Ever wondered what your breakfast would look like, naked? Stripped of all its Emporer’s Clothes of cups, pans, saucers, toast racks, and then forced to levitate? Well, look no further- photographer Oliver Schwarzwald has answered your prayers. He’s done just that to a selection of breakfasts from around the world. It’s been 4 years now since I’ve been to England, but ah, seeing the above sure makes me miss a good cup of Grandma’s tea, fried egg, bangers & baked beans…good ol’ fashioned fry-up. Can you tell what countries the other breakfasts belong to?
For years Mark Dean Veca has been painstakingly painting ornate and intricate patterns on canvases as well as walls across the US. Using a mix of references that run the gamut from 60’s psychedelic art to 90’s graffiti, Veca has managed to create an alternate world where his signature technique takes 2-D graphics and breathes new life into them.
Primarily known as a painter, Veca doesn’t hold himself to only paint and brush. For over a decade he has collaborated with some of the best brands in the world creating iconic apparel and product illustrations for the likes of Nike, Lucasfilms and Burton; so it should come as no surprise that he recently teamed up with curated online marketplace RARE to create a new signature line of apparel featuring the imagery that he has become known for.
Veca’s first collection of apparel with RARE includes bold color ways and patterns covering every square inch of the garments. You can get patriotic with the Godsmith , Flag II, and Merica II tees. If bending your mind is your thing you can toss on Veca’s The Duke shirt which takes inspiration from Fear And Loathing In Las Vegas. Last but not least lets not forget everyones favorite theme, Money! Ladies can look fresh in the Red Leg$ leggings while the guys can spread the wealth with the Monopoly inspired Penny Bag backpack that has room for all your cash as well as your laptop!
Check out the complete collection on Mark’s RARE shop and learn more about Mark Dean Veca’s artwork and clothing by watching the above video.
Bowling Green’s Jordan Speer creates spacious worlds of clumps and lumps that bring to mind what would’ve occurred if Philip Guston had happened to have access to a 3D modeling program. Jordan starts in a subdivision modeler called Wings 3D where he creates each element of the image, and he then stages them in Cinema 4D, which allows him to apply lighting and various textures. Once the file is complete, he tweaks the image in Adobe Photoshop, prints the image out, and then scans it back into his computer at either a high or low resolution setting. In spite of its heavily digital origin, Speer’s work physically manifests itself in the forms of zines, short-form comics, show posters, and publication covers.
Speer’s isometric view strengthens the image’s technical origins, while his comically gory content and grainy finish give it an organic touch. With the colors of a clown’s wardrobe Speer arranges mysterious peeks into a world where dismemberment and assembly are spontaneous and painless. His vision is uniquely his, sitting somewhere between the fashionably crude renderings of the many artists dabbling in 3D programs, and the professionally-polished films of Dreamworks and Pixar. He just released QCHQ through Space Face Books, a 68-page full-color book, and he created the wrap-around cover image for the eagerly awaited Happiness #4. It’s exciting to think about where Speer will continue to push this unique look, be it into a long-form animation or a graphic novel.
Artist Eamon Ore-Giron has lived in Peru, Spain, Mexico, and the Southwest, all of which have shaped his work and inspiration. His installations and paintings blend graphic design, folk art, tourist art, and Surrealism. Ore-Giron has an upcoming series called the Road to Ruins at the Steve Turner Contemporary. So if you happen to be in LA on September 11th check it out!
Artist and filmmaker Philip Haas has taken 16th century paintings and brought them into modern day in the form of larger than life sculptures. Haas has created four busts of the paintings titled The Four Seasons by Renaissance painter Giuseppe Arcimboldo. The original paintings portray four busts cleverly formed from fruits, vegetables, and flora that represent each of the four seasons. The piece Autumn appropriately displays lush fruit making up the person’s plump cheeks, while Winter is revealed through bare twigs for hair and lumpy roots for the face. Haas’s sculptures are enormous and spectacular replicas of these paintings, down to every last plant that makes up the face of each character. The paintings as well as the sculptures portray and compare the never-ending cycle of life and unavoidable aging of humans in a beautiful and fascinating way.
What is absolutely amazing about the work being re-imagined and recreated as sculptures is that each of the works are fifteen feet high. Each intricate face completely engulfs the viewer in its interesting details, allowing you to examine every leaf, vegetable, and vine protruding from their facial features. Haas has given us a monumental series of works that shine a new light on the original masterpieces from the 1500’s. Haas’s sculptures have been shown all around the United States in a variety of unique venues including the Desert Botanical Garden in Phoenix, the Atlanta Botanical Garden, and the Nelson-Atkins Museum of Art.
I met Tisch Abelow a couple months back, and whenever I’m around her I can’t help but feel inspired by her levelheaded, simple and straightforward attitude. I also continually seem to find myself in a state of deep transfixion, staring deeply into the center of her colorfully precise and exacting work. Tisch can draw and paint with the best, has collaborated with a ton of great artists, and has traveled all over this great country of ours. I recently caught up with this wonderfully talented lady and asked her about making art, living life and eating lunch in the big city and beyond.
Speaking of boobs, Japanese lingerie company Triumph unveiled its Make-The-Putt Bra today. Triumph creates two novelty bras each year, typically centered on important issues in Tokyo. In the past, some have involved solar panels, miso soup, voting and baseball. Take a look at all of them on Huffington Post and make a vote to which you think are best and which are a bust (haha…)!
It’s time for our weekly exclusive artist feature in partnership with premiere website builder Made With Color. Each week we join forces to bring you some of the most exciting artists and designers working today who use Made With Color to create their clean and sleek websites. Made With Color is a website builder that helps artists create gorgeous mobile/tablet optimized websites and allows them to do so in a few minutes without having to touch a line of code.This week we are happy to share the work and website of Janet Decker Yanez.
Nashville, Tennessee based artist Janet Decker Yanez latest series of paintings “Unwinding Sheets” is a psychedelic exploration of portraiture, color, and abstraction. Using furniture moving pads and spray food coloring, Yanez’s experiments have taken her on a hallucinogenic ride full of colorful possibilities.
Discussing this body of work she states:
There’s a death that happens in the moving process: death of the physical space once occupied, of relationships with people and of things that break or don’t have a place in the new home. There’s also new life that happens while unpacking, as demonstrated in this series called “UnWinding Sheets.”
After unpacking my whole house and giving away all the boxes and most of the paper—for the second time in less than a year—I was left with roughly 20 large furniture paper pads, “economical, multipurpose, and reusable 3-ply recycled paper.” Some days I just wanted to wrap myself up in one of those blanket-sized sheets and hide away in some old box. As an alternative, I brought them to the studio.
Using food coloring and spray-painting techniques, I began creating non-representational heads/portraits. Starting with the basics of facial anatomy, ephemeral, shroud-like faces emerged from these lifeless, linen-like materials approximately 4 feet by 6 feet. Features developed as the coloring puddled or ran depending on whether I was working on a flat surface or vertically and as I used a layering process that included several spray applications and airbrushing.
A cast of characters unfurls from this paper that once wrapped and protected all my fragile household items. Through the title process I found some have names, some speak of their past with terms used to describe the condition of the objects they once wound around, while others merely echo precautionary statements.