Marcel Christ creates a series of photographs in which he tries to deviate from his usual commercial photographs. With clients like Sony, Nokia, Samsung, Evian and L’Oréal-Chirst is used to photographing still lives, essentially objects arranged in interesting and appealing but static ways. In his latest artistic series, Christ extends his modern, clean lighting and sense of composition (characteristics that resonate with his commercial photography), but takes it to the next level. Christ aims to transform what would be a static representations of colorful powders to something that is undeniably energetic- everything moves, jumps, and flies.
Christ succeeds at photographing unpredictable action. The powder’s movement and expansion are the main characters; they sporadically spread throughout the composition.
I think my work has some heritage from Dutch tradition, in its choice of props for instance – the vase. But different in its own way at the same time. Because it is not ‘still’ at all. It’s frozen in time, but very energetic in its appearance.
I don’t neccassirily associate Italy with Communism, so I was shocked to find so many hammer and sickle logos and graffiti in every single city that I traveled in. The above plaque is actually part of a Communist bulletin board that I ran into in a small town called Montepulciano in Tuscany. For those of you uber nerds New Moon was filmed there. The entire country was covered with political graffiti, stencils, and posters. It’s interesting because you don’t find too much of that in the states. Sure you’ll run into an occasional “stop the war” bumper sticker on a minivan but seeing so many hammer and sickle’s and anti-government slogans spray painted on thousand year old buildings gave Italy a surprising twist. Here’s a collection of some of my favorite finds.
Ariana Papademetropoulos’ long last name may be the very thing that inspires her mystic paintings. Or, at least that’s just what I’d like to believe. I saw her work during CalARTS’ open studios and it was definitely some of my favorite stuff on display. Especially, since it deals with spiritualism in a way that’s remarkably beautiful. Just look at her paintings of crystals that have hidden reflections of women and symbols, which can entrance the viewer into a reflective stare. There’s much more going on in Ariana’s work than one’s initial glance.
Daniel Shea’s new series “Plume” is an ongoing photographic examination of coal-fired power plants in Southeast Ohio. The plants loom in his photos, part of the daily lives of the residents. The photos are poignant and revealing. If you would like to support Daniel’s ongoing series you can buy a print, and if you’d like to see more of his projects, like his awesome Baltimore series, check out his website.
Sakir Gokcebag is a Turkish artist who creates elegant installations from the most ordinary objects. Coat hangers, toilet paper, wicker baskets, levels, and jewelry are a few of the many objects he plays with to make his charming studies of form and materials. They’re reminiscent of how in the menial jobs we all have at one point or another, we keep ourselves sane by making towers, sculptures, and patterns out of the objects around us, and in doing so re-discover their formal elements–this chocolate bar is a rectangle, that coat hanger is a bow, these salt shakers are kind of like Kokeshi dolls, etc. Gokcebag takes this impulse and runs with it, turning it into some great visual poetry. (via)
If you regularly tune in to Adult Swim, Austin based illustrator and animator Dax Norman‘s work may look familiar to you. Evoking a trippy aesthetic reminiscent of Mad Magazine and “The Yellow Submarine,” Norman’s gifs ooze and pulse with bright, fun energy. Citing classic and current influences and favorites such as Max Ernst, Man Ray, Van Gogh, Shel Silverstein, William Blake, Neil Anderson-Himmelspach, Reverend Bobby Anger, David Olive, and Joseph Noderer, Norman creates animations informed by popular culture and the world around him, as well as animations that represent strangely and wonderfully original characters, figures, and shapes.
Norman first started making gifs by re-purposing existing longer animations into loopable snippets, but as the form started to grow on him, Norman began creating original gifs, trying to finish a new one every day. He creates both 2D and 3D animated gifs that deal with alternate and multiple perceptions of reality. Of his animations, Norman says, “I see them each as ‘little paintings,’ or ‘picture poems’ each with its own universe of movement…Playing with the looping idea, and rhythm, is what appeals to me the most. Hopefully… people can hear something in my moving pictures, even though there is no sound.” In addition to his extensive archive of gifs on Tumblr, Norman also has full video animations available on Vimeo as well as a Tumblr page dedicated to demonstrating his process of creation.
Jansson Stegner’s work could easily have turned into your typical figurative work but the strange elongation of the figures gives the work a bizarre psychological twist. It’s kind of a mix between Balthus and John Currin.