Inspired by street art, DADA, and German expressionism, Andrew Paul Kerr‘s digital collages explore the juxtaposition of the tangible physical world with it’s struggles, death, beauty, and wonder with that of the spiritual and what happens when these two worlds collide.
This article is presented by the holiday sticker printing website, Next Day Flyers.
Happy Halloween everyone! Let’s all take a few minutes to celebrate the funniest holiday of the year. Hope your day is filled with lots of ghouls, goblins, ghosts, spooky monsters and maybe some David Letterman??? More crazy pumpkin carving pictures after the jump!
Conner Contemporary Art is very pleased to present Patricia Piccinin’s first solo exhibition in Washington, DC: “The Welcome Guest.” The selection of works ranges in date from 1997 to the present, including video and small- to large-scale sculptures (made of silicone, fiberglass, human and animal hair, taxidermied peacocks, polyester, nylon, wool, plastic and bronze). Using natural and artificial media to create realistic and grotesque forms, the world renowned Australian artist visualizes humanity’s challenges in navigating between nature and biotechnology.
The exhibition title comes from its signature piece, “The Welcome Guest” (2011), Piccinini’s most recent creation, which recalls Goethe’s statement, ‘Beauty is everywhere a welcome guest.’ The artist explains that this work “reflects on the beauty and strangeness of nature.” In this compelling sculptural grouping, a fleshy mutant creature embraces a cute little girl as a graceful peacock looks on from atop an icy perch. Here Piccinini asks: Who will we become as technology refashions the relationship between people and the natural world? Other works in the exhibition elaborate on what kinds of emotional connections could emerge between us and the strange yet vulnerable life forms our science may yet create. See the show from November 5th – December 7th, 2011 at Conner Contemporary Art.
“The pictures I make are images of my idea of form . The subjects I play with represent personal experiences , which I translate into a visual experience for the viewer to engage in. The content of the work is on the surface, and in the way elements interact to create an image –“ that which presents an intellectual and emotional complex in an instant of time”. My works are fictions that deal with form on imaginary terms.”
Acid Drops is a breathtakingly exquisite yet simple ongoing animation series by Matt Box that psychedelically captures the individual styles of influential skateboarders.First up is one of my favorite skaters, Jason Dill. Watch the full video in all its technicolor glory after the jump.
“The visual form of my installation originates in memories of my childhood home—an island in the southern part of Brazil—a serene setting surrounded by the sea, with majestic palm trees and lonely houses scattered along the shore, and crowned by a vibrantly colored sky at dusk. The content is fueled by the writings of Maria Manuela Margarido and Alda do Espirito Santo and personal memories of my country’s political resistance to colonialism. My lifelong social and political awareness began at an early age and, ultimately, found its way into my art in the form of figurative narratives that portray the joy and resilience of the human spirit confronted with social and political hardships. Specific imagery in By the Sea (parrots, coconut palms and the evening sky) was taken from Margarido’s poem Nightfall, which reflects on the disjunction between childhood dreams and adult realities and reminds its readers to dream high.”