Champagne Valentine, an Amsterdam based digital new media creative boutique, recently created this amazing interactive music video for Placebo’s “The Never-Ending Why.” The video takes viewers on a fanciful, creature-filled trip. Sort of a mix between Tibetan-mandalic psychedelia and French turn of the century daguerreotypes. Stunning! And the best part is that you can control the scenery and monsters by pointing and clicking your mouse! I am constantly amazed by the breaking of boundaries between viewer/media, and I feel like this video bridges the gap in a playful fashion….fitting for the performative aspect of a rock band. Click here to interact with the video- some stills after the jump!
London based illustrator Sarah A. King mastered up these playful typography illustrations – on fruit!? It’s interesting how the type looks slightly burned on the fruit, even tattooed.
You’ll find an impressive collection of work on her site including a typography illustration of Darwin. Included are a lot of close-up images so you’re able to see the detail and work that’s been put forth.
Aron Demetz‘ newest work shows him to be extremely adept at sculpting in wood. His figures seem stand atop stumps, perfectly carved from tree trunks. However, their sanded smooth skin is in stark contrast to parts of their figure that seem mutilated and mangled. While the figures’ faces are peacefully inexpressive, there is an underlying violence to the sculptures. The bare wood of the pedestals hint at the natural world and the sculptures at human’s often turbulent interaction with it. [via]
Back in March B/D teamed up with Toyota Prius to bring you the Future Perfect Project. Due to certain circumstances beyond our control we couldn’t consider submissions from international artists. However that didn’t stop hundreds of loyal international B/D readers to send in work. We figured that the only honorable way to approach the situation would be to feature all of these artists day by day in a short series. For day numero uno we bring to you Tom Dorkin, a 21 year old illustrator from London who is quite creative when it comes to showing off the natural detail in decay. Maybe the only way our future will be perfect is if we realize our commonality in being decaying mammals and that we must seize the day rather than waste away.
Brandt explains, “I unexpectedly found the creatures – all manner of birds and bats – washed up along the shoreline of Lake Natron in Northern Tanzania. No-one knows for certain exactly how they die, but it appears that the extreme reflective nature of the lake’s surface confuses them, and like birds crashing into plate glass windows, they crash into the lake. The water has an extremely high soda and salt content, so high that it would strip the ink off my Kodak film boxes within a few seconds. The soda and salt causes the creatures to calcify, perfectly preserved, as they dry.
I took these creatures as I found them on the shoreline, and then placed them in ‘living’ positions, bringing them back to ‘life’, as it were. Reanimated, alive again in death.” (via gizmondo)
Jorge Rodriguez Gerada and the people from the Delta del Ebro region in Spain have joined to form a giant representation of a girl named Gal·la. This installation is meant to bring attention to how future generations will have to pay the price for our inability to act on climate change now.
This piece is one of several major public art installations in over a dozen locations across the planet that will be photographed by satellites 400 miles above the Earth’s surface this November 20-27 as part of a planetary scale art project, 350 EARTH, led by author Bill McKibben and international climate campaign 350.org.
A good collaborative gallery show is like a good relationship—each artist’s work supports the other without being repetitive or unharmonious. “The Give and Take,” an exhibition in The Joseph Gross Gallery at The University of Arizona School of Art by Kristin Bauer and Emmett Potter, works on both levels. The married couple often collaborates and has exhibited together on numerous occasions.
The artists both work in multimedia and they share a similar aesthetic and point of view. Bauer says,
“I often juxtapose two or more iconic references or material of my own creating, drawing from a wide range of sources that spans anything from Renaissance sculpture to Jayne Mansfield, Shakespeare to Spielberg films, the Great Gatsby to Cheap Trick. How we make meaning of things as cognitive creatures, what we attach to and what we are repelled by is what keeps me engaged.”
Similarly, Potter incorporates vintage comic book imagery into his work. He combines different color palettes and emphasizes what is absent against what is present, making pointed statements about pop-culture. Both Bauer and Potter adapt, appropriate, alter and excavate our shared public domain in an attempt to decode how we attach meaning to the iconography of our culture.
On exhibit since May 28, a closing reception for “The Give and Take” will be held on August 29 from 5:30-7 p.m.
“I have long been possessed with a desire to make my work bigger and more intricate at the same time. A modestly sized cut paper piece could take me weeks of nonstop work to execute. This project is not only the next step forward stylistically, but a means to achieve far more daring and exciting projects.”