But no, really, Matthew Yake’s series “237 Pieces of Trash Around the Bleachers” is anything but a trash collection. His photos are poignant, clear, and powerful. He’s got other equally awesome series including one of artists in their studios that holds it’s own against other interior powerhouse sites like “The Selby“.
New York-based photographer Alison Brady makes some pretty bizarre photos. Pretty and bizarre. The interesting and different perspective is what catches your eye; instead of a traditional beauty-in-the-person snap, these portraits give the car-accident-look- away urge while simultaneously pushing a strange narrative inside a beautiful anonmity. Take a look after the leap.
Joana Avillez is a radical comic book drawing machine from Manhattan, NYC. Her work exists in a universe all her own where old timey cartoons wear Geta shoes and one-of-a-kind hats, while reading old issues of Heavy Metal and Raw, over a nice hot bowl of asian soup. Buy copies of her most recent book “Life Dressing: The Idiosyncratic Fashionistas” here.
“Geoffrey H. Short’s series ‘towards another (big bang) theory’ is an exploration of risk, terror, beauty and the sublime. The fuel explosion is part of the cinematic vocabulary of special effects and as such is a simulation of terror. (Notably, in these days of computer generated imagery, the best way to simulate an explosion is still with an explosion). Hiring film industry special effects technicians to create “big bangs” on the black sands of New Zealand’s west coast, Short uses fossil fuel (with all its geo-political associations) mixed with gunpowder (with its own history of war, plots and dangerous entertainment) as an unpredictable, dramatic and multi-layered imaging material. ” – Matt Nager
New York based artist Seth Wulsin’sÁnimas project explores the interior dimensions of mind and soul in the embodied physicality of space. In Spanish the word anima means soul; its root ane means to breath. By layering different parts of the face on multiple screens that all align in space Seth creates portraits that are optically real, but tactically non-existent.