Hungarian photographer Flora Borsi has come up with a hilarious small series of works that shows us how photoshop would work in real life. Shorten your nose in just a few clicks and cover up that massive pimple on your face with the help of the patch tool. Oh if only life was so easy! (via)
London based design duo, Sawdust, has recently updated their site with new works including their latest project – a poster for independent music artist, Angel–A.
The world’s strongest man or woman; you may not even be close to it, but these people might be. Brooklyn based photographer Brian Finke captures an inside look into the pageants of incredibly chiseled muscle men and women of bodybuilding competitions. He not only displays the showmanship of this kind of competition, with the small bikinis and bathing suits, but also the competitors getting ready for their big moment in the spotlight. Men and women that seem to be almost bursting out of their skin with muscle parade themselves proudly for the cameras and judges in this captivating series.
Brian Finke’s photography portrays scenes of interesting happenings of everyday life. His documentary style mixed with a little bit of humor makes his work irresistible. This series of his, titled Most Muscular, can be seen on view at the School of Visual Arts Chelsea Gallery in New York City from August 22nd until September 19th. The exhibit not only features unusual characters with almost unbelievable muscle tone, but also another series of Brian Finke’s titled 2-4-6-8. This slightly offbeat series documents cheerleaders doing their routines, with a slight flavor of humor added in as well. Finke’s photography exhibits vivid colors and dramatic compositions, adding a bit of narrative to his work. Check out more of this artist’s alluring documentary style photography on his Instagram @BrianFinke.
Designer Noa Raviv‘s “Hard Copy” collection has been bending space-time as well as turning heads all over the fashion world. Raviv revs fashion up into high tech: She uses 3D printing technology to create the vectors, grids, and curved polygons that act as the centerpieces of her futuristic dresses.
At first glance, her collection looks like something Escher would come up with if he had gone into outer space — and learned to put the pedal to the metal on a sewing machine. Raviv’s 3D-printed dresses utilize negative space and evocative bold lines that abruptly end, a trajectory to nowhere. Some mark outlines around the stoic models, almost reminiscent of cut-out paper dolls.
If you were to describe Raviv’s designs as purely brainy, though, that wouldn’t be entirely correct either. Her pieces are mash-ups of the classical and the plugged-in modern, organic yet precisely calculated. The recurring hollow grid pattern seems to inevitably draw a comparison to wire frame mannequins, perhaps implying that the work is incomplete with the wearer, who — in this case — gazes archly from amidst blossoming toruses and geometric anemones.
According to Raviv, she wanted to explore “the tension between the real and the virtual, between 2D and 3D.” After having won the 2014 Finy Leitersdorf Prize for her creative efforts, it would seem that her experiment was certainly a triumph.
In December 2006, American photographer Tim Mantoani embarked on a unique and fascinating project to document living photographers with their most iconic images. Since then, he has collected over 150 portraits, ranging from the historic to the contemporary, the cultural to the political. Included among the vast series is Harry Benson and his famous photograph of The Beatles engaged in a pillow fight (1964), as well as Lyle Owerko holding his devastating image of the 9/11 attacks on the Twin Towers (2001). All of Mantoani’s portraits are taken on the “rare but mammoth format of a 20×24 Polaroid,” using a large camera originating from the 1970s (Source). Only a handful of these Polaroid cameras still exist (you can learn more about the devices he uses here). Mantoani’s reasoning for using such unique, classic technology is rooted in a respect and passion for the photographic tradition; as he explains, “If you are going to call the greatest living photographers and ask to make a photo of them and you are shooting 35mm digital, they may not take your call. But if you say you are shooting 20×24 Polaroid, they will at least listen to your pitch” (Source). As further homage to these artists, as well as their impact on the history of photography, Mantoani has had everyone write a story about their iconic image on the bottom of their portrait.
Mantoani’s project is simultaneously intimate and historically significant. It is an undeniably powerful experience to see the faces behind photographs which have defined cultural eras and signified shifts in social consciousness. So often, despite the impact of their work, photographers remain the unseen observers while framing the world in profound ways. We don’t often have the opportunity to connect with the mind and personality behind the lens. Mantoani’s work crystallizes these important artists in the records of photographic history. Suddenly, with the Polaroid and its accompanying, hand-written inscription, we can imagine Steve McCurry in 1984 in the midst of the Soviet War in Afghanistan, capturing the face of Sharbat Gula (“Afghan Girl”), who would wordlessly tell the world an intimate story of hardship and perseverance. In regards to an iconic moment in the history of American music, Jim Marshall’s portrait shows us the face to which — for an intense, fleeting moment — Johnny Cash held aloft his middle finger. These portraits bring the bodily, human presences back into the images and their associated histories.
In 2012, all of these stunning portraits were compiled in the book Behind Photographs, published by Channel Photographics. The book is available in multiple formats, including a regular edition, a slipcase limited edition, as well as a cloth-bound deluxe limited edition that comes with signed collector cards. It is also available as an eBook. The print versions are available for purchase on Mantoani’s website. More photographer portraits after the jump. (Via 123 Inspiration)
There are only 7 days left until the deadline for the Beautiful/Decay Business Card Giveaway! So don’t forget to send us your most creative business card ideas!
One piece of advice we impart to our interns at Beautiful/Decay is that a well-designed, professional business card is one of the most critical tools anyone seeking a job can have- especially in the creative field! So, Beautiful/Decay is presenting a competition to see who can design the best business card for themselves and/or their business. Please send us your most innovative, eye-catching card graphics! The most creative card will win 500 free cards printed courtesy of UPrinting.com! (Note: We will be posting the winners on the blog–so if you don’t want your personal information broadcasted please also send a version of the file with dummy text.)
Deadline: July 28th, 2009 6:00pm PST
-Email submissions to: email@example.com with the subject line: Business Card Contest
-Format is 2 x 3.5″
-Business card graphic includes front & back, full color
-Winner may select any paper type
-For all template & file specification requirements please visit UPrinting’s guidelines.
Crazy one man band beat box music machine Reggie Watts
Nathalie Lagacé renders hybrid creatures that are both beautiful and hideous, half human and half beast. Her beautifully rendered drawings display tenderness and anguish, as she lovingly creates these intriguing creatures. However, they are stuck somewhere in limbo, between two beings as they cry out. Highly skilled at drawing, Nathalie Lagacé forms very believable creatures, which make them all the more disturbing. These seemingly cute babies become alarming with their pig heads and rat-tails. Perhaps the most shocking image is Lagacé’s drawing of a baby with bird legs, but they appear to be cooked, ready for you to pick right off the body. Lagacé has created a series that will not soon leave your mind, as the strange images of these bizarre creatures are unlike any that you will ever see.
This series, titled Legacy, points a stern finger at the way we impact the world around us. Much of her work is strongly environmental, displaying what our actions could possibly cause in the future. These crossbreeds of animals like zebras, pigs, and rabbits with humans represent our “legacy,” what we leave behind. The artist’s work reflects upon nature and our relationship with it, the positive and negative. Her art is full of harsh contrasts, whether it is between two conflicting creatures or the dark graphite against the stark white background. Make sure to check out her other black and white, graphite drawings, which have a similar environmental message. (via Hi-Fructose)