Street artist EPOS 257 built himself a giant paint cannon and decided to liberate some billboards. This thing looks like it could cause a lot of damage and be a lot of fun. EPOS 257 says about this project “this is not an attack on a particular advert but billboard as a medium in general, which in this context represents a painter`s canvas in the urban landscape.” More paint cannon fun after the jump! (via)
The work of Stéphane Vigny is often humorous in its subversiveness. Vigny often undermines the purpose of objects to create amusing but thought provoking new ‘purposes’ (like a BMW turned into playground equipment). Other times Vigny alters objects in a way that make them profoundly useless (such as a chair on wheels the size of the room it sits in). Commodities and inanimate objects are typically entirely defined by their purpose, what they do. Vigny’s installations, though, force viewers to set aside their expectations and approach the familiar in a new way.
In his project “Scrublands”, French photographer Antoine Bruy pulls down the curtain on the mysterious back-to-the-land movement and its members. His series documents the lives of several communities who isolated themselves from the civilized world and have been living in the wilderness for more than 20 years now.
In 2010, Bruy embarked on a hitchhiking journey across Europe. With no specific destination in mind he wandered from one place to another hoping to find those secluded communities of people who abandoned their modern lifestyle, freed themselves from social constraints and chose to live in the wilderness. He would spend days and weeks together with them, helping in everyday chores and taking photographs of their daily routines.
Photographer notices that despite different locations and professional backgrounds (from philosophy teachers to engineers), these communities and their members are all linked to each other through handmade buildings and agriculture-based living. Bruy has plans to continue his project next year by exploring the United States. (via featureshoot)
There is a long-standing tradition of artists blurring the boundary between art and design. With institutions such as MOMA featuring an entire department devoted to architecture and design, it is considered an important part of art history and culture.
I recently heard New York Times art critic Roberta Smith lecture and she mentioned that it’s a shame our society doesn’t place more emphasis on visual literacy education. If we did she believes that everything in our world, from buildings to city layouts, to objects, would be more aesthetically pleasing. Here are some instances of artists who emphasized the concept or appearance of an object rather than simply its function, bridging the gap between art and design:
Donald Judd, one of the leaders of Minimalism, has an amazing legacy in design. Another well-known architect who creates highly designed furniture is Frank Gehry. Roy McMakin is a Seattle-based artist who usually incorporates an element of verbal pun. McMakin’s designs feature an overarching investigation of how perception influences meaning. Hannes Van Severen and Michael Beitz both create captivating, surreal furniture. Artists like David Shrigley and Adam McEwen work humor into their design-work. Even artist Yves Klein has a table, created under the direction of his widow, that features his famous blue. Damien Hirst designed a chair replete with his signature butterflies and Yoshitomo Nara designed “doggy radio,” a fully functional radio in the form of a dog.
It’s not uncommon for artists to create functional objects, but those objects do often stand out for their elevated level of design and conceptual consideration. If indeed everyone put as much thought into form as they did function the world would probably be a much better looking, or at least a more visually interesting, place.
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Michael Kontopoulos, a grad student at UCLA Design|Media Arts has created a system of sculptures that are constantly on the brink of collapse. His intention was to capture and sustain the exact moment of impending catastrophe and endlessly repeat it. This documentation gives me the chills, makes me sweat, and I almost scream when each machine comes close to collapse. Good job Michael.
0s & 1s is the directing debut of LA-based filmmaker Eugene Kotlyarenko. The film, currently set for release in fall of 2009, is about a guy named James Pongo who loses his computer and finds that his “hyper-connected reality takes a nosedive.” 0s and 1s utilizes a unique visual system in which the viewer watches the movie through a barrage various computer-like windows, bringing a decontextualized computer environment to the silver screen and eschewing traditional expectations of cinema language.