Recent Manchester Metropolitan University graduate Abbey Watkins mixes detailed pencil drawing with just a touch of digital coloring to create hip and sexy fashion illustrations with a surreal and occult twist. (via pulmoniare)
Bobo is an art collective that emerged out of the Providence scene post-Fort Thunder. I really love Bobo’s poster “The Global Order of the Youngbloods,” it’s an overdose of occult and conspiracy infotainment. Bobo has managed to create a fun scene on their own terms. They ran a space in Philadelphia for a while, but now seem to be arranging/curating shows in New York, and performing as a band. Annie Pearlman brought them to my attention when I was doing a studio visit with Brian Belott.
For this 1998-2000 series of portraits, photographer Shizuka Yokomizo left anonymous letters on the doorsteps of random ground floor apartments with the message:
I am an artist working on a photographic project which involves people I do not know…. I would like to take a photograph of you standing in your front room from the street in the evening.”
These letters gave simple instructions for when the artist would come and take the photograph. The only contact she had with the subjects of these voyeur portraits was when Shizuka sent the subjects a print of the image and her contact info in case they didn’t want the photograph exhibited. (via sympathy for the art gallery)
Kent Rogowski’s Love = Love series of puzzle collages are created by taking out the flowers and skies of over 60 store bought puzzles and combining them to form a series of spectacular landscapes. Although puzzle pieces are unique and can only fit into one place within a puzzle they are interchangeable within a brand.
Artist Justen Ladda has been living and working in New York City since 1978. His first solo exhibit listed on his resume was in 1980 at the legendary ABC No Rio. His perspective warping style looks surprisingly fresh considering much of it was created throughout the 1980’s. Ladda combines painting with installation to create two-dimensional images that appear to float in space are slip into three dimensions. Using careful proportions, perspectives, and viewpoints, Ladda painstakingly creates image that appear severely warped from all but one angle. He often uses this technique of illusion to arrange for his paintings to interact with their surroundings in ways not often accorded to flat images.
New Zealand high school student Liam Martin has created quite the buzz with his Instagram account (@waverider_), where he has currently amassed over 1.5 million followers due to his humorous recreation of memes, and more popularly and recently, fashion photographs of female celebrities (and the occasional cartoon). He’s creatively recreated images of Kim Kardashian, Miley Cyrus, Lady Gaga, Tyra Banks, Lorde, Iggy Azalea, and Taylor Swift – it seems he grabs whatever is available around him that resembles celebrity clothing and accessories and constructs his own comically similar versions of high fashion. Much of Martin’s comedy emerges from the facial expressions he gives the camera and the energy he exudes in each photo. Martin says, “I’m very weird and open. I think that’s why I get so many followers, because I’m myself.”
KIM KEEVER’s large-scale photographs are created by meticulously constructing miniature topographies in a 200-gallon tank, which is then filled with water. These dioramas of fictitious environments are brought to life with colored lights and the dispersal of pigment, producing ephemeral atmospheres that he must quickly capture with his large-format camera.
Specializing in digital media, artist and professor Joseph DeLappe boasts a diverse background. While his portfolio features seemingly traditional experience in painting, drawing, sculpture, installation, and curatorial work, it also presents more inventive undertakings, titled “interventions/actions.” Spanning social media experiments and fake newspaper articles, this distinctive body of work is entirely political, with the most recent project, In Drones We Trust, featuring paper money as its platform.
Described as a “crowd sourced, participatory rubber stamp currency intervention,” In Drones We Trust calls for volunteers all across America to brand their bills with a tiny stamp depicting an MQ1 Predator Drone. DeLappe explains:
The idea came after closely examining U.S. currency – all but the $1 dollar bill feature a pastoral depiction of a notable government building or monument on the back of the bills, albeit with lonely, empty skies. It seems appropriate, considering our current use of drones in foreign skies, to symbolically bring them home to fly over our most notable patriotic structures.
Subtle enough to blend in with their printed surroundings but graphic enough to stand out, the colorful marks stamped on the notes succeed as both an aesthetic addition and as a political statement. By adorning paper currency with these controversial and heavily symbolic imprints, DeLappe is able to both stealthily spread his message and get his art into circulation—literally. (Via Vandalog)
To join the cause and put your money where your mouth is, get your own drone stamp here!