Harma Heikens produces these utterly amazing sculptures of children. Delving into the playfulness of popular culture and the tempting powers of advertising, Heikens “calls forth visions of a befouled world terrorized by economic and sexual exploitation.” What she delivers is pornographic and cynical, and simultaneously comforting in their reference to saints and martyrdom. These children communicate a grim, post-apocalyptic reality, one in which “the world has deteriorated or one in which we, the viewers, have lost our innocence.”
Here are a few images from a 2009 fashion shoot by Eric Nehr modeled directly after the works of Egon Schiele. For some reason, these snaps expose Schiele’s notorious vanity even further. But of course no one does self portraits like he did, with his writhing, angular paintings full of turn-of-the-century angst. A nice tribute. (via)
It’s amazing how technology changes the way we view and document the world. Case in point, Professional photojournalist Benjamin Lowy’s blog of iPhone photos. Benjamin’s photos of the revolution in Libya give us an intimate look into the peoples struggles to gain their freedom and break away from the regime of Gaddafi. Here is what Benjamin had to say about his blog: ” This blog is part of a project borne during my travels as a professional photojournalist. For years, I have worked with bulky digital cameras, always mindful of the technical maneuvers from setting the shutter speed and aperture to editing and toning on a computer screen. In the last two years I have discovered that my iPhone has allowed me to capture scenes without feeling that I am once again on the job. To “point and shoot” has been a liberating experience. It has allowed me to rediscover the excitement of seeing imperfections and happy accidents rendered through the lens of my handheld device. I am able to create imagery, edit, and transmit all the images straight to this blog, creating a modern and efficient workflow for the most inefficient of pursuits – self expression. ”
Amanda McCavour creates delicate and intricate thread illustration-sculptures by sewing into a fabric that dissolves in water. This method allows her to build a threaded structure that stays in place once the fabric dissolves. The result is embroidery that appears fragile, on the verge of unraveling. She recreates domestic scenery, like that of chairs, side tables, electric sockets, in addition to other figures such as hands, a garden, and a steam pump. The effect of this work is ephemeral and whimsical.
From her artist statement, “I am interested in the vulnerability of thread, its ability to unravel, and its strength when it is sewn together. I am interested in the connections between process and materials and the way that they relate to images and spaces. Tracing actions and environments through a process of repetition, translation and dissolving, I hope to trace absence. My work is a process of making as a way of tracing and preserving things that are gone, or slowly falling apart.” (via slow art day)
Body painting is a tedious, but amazing process with stunning results. Incorporating the technique in unique ways, each of these three artists captures beautiful and poetic images after applying paint to skin.
California-based photographer Jean-Paul Bourdier combines the human form with landscape to create a unique visual synchronization. Painting the bodies, posing them just so, and taking the photographs, Bourdier explains that, “arising in each visual event conceived are the geometries generated by the body as a determinant of ‘negative space’—not the background of the figure and the field surrounding it, but the space that makes composition and framing possible in photography.”
Incorporating what is largely traditional painting, Alexa Meade also uses the unique canvas that is the human body. Painting directly onto the skin, Meade creates a trompe l’leil that is wholly unusual. Camouflaging her figures into the background Meade creates optically engaging images that confuse 3D and 2D planes.
Australia-based artist Emma Hack combines painting on canvas, body painting and studio-based photography. Hack’s works incorporates rich visual narrative with magical realism. Also interested in the idea of camouflage, Hack spends approximately 19 hours painting her wallpaper and then anywhere from 8-15 hours painting her subject to throughly explore the subject. The arduous process is time-consuming, but the results are spectacular.
Industrial designer James Boock, along with the design team of Josh Newsome-White, Brooke Bowers, Hannah Warren, George Redmond, Richie Stewart and Philippa Shipley designed and built the Quakescape 3D Fabricator. The fabricator uses earthquake data to visually represent the natural disaster. The machine retrieves the earth quake data which is then transformed into paint formations. Different color paint (representing different intensities of an earthquake) are poured onto the appropriate locations of a cross section of Christchurch, New Zealand. The wet paint flows down mountains, pooling in valleys, further transforming the raw information into art.