Scott Everingham is an artist who is based in Toronto. As a painter, Scott particularly enjoys the various forms of experiences created through the vast language of paint. He creates abstract, gorgeously fictional environments where you could almost make out tangible imagery. An experience I would relate to observing an illusion out of the corner of your eye. Though Scott’s paintings appear almost completely spontaneous, you would be surprised to know that along with the process of impulsive mark making, there are extensive preparations through drawing.
Currently, Scott Everingham is exhibiting his paintings in Amsterdam and Rotterdam at the Le Secet Museum. If this blog post has sparked your interest in Scott Everingham, you can view his work up close at his solo exhibition at Galarie Trois Points in Montreal in January 2011.
I considered Doug Aitken to be a big thinker when I read about his Song 1, a huge sound and video installation enveloping the Hirshorn Museum, or his Mirror, a video project that consists of an L.E.D screen that’s wrapped around the facade of the Seattle Art Museum.
With his latest project, Station to Station: A Nomadic Happening, Aitken has taken “installation” to a whole other level. For three weeks this September a train decked out with L.E.D lights will travel from New York City to San Francisco making 10 stops along the way (next stop St. Paul, Minneapolis on Sept 12). Aitken designed the train as a kind of kinetic sculpture, or studio. At each stop artists, musicians, writers, filmmakers and other creatives will participate in site-specific happenings.
Aitken’s goal with the project is to address some big questions, such as “Who are we? Where are we going? And, at this moment, how can we express ourselves?” In an effort to create this “modern cultural manifesto,” Aitkin invited individuals such as Olaf Breuning, Urs Fischer, Christian Jankowski, Lawrence Weiner, Charlotte Gainsbourg, Dan Deacon and Dave Hickey (and many others) to participate. Everyone involved was asked to reconsider the way they create. Ed Ruscha, for instance, thought up a cactus omelet that will be made and served to participants in Winslow, Arizona.
The project, made possible by Levi’s, will also raise funds for various cultural institutions across the country through ticket sales (yes you can get tickets if they are still available for the happening in a city near you) and donations from partners, institutions and the public.
The concept of Station to Station confronts and challenges the system whereby art is, all to often in today’s society, created solely for museums and galleries. Station to Station embraces the key components of a 1960s happening, especially spontaneity and audience engagement, but the enormity of scale raises the stakes. I admire Aitkin’s ambition particularly because, in the spirit of a true happening, Station to Station could go off without a hitch, or could go completely awry. Whose to say though which would be worse?
SCREEN BURNS is a pop-up exhibition juried by Luis Gispert being held at a new little space in Williamsburg, JCIA Video. From December 11th – January 3rd look for the storefront that looks like a giant TV! JCIA Video storefront 522 Metropolitan Ave. Brooklyn, NY 11211.
Artist Ed Fairburn is using maps and star charts as a base to draw detailed portraits. Inlaid in the weave of the roads, signs and lines, the faces appear textured and emotional.
Ed Fairburn draws dashes or fills up a specific area on the map. Playing with the existing colors symbolizing lands, water or housings. It takes him a couple of days to a month to complete a drawing. The artist draws on vintage road maps looking forward to discovering uncommon names or places he once visited in the past. The star charts drawings confer a different atmosphere, a poetic mood to the faces trapped in the constellation. He chooses his ‘canvas’ himself. The patterns and orientations are key for him to start drawing. In terms of details, lines, names printed on the maps; the more cluttered, the better outcome.
The more contrast exists between the lines, shapes and shadows on the portraits, the more depth it creates on the overall drawing. Not two inches are ever the same, and yet the accumulation of dashes and small lines create a pattern inherent to a part of the face. For either the road or star maps; the association of a land, a space with a human face resonates with evasion and travel. The possibility for the viewer to escape from reality and dive into a foreign land, a dream destination. ( via Booooooom)
Ed Fariburn’s drawings will be displayed at the Mike Wright Gallery in Denver, Colorado until December 19th 2015.
Zach Lewis lives and works in New York. He has just released his book There Are No Sins Here which is a 6″ x 9″ 110 page survey of work from 2010-2012. Lewis describes it briefly saying it is a “A narrative driven documentary photography book reflecting the sentiment of contemporary American life.” It serves as an honest portrait of a twenty-something taking in the city of NY during a time of political unrest. We see the push and pull of organized religion and ideologies of faith. Current events like the death of Osama bin Laden and Steve Jobs are presented as a reminder of the speed and influx of information in our current culture. Joy, paranoia, frustration, and hope are presented in equal measure. You can pick up a copy here.
CANADA is a trio of filmmakers, Luis Cervero, Nicolás Méndez & Lope Serrano. Located in Barcelona, they bump out mysteriously sexy music videos that feel like a mix between an Alejandro Jodorowsky film and an American Apparel ad. According to their info page on their website, “…CANADA has pursued excellence in different projects, advertising, fashion, music promotional videos, television and cultural events.” On top of all that fun, they were also guest writers and did an interview with Its Nice That, which helped to shine a bit of light on their interests and personalities. So far, I haven’t seen a video created by them that wasn’t worth watching, but my heart will always belong to the first one I ever saw, El Guincho’s Bombay. You’ll find El Guincho, along with Scissor Sisters, Battles, and other music videos below. Feast.
Cara DeAngelis paints found roadkill in “compositions that both pay homage to, and satirize 17th century Hunting Still Lifes”. “The still lifes and portraits of animals on aristocratic laps explore the long-standing confrontations between the domestic and the wild.” But DeAngelis’ black magic goes a little further than that. The artist, who takes care to incorporate the “Tragic and the Infantile” within her work, includes children’s toys and dolls in her compositions to create an “absurd union“- nostalgia vs. violent death, innocence vs. murder. These paintings are done in oil, which somehow seems appropriate for the heavy concept scale within DeAngelis’ work. Ms. DeAngelis received her MFA from the New York Academy of Art in 2011.