Born into a long bloodline of creatives, illustrator Treasure Frey’s work of collage/ drawings is certainly something to watch for. Her work reminds me a lot of the awesome animations from Monty Python, except with the intricate combination of beautiful mark-making with varying line weights, loops, and brightly colored shapes, she has made a killer style of her own.
Calling all you completists! Forget about your vintage coin collection and enjoy The Beautiful/Decay Back Issue Sale! Once upon a time only Czars and Royalty could complete their B/D collection, but now you, too, can complete your collection on the cheap. We’re talking over 55% off all back issues for one week! Take advantage and complete your collection of the most comprehensive art and design magazine today!
What’s behind the door of a therapist’s office? Psychiatrist and photographer Sebastian Zimmermann provides a look into these spaces with his new book titled Fifty Shrinks. It features 50 portraits of New York City therapists in offices that are normally only seen by their patients.
“In contrast to other medical specialists’ offices with their practical equipment of examining tables and rolling tools, the therapist’s work space has few obvious demands beyond seating for clinician and patient,” Zimmermann writes in the introduction. It’s fascinating to see how these offices vary, each with their own idiosyncrasies that meant to support those they’re trying to treat. An essay for the book, by architect Elizabeth Danze, explains that the spaces are “floating vessels, places of sanctuary and protection, healing, and reconciliation,” and goes on to say, “a patient reflects on the trajectory of his or her therapy, an indelible part of that recollection involves the space in which it took place.”
Depending on your personal preference, some offices are more appealing than others. The colors, textures, and choice of seating are all different and no doubt unique to their own philosophies. Zimmermann had the idea for this project about 13 years ago, when he was starting his own practice, and became “aware of the paradox that I spent most of my time interacting with many people yet feeling that I worked in isolation.” (via Hyperallergic)
The series Like Everyday of Iranian photographer Shadi Ghadirian is powerful in its simplicity. She created the images shortly after marrying her husband, and indeed the series explores her concerns associated with being a wife as well as gender roles. In the series figures appear to be veiled in patterned cloth similar to the traditional Iranian Chador. The figure’s face, however, is obscured or replaced with a household item, often one associated with daily chores. Ghadirian says of her subjects, “My series is exactly like a mirror of my life and other women like me — my sisters, my friends, the women who live in this country.” Though the series specifically addresses Iranian women, the photographs capture more universal anxieties concerning gender roles – the anxiety that accompanies building an identity as a woman and a wife, navigating issues of power within a marriage.
Created by Marc Lewis at The Glamorgan Centre for Art & Design Technology in 1994.
I’ve known El Kamino for more than 15 years having shared many memories of painting graffiti during our youth. He’s a hard character to pin down as he rarely makes public appearances and prefers lurking in the shadows than using technology to promote his work. That’s why I was blown away when he made this very rare appearance on camera to discuss his work and his process. Enjoy!
No trip to SF is complete without visiting St. Francis Fountain, the ultimate brunch spot. I ordered the wrong thing and my server was cool enough to bring me the right stuff without gruff. I felt like I should have given him some B/D shirts or a book but I didn’t have anything with me. I have no idea what his name was but someone reading this blog has to know him. Blonde dude with tats who looked like a surfer/skater type and was wearing a hat with the rim bent back ala Suicidal Tendencies style. If you know who he is email us on our contact page so I can send him a care package for the great service. Okay let’s head back south….
Izumi Kato’s characters resemble angelic porcelain dolls. On the verge of breaking apart, they don’t seem to care. They just are, and that’s why they are so touching. The artist, from the tips of his fingers; with which he paints; brings to life innocent beings with extraterrestrial features. Their googly eyes, cracked noses and little bodies create an eerie harmony in the painting. So much that we would almost want to nurture them in real life.
As if he knew, their “dad” turned them into sculptures. He made them out of wood, three-dimensional, and as moving as their little brothers and sisters.
All that they evoke; strangeness, ambiguity, revulsion or sympathy is meant to dig into our contemplation on relationships. The poetic landscape of morbid embryos leads to question the nature of interaction with others but foremost with oneself.
Izumi Kato elegantly directs the viewer’s eyes to the characters’ heads, growing out of their svelt bodies, totemic figures; a blend of ancient Egypt and tribal African culture. He creates a bridge to our own head and thoughts because he wants the viewer to develop their own ideas from his abstract paintings and sculptures.
“Painting challenges the world. It is an unnatural form that has been singled out from our current three-dimensional living space. There is nothing strange about sculpture in our world, but painting is different. We search for another world in it.”