Anne De Vries is interested in “reducing a staged scene into a two dimensional image and then photographing it. The image becomes further removed from a dominant physical presence and allows the focus to shift more to the codes and spells that these tableaus evoke. These images are meant to exploit the visual and iconographic potential of the common world as a language.” Check out “Constructing Virtual Reality” (in collaboration with art group AIDS 3D– there’s something weird with their site right now, we’re not trying to give you guys computer viruses…) where a semblance of a 80’s/90’s cyber world is created by photographic tricks: long exposures and grid made out of strings with black light.
Tyler MFA student Erica Prince’s work shows an exploration of alchemy, scientific thought, and creation of intricate worlds. In a recent interview she did with Masters of the Visual Universe, she describes her work as “focused around the idea of the Utopian society”. Her newer work bridges between installation and drawings, where some of the spaces she creates in 2D also have a 3D counterpart. Her work is strong and well researched both visually and philosophically. Each one brings you deeper and deeper into her own visual Utopia.
I absolutely love this house, designed by William Hirsch for art director John Holmes, (no, not that John Holmes!) most famous for his original cover art for “Jaws.” Their home is comprised entirely of salvaged, hodge podge reclaimed building materials, making it a sort of living, breathing, thrift store turned frankenstein-like architectural collage. Ah, the free-wheeling spirit of the 70s that kicks modernism’s dutch-minimalist-eames-clean line-stainless steel-white cube’s ass!
Through some intense thought and focus, French artist Nicolas Jolly meticulously pieces together thousands upon thousands of tiny black streaks (from his finger imprints) in order to create a cohesive image. The end product comes to be this series of eerie landscape scenes that take inspiration from the early works of the symbolist movement.
Jolly’s practice involves the alterations, in width and length, of his finger markings in order to simulate light, shadows, and shape. When viewed from afar, the images seem whole with a magnificent sense of movement and texture. Jolly’s ability to create figurative work with small abstract markings is, clearly, quite remarkable.
(via My Modern Met)
Chicago based illustrator Bill Connors creates gross loose drawings with plenty of leaky eyeballs, gross slime, and beautiful deformations.
New York City based artist Klaus Enrique constructs portraits based on painter Giuseppe Arcimboldo’s 400 year old work that features human figures with features represented by images of plant, fruit, or other organic elements. Enrique was inspired to create these portraits while photographing a human eye peeking out of leaves. He thought he could use leaves to construct facial features or masks. After some research, Enrique discovered Arcimboldo’s paintings and decided to recreate the images. This project has also inspired him to recreate other portraits, like those of Darth Vader, Gandhi, and The Terminator.
Enrique says, “Although most recognize the images immediately as portraits, there are many people who do not. At first they only see the individual parts of the image: the fruits, flowers, and vegetables. But after looking at it for a while, they realize that it’s a portrait of a person. To see that thought process being played out in real time is very satisfying to me because it mimics the thinking behind the art: that simple organic objects come together to create something more meaningful than the sum of its parts.” (via lens scratch)
Marc Dennis’ hyperrealistic paintings are centered around the gaze and ideal for viewers who enjoy spending a lot of time with a single work of art. Layered with symbol upon symbol, it’s apparent that there are two subjects featured in any one of his complex compositions – the person who does the looking and the object that’s being looked at. As we view how the two interact, we form a narrative about their relationship. What does it mean, for instance, that a NFL cheerleader stares at the classic Les Demoiselles d’Avignon by Picasso? How do the they relate to each other? And, how does this relate to us? In an interview with Hi Fructose, Dennis talks about trying to find our own meanings within art. He explains:
I saturate my paintings with truths and suggestions about human behavior, ways of looking, and the psychological, spiritual and physical relationships we have with art. Walter Benjamin, the famous social critic once said, “To experience the aura of a phenomenon means to invest it with the capability of returning the gaze.” I believe that we, as viewers and art lovers, are eager and more pleased when it happens, to find ourselves, or some semblance of ourselves in a work of art. In other words, I do my part in “returning the gaze” that Benjamin speaks of. And in this hyper self-conscious, glamour-driven, sexually-inflated and media-obsessed art culture of today, my works are satirical yet sincere, artificial yet real, and most definitely loaded with personal symbolism yet public pomp — a timely combination and expression. (Via Faith is Torment)
The folks over at the Chiizu have just relaunched the app and totally revamped their content publishing platform. It’s easier than ever to browse the shop and preview artists themes like Junko Mizuno, Aya Kato, Jesse LeDoux and Skwak.
Chiizu partners with artists and designers from around the world to bring exclusive visual content to your fingertips. The brand new publishing platform acts like a gallery so every theme you buy supports the artists you love. Chiizu’s artist content is exclusive, you won’t find it on any other photo decoration app.