The highly detailed paintings of Valerio Carrubba offer an unexpected combination of styles that strangely complement each other. His scenery and figures seem to emerge from a Renaissance and Baroque tradition. Mysterious hands pull and cut at the flesh revealing each subject’s inner anatomy in a nearly cold way very similar to modern anatomy atlases. The scene as a whole, however, bears the definite influence of surrealism. Carrubba works these various styles and aesthetic sensibilities as skillfully as the oil paint. The boundaries are seamless and carefully worked.
Photographer Emily Blincoe has created a bright, fun, and mouth-watering photo series using a candy color palette. Blincoe’s series features candy grouped by color and meticulously arranged using a background that matches the featured candy’s color. This series provokes a number of sensory experiences related to color and how we perceive the taste, smell, and texture of a candy because of its color. These photographs also bring us back to childhood’s first encounters with the arrangement of candy in sweet shops, and the allure found in shiny unwrapped packages. Some of Blincoe’s other photography also features various neatly-arranged groups of objects. She currently lives in Austin, Texas.
Ariana Page Russell has a hypersensitive skin condition called dermatographia that informs the bulk of her work. Her immune system releases excessive amounts of histamine. If she scratches her skin, this will cause her capillaries to dilate and welts to appear on her skin for about 30 minutes. This gives her enough time draw on her skin before photographing it, capturing a temporary inflammation. She often integrates cut-up photographs of her skin into some of her work, and even creates temporary tattoos out of these images. Russell sees the body as an index of passing time and human experience, and skin as the organ that visually reflects this transience. Russell currently lives in Brooklyn, New York.
Artist Justen Ladda has been living and working in New York City since 1978. His first solo exhibit listed on his resume was in 1980 at the legendary ABC No Rio. His perspective warping style looks surprisingly fresh considering much of it was created throughout the 1980′s. Ladda combines painting with installation to create two-dimensional images that appear to float in space are slip into three dimensions. Using careful proportions, perspectives, and viewpoints, Ladda painstakingly creates image that appear severely warped from all but one angle. He often uses this technique of illusion to arrange for his paintings to interact with their surroundings in ways not often accorded to flat images.
Photojournalist Anthony Karen has a specific and refined talent. Karen’s website mentions that “his passion for photography began in Haiti, where he documented the various Vodou rituals and pilgrimages throughout the country.” Even with this first series Karen displayed a knack for capturing groups of people, specifically those marginalized from larger society. For his latest book White Power, Karen was granted rare access to photograph Ku Klux Klan groups freely. Rather than portray familiar dramatic images of hate, many of the photographs depict mundane daily life, yet are somehow all the more unsettling. Indeed, much of the series’ disconcerting undertones certainly springs from Karen’s ability to capture people with a certain candidness rare in front of a camera lens. [via]
Katie Sims, born in 1988, is an emerging British artist gaining strong momentum in the art world– receiving the Jerwood Drawing Award and Richard Ford Award, Residency at the Museo del Prado, Madrid.
According to Pryle Behrman, Sims paintings “pay homage to masterpieces by Mantegna and Poussin, but deconstruct their studied, graceful air through the organic fluidity of her brushwork and the incongruous addition of geometric shapes that further undermine the compositional structure of her source images.”
Additionally, and on a purely guttural level, each piece is paradoxically busy in a faint and strange minimal manner that is truly difficult to execute with a certain consistent visual ease.
The installation 24 HRS in Photos by Erik Kessels isn’t a typical photography installation. An entire room at San Francisco’s Pier 24 Photography is filled with photographs. One end of the room is piled to the ceiling with images cascading down to visitors’ feet. The photographs at first appear to be innocuous: family photos, vacation photos, smart phone photos. The immense number of photographs compiled by Kessels, though, are all of the images uploaded to the popular site Flickr in a single day. Kessels’ installation serves as a clue to astronomical number of images uploaded to the internet constantly. Even more striking is the way 24 HRS in Photos hints at the sheer saturation of images in day to day life. Kessels’ installation is part of A Sense of Place, a photography group exhibit on view at Pier 24 Photography through May 2014.
One thing I really like about the internet is the ability to stumble upon years-old gems. Angelica Ström is a Sweden-based photographer, or at least she was in 2011 when these images were originally posted. Captured anonymously from behind there’s a strong sense of angst youth and experimentation with light, setting and posture.