Brushing the edges of Pop-Surrealism, Bill Dambrova’s expressive paintings explode with color and anatomical imagery. His work is hard to ignore, as his cartoon-like style hits you in the face with exaggerated facial and bodily features. Each piece is like a louder, more graphic and fun illustration from a medical or anatomical textbook. His technique is both abstract and representational, as he paints unnaturally colored organs and molecules moving through his compositions. Pulling inspiration from physical healing and spiritual growth, Dambrova’s work explores the stories and memories held in each of our biology, exposing humankind internally. The artist’s work uncovers not only human anatomy, but the insides of animals as well, unifying our biology. Each painting beautifully shows us the commonality in the biology in living things, while still exploring the unknown. This Phoenician artist investigates themes in science, animism, and archetypes in his work.
Although Dambrova’s work holds traditional imagery, such as animals and a human heart, they are shown in a different light. In his work, bodies are split open, organs function outside the body, and rays of organic light flow through each being. Each composition Dambrova constructs is as intricate as the human anatomy itself, with each color and shape intertwined with the next. The very talented artist is one of the recipients of the Contemporary Forum award given to emerging artists in Arizona. His work can be seen on view now through May 31st at the Phoenix Art Museum.
Sometimes artists, through the most simple of interventions, can do something that profoundly sums up how you feel. Justin John Greene has a whole portfolio of pretty goofy paintings, this one is my favorite. I wish I had made it. It was like in the sea of my mirthful misery, the clouds parted, this painting was delivered and elicited a fleeting moment of joy. Also, you can’t beat his ninja-turtle fort tipi replete with Ren & Stimpy dream catchers below.
I know that Democrats are supposed to be hip and that most artists “Baracked the vote” but I was blown away when I stumbled onto the photography of Tipper Gore. Am I crazy or are these really great photographs? I could see these images in Time (maybe even National Geographic) magazine any day of the week. My hats off to Tipper. I’m truly impressed. More images after the jump.
A great series of podcasts by Side Street Projects with various Los Angeles based dealers and museum curators discussing what they look for in art. Some of my favorite interviews include Aimee Chang from the Hammer Museum, and Jeff Poe from Blum&Poe. It’s a great insiders look into not only the LA art scene but into the minds of some of the cities best curators.
Brad Kahlhamer uses his Native American heritage and post punk urban culture to paint large abstract symbols across canvas’ and create his own spiritual dolls. He is interested in culture and identity and through his art is building a world where he fits in. His artwork has an undertone of darkness meets the real world. A “third place” as Brad Kahlhamer calls it, where two opposing personal histories meet.
His paintings are filled with totems, poles, teepees, hawks and weaves combined with images from different cultures. It unveils an obsession for his ancestors and the modern life he is living. He is influenced by rock music and multiculturalism which is reflected in his paintings by the tone of colors and the display of the elements throughout the canvas. The dolls are a logical continuation of the artist’s train of thoughts.
Brad Kahlhamer has decorated the dolls with recycled and organic elements; feathers, bicycle-tire inner tubes, his own hair, discarded clothing, rope, and leather. Originally, the dolls are Katsina dolls, cottonwood carvings of Katsinam, spiritual beings in the Hopi religion. Respectful of the amalgam his pieces might have caused in terms of culture appropriation, the artist, always gave credit to the origin of his influences. The tribe he has created is carefully constructed. Blending geometric shapes, nails and wired legs to the essence of the Katsina dolls, the artist is empowering the individuals and blurring the lines between multiculturalism and abstract modernism.
I love Emil Holmer’s nutty bright colored graffiti jungles.If you happen to be in Berlin, on Friday, 12th of March 2010 from 6 to 9 p.m., Galerie Michael Janssen will be presenting a selection of his recent paintings.