Texas based photographer Nick Minton has been working on a personal project over the past few years titled Days With Rose. The series documents his great grandmother’s journey, at age 90, as she moves from her lifelong home & a life of independence to an assisted living community.
As you all know we have a very active Flickr Creative Pic Pool filled with creative work from all over the world. Yan Copelli is just one of the many talented artists that we found while going through the thousands of images one late night. Yan’s delicately drawn and extra funny illustrations have just the right amount of humor and gross-out visuals for us. Check out his Flickr page and his site and hire him to do your next shirt graphic, put him in your next group show, or even better put down some cold hard cash and add his work to your collection.
Keith Lemley is an American artist who builds sculptural, light-based installations that explore the crossroads between nature and technology. Featured here is “The Woods,” comprising a dimly-lit room with illuminated axes lain against chopping logs and cracked cement walls. The scene is eerie yet serene, mixing bright-light modernity with the dark, cobwebbed corners of rustic life. The lights bring a sense of warmth and presence where there is otherwise cold stillness, calling upon our own memories of the forest while also estranging them with urban glamor. In the following statement, Lemley describes his desire to transcend time and environmental boundaries:
“My work is about seeing the unseen—the invisible presence which exists in our minds and surrounds all objects, experiences, and memories. Working in my studio in rural Appalachia, I have developed a keen interest in being part of and observing natural systems, time and the process of life and death, and an aesthetic sensibility synthesizing the organic and the machine.” (Source)
Other works by Lemley similarly explore the beauty of the natural world, manifesting it beyond normative representations; “Arboreal” is a speculation on the geometry inherent in nature, whereas “Past Presence” uses light to enhance the ragged dynamism of driftwood. Lemley’s goal is to shift our perspectives on the environment, and he does so by fulfilling the adventurous spirit and infusing physical images with the resonance of personal experience. Lemley’s installations renew familiar landscapes with meaning and excitement; as he writes, “one [ultimately] walks away more self aware and delighted in everyday visual ephemera and the experience of being a living, breathing being” (Source).
Oakland’s Mark Schaer started making collages a year ago and has already amassed some great work. Mark’s digital collages source images of fashion models, comic books, celebrities, athletes and much more and combines them in sometimes chaotic, sometimes understated ways. When the first few images had “The King of Kong” cast and Freddie Gibbs, I knew this guy was cool.
A new photography exhibition at the American University Museum wants to show you that Siberia is more than just a cold, barren place. Titled Siberia in the Eyes of Russian Photographers, it paints the Russian region in a different light. Photographs boast impressive landscapes and even some warm weather; We see children swimming and people wearing short-sleeved shirts. Anton Fedyashin, the executive director of the Initiative for Russian Culture at American University, spoke with Slate about stereotypes of Siberia. “Notions of Siberia in the United States come from Hollywood,” he said. “They come from films that emphasize the morbid exoticism of Siberia, the endless white plains, the sparse villages. Those are the kinds of images that are most widespread in the West. Of course, Siberia during winter does look like that, but there’s another side of the story.”
Siberia makes up about 75 perfect of Russia’s landmass, but only 25 percent of its population. The people who live there are described as having an independent spirit, much like pioneers who settled in the American West during the 19th century. The exhibition draws comparisons between the two places. “It’s an image that overemphasizes the negative aspects of this enormous part of the Eurasian continent and one that completely underrepresents the enormous geographical variety, which is breathtakingly beautiful. The exhibit shows that it’s equally as beautiful and eerily similar to the American West.” Fedyashin explains. While many Western photographers chose to accentuate the emptiness of Siberia, the Russian photographers in this exhibition depict a multifaceted place, spanning from the 1860’s to 2011. (Via Slate)
It’s hard to pigeonhole Frederik Heyman as a photographer, installation artist, or sculptor. Employing every medium and genre from drawing to fashion photography, Frederik is the Swiss Army Knife of creativity using anything and everything to create his quirky, layered, and complex images to life.
In his new series of collages entitled Love is like a Butterfly, artist/musician Wildcat Will delves into the absinthe drenched demi-monde of Parisian cabaret, and uses his own pop art inclinations, and other contemporary elements to create original pieces. This new series in based on the powerful imagery of the butterfly, its transitional phases, and its ephemeral and intense beauty as a parallel for the beauty and tragedy of human life.
His collages combine photographs from the Parisian cabaret Les Folies Bergère with texts. The intricate backgrounds of his collages incorporate elements such as zebra print, oversized flowers and, butterflies. The combination of old photographs with modern typography and colorful, ornate details leave room for the viewers to get lost in his work and examine the world of cabaret from a different perspective.
The clashing of old photographs and typography work together towards creating a sort of punk aesthetic which Will attributes to his cultural upbringing . He equates the ladies of the Folies Bergère to the punk rock movement and, by doing so gives another level of depth to his collages. Through these pieces, Will has created a magical platform for us to meditate on our morals and standards.