Australian born and now London based artist Nick Sheehy illustrates awesome quirky, street art inspired scenes of fantastical hybrid characters. His work marries ideas from both aspects of low and high brow art; the playfulness and sort of dark humor moments of skeletons and overwhelming string that is reminiscent of veins (or, perhaps they are veins that are reminiscent of string?) winks to the aesthetic from both graffiti and comic book culture. Yet, there is a true classic beauty within each drawing, highlighting Sheehy’s talent and admiration for traditionalist draftsmanship. It is clear from his work that his attention to detail and disciplined drawing style has been developed from an intense labour of love, employing master technique and classic methods. Sheehy originally studied bronze sculpture “in the wilds of Tasmania,” (perhaps giving him the inspiration for such inventive animal-creature centered work!). He then “gave up on art only to re-discover his love for drawing whilst living in London.” Each of his pieces is unique to his practice and full of imagination, cleverness, and sophistication. Sheehy‘s work, he notes, “explores the dreamlike, sometimes semi-autobiographical scenes and oddball characters that echo from his childhood imagination.”
The photography of cooking enthusiast and photographer Brittany Wright simply and beautifully displays the natural range of hues held by various types of fruits and vegetables. The Seattle-based photographer states that she has a goal to learn how to cook everything and anything. Sharing cooking ideas and recipes online, Wright began photographing the ingredients to share as well. This love of experimentation with ingredients and flavors eventually lead to photographing the produce, starting her series titled Food Gradients. She arranges each edible item in rows, columns, and clusters according to their pigment or size, which is often attributed to the stage of lifecycle the specific food is in.
Some of the fruits and vegetables Wright chooses for her rainbows of ingredients naturally have a wide variety of colors, like apples ranging from deep reds to bright yellows. Others, however, are discolored for a different reason, because they are rotting and dying. Many of her Food Gradients brilliantly display the lifecycle of the item, showing the beginning of its life all the way to its elegant death. Because of her subject, you would think Wright’s inspiration comes from food photography, but because she sees food and cooking as a creative and artistic outlet, she finds more inspiration from abstract art. (via Faith is Torment)
” I see food as an art, and an opportunity to do something creative.”
If you guys happen to be in New York, join PopRally as they count down to All Hallows Eve with two consecutive nights of films from MoMA‘s collection. On Friday, October 29, watch The Texas Chain Saw Massacre (1974) or Frankenstein Meets the Space Monster (1965). On Saturday, October 30, check out Night of the Living Dead (1968) or Ghostbusters (1984). They kick off each evening with a cocktail reception (wear your costume!) featuring the hypnotizing sounds of the GHE20 GOTHIK DJs.
Costume reception begins at 9:00 p.m.; screenings begin at 10:30 p.m.
These sculptures are made from the bones of dead people. The photographic portraits of these sculptures are made by Arne Svenson. What results is Unspeaking Likeness, a strangely captivating series of death portraits, collected here.
For four years, Svenson sojourned from coroner’s offices to law enforcement agencies allover the country, snapping photographs of facial reconstruction sculptures which were built by forensic artists and molded from unidentifiable victims’ skeletal remains, with the intention of resolving crimes.
The narrative hidden behind each “face” is a mystery, and, as viewers, our own hearts tense with sadness when considering each subject’s lurid last moments of life. It’s almost too much; so, we reject the idea of reconstruction in relation to rejuvenation. It feels psychological, how we need to detach. The “face” in the context of Svenson’s portraits are not representative of an emotional life nor physical body; instead, it’s a mask or doll with a troubling echo, seemingly touched by the hands of Frankenstein.
It’s not everyday that we post about an exhibit in East Hampton, New York but our good pal Ryan Travis Christian has an exhibit of his gorgeous drawings at the premiere East Hampton contemporary art space HALSEY MCKAY GALLERY (run by talented painter Ryan Wallace). You may remember our feature spread on Ryan’s work in the now sold out Beautiful/Decay: What A Mess book with it’s mind bending patterned detail that flows back and forth between abstraction and representation.
Christian describes his show Something, Something, Black Something as being “about pulling it off or not. Like trying something new and failing or succeeding, or trying something old and failing or succeeding. It’s about losing functionality or becoming functional in a completely different fashion. It about garbage and glitz having equal rank. It’s like finding money on the ground or having a stranger slap the back of your neck as hard as possible while you are on a nature hike. It’s similar to an uphill tumbleweed. It’s like realizing a fourth of an idea, or almost remembering something you want to say. It’s like having a clear mind and vibrator eyes.”
Make sure to head over to HALSEY MCKAY between now and August 7th to catch Ryan’s show. If you’re stuck out west and still need your RTC fix you can see a great exhibit of work curated by Ryan over at Double Break Gallery in San Diego featuring works by over 120 artists (including yours truly).
Lee Stoetzel carves fast food, life-size VW buses, vintage Mac computers, and even fine art from wood, recalling iconic objects, and ironically, examining worn-out symbols or ideas in contemporary art, initially cultivated from the likes of Chuck Close, Rube Goldberg, and Claes Oldenburg.
Whether its mesquite or cypress, each renewable resource favors sinewy flaws or wood marks that, according to Stoetzel, feel comparable to brush strokes, providing another layer of texture and pop of craftsmanship.
Check out the video of Stoetzel discussing his work in his studio and see a few more stills after the jump.
French design group HELMO (Thomas Couderc, Clément Vauchez) has an amazing knack for using the simplicity and elegance of photography in design.