs.
In a world with a seemingly endless amount of stimulus available, most of us are concerned with our own business, unable to let some of the more subtle aspects of the world reveal themselves to us at times. Taking note of these details might help us better appreciate or gain an enhanced understanding of the world we live in. As Walt Whitman wrote in the preface to Leaves of Grass, “The greatest poet dilates any thing that was before thought small…with the grandeur and life of the universe. He is a seer.” My work temporarily removes or alters the viewer’s existing frame of reference to provide an opportunity for a different presence of mind, a distilled frame of reference.