Luo Yang is a photographer from Shenyang, China, now living in Beijing. Working strictly with film and rarely doctoring her photos, Luo Yang’s work is an exploration of youth: longing, uncertainty, spindly-limbed awkwardness, and, of course, an endlessly enviable sense of cool. In her shows, highly staged portraits, casual poses, and spontaneous shots all appear alongside on another, blurring the inherent truth of the medium of photography.
Mariano Garcia is an amazing art director from Las Palmas De Gran Canaria, Spain. Mariano’s work is colorful and fun with plenty of eye-popping illustrations. Check it out.
The submissions have been steadily rolling in for the “Art Works Every Time” Design competition we launched in collaboration with Colt 45! Check out the Gallery page to size up what your competitors have been up to! The clock is ticking, though- just 2 weeks left until the April 15th deadline to submit and win 1,000.45 Colt/cold hard cash and a gallery show curated at Synchronicity Gallery! You can visit our Colt 45 + B/D microsite to find out more details. Read full rules, regulations and how to enter HERE! Don’t miss out on this awesome opportunity to win cash and further your art careers!
Not only does Steven Riddle make bold and eye catching collage work but he is also one of the featured artists in Beautiful/Decay :Future Perfect book. We can’t ruin all the fun and show you what Steven’s contribution to the book is but you can get your very own copy here at the B/D shop before it sells out!
Jennifer Mehigan‘s Armed/Luminous series (2010) mixes paint with found imagery to explore the hidden beauty of fire. The Sydney-based artist’s use of bright brushstrokes undermines the scenes of terror behind by destroying the image in both material and metaphorical terms, with a clear parallel to Gerhard Richter‘s Overpainted series.
I am truly a sucker for anything of an absurd nature. I also love the classic style of old propaganda posters. So when I stumbled upon the collages of Miss Grycja Erde, twas a happy moment. The nature of Grycja’s collages made me assume she was an older artist, since they have a mature approach to absurbity (in my opinion). But I was surprised to find out she’s just 23! Enjoy these tasty treats coming to you from Ukraine.
James Kirkups is a 21 year old graphic designer, and he already has a portfolio bursting with great works. Kirkups’ geometric designs work so well because he’s great with simple colors. His posters are clean and effective, I find them to be striking in their simplicity. I can’t wait to see what else comes out of this young prodigy.
As part of our ongoing partnership with In The Make, Beautiful/Decay is sharing a studio visit with artist Marci Washington. See the full studio visit and interview with Marci and other West Coast artists at www.inthemake.com.
We visited Marci in her backyard studio in Berkeley. It sits just behind her home, a kind of garage/storage space that got converted into a cottage. It’s comfortable and functional, with an open feel to it. Marci is full of gusto— she talks with her hands, takes on all kinds of facial expressions, and she’s funny as hell. She enthusiastically moved through our conversations, at turns awkward and eloquent, but always unguarded and real. We talked about a lot of things, but her affinity for the landscape of the English moorlands, particularly within the context of Romantic Literature, really struck me. Those rolling, uncultivated hills covered in low-growing grass, shrouded under heavy fog and moody skies have wholly captured Marci’s imagination. And it makes sense that they have— much of what interests Marci is mirrored in that rugged, desolate scenery. In various Romantic and Gothic works of literature, the moorlands often represent mystery, mysticism, liberation, turmoil, and passion; they frequently echo the psychological state of the characters, and reveal their greatest desires and fears. Marci’s current work references not just the physical landscape of the moors, but also speaks to themes found in a lot of this kind of literature, and the universal emotions that are evoked—all those feelings and ideas that run wild with mystery, awe, darkness, terror and beauty. I think Marci is after a particular kind of mood that toes the line between terrifying and thrilling, creating a response that’s simultaneously overwhelming and invigorating. All of this plays into her sensibilities as an artist, but also as a person: her love of Edward Gorey and his eerie illustrated books, her unflinching need to feel everything very deeply, her leanings towards the bizarre and unique, and her fondness for the not-entirely-explained. It’s pretty damn amazing that come November Marci will be showing work in England, not far from the wild and lonely moors that have taken up so much of her imagination.