Toronto’s Niall McClelland uses what works. Utilizing spray paint, graphite, ink cartridges, photocopies, roaches, and lighters as his mark-making media, Niall’s work maintains a tactile and uncompromising quality unrivaled by his fellow contemporaries.
Mei Yan Jane Lee is a 22-year-old Hong Kong-based illustrator. Her prodigious output encompasses comics, graphic design, product design, wall murals, and installation. Lee’s artwork is playful, detail-rich, and teeming with a heartfelt optimism. To get a better feel for the extent of her oeuvre, please visit her Tumblr. For now, here is a selection of Lee’s pattern designs:
Photographer Alan Sailer fills your standard Christmas ornaments with all sorts of things like glitter, gelatin, food dye, and many other strange things that would never find their way into your standard ornament. He then shoots them with a pellet rifle against brilliantly colored backdrops and documents the entire process in detail capturing the millisecond explosions in all their glory. The result is a festive explosion of color and texture celebrating the season of giving in an a very unusual and imaginative way.
Nicole Dextras takes typography into the final frontier creating three-dimensional words created purled of ice with some letters being as tall as eight feet high! Im a huge Andy Goldsworthy fan so this work immediately caught my eye! My favorite aspect of the project is that the type is continually changing due to weather conditions making the sculptures change as the sun comes up and goes down.
“I feel it is not important, can be even detrimental, to conceive of, or predict outcomes in the studio: accidents, chance occurrences and reaction will direct the coarse of the work. What is important is to be present, to be a sensitive, sincere, focused, open and as powerful as possible. The work is thus finished when either it says it’s done or I abandon it and take to working on something new.
In my recent work, I am moving away from image based painting and drawing towards more ambiguous, blatantly abstract and open-ended works that seem to want to define painting as a pure, visual language.”
Craig Taylor’s fantastic macro photographs transport us into the world of insects showing us every hair, tiny pieces of pollen, water drops, dozens of eyeballs, and all sorts of other detail that we can’t see with the naked eye. Read about Craig’s process and what led him to this series here.
Today’s article is presented by the glossy tri-fold brochure printing experts, Next Day Flyers.