Paris-based illustrator Nicolas Delort creates mysterious black and white scratchboard illustrations. Using nothing but black ink and sharp tools, Delort etches his elaborate drawings into the surface of a clayboard. Despite the monochromatic palette, his works carry out a sense of colorfulness through their dynamic and wondrous scenarios.
Because of his scratchboard technique, Delort‘s works are focusing more on the negative space and its function in the art world. His high-contrast illustrations are full of apocalyptic dynamism, accentuated by the eccentric compositions, intrinsic etching and attention to every minuscule detail. Despite that, artist says his workflow is pretty chaotic.
“Up until the final inking stage, my work is mostly improvisation, because I’m basically never happy with my stuff until it’s finished <…> I start out with a bunch of thumbnails and when I find one that I like open it up in Photoshop and move stuff around until I’m satisfied. I make a final sketch, transfer it on to the scratchboard and scratch away till my wrist hurts.“
While some of Delort‘s narratives might be utterly unknown, others illustrate scenes from literary works such as Harry Potter, American Gods, or are designated movie posters. Although modern in content, Delort‘s works remind us of such artists as Gustav Doré and even Albrecht Dürer who‘ve been advocating the noteworthy art of etching years past. (via Lost At E Minor; Hypocrite Design)
Here’s another brand new artist series Pillow for you to rest your head on. This time we’re featuring an Aya Kato graphic called Flowers taking inspiration from both Japanese Scroll painting and Art Nouveau. Find out more and see detail shots of Flowers as well as our other pillows on the B/D shop.
Roxy Radulescu lives and works in Los Angeles, CA. In addition to her many graphic design projects she is currently working on a series entitled Movies In Color in which she sheds light on the color composition found within single frames of famous films. Not only does deconstructing frames from a film like 2001: A Space Odyssey help to reveal a gorgeous color spectrum, it also highlights the masterful Cinematographer responsible for framing and shooting the picture. In her own words it is ” …a pursuit that showcases the relationship between color, cinematography, set design, and production design. Overall, it is a study of color in films, but has other uses and applications. One of the goals is to give artists color palettes they can use in paintings, films, videos, graphic design, and other pursuits. I search for stills that are compositionally interesting as well as rich in color. I use the help of a color generator to get a very basic range of swatches. Then I piece together the general palette from that and other colors I think are prominent or worth including from the still.”
We’ve all used hundreds of pencils in our lives since we were kids. Jennifer Maestre uses pencils too, but not the way most of us do, or even the ways most artists do. These imaginative creatures use pencils to showcase the contrast between lifelike forms and industrially produced materials. They were inspired by the texture of the sea urchin, which she has been exploring in many materials for several years.