Evan DeSpelder’s paintings are an exploration of the formal and conceptual possibilities of the digitally mediated painting.Using painting as a vehicle to fundamentally question the way our realities are constructed, Evan’s work is an expression of modern ambivalence, a representation of the world in which we live, where truth and the human mind are malleable, manipulated, and history is leveled by an unprecedented access to information.
I’ve never met Jill Sylvia but I know that she must be a very patient individual to make such meticulous work. Using found ledger papers Jill cuts geometric patterns into the papers grid lines creating delicately powerful geometric abstractions that fall somewhere between the lines of drawings and sculptures.
Primarily concerned with the various taxonomic functions of history, Amanda Nedham’s works on paper exhibit a technical proficiency and enamoured exploration of natural history’s complex and overlapping structures. Through a process of abstraction based on the collaging of drawings, largely from television and internet sources, she attempts to focus on those moments that create tension as they challenge the governing voice of history.