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Fleet Foxes – White Winter Hymnal

I was following the pack
all swallowed in their coats
with scarves of red tied ’round their throats
to keep their little heads
from fallin’ in the snow
And I turned ’round and there you go
And, Michael, you would fall
and turn the white snow red as strawberries
in the summertime…

 

Fleet Foxes

 

Love it.

Also check out the BD interview of Sean Pecknold, the creator of the music video.

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Philip Akkerman’s Widely Varied Self-Portraits

 

Dutch painter Philip Akkerman has 200 or more self-portraits on his website. They are extremely varied stylistically but almost always share a really unsettling vibe that’s hard to articulate. In the paintings, Akkerman is usually glaring; eyebrows and lips turned downward. What’s most intriguing in these works is Akkerman’s evolution over time. He’s experimented with myriad different styles and techniques and grown as a painter, and his various transformations are all laid out in these works. Not his glare, though. That’s remained somewhat of a constant. (via)

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Daniel Aristizába’s Surreal Dream-Like Digital Pop Art

Daniel Aristizába - Design

Daniel Aristizába - Design Daniel Aristizába - Design

Daniel Aristizába - Design

Daniel Aristizábal is a graphic designer and illustrator who creates incredible digital works of art that are surreal and transport the viewers to a topsy-turvy Rube Goldberg-esque world. His Huevos series is playfully inspired by Dali’s “Eggs on the Plate without the Plate,” showing colorful variations on the common egg. 

In some of Aristizabal’s work, the 3D elements pop out, almost like digital sculptures. Other works, such as his “Glitched Cubism” piece, utilizes the 2D GIF format to play with the dimensions and perspective of cubism. In an interview with Instagram, he says that his work is a “retro, colorful, geometric bonanza.” His art seems to draw on a palette that is by turns neon and sherbet but always whimsical.
Aristizabal continues to say:
 
“My main sources of inspiration are random thoughts that pop in my mind, like memories of dreams and places that I used to imagine when I was a child. I think the term ‘pop surrealism’ works well for me. My work is full of simplicity and organic shapes. It is nostalgic in its essence.”
 

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Usugrow

london_flyer Usugrow first solo show titled, “Hasadhu in the night before a Storm,”  kicked off this month in London. 

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Michael Caine’s Political Fairytales

Michael Caine’s current work situates American political figures, both past and present, in altered 18th century paintings and Christian religious kitsch, referencing scenes from Alice in Wonderland, Bambi, and the Wizard of Oz. Drawing on the lineage of political cartooning in these pictures, Caines treats Richard Nixon, JFK, and Carl Rove, among others, with surprising tenderness and humor.

 

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Caitlin Hackett’s Darkling Fantasies

Painter and illustrator Caitlin Hackett now works out of Brooklyn, but she spent much of her early life in northern California. It was in her home state that she first developed and nurtured a love of nature, animals, and mythology, all of which inform her art today. Using mostly ballpoint pen and watercolor, she creates wildly imaginative creatures that are somewhere between human, animal, and spirit.

Says the artist: “My work alludes to the boundaries that separate humans from animals both physically and metaphysically, and how these boundaries are warped by new scientific data, mythology, history and religious beliefs alike, blurring the lines between us as science, religion and culture clash over what it is to be human, and thus, what separates us from the beasts of the wild.”

Take a closer look at Caitlin Hackett’s dark imaginings after the jump.

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Mathew Zefeldt’s Paint People

Hold on to your eyeballs, Matthew Zefeldt‘s paintings just might wipe them out. Matthew’s enormous paintings seem to use every possible color and it’s obvious that he doesn’t just “like color”– he loves it, and is really good at it. Using color to give control thick, abstract figures form and depth, and flattening his pedestals, Zefeldt’s paintings are a new and wonderful take on impasto abstraction, so thick that some of them look more like a gum wall than a painting. His work is also great because he uses his goopy application to show what portrait paintings really are–paint! But instead of taking a cynical approach to the problem–“oh no, how could we be attaching so much significance and power to these things that are really just a bunch of paint”–his view seems more enthusiastic, as if to say, “yes, this is a bunch of paint–that’s why they’re the best!” I can’t wait to see more. If you want to see some in person, he has a piece hanging until the 10th in a FFDG Gallery group show  The Diamond Sea  along with curiot and lots of other young up and comers. If you’re not in the bay area, you can see more of his work after the jump.

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Dwayne Coleman’s Hippie Excitement

It just might be the granola I just ate but I’m loving these kitschy tie dyed paintings by Dwayne Coleman.

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