Everton Wright (aka Evewright) has been designing and orchestrating these “Walking Drawings”, a series of huge-scale “drawings” carried out by people (and sometimes horses) who interact with the natural landscape in a way that is regimented. The end results are striking designs that snake across the earth. Wright films the creation of each piece, and the documentation becomes a part of the artwork. (via)
Sage Sohier spent three years at a facial nerve clinic, photographing people in the beginning stages of treatment of facial paralysis for her series “About Face.” The portraits of men, women, and children of all ages and ethnicities with varied causes and visible extents of paralysis are striking. Looking directly into the camera, directly at the viewer, the patients smile.
Most people I photograph are acutely aware of their imperfections and try to minimize them. Some have confided in me that, in their attempt to look more normal, they strive for impassivity and repress their smiles. They worry that this effort is altering who they are emotionally and affecting how other people respond to them.
In our image obsessed society, facial oddities can be difficult to live with. When we see images of celebrities with shaved noses and plumped lips, carving and injecting their way to plastic perfection, having a face twisted and pulled by nerve damage seems unthinkable. In an absurd twist, some of the patients are treated with Botox, which is a medical treatment as well as a cosmetic one. The strength of character it takes to allow a portrait when one’s face is so far from “the ideal” is astounding. The pictures that include loved ones show them touching, kissing, and connecting, illustrating how appearance doesn’t matter, that they person they love is still there.
As a visual artist, I find myself fascinated by the intensity of glimpsing two expressions simultaneously, a literal “two-facedness” that mesmerizes by its terrible beauty. At the same time, I hope these pictures bear witness to the incredible courage required to deal with medical afflictions, especially when they affect one’s primary appearance. Even minor facial problems challenge and potentially diminish a person’s sense of self; the poise and inner strength that it takes to deal with this, while at the same time presenting oneself to the world, is remarkable.
It’s important that images like these are taken, and even more that they are seen. These people have a medical condition, reversible to differing degrees, that makes them look different than what we expect. And this is what humanity is composed of—people who look like themselves at any given point in their lives. (via Design Taxi)
Korean artist Myung Kuen Koh creates intimate structural sculptures of shifting perceptions. Myung Kuen Koh’s work acts as tiny dreamlands that perfectly suggest a certain non-specific person, place, and/or time. Each piece takes the form of an urban structure — one that seems effortlessly familiar. Perhaps each one is an ode to the past; an old home, the house of an ex lover, a place that was once cherished. Their open movement and intentional distortion possibly hint at the fragility and elusiveness of memory. His images tend to portray two seemingly unrelated subjects: classical sculpture and urban, and often run down, buildings. However, these two images, despite their differences, achieve an equal sense of meditative air. Both types of images allude to a type of quiet, yet demanding physical construction that refer to a means to measure history. His work, it seems, could be either inherently personal, or, on the contrary, be focused on a collective notion of time. The artist’s work is almost cinematic, each piece being reminiscent to projector images along a edifice’s surface. Myung Kuen Koh’s delicate work is created through the process of layering translucent images. He then laminates his images and with goes the task of melting them together, resulting in a shimmering and striking sculptural montage. (via hi fructose)
Pennsylvania-based Charles Huettner is a 2D animator who crafts symbiotic relationships between doughy eyed pudges, shapely humanoids, and anything with a blank stare and bulbous limbs. His animations employ seamless transformations and an athletic flow that quickly cuts and softly glides at all the right moments. The blankness and mushiness of the figures make them capable of anything, making them perfect vessels for experimentation with form and motion.
His 2013 short entitled The Jump, is a beautiful glimpse at a spirit world where two teenagers dabble in visionary experimentation with suddenly tragic results. With a sophisticated Akira-esque score, we watch as these teens’ innocent curiosity leads to a dark tragedy, all the while a red ghost stares empty and indifferent. The Jump was a standout in “Ghost Stories”, a recent release from Late Night Work Club. Along with many other animators he contributes to the Late Night Work Club, “a loose, rotating collective of indie animators”, which has been shown to put out some of the most impressive shorts in the online animation community.
Moody, slightly surreal paintings from Swedish artist Markus Åkesson. Åkesson’s works touch on the quiet, interior relationship we have with death. But the artist doesn’t present death as the scary, violent experience that so many make it out to be, but as a peaceful, very natural phenomenon. And his use of animals and children works really nicely to heighten this impression. Åkesson is currently exhibiting work at the VIDA museum in Borgholm. (via)
DXV by American Standard is a landmark product line that represents the company’s storied history spanning 150 years. The collection spans four broad movements: Classic (1880 – 1920), Golden Era (1920 – 1950), Modern (1950 – 1990), and Contemporary (1990 – today). Each piece in the carefully curated collection harkens back to the era it was inspired by and combines it with modern sensibilities, technology and performance. Although each fixture is inspired by a distinct era, the entire collection has a dialogue and the ability to cross over and create a remix of eras in one space.
The pieces in the Contemporary Movement by DXV capture the ever-evolving spirit of present day design. Each quality crafted fixture, finish, and detail echo the clean lines of contemporary trends in interior design and architecture. Modern day sculptors like Donald Judd, Tony Cragg and Random International have influenced creatives all around the world with their bold approach to materials, lines and form. Contemporary sculpture lovers can create spaces inspired by their favorites works with pieces from the DXV collection.