Typographer and illustrator Alex Varanese combines 3d techniques with traditional print design techniques in circuit bent type series of illustrations. I like the consistent and specific use of red in all of Alex’s work. Im not sure what you would call the shade but it’s an iconic palate that’s modern and vintage at the same time. Alex also has a nice array of custom type on his site. More images after the jump.
When Philadelphia-based artist Drew Leshko cycles around his neighborhood, he can’t help but look at the buildings, windows, doors, posters, trash cans and signs around him in a very different way than most people do. For him, they are the beginning of his next project – shrinking them into miniature replicas of themselves on a scale of 1:12. He cuts, glues, builds, layers, and sculpts 3D versions of different store fronts from wood and paper. Leshko says his art form is a way of preserving and archiving the condition of the buildings on his street, the rate and speed of gentrification and also comments on what people consider worth preserving, and what is worth destroying.
His paper sculptures are nostalgic of a time past; a look at his local life when he was younger; a recreation of what was. He has created versions of his grandfather’s camper from the 80s, a local church, a strip bar, a cigarette outlet, a deli, dumpsters, even vending machines. The accuracy of his miniatures and the attention to detail are what make his sculptures as impressive as they are. He even paints rust on over the old gutters or windows and puts acid rain deposits on the footpaths.
Leshko has not only been busy making building facades and details, he has also turned his attention to replicating campervans.
The buildings are huge undertakings and take a lot of time and patience. So I began to think about some smaller sculptures I could make, but most importantly, what type of objects can be constructed of paper? I started to think about tractor-trailers, vans, food trucks, and similar vehicles when I landed on camper trailers. My work has always included commentary on the temporal nature of things, so the transient nature of “RV culture” fits right in to that idea. (Source)
Leshko’s celebration of a particular moment in time is a good reminder to appreciate the way things are in our own neighborhoods – because they will certainly be changing, for better or worse.
In her series, Impressions, Scout Paré-Phillips’ uses flesh as her medium by photographing the imprints left from inviting undergarments. Through an almost monochrome, yet warm and familiar palette, her photographs are simultaneously quiet, yet demanding. At first glance, the images seem to display an act of seduction; they document marks of ghost articles of clothing worn for, most likely, the purpose of creating allure. However, with further reflection, the work runs deeper, having a softer, more reflective meaning. These impressions, are, perhaps, the physical representation of emotional indentations, or the struggle of vulnerability versus dominance during the act of sex. The fragility of one’s skin cannot help but to mimic the fragility of one’s state of being. She displays slight imperfections on otherwise flawless, blank-canvas-reminiscent flesh. Impressions, the marks made on us over time, whether they be permanent or fleeting, are what make us the intricate beings that we are. The artist speaks of the work in terms of the skin of a lover. She states:
“Their skin is sacred; it is the most honest container for these people that we love, sharing with us the timelines of their lives through birthmarks, scars, blemishes, tattoos, wrinkles, bruises, and even the marks left behind daily from their clothing. It is what we covet in our lovers, and what we abuse for our pleasure.”
The photographer, musician and model, Scout Paré-Phillips, is quite prolific in her making. Her multidisciplinary body of work culminates in the foggy, slight margin that exists between innocence and cognizance. She has somehow found a niche outside the realm of binary and has created a theme that functions in paradox. Being quite young herself, the artist’s work can be explored through the lens of coming into an awakened adulthood. The work seems to be bound by the true intricacies of emotional falsities and the strange balance between darkness and light that is the essence of being human.
The photographer Roman Sakovich has gotten some heat for his project Half, a series of images detailing the effects of drug abuse, particularly with respect to methamphetamine addiction; his subjects stand, face forward, their lefthand side polished, even proud, while on the right, their bodies are ravaged by scars and scabs characteristic of addiction. The jarring split-personas are achieved not through photoshop but with expert make-up and styling.
The artist has been criticized for his simplified portrayal of drug dependency; by his own admission, the images, in their shocking nature, exclude a more nuanced exploration and rely in part stereotypes. Problematic for some is the fact that the non-addict self is styled professionally in suits and crisp button-downs, while the addict wears more urban attire, the implication being that class and drug use are profoundly connected.
Regardless of the controversy (and perhaps even because of it), the shocking series inspires much-needed and critical discussion on drug addiction, an illness that plagues tens of millions nationwide. Avoiding blaming and scapegoating individuals, the artist provides an intimate approximation of selfhood torn by addiction, one that inspires empathy, not disgust or prejudice.
Sakovich’s subjects, their identities split in two, are as you and I, lead by hopes, fears, and complex yearnings. A doctor, stethoscope slung over her shoulder, hair in a tight chignon, directs a placid glance comfortingly at the viewer; only after allowing our eyes to drift across the print do we see this figure of heath and safety cruelly overtaken by substance abuse, her eye downcast and purpled, a dried lip furrowed and lined. We read these bodies from left to right like strange texts, imagining personal and intimate narratives in order to reconcile the two faces before us. Ultimately, we are left with the powerful warning, “This could happen to you.” What do you think? (via My Modern Met and Feature Shoot)
This miniature city is a carefully modeled Tokyo at 1:1,000 scale. The Roppongi Hills skyscraper, dominant in the Tokyo skyline, celebrates its 10th anniversary by creating this model titled Tokyo City Symphony. In addition to being intricately detailed, the model Tokyo is accompanied by a 3D mapping projection set to a corresponding soundtrack. The projection brings the metropolis to life adding an impressive level of reality to the tiny Tokyo. Check out the video to see Tokyo City Symphony in action.