So these guys at Resn kill it, and say it best themselves…. “Resn believes in creating pretty things from absolutely nothing… is that possible? To drive hard without brakes and crash in a fiery ball of flaming metal as brakes are for losers. Holding your head close to the speakers stack at Concert of Life all you hear is the bass, which makes you go deaf. So don’t be silly, stand at the back with us where all the hot chicks dance. Away from all the sweaty people.” They have a point. Make sure to check out more of these crazy New Zealand Kiwis.
The Kopeikin Gallery announces Moby: Destroyed photography exhibit opening Saturday, September 10, 2011. Destroyed features photography taken by Moby all over the world. The gallery will host a reception and book signing with the artist will on September 10th from 6:00 PM – 8:00 PM. Read more about the show after the jump.
New York based artist Mindo Cikanavicius photographs portraits of men with foam “facial hair.” Within this series, titled Bubbleissimo, (perhaps making a play on the word “machismo”), the artist distorts the notion of masculinity through a comedic display of the growing obsession with groomed facial hair. His work aims to speak about the fragility and absurdity of what “manliness” means, depicting it as being just as allusive and indefinite as the bubbles meant to represent it. These works portray the sitters in a sort of kitschy, glamor portrait style, engulfed in one side of sky blue and one side of bubble gum pink, the colors used to denote gendered objects. His series mocks the need to define and portray what it means to be masculine, and, through what seems at first glance to be an overtly serious series, successfully, upon further inspection, invites in a air of making fun of itself. Once it becomes clear that this facial hair is in fact made of bubbles, the work switches from being a strange cataloging of men, to a witty depiction of gender norms. His artist statement notes that “Mindo is focused creating story based unexpected moments with touch of cinematic drama, humor and mystery. His work is a blend of ideas, imagination, observations, experiences and emotions into making intriguing constructed reality photographs.”
Elaine Cameron-Weir latest work, titled Venus Anadyomene, 2014,consists of five similar pieces, each made a giant clam shell edged with neon tubing, and high-fire ceramic vessel each filled with olive oil, wick, flame, sand, mica, frankincense, benzoin, myrrh, brass. Each piece, suspended from the gallery by a brass rod, while the incense slowly burns.
Varying ideas of birth and bringing to life are present in the works, from the title (meaning ‘Venus Rising from the Sea’, a story of the Greek Goddess Aphrodite’s birth (and a famous work by Titian). The title of the work references both art history and god creation, as do the shells, which bring to mind Botticelli’s masterpiece of the Roman Goddess Venus (and one of the most recognizable and imitated paintings ever created). Meanwhile, the scent element in the gallery space of burning frankincense and myrrh recall the Christian nativity story and the birth of Jesus Christ, echoing the gifts brought by the Three Wisemen. Present throughout Cameron-Weir’s work are ideas of how symbolism is omnipresent to ideas of myth-making.
Elaine Cameron-Weir’s Venus Anadyomene, 2014 is currnetly on view now through April 6th at Ramiken Crucible in New York City.
Michael Anderson has been busy, since the studio visit Beautiful/Decay did with him in August he’s prepared two major solo shows. Anderson makes large-scale collages from street posters, sometimes measuring 12 feet across. Anderson’s newest show promises to a be visually mesmerizing cultural stew of optimistic, reverse advertising, aka subvertising. I talked with him about “She’s Okay,” the above collage, and he compared the golden lattice structure to the complexity of the girl’s thoughts and experiences. The exhibition, Equal Opportunity Destroyer, is opening April 8th in Copenhagen Denmark at Gallery Poulsen.
Italian sound designers Fabio Di Salvo and Bernardo Vercelli, together known as Quiet Ensemble, create work that features insignificant sounds that we wouldn’t give a second thought to. They focus their energies on the “greatness of small events,” and the subject of their most recent project is a lamp. Specifically, lamps used to produce a musical event. Titled The Enlightenment, the duo calls this performance a “hidden concert of pure light” that uses a bevy of different lighting elements like stage lights and high-powered bulbs. “Instead of violins are neon lights, to replace drums are strobe lights and instead of clarinets we will see theatrical headlights illuminating the audience,” they explain in the video’s description.
The Enlightenment was performed in October for Bologna’s Robot Festival, where it included 96 lamps. Each was fitted with its own copper coil that received various electric currents set at specific intervals, as well as a sensor. This produced an electromagnetic field that was captured and turned into sounds. Salvo and Vercelli accompanied the buzzes by modifying and amplifying each lamp’s electric output in real time. The result is a clash of blues, greens, and yellow flashes with the poetics of a familiar buzz. (Via The Creators Project)
Hiding behind his trademark long brimmed hat, Finn Andrews’ pain is evident. Pouring sweat and singing his songs about love and loss, The Veils‘ tortured singer had a very excited and attentive crowd at their recent show at West Hollywood’s Troubadour. I’ve always had a soft spot for the band ever since I heard their debut, “The Runaway Found” back in 2004. With their recently released album, “Time Stays, We Go” the band continues to mature making this another must have gem by the London-based band.
The band played songs off of their new record including my personal favorite, “Birds”, “this is a song about birds, suspicious birds” Finn stated before playing the song. They also played fan favorites like, “Sit Down by the Fire”, “Lavinia” which Finn played solo, “Advice for Young Mothers to Be” and ending with a raucous version of, “Jesus for the Jugular” which had Finn throwing his guitar down at the end of the song.
The Veils recently recorded a session, Live from Abbey Road which you can view above and are set to perform next month on September 7th at the, Into the Great Wide Open Festival in Norway and in Denmark in October.