Daniele Papuli’s incredible installations and sculptures at first glance seem like a pool of foaming and rippling water but upon closer examination reveal that they are simply bent and cut sheets of delicate paper. Thousands of sheets of paper bend, fold, and move together in unison creating a dialogue between the spaces and places that they are exhibited in. (via my modern met)
Alex Wein is a 19 year old photographer in the BFA Photo program at Maryland College of Art. He seems to have a background in skateboarding, having already been published in mainstream skate magazines (Transworld, Thrasher, etc.), though a great deal of his work, much of which is black and white, has little to do with skating. He particularly excels at portraits.
The talents of James Callahan, Tommy Ruets, and James Quigley are now available on 3 wildly colorful 1″ buttons. These mini treats, complete with custom full-color packaging, are ready to adorn your clothing and other accessories–take B/D wherever you go! Visit our apparel shop to order your own button pack today at the button-size price of $2.95.
For these new additions to our shop, we worked with Six Cent Press (located in Vancouver, Canada), and were extremely happy with the results! We highly recommend their work, as they quickly prepare and ship buttons to clients worldwide. These buttons are great as promotional tools for bands, portfolio take-aways for artists, et cetera!
The Kopeikin Gallery announces Moby: Destroyed photography exhibit opening Saturday, September 10, 2011. Destroyed features photography taken by Moby all over the world. The gallery will host a reception and book signing with the artist will on September 10th from 6:00 PM – 8:00 PM. Read more about the show after the jump.
When I was a kid I was obsessed with turtles. Not sure why but I just loved turtles. I even had a pet miniature turtle named Skatey. Why did I name him Skatey do you ask? Because I liked to skateboard…. I know I know… I’m very good at naming pets.
This video goes out to my buddy Skatey up there in turtle heaven. RIP
Natalia Evelyn Bencicova is a Slovakian photographer who creates works of surreal beauty and supernatural unease. Characterized by dark, sterile rooms built of tile and cement, her settings are eerily reminiscent of abandoned hospitals and vacant catacombs. The models are washed-out and almost alien in their beauty, contorting as they pose nude, or draped in cloth with additional limbs that reach from underneath. They appear human, but also inhuman — and no better is this obscuration of humanity demonstrated than in the images portraying piles of nude bodies sprawling on the floors, crawling up against the walls, or aligning themselves in fleshly, geometric structures. With their faces obscured by torsos and furniture, they seem engaged (or possessed by) a strange ritual that is more about the multitude than the individual.
Part of what makes Bencicova’s work so powerful and provocative are the environments and quasi-theatrical narratives she creates. The hospital-like settings foster an atmosphere that is unsettling for the psyche; writhing and embracing on cold floors or groping at sterile furniture, the characters resemble ghosts in an abstract, emotional ballet. In some of the images, the bodies look like they have been stowed away and forgotten, and are struggling to survive. But in all of Bencicova’s works, there is a haunting magnificence, a reverence for the strength of the human body, and an “opening up” of beauty that extends into the alien and absurd.
Bencicova’s Tumblr is a stunning journey into her darkly alluring and innovative worlds. You can also see more of her work on Behance, and be sure to follow her on Facebook.
Irena Zablotska is a Ukrainian artistborrows inspiration from Eastern European folk art and super saturated cartoons to make drawings that are mythic, cute, and psychedelic. Like Stacey Rozich, she makes creatures that are combinations of animals, people, plants, and patterns. Her world is one where life hasn’t splintered into different forms but exists in one animistic force, or maybe it’s a world where we’ve evolved to such a degree that we can collage lifeforms onto one another to make new inter-special selves. As graphic as they are colorful, they’re a real visual treat.
The artwork of Justin Bryan Nelson has this folk-like quality with minimum colors and symbolic imagery that not much is needed in the drawings to appreciate its symbolic and rather mysterious illustration. What I like about them, it’s just how delicately done the pencil and ink marks are on the illustrations but also how the artwork revolves around one main subject, without cluttering the audience.