Tilt-shift photography is becoming increasingly popular in the mobile photo editing world. Even if you’re not sure what it is exactly, you’ve definitely seen it on your social feeds, and after reading this article, you’re definitely going to have a lot of fun with it.
Ready? Let’s jump right in!
So…what is it?
Tilt-shift photography is a technique that has several different uses, but nowadays, its most common use is simulating a miniature effect.
Okay, how do I do it?
Simulating tilt-shift photography is actually pretty simple. There are lots of mobile photo editors out there, but the one we are loving right now is called PicsArt Photo Editor. They just came out with a Tilt-Shift Tool that’s really easy to use, but this app really shines in all the different ways that you can personalize your shots. But let’s talk about what you need to do.
Artists Mariana Fantich from Ukraine and Dominic Young from The UK have teamed up to create a collaboration known as Fantich & Young. Their latest project, Darwinian Voodoo, aims to merge two seemingly opposing bodies of thought, Darwin’s theory of evolution and the ceremonial ritual aspects associated with Voodoo, allowing them to indulge in a super-natural exploration. Through reappropriating and mimicking the aesthetic of ceremonial dress and placing it within the context of an evolutionary-based system, Fantich & Young allow themselves to create something that is no longer real nor super real, but entirely its own entity. They have manipulated the notion of a theological super-natural by shaping it to fit an aesthetic discourse of scientific truth, provoking a sort of mythical, yet superior lifestyle. The work is created from “symbolic ready-made materials…address[ing] parallels between social evolution and evolution in the natural world: Nature as model or nature as threat.” The work seems to simultaneously address that humans are, in fact, at the hands of nature, and that humans do, in fact, have the power to manipulate their own genetic fate. Perhaps aspects of contemporary life we do not associate with the “natural” world, i.e. social media and fashion, are actually a part of a modern day survival of the fittest.
They are branding their project as “a new pedigree lifestyle,” the collection itself being titled Apex Predator. The collection “features male and female ceremonial attire customised with human hair, bones and eyes. Collection includes shoes, accessories and perfume laden with thousands of dentures.” (Via designboom)
We’re glad to introduce, via the website building platform Made With Color, new artists weekly. Made With Color is an interactive website builder helping creative people design their portfolio without a complicated set up. The templates are minimalistic in their structure and their colors, allowing the eyes of the readers to focus on the art pieces. This week we’re excited to share the work of Made With Color userEmmett Potter.
Vibrant colors and figurative shapes live in Emmet Potter’s art pieces. The artist uses mid 20th century comic graphics, advertisements, found objects and photography. His subjects therefore become mixed media pieces blending collage and paint. He calls them ‘handmade ready-mades’. Characters in action involving guns, missiles, love and war in a vivid andexpressive environment. The content depicted by Emmett Potter is inspired by Pop culture and Jungian archetypes. A chosen process to help increase communication with the mass and unfold collective consciousness. The rendering takes the form of traditional canvas paintings or unusual sculpture composition.
Paul Fryer is an artist based in London, England. We featured his works in 2011, but his stunning sculptural installations—which explore agony and human folly in passionate tandem—warrant a second examination. His works unsettle the cultural imagination by coupling mortality with religious imagery, depicting human figures on the verge of destruction and death.
One notable work is a sculpture of winged Lucifer, thrashing amidst a net of telegraph cords that suspend him above the altar steps of the Holy Trinity Church, Marylebone. This piece was part of a solo exhibition called Let There Be More Light, shown in October of 2008. The dramatic lighting casts Lucifer in dramatic shadows, and his tarnished, corpse-like skin gleams with antiquity and the torture of life-within-death. This work signifies the fallible human, and the chaos and terror of one’s own making. The venue—with its stained glass windows and domed ceiling—provides the perfect space for this dramatic, allegorical scene to unfold.
Also shown here is Fryer’s “Blue Pieta” (2010), the martyr in the electric chair, and Lilith (2010), a fallen angel bound to a platform by golden wires. In more recent years, Fryer has created jellyfish-like sculptures out of Murano crystal. You can view more of his strange and dark world on his website. (Via Empty Kingdom)
Sixteen graffiti artists painted over 4500 square meters of a Swiss prison throughout an eighteen month period. Their work spanned exercise yards, corridors, stairwells, and the extensive outside wall, which alone would use around 1000 spray paint cans. The project began as a sort of celebration of graffiti as a unique art style as well as a desire to bring the artists’ work into a new environment with a challenge of large walls. Besides pushing personal boundaries of creating work on such a grand scale, the artists wanted to change the atmosphere of the prison. Their project would turn a cold, banal, uncomfortable setting into a warmer space for both prisoners and staff. The duration of creating the paintings was equally matched by the amount of planning and concept creating needed to span such a large space and find harmony between sixteen different artistic styles. The physicality and planning, however, were not the only difficult tasks: the artists were met with an emotional challenge as well. Despite knowing they we not confined, they were still consistently aware of their setting and were given a mere glimpse of what it is like on the inside. For example, they needed to call guards to be let out of the space and were daily witnesses to the day to day tension that exist within a prison.
Artists include Malik, Claude “Note” Lüthi, Robert Proch, Onur, Mizzo, Ti, Lain, Ata “Toast” Bosaci, Huran “Shark” Dogan, Daniel Zeltner, Sarah Parsons, Nevercrew (Pablo Togni and Cristian Rebecchi), Benjamin Solt, David Monllar, and Chromeo
A book, titled 4661m2: Art in Prison, has been published about the project to allow the public access to the locked up work. The book also hopes to inspire similar projects.
For more information, check out the projects website here.
Stratis Tavlaridis is a Greek artist who constructs perforated objects out of paper. His works are inspired by everyday life, and with his eye for geometric patterns and flowing designs, he transforms ordinary items into ethereal manifestations of themselves. Featured here is a selection of his fashion pieces—shirts and vests that have been immaculately hewn with overlapping shapes and twisting, snake-like outlines. The use of negative space in each object gives it a silky, luminescent quality as light filters through the gaps.
Tavlaridis’ other works include other “textile” objects, such as carpets, tablecloths, and drapery. Often these pieces are included in larger installations, such as Perforated: Weavings of Cohabitation, a homage to his ancestry and culture. Another remarkable piece is his recreation of King Phillip II’s funerary monument—a gauzy, layered entranceway intended to evoke the experience of entering a hallowed space. Whatever he creates using his masterful technique, each of Tavlaridis’ papercut objects is imbued with an awe-striking presence and divine beauty.
Shapes that appear familiar displayed in a symmetrical manner and playing with our imagination. Photographer Henry Hargreaves and food stylist Caitlin Levin have come together once again under Hargreaves + Levin to collaborate on a food project. This time using only fruits and vegetables and grouping them by monthly harvest.
From far, the whole picture looks like a perfectly arranged combination of shapes and harmonized color tones. Some of the shapes seem familiar until we come closer and discern the fruit and veggies one by one. We’re then able to see every curve, nook and cranny in detail. The mirrored images help create a symmetry. This process allows the fruits and veggies to become a design, a pattern within the picture.
The rendering is both astonishing and intriguing. On each small surface of the photograph, with the help of imagination we can envision creatures, insects and creative characters. Acting just like the Rorschach test, the combination of fruits and veggies trigger the mind to explore the picture and come up with a unique vision. The purpose of the project designed by Hargreaves and Levin is to ‘explore symmetry, natural beauty, and the way imperfections and inconsistencies often become the most breathtaking examples of nature’s artistry’.
The photographs above and below this text have been displayed to match the monthly order of the year.
Marshmallow Laser Feast is an interdisciplinary arts studio that uses tech to create interactive and magical experiences. From laser-bearing drones to movement-reactive instruments, their works fuse together lighting, sound, and visuals in a synesthesia-like exploration of enlightening and alternative realities. Their newest project, In the Eyes of An Animal, revisualizes the world we think we know as it is perceived by different creatures. When wearing Marshmallow Laser Feast’s strange, pod-like virtual reality mask, participants are immersed in 360° renderings of Grizedale Forest, exploring the treetops and undergrowth as a dragonfly, frog, or an owl. The world was created using a synthesis of multiple techniques, including CT scanning, photogrammetry, and an aerial camera.
The video above provides a teaser of what the experience looks like. In a tour of parallel worlds, the mask guides you through the forest while accentuating and transforming the senses: molecule-like particles break apart and shift; trees, plants, and animals become flickers of abstract color; and bird song, insect calls, and music melt together in an otherworldly melody that slows down time and flows in rhythm with the undulating forest. The effect is haunting yet spellbinding, reinvograting a child-like curiosity about the deep dark woods and the beings that inhabit it. Marshmallow Laser Feast’s artistic interpretation of different perceptions reminds us that reality is not singular or concrete, and that we live in a world of multiple worlds. In the Eyes of An Animal demonstrates the freedom, empathy, and beauty in exploring realities that exist alongside our own.