Scott Greenwalt peels back the skin of the world to show you what’s really inside.
Matthieu Bourel creates surreal collages that, despite their dream-like qualities, feel somehow rooted in reality. It might have something to do with his use of black and white photos, summoning up a specter of the past and lending a sort of mythic quality to his art.
In some of his pieces, it almost feels as though they’re still frames of a tall tale as opposed to utter fiction. They feel historically relevant, which, according to Bourel, is part of the intended effect. “When successful, all the elements fall together with irony and tension while all other realities are obliterated, leaving the viewer as participant inside the picture, with his own codes and connections,” Bourel explains. “The image then carries the weight of a personal reality.”
The phrase “personal reality” aptly encapsulates the quiet strangeness of his collages. Bloodless cross-sections of torsos and bodies are more contemplative than gruesome, as though they’re textbook diagrams.
Bourel describes his process as finding pictures and photographs that spark inspiration. He’s drawn to pictures that “evoke a fake history or inspire nostalgia for a period in time that never truly existed.”
“A piece often becomes about the search and desire to combine those emergent narrative symbols that seem charged with a familiar yet distant emotion,” Bourel says.
Like floating into a dream, Jason Mitchell’s photography takes you into a new place of existence, stuck between worlds. His series Dream Away displays ghostly bodies in a different state of being, exploring a sense of awakening. Inspired by metamorphosis, his figures are placed in a blank space, not knowing exactly where they are except for in a place of uncertainty. Even still, they seem tranquil and ready for whatever is to come next. Each image contains an ethereal quality, as the figures delicately glide through the air. In this series, we cannot tell if Mitchell’s figures are falling or floating, as there is no sense of direction, like they are underwater. With bright whites and light shadows, the absence of almost all harsh shadows creates an angelic atmosphere around these women.
Hinting at themes of afterlife and a higher state of being, Mitchell’s figures almost do not appear to be human. They are transcending their bodies on a journey of oneself.
“I ask my subjects to explore a loss of control, but a sense that they are being guided, pushed and pulled by another sentient being, as they make their way to a new self. They represent the soul of a magical creature on a journey through the limbo that connects their past understandingto this new unknown.”
– Jason Mitchell
Although all of Mitchell’s work holds a striking beauty, his series Dream Away truly exhibits stunning detail and imagery. Photographs from this majestic series will be on view at 111 Minna Gallery in San Francisco, CA until May 30th.
Simple, small and intriguing, U.K.-based artist Anthony Zinonos‘ most recent collage works are a visual delight. Working together simple materials like magazine clippings, construction paper and glue, Zinonos presents his audience with a vintage-hued investigation into space and composition. The result of an obsession with collecting second-hand trade catalogs, magazines and old books, his works elegantly mesh together bits of commercial imagery, magazine editorial and simple geometry to produce works that are striking in their spareness, and charged with curiosity.
A member of the WAFA collective, and also represented for his illustration work by WICCA Agency, Zinonos has parlayed his aesthetic sensibilities into projects for brands like Kate Spade, Alfa Romeo and Chanel.
We all need a bit of inspiration every once in a while. Whether you’re having a bad day in the studio or looking to add some art into your life the Beautiful/Decay Book series is the ultimate collection of art & design curated by us for you to enjoy. So get creative, get inspired, and join us in our mission to document, promote, and share the best creative minds from around the world. In other words join the cult of decay and subscribe now!
This street art production in the city of San Francisco has been brought to you by Guys Who Like Porn and their Freedom From Porn network… thanks guys!
I could spend months staring at Alexandra Mackenzie’s ultra detailed drawings. Featuring tribal shamans, flesh eating wolfs, and tiny unicorns running around in balls of hair, Alexandra’s drawings have something for everyone. The only thing missing is that there aren’t more drawing on Alexandra’s site. While the drawings are in short supply she does have a great series of collage work that relate to the drawings in a very interesting way.
Londoner Petra Storrs is not just a set, prop, and costume/fashion designer– she’s an artist who collaborates with performers to transcend ideas beyond the ephemeral and into a sturdy cult of fantasy. The “reflective mirror dress” she designed for Paloma Faith, for example, not only sharpens the singer’s playful theatrical identity, but further investigates this concept of “the gaze”. In Dazed and Confused Magazine, Faith elaborates on the intention, “Obviously, as a performer, I am normally the observed, but I wanted to flip that dynamic around and make the audience the focus.” Storrs response, of course, was to whip up a garment that literally does just that.
But it’s not just creative camaraderie that gets Storrs’ juices flowing– she also finds inspiration from everyday objects and history, or everyday objects that hold history such as . . . tea. Camellia & the Rabbit, her latest design endeavor (collected here), involves performance artist Rachel Snider, who uses “tea as a central motif/metaphor” and a narrative “like sea shanties” to interweave “historical facts and stories of tea”– thus, evoking our own personal relationship to this British afternoon tradition.