In his photographic series, Gravity, Tomas Januska takes snapshots of human bodies in unnatural and usually impossible poses. Beautifully photographed with clean crisp backgrounds, Januska highlights the absurdities of the forms and figures of his subjects. These are frozen moments that we normally would not be able to witness. Girls look as if they have been caught in a hurricane, skirts and hair billowing out around them. Boys are snapped mid-flight, shoes, caps and props flung to the side.
Januska manages to capture either violent and frenetic energy in his subjects, or a very still and quiet introverted moment. Some people seem as if they have been woken from their slumber, picked up and dangled mid-air. Individual’s clothes add to their narrative – a business woman leaping in heels and twirling her jacket seems caught in a triumphant post-meeting moment, or celebrating the latest merger at work. Another girl arches her back, with her hand resting on her head, as if regretting a wrong decision recently made.
In these portraits we can see the full range of human expression – each twist, bend, tilt, grimace tells it’s own story. Every tilted head, crooked limb and flexed muscle doing so for a reason. “Gravity” is not only about capturing postures and poses, but also about the natural drama and theatricality inherent in our bodies. (via Juxtapoz)
Cao Hui‘s ultra realistic sculptures manage to be intriguing while stomach turning. Cao sculpts every day objects such as furniture or clothing as if from butchered flesh and innards. His strict attention to detail can be seen from the entrails spilling out of a slashed cushion to a couple swollen armrest stitches. Though constructed from resin, his artwork appears to bulge, droop, and tear much like actual flesh. Cao juxtaposes inside and outside, essence and appearance in a very literal (albeit gory) manner. While disturbing, Cao effectively executes his work with a certain dark humor. [via]
The work of British artist Claire Morgan is alive with natural forces. Birds appear to fly, flail, or fall through lighter-than-air formations of seeds. Using nylon thread Morgan suspends her installations giving the impression of an event caught in time. Peculiarly, she is able to express the idea of passing time and motion by appearing magically to stop it. Morgan’s interest in natural forces is clearly apparent in her work. The installations are nearly a way she can manipulate these otherwise immutable forces.
Tom Sanford’s new work touches on politics and our infotainment culture with equal enthusiasm. For your viewing pleasure there is an erotically oily Sarah Palin, the repressed sexuality of Philip Guston, a Jong Il fist-bump, Jail Birds, and love affairs between beautiful nymphets and strangely hairy men. I think that’s something for everyone. All of these paintings have emigrated to Europe. Some for Copenhagen at Gallery Poulsen, and some to Norway, for a show at Galleri S E.
I’m more interested in Holton Rower’s process of creating these abstract paintings than the final result. Sure the end result is beautiful but you’ll see what I mean once you watch the process video after the jump. It’s a simple technique that packs a lot of punch!
I stumbled across the work of Brian Guidry not so long ago. It was a quite pleasant experience as I am a fan of gorgeous geometric abstractions, shapely surfaces, elegant finishes, and lovely colors. See more after the jump.
British/Turkish fashion designer Hussein Chalayan is not only an internationally known figure in the industry’s runway, he is also an artist and catalyst for change of what it means to wear something. With his progressive attitude to clothing as a decorate-able and manipulatable second layer of skin, Hussein Chalayan has expanded the the materials of construction to an awe-inspiring breadth of technology and innovation.
Jay Davis makes paintings which recombine everyday things into elegant assemblages. A single painting might combine corporate logos with the food we eat, alongside expressive abstract paintings, placing all these separate symbols side-by-side inside one larger painting that retains a semi-abstract composition. I was briefly in Jay’s studio, and he talked to me about Doritos logos, MasterCard colors, and the way an orange unfolds when you cut it and press it flat on a table, and while he was talking I had the feeling of a deep rustling in my subconscious, like he was talking to my id, or hypnotizing me with corporate jargon. If you are in Montgomery, Alabama you can see a solo shows of Davis’ work at Triumph and Disaster Gallery until December 31st ’14. You can also pick up the Exquisite Corpse catalog from Mass Gallery in Austin, Texas, which has a nice spread of his paintings.