Inka Järvinen is an illustrator/designer from Helsinki. Järvinen works mostly in detailed collage’s, her output is dark, as she draws inspiration from the old sci-fi aesthetic of the future in the 1960’s and 1970’s. I love her illustrations and simple use of color.
Minneapolis designer/illustrator Phil Jones has one quirky sense of humor. Whether it’s creating sunglasses out of Oreo cookies, creating miniature memorials to squished bugs, or making hilarious posters that are installed on electric poles Phil ads a dash of comic relief a tad of why didn’t I think of that, and a dose of the absurd.
Garrett Pruter constructs architecutral wonders with collage and drawing techniques. He combines graphite and acrylic on top of collage to create mini villages on the page. I wouldn’t be surprised if there were mini civilizations occupying his turn-of-the-century cityscapes. He is currently studying Illustration at Parsons School of Design.
Ryan Schude is an advertising, editorial, and fine-art photographer from Los Angeles. According to the artist, his current hobbies appear to revolve around arbitrary vacations, stand-up comedy, dining out, and Future Islands. What Schude neglects to mention is that he has also been making spectacular photographic tableau images for years. Similar to a movie still, each photo is full of vivid characters, humor, action, and story.
We at Beautiful/Decay would like to consider Alex Bec a runner-up for our “Submit your Artist” contest from two weeks back. His work was way too awesome not to post (thanks for letting us know, Gringo)! Alex’s creations consist mainly of typographic illustrations, colors and shapes that pop–all entirely from cut paper and sometimes even masking tape. Major props for patience and intense precision.
Brooklyn based artist Melissa Zexter combines photography and hand-stich embroidery to create layers of narrative and texture in a unexpected and colorful way. Zexter, an MFA holder in photography, redefines her practice, as she creates a new artistic concoction that provides more context in the already-narrative medium that is photography. The use of embroidery is a reaction to the photographs themselves, a way to overexagerate or emphasizes different aspects of the images.
For me, sewing was another way to build up a surface and to build upon the content of my photographs. I loved the meditative process of sewing – it was in such contrast to the technologically more immediate art of photography. The combination of sewing and photography brought together two very different processes that I love. The use of embroidery is a reaction to the photographs and is a process that aids in the transformation of identity of the person or place being photographed.
Some of the photographs she uses are digital prints and others are gelatin silver prints that she make in a darkroom. The thread, which she uses to compliment the images, primarily acts as a connection between the person/place captured in the photograph and the artist herself.
I always think of the photograph as something from the past and the thread as a reaction to the past and present. The thread makes the photograph more personal to me and allows me to meditate on the image. Combining the two mediums (photography and sewing) allows me to reinvent the photograph; to visually react to a person or a place.