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Women Take To The Streets Wearing Menstrual Blood Stains

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Fed up with the shame surrounding their periods, the Spanish performance collective Sangre Menstrual took over the public streets in sets of white pants stained with menstrual blood. This performance artwork was politically motivated; as the group writes in their “Manifesto for the Visibility of the Period,” the taboo surrounding menstruation serves to oppress women and reinforce patriarchal systems.

By making a public display of their shedding uterine linings, the group hopes to reclaim the female body and free normal bodily functions from shame and judgement. Since the earliest books of the bible and before, menstruation has been viewed as unclean, and often women have even been kept separate from men during their periods. Sangre Menstrual, whose name literally translates to “menstrual blood,” intends to change all that. In their manifesto, the group of women write, “I stain [my pants], and it doesn’t make me sick. I stain [my pants] and I don’t find it disgusting.”

The implications of Sangre Menstrual’s street performance extend beyond menstruation and into larger debates surrounding reproduction and the female body. Like the feminist artist Barbara Kruger and her legendary print “Your Body Is A Battlefield,” the blood-stained performance aims to present the body as a political act of defiance. The manifesto states, “the visibility of the period [is meant] to increase the visibility of the body, as political space.” Do patriarchal, sexist institutions persist in part because of the repulsion with which we treat menstruation? Is this work of art a groundbreaking innovation or a silly shock tactic? (via BUST)

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Quirky Photographs Of Off-Beat Clubs Like The Poodle Club And Merriment Pipe Smokers’ Club

Tupperware Party

Tupperware Party

Poodle Club

Poodle Club

Coffee Cream Lids Swap Meet

Coffee Cream Lids Swap Meet

Hat Club

Hat Club

Clubs exist for nearly everything, even things you that wouldn’t expect because they’re so strange. Ursula Sprecher and Andi Cortellini document the off-beat organizations that make it possible for people share their interests.Hats, pigeons, nudity, and Santa Claus are all real clubs that make up the series titled Hobby Buddies.

The photographs are staged portraits featuring a variety of clubs. Each image features the members, either in their costumes or with the items of interest. The coloring and lighting looks dated, and these pictures look like they could be out of a Wes Anderson film. They are quirky, humorous, and endearing, especially when you consider how connecting with people who have the same interests can make someone not feel so alone in this world. And, that’s Sprecher and Cortellini’s point. The images are dedicated to the “joy of pursuing a common cause or shared idea.” (Via It’s Nice That)

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Precious Dioramas Built Inside Tiny Sardine Cans

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Packed within the four walls of a tiny 6 by 10 centimeter sardine can, the miniature characters created by sculptor Nathalie Alony for her project Home Sweet Home are both humorous and poignant. Arranged in a massive grid, the artist’s sardine can dioramas serve as a metaphor for the confined apartments in which we nest. These intricate figurines—men, women, children, beloved pets—each exist within the limits of their aluminum enclosure, building complex family and personal universes that seem to operate independently of the outside world. Despite the isolation of each piece, together Alony’s cans form a complex network that wakes and rests as a unified community, separated only by thin, delicate metal.

Like strange dollhouses, these precious sardine can apartments allow us to navigate and to find meaning in the rituals of domestic life. Much of the action portrayed here is banal: the routine laundering of children’s clothes, the checking off of days on a calendar, the painting of walls. When seen in miniature, intricately rendered by the artist’s masterful hands, mundane home improvement tasks become endlessly enthralling. Here, we can be voyeurs in the most innocent sense, entering the intimate confines of the homes of others with tender curiosity.

Alony’s brilliant little worlds capture the lonesomeness of modern living; seeing the fourth aluminum wall pulled back to reveal precious, private lives, we yearn for a similar intimacy in real life. A home, carved out lovingly from a tiny industrial box, contains all the secrets and wonders of families that are not our own. What goes on in the cherished homes of others? (via Junk Culture and Lost at E Minor)

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Someone Made A Living Replica Of Vincent Van Gogh’s Severed Ear

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We all know the story of Vincent van Gogh’s ear, an organ that the artist is rumored to have severed from his own head in a fit of lovesick madness. For her project Sugababe, the artist Diemut Strebe has recreated the living ear of the legendary Post-Impressionist. Teaming up with scientists and using an advanced 3D printing technique, Strebe constructed the true-to-life organ from a sample of the late artist’s DNA found in an envelope that he had licked in 1883 and live cartilage from the ear of Lieuwe van Gogh, a grandson of the painter’s brother. The replicated ear, now on view at The Center for Art and Media in Karlshruhe in Germany, is kept alive by being suspended in a solution laced with nutrients.

Strebe’s installation includes a microphone into which viewers can speak. The sound is then carried to the ear, which hears speech as a crackling noise that is projected through speakers for all to listen. For the artist, Sugababe is a physical manifestation of Theseus’ paradox, wherein the ancient Greek hero was asked if a ship would remain the same if all its individual parts were replaced with new ones. Here, Strebe asks if this clone of an ear might in fact be considered the same ear worn by van Gogh. Tragically unable to respond the viewers who speak to it, the organ seems startlingly alien. Though it is composed of the same elements as the original ear, it lacks the humanity and the romance we ascribe the artist whose molecular biology it shares.

Given the tragic history of the artist, Strebe’s work carries with it a sense of loss and poignancy. Where the living van Gogh was unappreciated— reviled, even—in his time, here even his tiny organ is preserved with the utmost care, his body transformed into a valuable work of art in and of itself. (via Design Boom and The Daily Beast)

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Sponsored Post: LG Releases World’s First 34-inch UltraWide Monitor, Designers Rejoice!

TV monitors have been getting bigger and bigger every year but computer monitors haven’t been keeping up, staying at standard sizes and forcing creatives to place multiple screens side by side to get a wider monitor surface. Things are about to change with the introduction of the LG 34 inch Ultrawide QHD Monitor!

The LG Ultrawide Monitor gives you the freedom to see your work on one clean surface regardless of whether you’re working 2D or 3D.  When you’re working in Photoshop, Illustrator, or InDesign, monitor landscape size is directly linked to efficiency of your work. For those of you who had used two monitors in the past you’ve felt the pain of having to calibrate monitors for hours so that the colors matched from one screen to the next. Well with the Ultrawide you don’t have to lift a finger. LG’s own True Color Finder software and built-in scaler robustly sustains color consistency round clock, across all of your images.

This monitor is a game changer for anyone working within the creative world. Regardless of whether you’re designing the next issue of a magazine, editing music, or working on the next groundbreaking 3D animation the LG 34 inch Ultrawide QHD Monitor is the only choice for you!

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Néle Azevedo’s Ice Figurines Melt In The Streets To Remind Viewers Of The Dangers Of Global Warming

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In 2009, Brazilian artist Néle Azevedo created 1000 men and women figurines made out of ice for the completion of her Public art installation, The Minimum Monument (Melting Men). Throughout its life in the outdoor space, the ice figurines slowly melted until their disappearance. Originally placed in Berlin’s Gendarmenmarkt Square, the piece was to bring awareness of Global Warming. Minimum Monument was then installed in Ireland as part of the Festival of Queens; there, the artist, recreated the original in order to visually remind people of the melting ice caps in Greenland and Antarctica. Since then, the installation has travelled to many cities around the world and it remains internationally known as ‘climate-change art’.

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Svetlana Petrova Inserts Her Fat Cat Into Famous Paintings

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I first encountered Russian artist Svetlana Petrova’s renderings of classic paintings, modified to include her very large, fat cat, a couple of years ago. I was pleasantly surprised to find the artist is still re-creating paintings, and that her work has recently become a part of a gallery show in Abingdon, England.

Petrova’s mother died in 2008, leaving her cat, Zarathustra, behind. She claims her mother spoiled the cat, contributing to Zarathustra’s large stature. Petrova was very depressed after her mother’s death and wasn’t able to make art until a friend suggested she create an art project using the cat, and thus, Fat Cat Art was born.

Petrova says, “I’m a professional artist, and I was fond of Internet memes, and I thought maybe I can make an Internet meme who would at the same time [be] a work of art. And I did this.” But her confidence in her work was at first met with some hesitation. “I thought that I could hold an exhibition, but gallery owners said: ‘This is not art, this is just cats.’ I asked: ‘Why is a shark in the formaldehyde art, but and a cat in a classic painting is not art?’ Nobody could give me an answer, and these people began to avoid me saying that I am mad.” Eventually, though, her cat art won the hearts of the gallery in the UK.

Petrova has been most recently inserting her cat into movies, and she welcomes suggestions for fat cat placements via her Twitter, or the project’s website, whose disclaimer reads: “We are real. All the artworks at this site are real. Nobody’s opinion about Us, Our art or this site will ever disturb Our suprematism.” (via archie mcphee and huffington post)

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Brutal Photographs Of Teen Boxers Before And After Fights

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For his powerful series 141 Boxers, photographer Nicolai Howalt shoots young amateur boxers in Denmark before and after their first brutal fight. The artist, known in part for his elegant images of car wrecks, once again finds an eerie beauty in violence, capturing sweaty faces sprinkled in fresh blood. On the left, his subjects present their game faces, poised in a moment of calm determination prior to the battle; on the right, the violence and competition has ended, leaving their faces bruised and swollen.

For these teenage athletes, the first foray into the ring presents itself as a rite of passage out of childhood and into manhood. Afterwards, they are irrevocably changed, as if all of puberty were condensed into a single test of machismo. As viewers, we might be unsettled to see these round, blushingly cheeks marked by punches; though outwardly baby-faced, Howalt’s subjects possess a knowingness and understanding of aggression that transcends their youth. Thrust into the environment of the controversial sport, these pimpled, wide-eyed adolescents are aglow with their own glistening sweat and an uncomfortable sense of adult virility.

Arranged neatly in a grid as they are in gallery installations, Howalt’s violent images are paradoxically sterile. Set against a pale gray background, his subjects seem restrained in a way that contradicts the nature of their sport. Many of the photographs look like clean mugshots pinned cleanly and simply on a wall; the young boxers are at the mercy of our judgement. Do we condemn or celebrate this ruthless sport? Take a look. (via Agonistica)

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