Brendan Scott Carroll’s polaroids document the people and places in New Jersey . Each polaroid comes with an anecdote that is typewritten on the lower white margin of each Polaroid. The anecdotes are fictional or derived from personal memory, other people’s memories, and actual events.
Ben Aqua has a deep fascination with color, costume, and uneasy subject matter. Thumbs up!
Fiona Curran lives and works in London. From her artist statement: “Fiona Curran’s paintings, installations and assemblages explore the impact of new digital technologies on our experience of landscape space. The works reveal a recurring utopian impulse, formal idealism and sense of escapism that registers in a palette borrowed from the computer screen and advertising. There’s a sense of spatial precariousness at work as objects and forms are broken down and reassembled. Paintings break away from their frames becoming sculptures and existing works are re-placed and dis-located through new configurations and assemblages of value. Splinters of the natural world appear in the use of hardwoods and veneers alongside plastics, fabric, hand-stitched fragments and found images. Formal compositions explore how angles contend with and counterbalance one another in shifting spatial planes. The titles of the works often give a further clue to their origin in this push-pull between fragmentation and ambiguity, loss and longing where all is not quite as it should be in the bright and beautiful image-world we inhabit.”
Japanese artist Mika Aoki creates intricate glass sculptures inspired by natural forms, creating new, clear, alien-like worlds. Aoki’s glasswork resembles biological specimens and systems. Her amoeba-like entities are displayed in clusters, as growths or adornments on a malfunctioning car, or in glass containers, as if they are specimens to be collected and studied. Sometimes, Aoki illuminates her glass, enlivening her organic forms with the presence of light. In her work, she contextualizes the fragility of glass with the hardness/coldness of scientific classification and automobiles, underscoring the delicacy and temporality of her designs. Important to Aoki is her medium’s transparency, and that she is able to control its solid-liquid-solid state, manipulating a material that is nearly invisible. Of her material, she says, “Unless light shines on it, we can’t confirm the existence of it because it is transparent. But once the light shines on it, glass truly emanates a special presence.” (via my modern met)
New York painter Monica Cook depicts absurd, messy scenes in these paintings of women playing and posing with food and sea creatures. Often referred to as “absurd,” her work tells of women, sometimes not naked, covered in liquids and slime, fruit pulp, and cradling octopi. There is no arguing her painterly talent at narrating the viscosity of the elements in the frame, but she leaves it up to the viewer as to how they will interpret the contents of the scene. Meaning, she has no implied meaning:
“When I’m painting, it’s more about my relationship with the object than it is about me. It’s hard for me to separate myself from the experience. It could be a fish or an octopus. I handle it until it becomes unfamiliar to me so I can see it in a new way. People might want to read into those paintings but for me, it’s just about finding magic in the mundane and exploring further. I’m sure if I stumbled upon the work I’d see it differently.” (Excerpt from Source)
It’s a common myth that all albinos have red eyes, a myth easily dispelled by these stunning portraits by Gustavo Lacerda. Since 2009 Lacerda, a São Paulo-based fine art photographer, has been researching and approaching albinos to photograph in his studio.
Many of his subjects, used being treated as ‘outsiders’, were initially uncomfortable with the process but later felt great pride after seeing the results.
This series has been making the rounds online and three of Lacerda’s images were featured in the Pirelli/Masp Photography Collection, which honors excellence in the Brazillian photography community.
This has to be the ultimate piece of street art. Not only can you stick it to the man by removing corporate companies messages off of billboards and other video based ads but you can put up whatever you like in its place. Maybe a video of you doing your favorite dance move, sleeping, or better yet an image of the stars and sky that you would see if the massive eyesores weren’t there. I’m curious to see where advances in technology and street art will take us. What do you think? Watch the full video after the jump.
***UPDATE!*** Well looks like the jokes on me. There is another version of this video where the guy says he is on a drug right before he starts talking. Apparently this is a viral video for a new movie called Limitless. Guess the man stuck it to me in the end! Damn It!
San Francisco Gallery The Popular Workshop recently opened a solo exhibition by Australian artist Ben Barretto entitled Self Help. From the press release: “Self Help continues Barretto’s ongoing exploration into recursion; with each of the series of works he presents ‘making’ themselves to some extent. That is, the chosen material and its inherent properties inform the process and drive the work into a constant loop of feedback.
Self Help presents iterations of this process over 3 different mediums, including hand woven tapestries made from used climbing rope, reconfigured nylon training pants and a set of oil paintings. Within each of these series, Barretto creates a system through which the material qualities of each medium are unbound and rebound into a continuous ongoing cycle, a cycle which sits in collaboration with the expressive additions of Barretto’s own hand, having these works sit somewhere between assemblage and action painting.” The show is on view through April 12, 2013.