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MTV 16 & Pregnant

POGO design studio

Design studio POGO, based in Argentina and makes beautifully slick commercial work, was commissioned by MTV to re-create the identity of the MTV 16 and Pregnant (don’t think I need to explain what this show’s about…) in collaboration with MTV World Design Studio Buenos Aires. I’m not certain how I feel about the new image for this show, it’s a mixture of fear, disgust, and hilarity. And being generally torn about the direction of my moral compass. I don’t know, what do you guys think?

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Unexpectedly Poignant Portraits Of Star Wars Action Figures

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Zahir Batin’s delightful series of photographs is sure to get you excited for the upcoming release of Star Wars: Episode VII. When the artist bought a Canon EOS 1000D in February 2012, he had no idea that he would discover a passion for shooting miniature Star Wars scenes, but sure enough, he has since created a whimsical body of work cataloging the misadventures of Jedi, Sith lords, clones, and droids.

Batin’s work is certainly humorous, serving to decontextualize the often fearsome characters. A pack of clones is shown to be comically miniature beside a group of adorable ducklings; one even kindly offers a leaf to the giant baby animals. During their time off, they play with their vehicles like a group of rowdy teenage boys. For a more relaxing evening, they unwind riverside and confide in one another in a language inaudible to human viewers.

Despite the comic conceit of the miniature work—and perhaps even because of it—Batin imbues his imagined scenes with a poignant humanity and deeply-feeling heart. After a day of play, the clones lose a companion, and their heads move toward the sky in despair. After digging a grave, they place the fallen man’s tiny helmet above the moistened dirt and position a carefully-crafted gravestone at the head. In a moment of grief, they press their armored bodies together and embrace. Through Batin’s emotive lens, these small action figures, normally beloved only by children, become sentient beings with whom we can relate and empathize. Take a look. (via KoiKoiKoi)

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Fairy-Tale Inspired Photos Of Pit Bulls In Flower Crowns Go Against Stereotype

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In her series “Flower Power,” photographer Sophie Gamand has overcome her childhood fear of dogs by photographing Pit Bulls—wearing flower crowns.

“This project started as an excuse for me to discover more about pit bulls, and to see for myself what the debate was about. Were they really all crazy and dangerous? Or were most of them simply the victims of a generalization? … ‘Flower Power’ is about challenging myself to approach pit bulls with a fresh perspective and an open heart. I invite the viewer to do the same.”

The term Pit Bull designates an appearance, not a breed, and until fairly recently Pit Bulls were considered America’s Dog. What happened? Some states and counties have introduced breed specific legislation and outright bans to make it illegal to own a dog that even looks like a pit bull. They can be killed based on the way they look regardless of their temperament or previous history.

Though Gamand shares her concern with other Pit Bull defenders, for example Pitproject600 which also uses photography to show the gentle side of these dogs, the soft-focus, Photoshopped backgrounds of the dog pictures and the sweet flower crowns are an inventive and charming concept.

“The imagery associated with these dogs is often harsh, very contrasted, conveying the idea of them being tough. In my opinion, this feeds the myth that these dogs are dormant psychopaths. So I decided to take the other route and portray them like hippies, soft fairy-tale-inspired characters, feminine and dreamy.”

Thirty percent of the total dogs admitted to U.S. animal shelters are labeled as pit bulls, and 86.7 percent of pit bulls admitted to open admission shelters end up being killed. With her fairy-tale photos of dreamy eyed dogs, Sophie Gamand wants to give these dogs another chance. (Via Fast Company)

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Andreco

 

Andreco, negli Italia (that’s Italian for “from Italy”… I hope) recently had a project where he showed videos created from paper-cuts as a live performance “shown in a very old palace in Bologna citycenter, (‘RE ENZO Palace’, the old King Enzo building.),” according to the artist. I love the simplicity and stiffness of the stop motion, and the morbid beauty of the figures.

 

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Josh Greet- Punks Lost In The Woods

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Josh Greet‘s photography has a European post-punk feel to them that I’m really digging. I especially love the photo of the black metal pet rat funeral after the jump. It’s pretty metal!

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Lorenzo Nanni Silk Botany

Lorenzo Nanni uses silk  and embroidery to create incredibly detailed sculptures of underwater creatures and various forms of botany. Lorenzo also creates prosthetic jewelry that also takes on the natural and organic forms of his sculptures.

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Aya Kato creates world for fans in Mr. Chiizu app

 

Aya Kato’s illustrations suck you into her world of star-crossed lovers, intergalactic space travel and art deco reverie on first contact. As a Beautiful/Decay cover artist on long since sold out Issue K, her posters, t-shirts and books have been amongst the most sought after the publication has produced.  We spot her Mermaid shirt on fans at least once a month. She recently teamed up with Mr. Chiizu, an artist’s decoration iPhone app that gives art and illustration lovers a chance to get inside works of their favorite artists. She was a natural choice for a Mr. Chiizu collaboration, giving fans a chance to step into her rich fantasy world. Her theme has been flying off the iTunes store shelves since its release earlier this week.

 

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Istvan Sandorfi’s Hyperrealistic Paintings Of Vanishing, Ghost-Like Bodies

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Istvan Sandorfi (1948-2007) was a Hungarian painter known for his hyperrealistic oil paintings of cloth-draped and vanishing figures. In his works, pale skin melds with the surrounding atmosphere, and bodies embrace and pull apart from one another, twisting in silent expressions of pain. Engrossed amidst states of transfiguration, Sandorfi’s “incomplete” characters exhibit both profound vulnerability and strength.

From detailed facial expressions to the minute details of wrinkles and bones beneath flesh, the paintings bear a photorealistic effect that is troubled by a fragmentary surrealism suggestive of digital manipulation. Such meticulousness came from Sandorfi’s never-ending dedication to the craft of painting, which he did mostly alone and at night. As he himself humbly claimed, “I never had the impression that I really knew how to paint, not in the past, not now. If you paint, you are simply never satisfied” (Source).

Sandorfi’s ghostly images have been shown on display around Europe for the last three decades. His works remain in several private collections and museums around the world, including the Centre Georges Pompidou, Musee de la Ville de Paris, and the Taiwan Museum of Art (Source).  As a master of his medium who could replicate and expressively unmake the human body, Sandorfi’s oeuvre is one that deserves ongoing appreciation. His work can be followed on Facebook. (Via Art Fucks Me)

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