Italian sound designers Fabio Di Salvo and Bernardo Vercelli, together known as Quiet Ensemble, create work that features insignificant sounds that we wouldn’t give a second thought to. They focus their energies on the “greatness of small events,” and the subject of their most recent project is a lamp. Specifically, lamps used to produce a musical event. Titled The Enlightenment, the duo calls this performance a “hidden concert of pure light” that uses a bevy of different lighting elements like stage lights and high-powered bulbs. “Instead of violins are neon lights, to replace drums are strobe lights and instead of clarinets we will see theatrical headlights illuminating the audience,” they explain in the video’s description.
The Enlightenment was performed in October for Bologna’s Robot Festival, where it included 96 lamps. Each was fitted with its own copper coil that received various electric currents set at specific intervals, as well as a sensor. This produced an electromagnetic field that was captured and turned into sounds. Salvo and Vercelli accompanied the buzzes by modifying and amplifying each lamp’s electric output in real time. The result is a clash of blues, greens, and yellow flashes with the poetics of a familiar buzz. (Via The Creators Project)
Artist Tsuyoshi Imamura’s latest series of watercolor paintings delivers a dreamlike depiction of the human body. Through the use of black, grey, and various shades of pink, blue, and purple, he creates an abstract view of the human body as a composition of shapes and forms. His series of darkly colored watercolors depict men and women in various sensual positions and bring another angle to perceptions of rigidly defined beauty.
The watercolors are a series of gradients in which light and dark colors work together perfectly alongside the water that is necessary to their composition.The presence of water in these compositions is both essential to the paint on a chemical level and an essential part of the paintings themselves in the sense that it contributes to the fluidity of the paintings and compliments the gestures the figures in the paintings are making.
The dancing figures are reminiscent of Matisse’s Dance in both their physical form and in the ways their bodies are moving. The simple beauty of these bodies, which are almost water spots make Imamura’s work both stunning and original. The ways in which the light work with the dark in his work gives each painting a dreamlike property and enhance the musicality of the human body in motion.
Beth Galton‘s series Cut Food is a side of food photography rarely seen – the inside. Galton is a prolific photographer specializing in food. While she works primarily in advertising and commercial photography, Cut Food is one of several conceptual projects from Galton. The series captures common foods, though some not so commonly sliced in half. Canned soups and a cup of coffee seem to rest perfectly in half of a container. In order to catch some of these Galton replaced the liquids in the foods with a gelatin.
Depressing / really hilarious animation by Angelo Plessas. You’re never really exempt from death taking the form of lightning no matter how old you are. So, fellow women, beware. Personally, I don’t even wanted to reach some of these stages. It’s nice to know though, that the highest step and maybe moral achievement is becoming a grandmother (GILF?).
This is the first in a series where each week we’ll gather some of our favorite street that you definitely won’t want to miss. This week we have a mural from Blu that, like much of his work, utilized features of the building. You’ll also find one in a series by Herr Nilsson of some fiendishly violent princesses, a smart wheat paste piece from Peter Drew, as well as new pieces from INTI, Seth, and Ever. Finally, we have Lego block interventions from Jan Vormann, European historical figures with the heads of Olmec statues by Mata Ruda, and a kitty piece from Jesse Olwen. Enjoy!
Stephen Silk began practicing gyotaku in 2008. Gyotaku is a Japanese printing method that uses actual fish to make art. Ink or paint is rubbed on the fish allowing an incredibly textured print directly onto the paper. The lumped paint and palette match the New Hampshire coastal seascapes in oil fusing a really cohesive collection completely reflective of the area and its subjects.
Emerald Rose Whipple captures innocent moments and transforms them into large-scale oil paintings. The result is a modern dream-like landscape reminiscent of Monet’s Impressionism. The subjects are the artist’s friends and models she knows from her former career in fashion. The loose strokes applied to the color scheme chosen by the artist create a tie and dye effect around the portraits, creating an eerie atmosphere.
Looking like photographies, the pixel paintings combine the aesthetic of classical 19th century paintings with modern snapshots taken by an smartphone. The purpose of Emerald Rose Whipple is to stay away from any medium that’s disposable. To perceive and project the essence of each individual on a canvas is an intense process requiring the artist to meditate before a painting session. She doesn’t want to inject any negativity into her work as it would translate immediately.
She is inviting the viewer into a world of reverie and to let go of any misconception. Obsessed with the painter Balthus and especially with the painting Thérèse Dreamingrepresenting a young lady sitting in a nonchalant pose, she is fascinated by the original non sexual intention of the painter. She is suggesting that the viewers, when looking at her artwork, disconnect from their reality to dive into the reality of her paintings; reflecting from far and coming up with their own interpretation and visualizing natural beauty.
Portland based, Corey Arnold, has taken some truly amazing documentary style photos of the honest accounts of what it means to be a fisherman at sea. Corey’s photos are endearing telling stories of grueling and gritty conditions of the life of a fisherman tackling themes of isolation, courage, absurdity, and fortitude. Corey is a fisherman himself, and has been taking astonishing real account photos as long as he has been fishing. It is important to note that what makes Arnold’s photos so true and honest is the fact that he is actually a fisherman, just one of the guys out at sea, and has to earn his mate’s trust and pitch in like the rest bearing the harsh conditions of the day but still finding the nerve to grab his camera in opportune times. In the summer Corey captains a wild salmon fishing boat in Bristol Bay, Alaska. Arnold has exhibited his show “Fish-Work”: The Bering Sea earlier in 2012 and has published a book titled ‘The Bering Sea.’ (via)