Inspired by a nightmare, “Analysis Creature” is Wonman Kim (Animabase)’s series full of weird and strange skeletal and mechanic creatures. Each piece is like an x-ray of a unique creature from her brain. He is currently working as a graphic designer, illustrator, and conceptual artist in Seoul, South Korea.
Olafur Eliasson’s dazzling “Your Rainbow Panorama” is a permanent installation on the rooftop of the ARoS Museum in Aarhus, Denmark. The spectacular work of art has a diameter of 52 metres and is mounted on slender columns 3.5 metres above the roof of the museum. Visitors can literally walk through the entire color spectrum viewing the world for the first time in all pink, green, blue and yellow tones.
“Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving”. -Olafur Eliasson
Paris based photographer Ben Sandler’s photography series feel like small freeze frame shots of instantaneous events. I love the architectural detail of each shot, its environment holding just as much weight as it’s action, and the humor behind the predicaments of each character.
Brian Morris loves to draw intricate graphics full of satanic goats, skulls, and evil roses. I can’t really blame him since that’s all I would do if I had his skills. Keep it going Brian and hail seitan!
Seoul native Eunjeong Yoo is an illustrator who now lives and works in New York City. In addition to Eunjeong’s strong conceptual approach, the quality I admire most in her work is her use of color; its placement has a haphazard feel and her palette choices both emphasize the narratives and instill a sense of in-the-moment movement.
Like many directors, Stanley Kubrick (known for such iconic films as The Shining, Clockwork Orange, 2001: A Space Odyssey, and Full Metal Jacket) began his love of film for the medium’s capacity to immediately capture scenes developing around him. The award-winning director’s photographs show early promise, mastering stylistic elements such as composition, lighting, balance and subject, which might not be surprising. However, the young Kubrick’s subject matter, mostly street-scenes with everyday New York and Greenwich Village people, life and struggles, might surprise some coming from the famed science fiction director. The photos, which have a nostalgic tone not necessarily associated with the forward-thinking director, certainly bring a romantic mood to the seemingly simpler time.
Many of these photos were taken during the 1940’s, while Kubrick was employed as a photographer for Look Magazine (a gig he landed while still a student at City College New York). It was while working for Look that Kubrick began associating with the film programs at the Museum of Modern Art, a connection which eventually launched Kubrick into a career in his life-long interest of film. (via everyday-i-show)
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It’s not often that we post about deceased artists but a show about the imaginatvie and bizarre work of surrealist Remedios Varo merits a mention.
The first exhibition of Remedios Varo to ever take place in the western United States, Indelible Fables at Frey Norris illuminates the ever-imaginative and prescient world of this deceased surrealist artist. Spanish born Varo certainly died prematurely, by heart-attack in 1963, but in a short career she had acquired a cult-like following among friends in Mexico City, her adopted home. Many of these friends were involved in an informal investigation into esoteric religion and the teachings of George Ivanovich Gurdjieff and his student Peter Ouspensky. As part of this soteriological pursuit, with close friend, the celebrated English artist Leonora Carrington, Varo created some of the most inventive painted scenarios of any of the artists associated with surrealism. Varo would remain something of a marginalized, but popular figure in Latin American art right through the 1990’s, when a solo exhibition at the National Museum of Women in the Arts in Washington, DC elevated global awareness of her work and in part catalyzed an ever accelerating level of scholarship and market demand. View the show at Frey Norris from January 19th-February 25th.