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We say all sorts of witty things on Twitter that we never mention on this ol’ blog. So follow us and banter back and forth with us about all sorts of art, design, and pretty much any other random thought that just might pop into your mind.

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Gina Dawson’s Weed Graffiti

 

Most people think of graffiti as a plague similar to weeds popping up all over your pristine yard. NYC artist Gina Dawson ran with this concept creating sculptures of dandelions and other assortments of weeds out of colored paper and installing them all over the city.Dawson’s take on graffiti is an interesting one with her works embracing the idea of graffiti as a plague and creating an unexpected and beautiful approach to one of our favorite urban blights.

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Olivia Locher

Olivia Locher might just be 21 years old but her photography has a level of sophistication that you don’t often see at such a young age. Creating layered and complex narratives Olivia takes us on a surreal journey where young girls are stacked in corners like dolls, marshmallows are stuffed down your pants, and pretty girls and pretty flowers are wrapped in plastic to keep them beautiful for eternity.

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Kris Tate’s Psychadelic Hip Illustrations

Manchester illustrator Kris Tate’s work is bold, vibrant and full of life. Her work mixes digital and hand drawn elements in neon colors that pop. Her influences range from 60′ and 80’s vintage culture and music to Scandinavian knitwear. Her work is fresh, edgy and very relevant for today’s hipster cultures. I for one am loving the sweater dressed animals and their bright pop environments.

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Jen Garrido’s Bold Strokes

Painter Jen Garrido’s work is bold, simple, yet elegant. Her work reminds me of papercuts, but I love seeing the slight paint texture in each piece. Her work is a combo of small textural paintings, and small minimal works that seem to fit together just right. Her two styles compliment one another instead of challenging. I’d be curious to see what she can do with much larger works in the future. 

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CHELSEA DIRCK


Chelsea Dirck is an art student majoring in Art Education and Fibers at the Massachusetts College of Art and Design in Boston, Massachusetts. I met her through the DIY punk scene five years ago, and her drawings are still resonant with the energy, sincerity, and immediacy of that time period. Dirck’s artwork is often derived from her innumerable personal journals, some of which have recently been released as zines. These zines are full of emotive jottings and ink drawings that are paired with humorous or poignant words and slogans – oftentimes directly referring to Dirck’s personal life. The drawings in her zines are influenced by such disparate quarters as advertising, comics, Internet memes, David Shrigley’s drawings, the book More Things Like This, and other forms of text and image combination – which seems to be the predominant mode of expression for us “Millennials.”

Dirck’s journal-based artwork seems almost tailor-made for Internet distribution through sites like Tumblr, where she has cultivated a sizable following. However, she has recently expanded her art practice to include mediums where physicality is a central concern: embroidery, quilt-making, and large-scale drawings. With an upcoming show this spring at MassArt and an ongoing relationship with the Boston gallery Lincoln Arts Project, Dirck seems to be coming into her own – just in time for her 24th birthday, which, by the way, is today. So go do some celebratory pillaging of her Etsy for prints, originals drawings, postcards, and zines of many of the images found after the jump.

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Antonia Gurkovska’s Trypophobia

Antonia Gurkovska just graduated from the MFA program at SAIC and already has already landed a solo exhibition in Chicago’s Kavi Gupta Gallery and is exhibiting in the Armory Show. She favors surfaces that are stapled and dripped, sticky, slippery and oozing, emulating dripping orifices; but they somehow remain extremely neat, hygienic, settling in even, grid-like formations. A variety of painting materials are layered thickly, then crudely sliced to reveal further layers beneath, so the paintings appear reductive rather than additive. Her bubble wrap pieces, neither sculpture nor painting, serve to both reiterate her aesthetic of ovular forms and invite a reversal of material reading, where the packaging product sheds its banal connotations and instead becomes a beautiful, bulging, golden grid.

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koen demuynck’s breathtaking digital photography

Some of my photographer friends hate on digitally manipulated images but how can you when photographers like Koen Demuynck makes such breathtakingly powerful images with a bit of help from our old pal Mr. Computer? Each image is more amazing than the next with piles of elephants, crazy chimney sweepers, and Santa throwing a very naughty new years party. All of these and more after the jump!

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