Some people can ooze out style every time they pick up a pencil or pen. Tim Head is one of those people. His beautiful illustrations of odd fellows, demented chicks, and fast cars have pounds of style yet look effortless. If art making was an easy breezy vacation in Hawaii then Tim would be the big kahuna.
It’s always interesting to see what graffiti writers do in the fine art world. Some keep rehashing the same work on canvas, losing all of the power that energized the work by having it in the streets. However some artists such as the legendary Dutch graffiti artist Delta take what they’ve learned through their years of painting letterforms and create amazing new works that re-imagine architecture, space, installation and painting. Wondering what Delta’s graffiti looked like back in the day? Click the read more button and check out the last image.
Parisian artist Nacho Ormaechea’s digital collages are like looking into someones soul to see who they really are, what they are truly thinking, and where they rather be. Like a portal into another time and place, these images give us a glimpse of the internal thoughts that we’re all thinking to ourselves in silence, each and everyday.
I’m loving these sliced and diced fashion collages by fashion photographer Damien Blottiere. Each figure is layered and in motion as if a Cubist had turned into a stylist for some of the leading fashion publications in the world.
Ryan Chapman’s iconic illustrations are proof that sometimes simple is best. His quirky and playful illustrations go back and forth between digital, hand drawn, and the occasional 3D sculpture. Find all this and more after the jump!
Samantha Rehark is a 22-year-old multimedia artist and graduate of the Columbus College of Art & Design. Her artwork limns the psychological space nature holds in our collective consciousness. Aside from creating collage, installation, and sculpture, Rehark plays keyboard in the band Threesome with Jordan DiDomenico and Alex Ross. Pony, her recently released artist’s zine, was made during a residency in Truth or Consequences, New Mexico.
This week, The Shooting Gallery in San Francisco debuted “Ritual,” a solo exhibit by painter Charmaine Olivia. For “Ritual,” Olivia shrouds her signature female portraits with a veil of mysticism and magic, citing astrology, druidism, and the goddesses of ancient Greek mythology as inspirations. The beautifully haunting, almost spectral quality of Olivia’s female subjects is a result of her signature blend of realism and fantasy. While maintaining intensely realistic elements, many of the women are stripped down to their innermost layers, and further, into the paintings themselves, as translucent skin drips into bare bones, and tousled tresses fade into abstracted lines, revealing the grain of the wood surface beneath. “Ritual” presents these portraits as altars, flanked with offerings of flowers, candles, bones, and bottles, transforming the gallery into a place of worship, inviting us all to partake in a sacred ceremony to Olivia’s dreamy deities. View the show at The Shooting Gallery until February 4.
It’s not often that we post about deceased artists but a show about the imaginatvie and bizarre work of surrealist Remedios Varo merits a mention.
The first exhibition of Remedios Varo to ever take place in the western United States, Indelible Fables at Frey Norris illuminates the ever-imaginative and prescient world of this deceased surrealist artist. Spanish born Varo certainly died prematurely, by heart-attack in 1963, but in a short career she had acquired a cult-like following among friends in Mexico City, her adopted home. Many of these friends were involved in an informal investigation into esoteric religion and the teachings of George Ivanovich Gurdjieff and his student Peter Ouspensky. As part of this soteriological pursuit, with close friend, the celebrated English artist Leonora Carrington, Varo created some of the most inventive painted scenarios of any of the artists associated with surrealism. Varo would remain something of a marginalized, but popular figure in Latin American art right through the 1990’s, when a solo exhibition at the National Museum of Women in the Arts in Washington, DC elevated global awareness of her work and in part catalyzed an ever accelerating level of scholarship and market demand. View the show at Frey Norris from January 19th-February 25th.