Welcome to Nathan Alexis Brown’s blank generation. Where punk dudes drink forties and hang around a camp fire with luchadores and werewolves. All while wearing a few of the most mind blowingly cool denim vests that would even make Tezz Roberts drool.
Shane McAdams abstract and landscape paintings are created with a mix of acrylic paint, resin, and your average ballpoint pen ink cartridges. McAdams takes ink from the pen cartridges and pours them onto the canvas surface, blowing on the ink to create the streaks of color. But the experimental nature of his works doesn’t stop there. He then subjects his works to the powerful lights of a tanning salon which cause a chemical reaction to the pen ink which then creates the tie dyed streaked effect.The result is a world unique to McAdams where the natural and the artificial collide to create spectacular visions of a utopian and hyper colored future.
Lisa Nilsson’s works renders the densely squished and lovely internal landscape of the human body in cross sections. Her materials are Japanese mulberry paper and the gilded edges of old books. They are constructed by a technique of rolling and shaping narrow strips of paper called quilling or paper filigree. Quilling was first practiced by Renaissance nuns and monks who made artistic use of the gilded edges of worn out bibles, and later by 18th century ladies who made artistic use of lots of free time.
What musings I have read by Peony Yip – aka The White Deer – express her true passion for drawing, something she has pursued, as she says, because it is the only thing she knows. The Hong Kong native of only 21 honestly asserts that she is no professional artist, instead describing herself as just a recent college graduate, broke, and looking to freelance a bit. Of course, the young woman can claim what she would like, but I think her talent is undeniable. Amateur or not, I have been loving her varied works. Take a look at some of her creations here, and maybe show this up-and-coming artist a bit of love after the jump.
I’m absolutely loving these photorealistic paintings by Audrey Flack from the 1970’s. The paintings saturated color patterns scream 1970’s with its over the top disco sparkles all over and it’s kitschy psychedelic tendencies.
Distortion, illusion, and psychedelic alterations can all be found in the hand cut collage work of Lola Dupré. My favorites are the well known images that she re-imagines in her trippy explosive cut paper interpretations like the above drawing by M.C. Escher.