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Sharjah Biennial Day: 6

Some more pieces from the Sharjah Biennial..

 

 

A beautiful neon piece going down a tight corridor of a building by  Laurent Grasso. 

 

 

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Private Photo Booth Moments

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Charlotte Niel’s series Behind the Curtain captures the moments before, during, and after patrons’ engagements with carnival and fair photo booths. These photographs are light and fun, bright and summery. Photo booths have consistently been a place of discovery and wonder, a place to experience the excitement of pulling a curtain behind you to allow some privacy in the midst of a very public setting. In a culture where so much of our photography experience is digital, and the tangibility of the photograph does not seem to be as privileged or common as it once it was, the photo booth is a place that offers this immediate experience. I particularly enjoy the variety of color in these photographs and Niel’s captures of the bottom halves of the photo booth’s subjects. There’s a sense of mystery and curiosity that these images evoke, and I think that largely has something to do with the merging of these private moments in a public setting captured with a public eye.

Of her series, Niel explains, “How many times have we looked at an old photograph and wondered about the person in the frame? People or family members we never knew, set in places we never visited or that have changed beyond recognition. Photos are often the only means to link us to our past or the past of others. They help us not to forget. They become visual memories. For these reasons, I find it fascinating to watch what happens at photo booths at county fairs. People come with family and friends to celebrate anniversaries, birthdays, friendships or just to make an annual visit to the booths. For others, it is just a way to capture who they are or with whom they are at that moment, on their own private stage. The result is a body of work of people who shared with me moments that took place in front of and behind the curtain, documented for unknown viewers. With my camera, it became a transformation of a private moment into a public one.”

Charlotte Niel lives and works in San Francisco.

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Milo Moire Drops Eggs From Her Private Parts To Create Abstract Paintings

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The German performance artist Milo Moire gives birth to her paintings… literally; in pushing eggs, filled with ink and acrylic paint, from her vaginal canal, she allows them to break and splatter onto a pristine white canvas. The unusual work, titled “PlopEgg,” necessitates that the artist be nude from head to toe, and it is the first of a series of similar performances at the opening of 2014’s Art Cologne fair.

For Moire, the work embodies the creative and spontaneous powers of femininity; her exposed body and vagina give rise to streaming rivers of earthy colors: rich reds, browns, and grays. The muddied hues recall human birth, from the breaking of the water to the release of blood; her hulking, straining body stands like a statue on high, and the act of labor is elevated, made majestic and potent. The visceral image of her lengthy squat, the cracking noise as egg hits pavement, serves as a testament to the symbolic strength of the vagina, the power of both woman and the creative mind to conceive and reproduce.

Inspired perhaps by Carolee Schneemann’s 1975 Interior Scroll (and even Casey Jenkins‘s recent vaginal knitting project), Moire uses her internal sex organ to birth something external and tangible, but she simplifies the process; where Schneemann removed complex words, Moire births primitive splashes of colors. In doing so, she doubles the sensuality and feminine context of her efforts; where text is often associated with maleness, the chaotic, free-flowing aesthetic of “EggPlop” is normally iconographically linked to womanhood.

At the close of her performance, the artist folds her paper canvas like a bed sheet, sweeping over it so as to transfer the paint from one side the another. In this way, the image is reproduced; like a cell divided, one becomes two. The symmetrical of the resultant image is also evocative of the female reproductive system, vividly mirroring the uterine structure. Take a look. (via Source Fed)

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Felipe Caprestano

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Designer Felipe Caprestano has recently launched himself into a project he titles “Face Couture”,  an experimental project in which he designs, patterns, and sews clothing… for your face! His blog chronicles his creative process, successes, and failures, and there you can watch his ideas grow form concepts into fully functional masks, (if masks can really be said to be functional). Check out this video that summarizes Caprestano’s works!

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Awesome Video Of The Day: Jeez Louise

 

I’m loving this trippy music video by Maxime Bruneel for a secretive band called Secret Skwirl. Watch the full video after the jump.

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Amanda Nedham’s Tension Of History

Primarily concerned with the various taxonomic functions of history, Amanda Nedham’s works on paper exhibit a technical proficiency and enamoured exploration of natural history’s complex and overlapping structures. Through a process of abstraction based on the collaging of drawings, largely from television and internet sources, she attempts to focus on those moments that create tension as they challenge the governing voice of history.

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Shelley Miller’s Cake Icing Graffiti

Montreal based artist Shelley Miller challenges the rough and gritty world of graffiti with her cake icing graffiti. Instead of the usual tags and throw ups Miller brings to the streets a delicate floral touch more likely to be found on triple decker wedding cake from the victorian era.

What makes Miller’s work even more interesting is that her pieces don’t just look like cake frosting but actually are cake frosting! This adds another layer of interest as these intensely ornate pieces disappear and melt off the walls almost as fast as they go up. See more of her works below and check out this great blog post documenting one of her more elaborate pieces as it fades away due to the elements.  (via)

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The Wonderfully Weird World of Bawbee

The drawings and paintings of Portland, Oregon based BAWBEE are littered with miscellaneous ligaments, freaked out faces, animals bones, and molting organisms.

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