Artist Hoang Tran creates your favorite pop-culture characters, from The Simpson’s to the Ninja Turtles, all out of wax…but not just any wax. Tran carves each character from a jumbo-sized crayon! That’s right, each intricately and meticulously detailed character is carved from your everyday Crayola crayon…the same crayons that you used to make your own “masterpiece” with at age three. Each pop-culture icon is carved from the color in which it dominantly possesses, but also has hints of other colors that make up the finishing touches of the character. To do this, Tran melts different colored waxes, or crayons, and then applies the melted pigment onto the finest details of his creations. The amazing detail speaks wonders about the talent and patience the artist must have in order to master such a painstaking craft.
What is so wonderful about this artist’s crayon creatures is that only half of the wax is carved. The other side of the crayon is left intact, Crayola wrapper and all! Tran creates all sorts of characters such as Batman, Gizmo, Spongebob and Cookie Monster. He even carves out real life people such as Conan O’Brian. This series, appropriately titled Wax Nostalgic, is chalk full of infamous characters. It is a nostalgic dream. If you are a Star Wars fan, Tran has transformed a crayon into every character from this classic film from Hans Solo to Princess Leia. This impressive little treasures can be found on Hoang Tran’s website, or his Etsy site, where you can have get crayon characters for yourself. (via Inkult Magazine)
French artist Julien Spianti‘s oil paintings almost look like watercolors. The way he blends and creates depth, color, and texture creates a dreamy and familiar aesthetic. His work often features human figures in various environments that seem to bleed into the canvas. Spatial relationships are deconstructed and appear fluid, a sense of disappearing space and the blurring of boundaries. Landscapes and interiors blend into each other, and the effect created is mythical and resonant. Each painting’s evocation depends on what element of the composition he chooses to blend or blur into cloudy ambiguity. Spianti’s paintings remind me of dream images that are familiar, but hard to place, an image that lingers after you wake, knowing for certain that particular people were present, though their faces are unclear. Spianti’s work is largely influenced by his immersion in aesthetic philosophy, a field of study in which he holds a Master’s. Spianti lives and works between Brussels and Paris as a painter and filmmaker. (via two headed snake)
Shay Aaron creates delicious looking, incredibly small, and extremely photo realistic sculptures of all your favorite food items from a delicious stack of cupcakes to the most tasty BBQ favorites. The only shortcoming of the work is that I’d have to eat at least 100,000 pieces by her to justify it even as an afternoon snack.(via gaks)
Lisa Rienermann‘s Type the Sky series is reminiscent of the big city tourist’s point of view. The tops of metropolitan buildings squeeze in the sky to form a unique alphabet. Rienermann uses the negative space, the small patches of cloudy sky, between roofs to as the structure of a fun typography. The font has been understandably popular. The series received an award from the Type Directors Club New York. It was also used by Mercedes and Renault for respective advertising campaigns.
Jen Mann, a friend from up north in Canada, inspires with her new series “Fera” (Latin origin of feral, we’re interested to learn). Jen paints with grace a harmony between women and wild creatures. Or perhaps this is a common practice in her homeland, but either way, the illustrations are beautiful.
Mexican artist Alicia Paz’s paintings are a cornucopia of fun. Each mixed media piece is literally exploding with glitter, fluorescent ribbons, sparkling jewels, and rainbow colored clouds with bright hight lights. Not one to shy away from attention, Paz’s in your face paintings draw you in and demand that you join in the party at least for a little while.
Chinese architect Ye Chang‘s Kong Shanshui/Empty Shanshui is a naturally transforming installation consisting of over 10,000 petri dishes. Part of the “Pavilion of China – Architecture China 2013” exhibition, which recently opened at the Palacio Quintanar in the Segovia, Spain, the piece has a unique, changing quality. The base of the installation consists of layers of white stones which fill the ancient palace’s courtyard, echoing peaceful, meditative gardens. On top of the stones are piles or gatherings of petri dishes, some ten thousand in total, stacked in various forms, resembling miniature hills, mountains and rock formations.
According to Sue Wang at Cafa Art Info, the installation transforms at different stages of the day, citing firsthand that, “…there is dew in the petri dishes in the morning; light is gentle in the morning and the glass is transparent; when there is direct sunlight at noon, the installation is entirely placed in the sun, strongly reflecting, which is in contrast to the dry surrounding environment, making people feel cool; the setting sun is blocked by the house in the evening, so the glass reflects the light from the sky, seen as backlit, it looks like the scales of a huge creature stranded on the beach, with rich tones; the whole glass hills is self-luminous at night, producing a transition effect changing from semi darkness to darkness.” This daily, natural transformation of the installation not only is a quickly-viewable message of transition, but it’s meditative qualities also call to attention how both art and architecture can effect a viewer’s ability to feel at peace in a home, garden or museum experience. (via myampgoesto11 and CAFA Art Info)
The series Genetic Portraits almost works as a casual study. Quebec based photographer Ulric Collette seamlessly blends the faces of two relatives to create one portrait that is hard to look away from. The resulting photographs highlight the differences an emphasize the similarities between siblings, children, parents, and cousins. It is nearly as if the images are a visualization of the genetic traits traveling between generations. Genetic Portraits is also an absorbing record of time’s effect on physical appearance. Eye s, for example, appear to be near exact copies between father and son, separated only by the wear of thirty years.