French photographer Emmanuelle Brisson created this photo series, L’air frissonne des choses qui s’enfuient, which depicts a woman clad in thin white linen interacting with butterflies (moths?). The pictures are so quiet. They seem to exist independently from any worldly concerns. Looking at them, everything goes away. Each image is it’s own boundless meditation, and the loose context involved allows you to create your own significance for each one. See more from the series after the jump. (via)
Alpine performing at Bardot (School Night) on March 4, 2013
As I write this, Alpine just wrote on Facebook that while on tour in the US, their video for Villages went past two million views. With solid reports coming out of SXSW about their many performances and KCRW picking their songs Lovers 1 and 2 as a recent double header Top Tune, it won’t be long before this Aussie six-piece finds their way into your ears.
I was lucky enough to catch them live at both Bardot in Hollywood and at Brooklyn’s Glasslands and both shows had me dancing from the first beat. Filled with energy, singers Phoebe Baker and Lou James get the crowd moving with their catchy tunes and lovely harmonies. I guarantee that once their album is released in the US, you’ll be hearing a lot more of them.
Alpine’s debut album, A is for Alpine will be released in the US on May 21st on Votiv Records. Check out the video for one of my favorites, Gasoline directed by Kris Moyes and be sure to catch them when they’re stateside again.
Swiss artist Beni Bischof does not take himself serious, a sense of humor and a humble understanding of the world around him flows effortlessly between paintings, drawings, collages, prints, sculpture and installation. Bischof’s ability to allow each work to shine independently is rooted in his confidence to possibly make mistakes and his ability to approach each day with an honest approach to his varied process of art making. Bischof encourages us to look into the absurdity of our desires. Bricked Castles and Handicap Cars follow our intuition to objectify the flawed ambition to acquire maximum beauty, strength and power. In other works magazine pages are covered with grotesque abstract marks masking the beauty of the subject while offering an alternative channel for a ritualistic performance. In a painting two shapes representing heads confront one another celebrating the banality of our day-to-day confrontations. Enjoy more Bischof after the jump…
Raunchy, suggestive illustrations with strange pseudo-human characters leave viewers unnerved, but at the same time, engaged in a conversation of questions. What is going on and why?? Melissa Stekbauer‘s works can place the viewer in a vulnerable, almost submissive, state, allowing her characters some authority. Her works present interesting narratives, especially because they are paired with a softer painting technique, which can feel more inviting and friendly than the actual content of the work. Maybe that’s why it’s “seductive”?
Photographer Wes Naman‘s Scotch Tape series is playful if not a bit creepy. Naman wraps clear tape around his subjects’ heads severely distorting their face. The tape tugs and squeezes lips, eyebrows, and noses making light of the idea of portraits. Slightly disturbing, the portraits resemble smiling car accident survivors or botched plastic surgery victims. Such simple but inventive ideas have made Naman a rather successful photographer winning him clients as diverse as High Times Magazine and T-Mobile. [via]
I LOVE PAINTING! Maybe this is not so much of a secret if you’ve been following Beautiful/Decay for a while– but every time I see a Dana Schutz painting I just want to scream out…..”I LOVE PAINTING!” Dana’s a painter’s painter. A painter whose techincal chops rivals only her bizarre imagination and quirky themes. A painter who’s willing to take risks and use bold color with no fear. Unfortunately for me, Dana doesn’t currently show her work in LA. So, it was a great treat to get a copy of her fantastic new monograph today, released by art publishing hereos Rizzoli.
Rizzoli has to be one of my favorite art publishers to date. They always release monographs on the best artists of our generation. And Dana Schutz’s book is no exception: it’s filled with over 200 pages of work and essays documenting her artistic evolution. If you’re a fan of Dana, or of painting in general, you need to add this book to your collection. I guarantee it won’t disappoint!
Vlad Tenu is an architect and designer based in London whose work is inspired by complex (yet minimal) naturally occurring patterns and spontaneous creation. In his structural series, Synthetic Nature, the Romanian-born artist explore how “the molecular behavior of soap bubbles informs the research method, which involves nature inspired algorithms and geometric constraints.” By utilizing organically-influenced repeating surfaces, which can be reshaped and added onto, his sculptural works could theoretically expand endlessly.
Resembling soap bubbles, honeycombs, seed pods, and other innumerable repeating and interconnecting shapes found in nature, the additive qualities of the work makes their shape completely adaptable, a final form which is limitless. The paradox of Synthetic Nature is that the process, materials and design is all aided or done entirely by computerized systems, thus removing the connection between the influence of organic happenstance and automatic construction. At the same time, the geometries and algorithms that create the work are repeating systems, obeying laws similar to those seen in nature itself.
Synthetic Nature (which is currently on display at London’s Surface_Gallery, through October 18th, 2013) fully explores this connection, parallel and paradox. Tenu, who often replies to the work as a ‘species’ (insinuating a type or categorization) uses more artistic methods, which he combines with his design and architecture background. The artist explains “Synthetic Nature is an instance of my explorative research into spatiality, scale and materiality; all with deep roots in my architectural background. The work has transcended those levels by creating artifacts that are interpretable and adaptable to anything from jewellery, fashion, product design and interiors, architecture to fine art. Algorithmic and geometrical concepts generate surface to volume morphologies that are blurring the boundaries between ‘inside’ and ‘outside’, between ‘solid’ and ‘transparent’ or between ‘natural’ and ‘synthetic’ – blended into abstract hybrid species.” (via design boom)
Milano Chow‘s drawings are subtle and contemplative. One of the most striking elements in the work is the indelible sadness of human figures and the seemingly neglected objects that surround them. Plants and flowers reoccur but they are often wilted. The people inhabiting these snap shots mirror their belongings. They remain cluttered, isolated and damaged.