Is that an amazing relief print I spy? I do believe it is!! Dennis McNett puts his impressive carving ability to work, making striking woodblock prints that tend to include mythical animal imagery. McNett, who teaches printmaking at the Pratt Institute in New York, has also designed killer graphics for Vans, Anti-Hero skateboards, Volcom and Adidas, so you could say that he’s got the serious skills to pay the bills.
When Isaac Tobin is not working as a senior designer for University of Chicago Press or playing with type design, then he is whipping up some pretty phenomenal collages with minimal resources. Each piece remind us that cutting back and holding the line is just as important as drawing it. His seemingly simple use of familiar and found paper products matched with sporadic vintage text and condensed doodling presents an accessible everyday charm that inspires affordable creativity.
Artist Paul Rousso spent part of his career as an art director and freelance illustrator for big companies like Revlon, Clairol, and Bloomingdales. So, it’s fitting that his recent body of work relates to pop art and features realistic, larger-than-life sculptures of discarded candy wrappers, magazine pages, and money. He delicately forms acrylic into folds and creases of paper, and paints it to look like it’s been beat up, stepped on, and generally seen better days.
Rousso is specifically interested in these small pieces of ephemera that mean so much to us. From his artist statement:
Ever since I was a child I have been fascinated by the endless oscillation of the human condition through text and imagery. As alternating replicas of our day-to-day become transformed by the inexplicable need to create, I endeavor to illuminate the imagined, effervescent edges of our all but invisible lives through the flat, two-dimensional subject matter that is all around us. As these shifting forms become distorted through the lens of history, my work inscribes an epitaph to the printed reality that was our past existence.
By blowing up this forgettable part of popular culture, Rousso makes it inescapable. It’s in your face and won’t be ignored, reminding us about the obsessions that we have with it and eventually (try) and forget. (Via PICDIT and mashKULTURE)
For his powerful series 141 Boxers, photographer Nicolai Howalt shoots young amateur boxers in Denmark before and after their first brutal fight. The artist, known in part for his elegant images of car wrecks, once again finds an eerie beauty in violence, capturing sweaty faces sprinkled in fresh blood. On the left, his subjects present their game faces, poised in a moment of calm determination prior to the battle; on the right, the violence and competition has ended, leaving their faces bruised and swollen.
For these teenage athletes, the first foray into the ring presents itself as a rite of passage out of childhood and into manhood. Afterwards, they are irrevocably changed, as if all of puberty were condensed into a single test of machismo. As viewers, we might be unsettled to see these round, blushingly cheeks marked by punches; though outwardly baby-faced, Howalt’s subjects possess a knowingness and understanding of aggression that transcends their youth. Thrust into the environment of the controversial sport, these pimpled, wide-eyed adolescents are aglow with their own glistening sweat and an uncomfortable sense of adult virility.
Arranged neatly in a grid as they are in gallery installations, Howalt’s violent images are paradoxically sterile. Set against a pale gray background, his subjects seem restrained in a way that contradicts the nature of their sport. Many of the photographs look like clean mugshots pinned cleanly and simply on a wall; the young boxers are at the mercy of our judgement. Do we condemn or celebrate this ruthless sport? Take a look. (via Agonistica)
Wait- we haven’t featured Peter Wu on the blog yet?! Dude’s even from L.A! Showpaper in NYC hipped me to the artist a couple months back, when they illustrated a cover with one of his segmented, semi-schizophrenic mixed media works, and my brain muscles are still tingling. Looks like he’s been doing a lot of sculpture lately and has a solo coming up at Greene Exhibitions fairly soon. A few images after the jump, but be sure to check out his website for more.
The economy is down the pipes. Experts say its only going to get worse. But seriously, isn’t it innovative art like this we need to get this country out of this fiscal toilet? During the height of the great depression money was so valueless in Europe that people were burning it to keep warm: uncreative!
Hanna Von Goelers work incorporates paint, collage, and money to explain cash as a cultural artifact vs. cash as a mass produced item.
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