I absolutely love Ben Newman’s gorgeous illustrations that have a beautiful vintage feel to them. I doubt they were created using old printmaking techniques but I’m just going to close my eyes and Imagine Ben working away in a little cottage full of printmaking presses making ornate illustrations full brilliant texture and delicately faded color.
Swedish artist Leif Holmstrand’s oeuvre is filled with crocheted and knitted sculptures, terrifying performances, washing line installations and dangling babies. He also writes excellent poetry- an artist and writer who puts Malmo on the Sweden Maps and in the very near future on the world map!
Yes, that is a guinea pig comb/head piece. It was created by Reid Peppard, a British taxidermist. Her pieces take animals commonly perceived as vile pests and turns them into fashion items. Peppard says, “…when they become sculptural headpieces, necklaces and cuff-links, the specimens cease to be waste and become objects to behold. RP/ENCORE makes use of the city’s leftovers.” Would you be comfortable wearing this stuff?
In Maria Jose Garcia Piaggio’s “Through the Window,” she appropriates found images as part of her investigation about cybersex. A project in two parts, the images of men capture them watching though free portals; the women’s photos are taken from live shows where the viewer has to pay to participate.
“I want to be able to show these scenarios that we all know are there but we keep hidden, deconstructing it from the virtual context and taking it to other scenarios to show these two groups to the viewer.”
There’s no mention in the project description of consent, so it’s unclear whether these voyeurs and provocateurs are willing participants in this project. Likewise, there are no descriptive texts or photographer/videographer credits available. Since these are found images, Piaggio serves less as an artist and more as a curator of these experiences. The images she’s chosen are interesting in their variety: the men’s and women’s faces are both alternately fully exposed and hidden. Rooms are revealed in the background, or left darkened and unspecific. Some subjects smile into the camera, others seem unaware that they’re being photographed.
It’s a broad subject and a provocative one, and Piaggio’s notes indicate that this is just the start of the project. She says, “I reflect about the body, the pose and the clichés.” In continuing to compile these images, Piaggio has the opportunity to push past the expected and reveal more about the proclivities of the watchers and the watched.
The submissions have been steadily rolling in for the “Art Works Every Time” Design competition we launched in collaboration with Colt 45! Check out the Gallery page to size up what your competitors have been up to! The clock is ticking, though- just 2 weeks left until the April 15th deadline to submit and win 1,000.45 Colt/cold hard cash and a gallery show curated at Synchronicity Gallery! You can visit our Colt 45 + B/D microsite to find out more details. Read full rules, regulations and how to enter HERE! Don’t miss out on this awesome opportunity to win cash and further your art careers!
Beth Galton‘s series Cut Food is a side of food photography rarely seen – the inside. Galton is a prolific photographer specializing in food. While she works primarily in advertising and commercial photography, Cut Food is one of several conceptual projects from Galton. The series captures common foods, though some not so commonly sliced in half. Canned soups and a cup of coffee seem to rest perfectly in half of a container. In order to catch some of these Galton replaced the liquids in the foods with a gelatin.