Heidi Voet lives and works in both Brussels and Shanghai. She creates sculptures based on minor alterations that comment on society and history. In 2010 and again in 2011 she produced large “Tapestries” made with thousands of digital watches. Presented as carpets these physical fabrics of time are vibrant representations of household staples. Maya Kramer explained one work in an article entitled ‘Beautiful because it is brief‘ stating that “Is six afraid of seven/ ’cause seven, eight, nine/ I’m about to lose the pieces I find is an elaborate carpet woven together from over four thousand, multicolored watches all set to the exact time. (…) at intervals throughout the day, the watch alarms simultaneously ring in a symphony of digital chimes. Over the course of the exhibition, the watches will inevitably malfunction, losing their synchronicity and eventually sounding like an out of rhythm and out of tune orchestra. Thus, as the title of the work implies, the march of time is subtle yet unceasing and its cumulative effect results ultimately in dissolution and increased chaos.” (via)
Great animation for Flogging Molly‘s Float. Can’t find much about the directors other than they are Kami & Saul. If anyone has a site for them please post it.
(I know. Superb title.)
Illustrator and graphic designer located in Amsterdam. She specializes in maps and posters, and makes them fun. I just had to rep some print and graphics.
Hey everyone. Ryan Travis Christian here. Amir asked if would share my ongoing “artist of the day” facebook thing with you all. I was like “yeah, let’s do it”. OK….
This is the work of Joseph Hart. Not only is this handsome young New Yorker a master of medium and composition, but a force of nature and a gnarly dancer too. Check out his most recent exhibition, STAGECRAFT @ David Krut Projects. Up till’ January 30th.
Through the lens of Mona Kuhn, images turn into memories that slip through your fingers. Her photography captures fragmented pieces of time, filled with shameless beauty with an ethereal aura. An enigmatic narrative flows through her series Private, as Kuhn offers us delicate and intimate moments filled with breathtaking nudes and spider webs. Kuhn explains that this particular series is a personal journey of hers, exploring beauty and mysticism. The color palette in Private is serene, airy, and embracing all at the same time. Seeing each photograph of Kuhn’s is like uncovering a clue to a past life, like looking inwards through your memories that have slipped through the cracks of time.
In Kuhn’s equally stunning series Acido Dorado, translating to “acid gold”, the nude also appears often. Kuhn’s nudes represent a timeless sense of self, of all humans, and our direction on this earth. The artist often pushes the nude figure to abstraction, creating new context and meaning. There is a mysterious atmosphere that follows Kuhn’s work that is both seductive and mesmerizing. Both series’ are filled with surreal scenes and abstracted imagery that is like a mirage. Large format nude photography being a reoccurring theme in Kuhn’s work, she explains the draw to this raw form of a person or subject.
“I realized I ought to photograph the human in us, without shame, without regret, free and timeless.”
– Mona Kuhn
New to the East Hampton Gallery scene is Halsey McKay, a lovely space that has presented an excellent exhibition program in the last 6 months. Last month, the gallery had Glen Baldridge and Bryan Graf come in and do their thing.The two promising emerging artists displayed a selection of prints, photographs, and installation work. Images after the jump!
Stefan Fürtbauer’s Eiterquellen project is an ongoing series of photographs documenting the Viennese diners and fast food culture. Most of the time these diners are isolated islands of food with their own unique look and style, resisting the global look (and probably taste) of the fast food chains that most of us are familiar with.