Brooklyn based artist Melissa Zexter combines photography and hand-stich embroidery to create layers of narrative and texture in a unexpected and colorful way. Zexter, an MFA holder in photography, redefines her practice, as she creates a new artistic concoction that provides more context in the already-narrative medium that is photography. The use of embroidery is a reaction to the photographs themselves, a way to overexagerate or emphasizes different aspects of the images.
For me, sewing was another way to build up a surface and to build upon the content of my photographs. I loved the meditative process of sewing – it was in such contrast to the technologically more immediate art of photography. The combination of sewing and photography brought together two very different processes that I love. The use of embroidery is a reaction to the photographs and is a process that aids in the transformation of identity of the person or place being photographed.
Some of the photographs she uses are digital prints and others are gelatin silver prints that she make in a darkroom. The thread, which she uses to compliment the images, primarily acts as a connection between the person/place captured in the photograph and the artist herself.
I always think of the photograph as something from the past and the thread as a reaction to the past and present. The thread makes the photograph more personal to me and allows me to meditate on the image. Combining the two mediums (photography and sewing) allows me to reinvent the photograph; to visually react to a person or a place.
Married couple, Akiko Ida & Pierre Javalle, use their culinary, photographic, and miniature figurine making skills to create an endearing body of work where food become recognizable landscapes. Not quite the equivalent of my dream for mountains of blueberries, but close enough!
New York based graphic designer/artist Nikolay Saveliev channels a host of perspectives within his work; sometimes funky, occasionally quirky and consistently sophisticated. Nikolay has a way with conceptual translations – transforming & developing the simplest of ideas across a broad spectrum of mediums – imbuing any viewer with an increased curiosity and a desire to see more, more, more, of work!
Camgirlsproject was created by former fashion student Vanessa Omoregie who began the ongoing series about a year ago. The project seeks to investigate the female image within the context of the internet by presenting images of classic paintings that feature webcam selfies in the place of the painted nude female form. All images are user-submitted and present the viewer with a reappropriation or reclamation of female nudity as something to be celebrated and not shamed for.
The term – camgirl – originally applied to anyone who recorded themselves via webcam doing anything, not just sexual acts, but has been more currently associated most strongly with sexual behavior. Omoregie says, “The name has connotations of its own.The project hopefully makes people rethink what they know about the term and how they view girls who choose to be in front of a camera -sexual or not.”
Something you may notice about the submissions is that these modern-day nudes overwhelmingly represent lean, white, hairless bodies, almost a complete reflection of the bodies in the classic paintings. As a black woman, Omoregie is disappointed that more women of color and varying body types have not submitted to the project, although she has herself participated and tries to encourage more women to submit. Her hope was that women who are not typically represented by the media would feel more comfortable presenting their bodies in this sort of space, but so far, submissions of more variance have been few and far between.
While not currently taking submissions, Omoregie will be inviting followers to contribute to future projects of hers through this project’s site. She has also suggested that people follow her personal blog in order to keep up with forthcoming projects. (via telegraph and animal)
Felice Varini’s site-specific paintings will have you dizzy as they distort your reality by altering your perception. Depending on where you stand or how you look her work, it looks completely different. One moment you are standing in front of a spiral of bright oranges, if you move to a different angle, skewed and broken. Her public works are painted on beams of buildings, walls of galleries, windows, and much more. The artist incorporates the entire space that her work inhabits into clever optical illusions, manipulating your eye into seeing something amazing.
Her eye-popping, bold shapes and vivid colors that she uses in her works make it impossible to ignore if you are lucky enough to spot one. Each shape the artist creates is like a piece to a puzzle that only fits together at the right moment, forcing you to pay attention to your surroundings. Varini’s optic art demands that you slow down and take a second to enjoy all that is around you, including her incredible artwork. If you don’t, you may just walk right pass it, only catching hints of blues and reds where there should have been squares and triangles. Felice Varini, originally hailing from Switzerland, now lives and works in Paris where she installs many of her brilliant works. (via Ignant)
Brazilian cultural organization SESC opens their massive arts show today. As part of the event, Polish “crochet-bombing” artist Olek has added her characteristic textile treatment to a giant crocodile installation in Sao Paulo, where the event is based. The huge, attention-demanding piece was produced in close cooperation with local Brazilian artists. Olek has gained attention for her idiosyncratic hot pink camo-patterned designs, and her ruthless street and gallery installations involving miscellaneous objects wrapped completely in crocheted stitching. The artist has applied her technique to cars, people, Wall Street’s Charging Bull, and more. See images of the recent Sao Paulo piece and examples of various past projects after the jump. (via)