Uta Barth uses photography to capture her own personal dreamy moments with light, and in doing so, exposes its environmental power over our solitude and romance . . . or romance with solitude.
As a viewer, I find myself drawn to the window, the curtain, and the wall in each piece, not only because it’s illuminated accordingly with sharp visceral attention, but also because I’m intrigued with how the mundane awakens. It feels childlike, reminiscient of a world without technology and other busy distractions. Ironically, or maybe not so, it also feels wise– close to death. There’s drama in the little details as the hand pulls back the curtain or the camera approaches the glow. It’s not so much about being a voyeur as it is about being here and being still– sharing the space where light opens into mood and reflection.
Of her work, Barth notes, “In most photographs the subject and the content are one and the same thing. My work is first and foremost about perception.”
To say these pieces are only about composition: space or pattern, would be to ignore the aura around the intention of these images, which are all shot inside her home– there’s a depth that resonates with an almost intrinsic documentary feeling. Unlike James Turrell, she does not appear to be mathematically immersing us in the immediate moment of light and awareness; instead, she’s quoting from the lightness in her own life, and we are privy enough to bear witness.
South African Photographer Anelia Loubser is forcing us to look twice. Her project “Alienation” is a light-hearted approach to the complicated question of what exactly is conventional beauty? By flipping quite normal, traditional portraits upside down, she points out how easy it is for all of us to look instantly strange. There is a great quote that sums up Loubser’s project:
“If you change the way you look at things, the things you look at change” – Wayne Dyer.
This couldn’t be any truer – such a simple act has a great effect. What usually are forehead wrinkles, now act as grimaces, lips puckered in pain; long eyebrows are now odd whiskers sprouting from cheeks or strange furry circles under the eyes. Noses are flipped to replace foreheads and are disconcertingly bulbous – large alien lumps appear where they shouldn’t be.
These photographs are a view into a weird and wonderful world; one full of alien-like humans, but a world where each new face is as beautiful and as intriguing as the next.
These are the new versions of “potato head” – where features are interchangeable and we are able to play around with our ideas of accepted beauty and identity.
Not exactly “art” persay, but I wanted to share this article Huffington Post recently put together of the “geekiest tattoos of all time” featuring inks of hourglasses to Bill Gates. While I admit to being a lover and not a fighter of technology, some of these tats might be crossing my limit. Some of them are actually kind of clever though. What do you guys think? Ps, does anyone know of a good antonym for “Luddite”?
Together, artists Anton Abo and Ooli Mos make up Orka Collective. The like-minded, Eastern block natives draw inspiration from nature, animals, people, and magic in the creation of their predominantly black-and-white illustrations.
Through the metamorphic conversion of discarded paraphernalia given a second life, art created from materials otherwise destined for a landfill has turned waste into resource. In a conscious reflection of a recycled object’s inherent value as a cultural statement, the fragmented disarray of salvaged goods conjoin as a reflection on the surplus of consumerism. Computer relics and plastic toys from the 1990’s resurface as jarring, three-dimensional works that reestablish a value beyond their initial introduction as cultural commodities. Extending the life of goods long since forgotten, the immortalization of a wastefulness that continues to swell stands as not only a poignant reminder of the ecological decay resulting from our consumption, but the opportunity to revisit and remake otherwise quotidian, superfluous goods.
Working predominately, if not entirely, with upcycled goods, the following artists create stunning installation and sculptural works that are a visual whirlpool of texture, color and line.
Actually quite a simple video and concept, but it has the key elements that I’m personally into: shapes and floating faces underneath a retro fuzz. Director Olivier Groulx also worked on a video and website concepts for Arcade Fire.