Roland Tiangco’s dirt poster is genius… you just need to click more to check it out.
The surrealist artist Cristina Burns creates tiny, magical worlds made of skulls, toys, and delightfully kitschy knickknacks; her series Through the Mirror appeals to the subconscious mind, inviting viewers to engage with seemingly disparate materials that together form a strangely cohesive narrative. Inspired in part by the Oniric movement, the bizarre and delightfully pink work allows viewers to make surprising associations within carefully constructed scenes; the familiar and the frightful work in tandem, frantically blurring the lines between fantasy and reality.
Burns’s images, imbued with the innocent connotations of budding flowers, baby deer figurines, and Victorian lace, introduce comically dark elements: a round eyeball, brains served on a platter with a fork. Together, the delightful and the dangerous work to create arrangements that might be viewed as manic and surreal altars to the dead. In one elegant image, a skeleton attracts the attentions of a large beetle, an insect often symbolic of decay, with the presence of budding funereal flowers and sweets.
The meticulous symmetry of Burns’s compositions heightens the idea of supernatural harmony between purity and sin, between life and death. Much of the work centers around a symbol of man and especially womankind’s fallenness: Eve or Snow White’s skull bites an apple, or a mermaid figurine peers woefully at a deteriorating skull at her feet. In this state of death and corruption, there exists too a powerful sense of play, as seen through delicate china mice, candy hearts, and Disney princess dolls. In this way, Burns’s imaginative and feminine dreamscapes capture the allure of mischief, for in our disobedience and fallenness lies a magical sort of madness and celebration.
Truly amazing work by German photographer Alexander Binder. He is influenced by a love of the spiritual and the occult, and his photographs really seem to capture and other-worldly energy.
Mark Alsweiler, an emerging artist in Sydney, just finished one of his exhibitions over at Nine Lives Gallery in Brisbane. He gains inspiration from his personal interests (immediately you can notice the influence of American Indian, Western, and Mexican imagery) to create a symbolic body of work. I am really enjoying his skull paintings and his love of pattern making.
Watch this video of graffiti/calligraphy artist Niels Shoe Meulman create a giant piece of ephemeral calligraphy with a mop, 5 gallons of water and a rooftop canvas. Full video after the jump!
Xavier Barrade’s 3D posters for rock band Dry The River is nothing short of amazing! Xavier spent over 35 hours to create each 3d poster, hand cutting all the pieces and glueing them together. What he ended up with is an ad campaign that LITERALLY sticks out from the sea of advertisting! Watch a time-lapse sequence of Xavier building one of the horses after the jump!
“I started as a furniture-maker, but eventually felt limited by conventional notions about what furniture was supposed to look like and how it should be built. I now approach my work fundamentally as sculpture, but likewise have resisted passing over the line into pure or nonfunctional form.” – Michael Coffey
According to Michael Coffey, design is not just about art. It’s also a form of “problem solving.” He sees commissions as creative collaboration– loving most when patrons desire something entirely new, more different than his previous work.
As far as process is concerned, Coffey begins with a small wooden model, then develops a design on paper with set dimensions. First cuts generally begin with the buzz of a chainsaw, followed by the use of smaller, more refined, cutters and discs. Part of the fun is figuring out which tools will service the work best. Click on the video after the jump to see more of his work and philosophy.
When Nashville native Kelly Kerrigan isn’t handcrafting her signature “tramp lamps” from scrap lingerie, she enjoys working with paint on canvas. The strange, yet storybook-like works she creates intrigue, maybe even provoke a little laughter, as, all the while, it is wondered what sort of underlying narrative has brought together Boba Fett and a large, fuzzy rabbit.