Julie Schenkelberg makes installations that look like domestic earthquakes. Her monumental pieces talk to us about the collective memory we share in objects and its inevitable disintegration. As most all domestic objects have some sort of function, their ubiquity–tables, chairs, lamps, plates, etc in every home– is a sign that our experience of the life is much more communal than individual, and likewise our memories. Julie takes the objects of our experience and compiles them into globs of memory, as they are probably situated in our own brains. But, like our own memories, she shows us these objects as broken and decaying in structures that look strong and sound but are, in the grand scheme of things, utterly tenuous. Her work is physical poetry at its best.
Jenna Gribbon’s paintings parse and reorganize images “not (into) natural spaces, or dream space, but waking brain space.” Psychologically loaded, I find it hard to figure out what is going on, but I can’t look away either. Jenna worked as an assistant to Jeff Koons, maybe laboring on some of his billboard sized photorealist paintings is where she got some of her chops.
At first glance you might write off Gerald Davis as another pervert painting his sick thoughts on canvas but this LA based artist has some serious painting and drawing chops. I recently saw his work in person and was blown away with the richness of his work and his glowing use of light. Gerald is a serious artist taking our funny and dirty thoughts and creating bold and imaginative works out of them.
Frightening monsters, gentle monsters and funny monsters. The kids and artists working on the monster themed project ‘Go Monster Project’ welcome any kind of creatures. This project raises awareness for children’s imagination as a mean to shape their adult personality and future.
Elementary students are asked to draw a monster, that’s the starting point of the project. No rules or conditions have been set. They are asked to let their imagination wander and to draw literally anything that comes through their minds. Once they are done, the drawings are transformed into paintings, 3D illustrations, animations; digitally or manually by mini-sculptures. The kids are able to see their creatures come to life, and most importantly they are getting the validation that their creativity, taste and talent is significant.
There’s no right or wrong. The fact that they won’t be graded or judged from their creations help the children recognize the power of their imagination. This project aims to encourage kids to grow their potential within an environment ruled by ‘like’ buttons and a permanent search for social approval.
The excitement shared is twofold. The kids are having a great time drawing and the artists are exploring their imagination by taking over the simple yet creative drawings into visually elaborated and detailed designs.
Chilean artist Serena Garcia Dalla Venezia creates large, colorful fabric installations fashioned from small handmade balls of fabric filled with cotton and sewn together. Inspired by ideas of growth and accumulation, order and chaos, Dalla Venezia’s work is intricate and her process is organic. During this process, she is mindful of the color gradations and contrasts, creating a populated color palette that almost appears pixelated.
Allan Peters, a Minneapolis based designer is a man of many hats (to say the least). Ever since he was a kid, Peters has always coped with an overwhelming passion for drawing, hoping to one day make a career out of it. Not surprisingly, Peters is currently working for Target as an Associate Creative Director and has been doing so successfully for the past 6 years. Along with being a Creative Director, Peters also manages his own design firm, Peters Design Co., as well as manages his highly successful blog with more than 100,000 page views each and every month.
Although Peters is excelling in our highly-contemporary, modern world, he has an obsession with good old-fashioned hard work. He reserves a special place deep down for design works that were created by hand for one specific customer, contrasting that with the mass-produced work done today that is highly impersonal and churned out by the hundreds.
This is where Peters found his calling—vintage design. A large majority of his work features antiquated elements of retro nostalgia. He seamlessly blends hand drawn script fonts with contemporary illustrations that take you back in time without feeling dated. These designs work on everything from window designs and store displays to flyers and branded products giving his clients a unique edge that stands out in todays world of generic logos and mass produced design. Here’s a selection of some of our favorite logos designed by Peters between 2006-2015.
Cezar Berger, a Brazil based illustrator/ graphic designer, creates these incredibly saturated, bold, and grotesque drawings. Looking through these, it makes me think of meat and candy being digested together inside a carcass of a circus clown.