Somewhere between sculpture, fashion, and performance art lies the curious work of Daniel Ramosobregón. This Colombian designer’s wearable art takes the form of dismembered components of the human body in a pure white slate. Each piece is created from porcelain casts of the particular body part that it represents. Then, they are attached to gold plated brass metal and appropriately worn almost always directly attached to the body segment it mimics, creating a deeply psychological affect. It is as if each human body section is jumping out of its place into the air only to be confronted by it own body once again. Ramosobregón’s series is titled Outrospection inspired by the philosopher Roman Krznaric, who claims that humans must live towards the outside to truly know themselves. This meaning, experiencing life is how we discover and form our identities. The designer further explains the meaning behind his wearable limbs.
I have appropriated his concept while relating it to out-of-body experiences more commonly known as astral projections, by seeking to represent -in a metaphorical way- the mind being projected inside out of the body as a way of self-expression and representation.
These “out-of-body” experiences are represented in his work as ghostly and unnerving fractions of the body unnaturally detached. The most startling piece is the white, porcelain tongue that is only attached to the subject’s body by part of it being held in his mouth. Ramosobregón’s series Outrospection is a perfectly balanced mix of beautiful craft and amputation. Although the photos of his crisp white and well-designed sculptures appear somewhat unsettling, Ramosobregón’s work is unarguably delicate and stunning.
Since we last posted about him, multi-talented artist Tony Kinglux has been up to an interesting new gif project. Kinglux draws from his collections of various ephemera, from the medical and magical to the religious and ancient, and skillfully incorporates animated images into static and dated images, creating hypnotic new animations. Kinglux’s work is resonant with the mystical and magical, while also capturing a sense of measurable reality. “That’s what I’d like to achieve from these images: to inspire a new generation to take a look into some very old ways of looking at the world. A way of reimagining the universe and our place in it. That the magic still exists, it’s very close to us all the time and that it is waiting for your experimentation.” Kinglux is currently living in Prague where he’s visiting some of the magical haunts of the ancient alchemists.
Brett Reichman has been pursuing an increasingly sexually charged direction with his painting. It’s clear that his subject matter is an important aspect of his work. But just as important is how visceral this stuff is. I get the feeling that Reichman’s skill with a brush allows him to communicate any message that pleases him, no matter what the content might be. This looks like one of those cases where you especially have to see a work in person to fully experience it. Brett Reichman is based in San Francisco.
The Loaded Woman 2009, acrylic on linen, 76 x 65 images via LaViolaBank Gallery
The works of Helle Mardahl vary in medium with paintings, sculpture and collaged photographs addressing human fallacies and inventive absurdities. The artist’s background in fashion is demonstrated by the precise coordination and arrangement of shape and color embodying the figures. They don exaggerated features and contorted body parts and are masked to the point of sheer spectacle and wonderment. The artist’s interest in bedazzlement and burdened woe is a convincing combination of Rembrandt’s hobo drawings and Nick Cave’s soundsuits.
A smart new campaign launched on Earth Day (April 22) in Hong Kong has ambitious plans aimed at changing the littering epidemic the city is facing. Called ‘The Face of Litter’ and developed by The Hong Kong Cleanup, in partnership with Ecozine and The Nature Conservancy, it is a multi-media attempt to curve people’s messy habits. Groups of scientists have targeted certain areas around the city, and with the help of DNA phenotyping and specialized software, an image of the litter culprit is developed. Then by considering the type of litter found, and where in the city, an even more accurate description of the person and their demographic can be developed. The faces of the guilty litterbugs are then displayed around the city, in different bus stops, on billboards and on social media.
By publicly shaming people who drop their rubbish, The Hong Kong Cleanup hopes to drastically change their citizen’s habits. China and Indonesia are among the top polluters around the world, and now many people are acting to change this sooner rather than later.
95 per cent of marine refuse in Hong Kong comes from local sources, with over 80 per cent originating from land-based activities. Additionally, more than 70 per cent comprises plastic and foam plastic items. (Source)
Lisa Christensen, Founder and CEO of The Hong Kong Cleanup, says:
We are thrilled to be part of this innovative campaign, which is sure to have a positive impact on people and the community. Last year, during the six-week Hong Kong Cleanup Challenge, 418 teams comprising 51,064 participants, collected a total of 3,894,000 kilograms of litter from city streets, coastal area’s and country trails. Sadly, we suffer from a serious ‘pick up after me’ mentality, and this simply must change. (Source)
Cambodian-based artist Anida Yoeu Ali conceptualized The Buddhist Bug Project, which sprouted from her fascination of other religions. She was raised in the Muslim faith but is drawn towards the Buddhist religion. Her project attempts to reconcile these two interests. Ali explains:
The Buddhist Bug Project seeks to map a new spiritual and social landscape through its surreal existence amongst ordinary people and everyday environments. The Buddhist Bug (BBug) is a fantastic saffron-colored creature that can span the length of a 30-metre bridge or coil into a small orange ball. Rooted in an autobiographical exploration of identity, the Bug comes from the artist’s own spiritual turmoil between Islam and Buddhism. Set amongst everyday people in ordinary moments, the Bug provokes obvious questions of belonging and displacement.
The Bug’s colorful exterior references robes worn by the Buddhist Monks, while the style of its head piece is modeled after the Islamic Hijab. The travelling project has made its way to Cambodia, where Ali and photographer Masahiro Sugano stage site-specific performances. We see the Bug wrapped around tables, in a boat, up a flight of stairs, and more. Its presence allows for others to interact with it and take part in the project, which is part of Ali’s intent. “…meters and meters of textile act as skin, as a way for the surface of my body to extend into public spaces, and as a metaphoric device for stories to spread across an expanse.” She says. “For me, performance and storytelling become ways of bridging the interior and exterior space of self as well as initiate critical dialogues between communities and institutions. (Via design boom and The Philanthropic Museum)
Daniel Weiss is a photographer from NYC practicing what he calls, “traditional street photography.” One of his bodies of work, entitled “New Yorkers,” depicts the everyday people he encounters throughout New York as the title suggests. His goal is to capture the traditional cast of characters of the big city. His other portfolio, titled “Street Scenes,” is more your basic street art. In each of his photos he aims for a timeless feel, only capturing scenes that do not give away the time period. He says that by not being able to tell if the photo was taken now or 50 years ago, “it allows you to focus more on certain, more interesting details that may be in the photograph.” He states, “Especially since I feel that most the city nowadays is in an aesthetic slump that it will never recover from.” Check out more of his work after the jump, or visit his site.