Greg Mamczak’s painted worlds are fascinating storybooks with a creepy calm air. I’m completely drawn in to see the different parts of his scenes, and explore the eerie feeling they exude. Each painting has so much in it, but still leaves ample room for imagination. His scenes range from people participating in what looks like cult worship, to every day scenes centered around exploration and discovery. Whatever is behind these creations, it’s peaked my curiosity. Have a look…
SF-based Shalo P manhandles the space occupied by figurative pop references, and slices up the time it takes for skin and blood to drip out of frames inside of frames. It’s heaps of muscles, genitals, childhood idols, and crushed steel, for the eyes to get sloppy with. I especially enjoy what he has been doing with his coloring method, which has a lo-fi Photoshop (MS Paint aspirations) collage feel. He must be, he just has to be, having a great time. You can go deeper in this Fecal Face interview, catch his latest tumbles, or flick it, and no matter what path you choose you are bound to get excited about this guy’s work. To get physical, pick up DEATH TRIP, a collaborative zine with Peter Gray Hurley, put out by Drippy Bones Books.
Justin Clifford Rhody is the proprietor of Friends and Relatives Records, a Ypsilanti, Michigan-based music and zine label. I first became acquainted with Rhody through Smut, his powerviolence band, and through his eponymous acoustic project. He currently plays in (D)(B)(H) but has turned most of his creative energy toward photography. His photos capture the melancholy of declinist America; the decaying Fords in the moldering suburbs of the Rust Belt, the plastic-casts of statuary standing sentry over the overgrown lawn – the physical forms of our economic and spiritual malaise.
2012 looks to be busy for Rhody: a book of his photography, Sliding Glass Door, is slated to be published this spring by Bathetic Records, a solo exhibition of Rhody’s photography opens at Skylab Gallery this March in Columbus, Ohio, and Rhody has an exhibit with the painter Peter Shear planned for the summer in Bloomington, Indiana.
In the meantime, Rhody plans to continue touring the states with his slideshow and to revisit Guatemala, the setting of a few of the photographs found after the jump.
Dana Tanamachi brings the art of dynamic turn of the century typography to the medium of chalk drawing. Her elaborate drawings are not anything short of amazing with some coming complete with QR codes drawn in chalk! Now that’s what I call a mix of old and new! More typographic goodness after the jump!
Josh Kolbo‘s large-scale, high-gloss c-prints merge photography and sculpture, as the distorted images are layered on top of each other to build narratives over space and time. More of the work (including close-ups) after the jump.
David Ball creates the kind of art you need to see in person, so you can get right up close to every piece and fully immerse yourself into the fine details of his fantastic fantasy worlds. I’m forever in awe of his mixed-media collages and I’m always trying to figure out how he makes all his works look like paintings, even though I thoroughly know that they’re assembled from thousands of magazine clippings. At least some of the photos below by Shaun Roberts give a rare glimpse into David’s unique and beautiful process, that makes my brain simply explode with joy. And right now, I’m just super jealous of every art fiend living San Francisco, since David will be featured in the group exhibit “Harum Scarum” at 111 Minna Gallery that opens on February 2nd and runs until February 25th.
The drawings and paintings of Portland, Oregon based BAWBEE are littered with miscellaneous ligaments, freaked out faces, animals bones, and molting organisms.
Sure to put some bees in the anarcho-primitivist bonnet, I’d wager that mass urbanization is one of the prime inevitabilities of the twenty-first century. Obviously, the emergence of the megacity will have a serious environmental impact. But consider the psychological impact as well. What does it mean to be isolated–or to simply find a place to be alone–when we’re all sardined together? Through a combination of chance shots and staged photographs, photographer Eric Perriard examines this idea of private space within urban landscape of Seoul, a city spread over a mere 0.6 percent of South Korea’s land, yet crammed with nearly a quarter of the country’s population.