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Christo And Jeanne-Claude’s Massive Fabric-Accented Landscapes

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Christo and Jeanne-Claude wrap and accent their environments with millions of square feet of rope shroud and fabric. Their wrapped and accented installations recontextualize the objects and their surrounding spaces, asking the viewer to consider both the presence and absence of the wrapped objects and the perception of new landscapes. At once conceptually simple and physically difficult to bring to complete fruition, the new environments are breathtaking in their starkness and beauty. Their installations often consume years of commitment and devotion. Wrapped Trees were the outcome of 32 years of effort.

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Video Watch: Sky Ferreira’s Lost In My Bedroom

Sky Ferreira is back with a new video for Lost in my Bedroom directed by Grant Singer. This is the third video from her Ghost EP along with Everything is Embarrassing and Sad Dream. The video comes with a warning that it may induce an epileptic seizure so be careful out there.

New York Magazine just named Everything is Embarrassing their song of the year for 2012. You can see her perform tonight on Late Night with Jimmy Fallon backed by the Roots and you can look forward to the release of her debut LP later this year and hopefully an extended tour.

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Alejandro Almanza Pereda

Sculptures by Alejandro Almanza Pereda.

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Mauro Gatti’s House of Fun

Lots of eye popping illustration and motion work on Mauro Gatti’s portfolio site.

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Takahiro Kimura’s Imperfect But Beautiful Faces

 Takahiro Kimura

Takahiro Kimura

Takahiro Kimura

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Japanese artist and illustrator Takahiro Kimura believes that true beauty lies within imperfection. Through his collage work, Kimura tries to expose the vulnerable yet beautiful nature of the human spirit by creating distorted human faces. To achieve a ‘distorted’ aesthetic, the artist cuts and rearranges different images, which he creates, to form one.

Though I am quite interested in various aspects and contradictions which people have inside, I attempt not to think about them in the stage of creation. I’d rather devote my attention to  line and exquisite balance of form, mass, composition and color so that[..] the said factors can stand out.

Although his work is lively, there is still a visible hint of darkness that creates an interesting  paradox- there is, in fact, a great amount of imperfection within the obvious beauty of these human faces.

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Adam Alaniz

Adam Alaniz

Germ Parade

 

Adam Alaniz can make pretty much anything look warm and inviting. The depths of the ocean, the mysterious rainforests–even germs! He draws much of his inspiration from landscapes, fables, science, and nature. For some reason, his paintings, especially Someone Is Calling, reminds me of a cuter version of FernGully: The Last Rainforest, one of my favorite childhood movies.

 

His gentle creatures and magical settings have been exhibited at Gallery 1988, Santa Monica Art Studios, Gallery Nucleus, and La Luz de Jesus. In addition, The Society of Illustrators of Los Angeles presented Adam with the Children’s Market Gold Award for Germ Parade.

 

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Thomas Kellner’s Contact Sheet Montages Deconstruct Iconic Landmarks

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German photographer Thomas Kellner‘s contact sheet photo montages deconstruct iconic architectural landmarks and cityscapes. Each of Kellner’s frames are shot sequentially, then printed in the film’s exact order – no cut/paste or digital manipulation – before strips are cut and then placed together. Each final contact sheet montage’s size depends on how much film Kellner uses for his subject – with one roll of film, the montages are only 20 x 24 cm. Kellner first began descontructing architecture using the contact sheet method in 1997, and since 2003, has been photographing and decontructing buildings around the world.

Of his work, Kellner says, “I think I am more of an artist than a photographer. At the moment I am working on architecture, but it is not classic architectural photography. There are definitions in art about ‘construction/deconstruction’ or ‘collage/decollage,’ but I don’t think any of it really fits what I am doing right now, maybe my work is closer to conceptual art or conceptual photography. Many have said it is ‘very Germany,’ and that might be closer.” (via art chipel)

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Lindsay Bottos’ Webcam Selfies Overlain with Messages Of Harassment

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Lindsay Bottos, a student at the Maryland Institute College of Art, has created “Anonymous,” a series of webcam selfies overlain with anonymous messages she’s received via her Tumblr page. The messages Bottos uses criticize her appearance, body-shaming and slut-shaming the selfies she’s posted to her Tumblr page. “I get tons of anonymous messages like this every day and while this isn’t unique to women, the content of the messages and the frequency in which I get them are definitely related to my gender. I almost exclusively get them after I post selfies. The authority people feel they have to share their opinion on my appearance is something myself and many other girls online deal with daily.”

The timing of Bottos’ project coincides with a recent article published by Pacific Standard that makes the case for online harassment, especially of women, as the next issue facing women’s civil rights. Even through a medium like the internet, a platform perceived as a level playing field of expression, women receive a disproportionate amount of threats and abuse related to their gender and appearance. Bottos asserts, “The act of women taking selfies is inherently feminist, especially in a society that tries so hard to tell women that our bodies are projects to be worked on and a society that profits off of the insecurities that it perpetuates. Selfies are like a ‘fuck you’ to all of that, they declare that ‘hey I look awesome today and I want to share that with everyone’ and that’s pretty revolutionary.”

Bottos’ other projects also heavily feature text, written or embroidered, onto various surfaces. For “Get Over It,” Bottos embroidered thoughts about her sexual assault onto a tear- and mascara-stained pillowcase; for “The Morning After,” she wrote thoughts in permanent marker in places touched by a hook-up; and for “I Don’t Really Miss You,” Bottos embroidered thoughts about a relationship onto images, clothing, and mementos. Whichever medium she uses, Bottos conveys her vulnerability though language and form, rendering an honest and engaging perspective.  (via buzzfeed)

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