I just saw this documentary yesterday and it blew me away. I already knew many of the things covered in the film but it’s always great to brush up on the truth about how we get our food. After watching this you’ll make a quick dash to the closest farmers market to detox all the garbage you’ve been feeding yourself for years!
In Food, Inc., filmmaker Robert Kenner lifts the veil on our nation’s food industry, exposing the highly mechanized underbelly that has been hidden from the American consumer with the consent of our government’s regulatory agencies, USDA and FDA. Our nation’s food supply is now controlled by a handful of corporations that often put profit ahead of consumer health, the livelihood of the American farmer, the safety of workers and our own environment. We have bigger-breasted chickens, the perfect pork chop, herbicide-resistant soybean seeds, even tomatoes that won’t go bad, but we also have new strains of E. coli—the harmful bacteria that causes illness for an estimated 73,000 Americans annually. We are riddled with widespread obesity, particularly among children, and an epidemic level of diabetes among adults.
This piece is an exact representation of: discovering (despite a frantic search for at least one orange popsicle) the remaining popsicles in the freezer are all grape. I hate grape. Well, maybe that’s not exactly what artist Rokkaku Ayako had in mind when she created this piece, but she definitely has a knack for capturing the essence of childhood in frenzied acrylics and scraps of cardboard. Ayako’s work bleeds with the immediacy of youth. Like when our mothers would say they’d be back in an hour, and we had absolutely no concept of how much time that really was.
Sandro Giodarno‘s photographs are like Saturday morning crime scenes. The victim? Dignity, mostly. His carefully choreographed pictures show a snapshot of cartoonish tragedy.
According to Designboom, Giodarno says of his photos, “The instinctive reaction is bewilderment and awkwardness towards the unlucky fate of the character, but then that same awkwardness breaks into a liberating laugh. This is the effect I want to recreate through my photographs: tell tragedy through irony.”
While the photos are at times baffling, they’re also increasingly absurd and comedic. One woman’s grocery trip ended in a gruesome mishap with a tomato sauce blood splatter. Another is wearing a halo of pottery shards instead of flowers. The body count reads five in one photo of a dinner party that went down like the TItanic. Truly, Giodarno’s characters are a series of unfortunate people.
“My photographs are short stories about a falling-down world,” Giodarno says, describing each scene as a “black-out” moment where each character simply gives into an existential malaise and flops down, unable or maybe unwilling to go on. They just lie there, clutching whatever material possessions they happen to have with them, that happens to define them whether deliberately or through happenstance.
On first glance, it might seem a little sad. But the name of the collection, “In Extremis (Bodies with No Regret),” is reassuring, like maybe they’ll get up again — or maybe they are fine just where they are. (h/t Designboom)
Londoner illustrator Mr. Bingo is a funny man. He seems to specialize in doing drawings that come off as doodles a really cool and talented teenager might do in math class. Fortunately for him, his clients – which include the Mighty Boosh, Wired, and the New York Times – love him for it, embracing the very British wit present in each of his illustrations. Make sure to check out the entirety of the first project on his site (Tiny Acts of Rebellion) – some brilliant, subversive stuff.
Freelance photographer Guillaume Megevand’s Blood & Firecrackers series Blood & Firecrackers is a truly beautiful and gruesome series of images. Here is what this self taught and world traveling documentary photographer has to say about this body of work.
‘This series of photos was taken during the Vegetarian Festival in Phuket, Thailand. Over nine days local residents of Chinese ancestry strictly observe a vegetarian diet for the purpose of spiritual cleansing and merit-making. Sacred rituals are performed at various Chinese shrines and temples. The festival involves various processions, temple offerings and culminates with walking on hot coals, climbing knife-blade ladders, self-piercing the skin and so on.
Their special 9-day diet seems to allow the participants of the festival to be inhabited by the gods since they apparently feel no physical pain. This seems difficult to believe, but they really appear to be possessed and also to be beyond being hurt or feeling pain despite what they go through.
The most amazing moment for me was the last evening of the festival when thousands of citizens came out of their homes to throw firecrackers on the participants of the final procession. During these few hours, Phuket was more like a war zone rather than the quiet tourist town we all know. Luckily for everyone involved, this war zone is one of joy and faith and the culmination of nine incredible days.” (via feature shoot)
Estonian artist Eiko Ojala expertly creates illustrations using paper. His complex collage pieces are at the same time simple in execution. His background as an illustrator is clear in each of these pieces. Ojala is able to communicate a considerable story with minimal imagery and medium. Whether a series of trees interacting through different seasons, or portraits, Ojala weaves interesting narratives using simple poignant scenes.
Sarah Moli Newton Applebaum (what a name!) creates meta-knitted sculptural installations that emphasize an overwhelming array color patterns using mostly knitted fabric and blankets. These bursting animated forms engulf and transform a space into a heavenly spectrum and in their geometric abstraction suggest a homey environment that you would only find in happy induced dreams. The costumes are inventive, creating imaginative and quirky characters that seem innocent enough to cuddle with but with a guarded stance that can be quite intimidating.
Each month, Beautiful/Decay will release a new shirt on the Beautiful/Decay shop before they hit any retail stores. The shirts will be printed in unique color ways in a select print run of just 300 shirts. Oh, and did we mention that we’ll be giving you a 33% discount off retail prices, pricing them at just $20 a shirt?
Here’s a rundown of the B/D monthly shirt release:
– Available in advance before the season ships to retailers
– Unique color way printed in a select run of 300 shirts
– 33% discount off retail price, at just $20 a shirt
First Release “Lost Face” by Vladimir (Waldez) Snegotskiy aka Ctrl-V
Vladimir Sengotskiy creates his hypercolor fantasmagoric creations in multi-media, ranging from print, web, motion and beyond. His recent design for Beautiful/Decay apparel is a neo-neon medusa’s head mask, seething with bright purple, yellow, blue and brown snakes and line confetti. Carnival masques meets facepaint!