Max Lamb’s Artistic Process Involves Pouring Molten Pewter Into Sand . You Won’t Believe What Happens Next

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max lamb

An excavation artist, if there ever was such a thing, Max Lamb creates beautiful works of art and furniture using Mother Nature as one of his tools.  On a beach in Cornwall, England, Lamb uses primitive sand casting techniques to make his pieces. One of the earliest forms of casting, sand casting requires low-tech materials and systems.  Attracted to this method, Lamb employed this simple technique to create the pewter stool depicted in the video.  His knowledge of techniques, materials and his skill allow Lamb to explore method and medium in a unique way.  There is a sense of adventure to Lamb’s work, which makes his process as interesting as the final product itself.  His practice consists of an artistic honesty and respect for process that induces excitement and surprise.  Watching Lamb excavate his pewter creation from the sand evokes a sense of wonder and an awareness of magic.

You Won’t Believe The Stunning Portraits Kumi Yamashita Creates Out Of Nails And Thread

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You might remember Kumi Yamashita from one of our October posts featuring her extraordinary collection of works with light and shadow. If you recall, Yamashita subtly manipulated materials such as paper, fabric and wood to strategically use lighting on them in order to create shadow art installations. Her imagination and impressive craft skills lead her to create this new ongoing series entitled Constellation (a title that references the Greek tradition of tracing mythical figures in the sky).

This body of work consists of three materials: a wooden panel painted a solid white, thousands of small galvanized nails, and a single, unbroken, common sewing thread. She creates these stunning portraits by using the single,unbroken thread wrapped around thousands of nails. The task at hand is laborious, but the result is well worth the work.

The Japanese artist’s piece from this collection, Mana (an 40h x 30w cm portrait of her niece), was recently selected as one of 50 finalists for the Outwin Boochever Portrait Competition, a triennial event being held at the Smithsonian Museum’s National Portrait Gallery in Washington, D.C. Yamashita’s artwork was selected from over 3,000 entries and is on display at the National Portrait Gallery until February 23, 2014. (via Twisted Sifter)

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Jamie McCartney’s Genital Cast Sculptures (NSFW)

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Jamie McCartney is a multi-disciplinary artist who specializes in sculpture. For “The Great Wall of Vagina,” McCartney casted the vaginas of 400 women, ranging in age from 18-76 years. Casts of mothers, daughters, twins, trans men and women, pre- and post-natal women, and a woman’s pre- and post-labiaplasty are all featured in this large piece. “In creating this work, I set out to alleviate the needless anxiety that is driving so many women to contemplate cosmetic genital surgery.” “The Great Wall of Vagina” book is for sale and features testimonies of over 100 women who took part in the piece. The piece even has an entire site dedicated to it, featuring images and videos and other information about the project.

For “The Spice of Life,” McCartney casted the genitals of flaccid and erect penises, vulvas with closed and open legs,and breasts of a variety of people. “4×4″ depicts a panel of 16 erect penises. McCartney claims that many people have engaged with his work in positive ways, noting the variety and lack of “normality” across the spectrum of featured genitals. People often use pornography to gauge normalcy of their genitals, even though these representations are skewed or exaggerated.

McCartney’s pieces, “Old Glory”  and “O Limp Pricks,” feature casts of the tip of the artist’s penis. For ”Internal Affairs,” McCartney casted the inside of vaginas, transforming the vagina into an external, almost phallic organ.

In all of these pieces, McCartney seeks to satisfy our curiosity and asks us to engage with the relationship we have with our own bodies.

SpY Installs 150 Security Cameras On One Building. You Won’t Believe What They Catch On Camera!

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SpY, an urban/graffiti artist, installed 150 fake security cameras on a building façade in Madrid, Spain. The piece, titled CAMERAS, has no intention of watching over anything, the cameras are simply on the wall for show, rather, to make a statement about excessive surveillance in today’s world. As his website states, “SpY’s s work involves the appropriation urban elements through transformation or replication, commentary on urban reality, and the interference in its communicative codes.”

The repetitiveness, and overwhelming saturation of the cameras, imposes critical questions about cameras of any sort in our lives. Whether that might be security cameras, to a personal camera, to the camera on your phone or computer, we are surrounded by them in our urban landscape and personal space,they questions is: what are they really filming?

Cameras signify the documentation of something important, a bad or good event, but definitely not something mundane. If we are surrounded by cameras, we are also surrounded by the expectations of something grand, something bad or good always happening. This is too much of a burden.

SpY’s pieces want to be a parenthesis in the automated inertia of the urban dweller. They are pinches of intention, hidden in a corner for whoever wants to let himself be surprised. Filled with equal parts of irony and positive humor, they appear to raise a smile, incite reflection, and to favor an enlightened conscience.

Patty Carroll’s Ghostly Women Draped In Fabric

Patty Carroll - Photography

Patty Carroll - Photography

Patty Carroll - Photography

Patty Carroll - Photography

Patty Carroll photographs women who hide behind fabric. In her series, Anonymous Women: Draped, she features figures sitting and standing, all shrouded in luscious fabrics, rugs, and more. These women are invisible, meant to convey the idea that as we perfect the space of our home, it can fuse with our identity. Carroll’s choice in fabrics harkens another era, and look like they could be in the house of a grandparent. The Nuclear family of the 1950′s and 1960′s comes to mind in her work, when women’s roles were often domestically confined. Carroll writes about the series and the inspiration and implications behind it, stating:

I am addressing the double edge of domesticity; the home as a place of comfort, or conversely, a place where decoration camouflages one’s individuality to the point of claustrophobia. The draperies in these photographs act as both a visual cue as well as a literal interpretation of over-identification/obsession! While my direct sources for this series come from furnishing a home, as well as remembering the nuns in their habits while growing up, this series also references draped statues from the Renaissance, women wearing the burka, the Virgin Mary, ancient Greek and Roman dress, priests’ and judges’ robes, among others. I believe everyone has a hidden identity formed by personal traditions, memories, and ideas that are cloaked from the outer world. Cultivating these inner psychological, emotional and intellectual worlds is perhaps our greatest challenge as people, wherever we come from or wherever we live. (Via I need a guide)

This Is What Happens When You Pour Molten Aluminum Into Anthills

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What happens when molten aluminium is poured into an anthill, allowed to dry, then excavated and cleaned off? Anthill Art – an anonymous American artist – creates intricate metallic sculptures by doing just that. These forms reveal the depth and styles of various ant species’ hills, mainly from the beds of pesky fire ants. The complex and beautiful systems of these ant beds are revealed through this process, but has created a bit of controversy. People concerned with this method of sculpture work have commented on Anthill Art’s Facebook page, where the artist has responded generally to these concerns.

“I regret every day calling it anthillart. To be honest it was a short memorable name and I went with it. I’m not really a fan of art and would never refer to myself as an artist, I guess I considered the ants to be the artists (and architects). If someone created these themselves and called it art I would call it modern art crap. That the ants created it makes me love it.

I first started doing this just out of pure interest (always having been interested in biology and science). A few of my teacher friends took them to school and camp, the kids loved it and it really seemed to get them interested in science. So, I decided to start the site and try to sell a few.

The fire ant colonies are not abandoned. The justification being that there are so many of them and I need to kill them anyway, with kids and pets around. Plus they’re an invasive species in this area and wreak havoc. Some states have eradication programs. The other ants (usually carpenter ants), I try to find abandoned nests but it doesn’t always work out. Either way, I do it sparingly and the property is still over run with them.”

Anthill Art has even documented a survey of land to justify the eradication of the fire ants. You can watch a video of Anthill Art’s process here. (via my modern met)

A New Years Gift To All Our Readers!

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Happy New Year to all our readers! To make sure we all start the new year full of inspiration and creativity we are extending our holiday 50% off sale until January 10th! Get 50% off all books, magazines, and artist shirts and get inspired by the thousands of artists and designers that we feature in our pages.

Just use discount code “happyholidays50″ during checkout and save big!

Richard Ankrom’s Kinky Juxtapositions Of S&M Wear And Cute Ceramic Figurines

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Childrens’ Pop Culture icons and S&M…who wouldn’t want to see that twisted combination come to life?

Playing with this juicy idea, Richard Ankrom juxtaposes the familiar and the innocent with the unlikely and devilish by creating the figurines you see here. From a masked Tinkerbell and Cinderella, to a naughty bust of Gone in the Wind’s leads, Ankrom captures conflicting, yet hysterical imagery by combining iconic visuals of our childhood idols and S&M gadgetry.

These sculptures were exhibited at the Aqua Art Miami this year, and while we missed it on our trip to Miami, we gathered a couple of sentences from the artist’s statement on this work:

‘The contempt for effusive sentimental goods, that pander to nostalgic consumers led me to take these objects and disable them. In this process mass produced figurines become individual and surreal.  These ideas are in conjunction with Duchamp’s ready-mades, Rauschenberg’s erased de Kooning, Paul McCarthy and Jeff Koons.’

Ankrom also explains that the ‘objects are selected by their character, cleaned, masked, dipped or poured several times with synthetic rubber. Zippers are tucked in with dental tools and sealed with rubber, and some zippers are painted gold.’

(via Lost At E Minor)