Michael Beitz’s sculptures take everyday ideas and turn them on their head. Dining Table (pictured above) is a great example of how a simple object can be transformed into a sculpture full of character and commentary on interpersonal relationships. Make sure to also check out his sculptural street art work after the jump.
Jake Winiski creates blurry deconstructed alien worlds using 3d sets that are photographed and then drawn on top of with ink. His multimedia process opens the door for a free-associative exploration, which is directly drawn from contemporary folklore laden with blurry photographs in which the human myth-building impulse has found Sasquatches, Chupacabras, aliens, and devils.By painting directly into the photographic print with an airbrush and India ink (aping the photographic surface) Jake explores the image as a shared space between the fabrication of the model, it’s expansion and metamorphosis behind the window of the photograph, and the free-associative manner in which internal fantasy can project itself into the world.
PNTS, a graphic design studio based in France has some nice works on their portfolio site.
These amazing lithograph prints are not only labor intensive and beautifully detailed, they are also playful and humorous. Artist Oddly Head has quite obviously spent a lot of time by himself cutting out images, arranging them into remarkable forms with funny narratives and transferring them into print. Working with mostly retro images, he cleverly fits his cut outs into a variety of silhouettes and shapes.
Taking advantage of their bright colors and pop aesthetic, Oddly Head creates eye-catching picture explosions. He turns a large collection of different guns into a radiating image, one that seems to be anthropomorphic and with it’s sights set on the viewer. In another print he has layered different cutouts of trains on top of each other, all rushing out from a black hole in the center of the picture, expressing some sort of urgency. Or in another, we see a gathering of women – all severed at the head and frozen in animated screams, focused on a woman in the center, as if she is the reason for their fear and horror.
With titles like ‘Hollywood’, ‘Licked’, ‘The Happiest Place On Earth When There Is No Tomorrow’, ‘Getting The Fuck Out Of Dodge’, Oddly Head’s prints are tinged with a cynicism as he questions the structure of systems around us. And what a beautiful way to do it. See more of his work in detail after the jump.
Italian photographer Stefano Bonazzi melds smoke and body together in his lush series Smoke. These high contrast black and white photographs feature naked bodies melting into the atmosphere, drifting off in a plume of velvety smoke. They feel soft, mysterious, and cinematic.
Bonazzi, who has a multitude of different series, speaks about this body of work in a very compelling way:
Smoke fascinates me because it is hypnotic, evanescent and impalpable. The smoke you can perceive it with your sense of smell and can even be fatal despite being a natural element devoid of texture and weight. I often compare the smoke to the human soul and in my series “Smoke” I just try to contrast the weight and consistency of the human body with the lightness and elusiveness of his soul, that in these shots I try to represent their with the use of the smoke. The “smoky” of the subjects is in fact their own feelings and emotions. The protagonists of these shots express sexual desire, more anxiety and melancholy, loneliness and suffering. These feelings are so powerful that they evaporate, split from the body and rise into the unknown, which in this case is represented by the black background of the shots.” (Excerpt from Source)
In Jenine Shereos’ series Leaf the intricacies of a leaf’s veining are recreated by wrapping, stitching, and knotting together strands of human hair. Inspired by the delicate and detailed venation of a leaf, Shereos began stitching individual strands of hair by hand into a water- soluble backing material. At each point where one strand of hair intersected another, she stitched a tiny knot, so that when the backing was dissolved, the entire piece was able to hold its form.
The complex network of lines present in this work mimics the organic patterns found in nature and speaks to the natural systems of transformation, growth and decay. Allusions to the vascular tissue of plants, as well as the vascular system of the human body, exist simultaneously; the delicate trace of a hair falling silently, imperceptibly, from one’s head becoming the veins of a leaf as it falls from a tree leaving its indelible imprint on the ground below. (via oddity central )
Through a process of experimentation and manipulation, Italian artist Daniele Papuli creates sensual paper sculptures that evoke feelings of quite nature and grandeur. Active as a sculptor since 1991, Papuli’s work has developed through various stages of materiality and process. His early pieces were focused on stone, wood, and plaster, however, in 1993 he learned to make paper, and by 1997 he began solely focusing on the potential of paper’s materiality. He explains his admiration for the material. He states; “according to the way in which it is moved, touched, cut, paper offers me numberless sensorial, visual and tactile suggestions engendered by its new structure. My work proceeds by returning these experiences, and searching about sculpture, its physical character, its connection to space.” In order to fully understand the material he turned to paper handling and production. He tested and trailed myriad combinations of mincing different types of paper, mixing them with herbs, grounds and colors. This process in which permits the artist to become intimate with his martial allows his work to have a distinct personality that exudes a certain essence of delicate vibrancy. He explains;
“sometimes the sculpture shows a sort of inner energy, the bending of the different sheets suggests the trend and development in the round. I am extremely interested in these manifold variations. Sometimes the shapes become paper monoliths faceted in many light lamellae where the different layers are like veins and the chromatic variations of the surface, yellowing as paper does in the sun, follow the metamorphosis by which the sheet traces back to wood, to the tree, to its primary mother-matter.”