New video by Jon Clark and Spencer Longo for Los Angeles band LA Vampires’ (in collab with Matrix Metals) catchy number “So Unreal” combines all the things I love most about 80s/90s video aesthetics: head wraps, odd mystic paraphernalia, soft glows, and of course a healthy helping of neon. Jon and Spencer sacrificed their living room to set up this dark lair for a whole month! Spencer Longo currently has an installation up at the Pacific Design Center as a part of MAN, SUCH AS WE KNOW HIM, IS A COMPUTER. Jon is currently working on completing a 30 minute short called ‘Spectrum Hunter’. Watch the full video after the jump.
I’m not sure if Uffie is a rapper, a pop artist, or permanently drunk, but she is interesting. Here’s a video of her walking down an endless trippy hallway while barely mouthing her lyrics. The best part is at the end where she runs with her back at you like a toddler.
Perhaps taking some influence from the Hindu god Shiva, Korean artist Ahn Sun Mi creates self portraits depicting herself as some type of all seeing entity. In a surreal sense the photographs Mi creates depict the many emotions and feelings one experiences throughout the day. It conveys the complexity of human behavior by showing multiple eyes or arms. These represent the many things we see and do throughout the course of our lives. The numerous changes we undergo each day become in Mi’s work another mark in our psyche which is visually or literally depicted in her work.
While studying in Paris Mi became interested in the concept of metamorphosis which resulted from her being away from home in a strange land. Some of her photographs resemble a moth about to turn into a butterfly. Others have her struggling out of a cocoon like a covering made out of her arms. It helped her deal with all the emotions which stemmed from her new surroundings and mirrored how growth is good even though somewhat painful. By using herself in the photos we not only experience the ideas she’s trying to communicate but also get to see the biographical side in a literal visual sense. Historically Mi’s work finds reference to artists such as Yayoi Kusama and Rene Magritte. (Via faithistorment)
Brock Davis lives and works in Minneapolis. In addition to many art and design projects he has an ongoing series of delightful sculptures made from the food he interacts with on a daily basis. Pieces like Broccoli House, Gummy Bear Skin Rug and Rice Krispyhenge are sure to entice laughter. Davis is one in a long line of creatives who inspire us to see mundane objects as opportunities to playfully manipulate.
Given the prevalence of new technologies and the endless possibilities associated with digital programs, it is no surprise that most contemporary artists working in collage seldom create works entirely by hand. To Argentinian artist Larissa Haily Aguado, however, fabricating collages manually has become an integral aspect of her practice, as “the possibilities of fixed manual collage in the digital age provide exciting opportunities to engage with craft, materials, analysis and outcomes.”
With mesmerizing compositions, dream-like subject matter, and a “sharper, more immediate, and more human dynamic than is possible with computer software,” Aguado’s collages combine photographs, illustration, found materials, and elements of graphic design to form surreal yet seamlessly cohesive scenes. By attaching inanimate objects to human bodies or placing retro furniture in scenes of nature, Aguado creates works that are both tongue-in-cheek and aesthetically appealing.
Representative of her wide range of artistic experiences and clearly influenced by her multi-faceted career (including major music industry projects, fashion campaigns, movie poster designs, and TV commercials), the diverse nature of her collages undoubtedly conveys her inventive imagination and eye for design.
Photographer Mark Dorf‘s photoseries //_Path is an exploration of how technology and encroaching singularity affect our relationship and place in the natural world. The Brooklyn-based artist notes “…there is barely a single situation that is not influenced by digital technology and communication through the World Wide Web – the Internet and digital technology has been integrated into nearly every part of our lives and will only continue to become more and more present in our daily routines.”
//_Path seeks to explore this integration in its most visual form; combining bucolic and lush photography with images from collage, digital photographs and renderings, and early 3D scanning techniques. These symbolically-loaded, technologically-sourced alterations serve to represent a “…synthetic form to contrast against the landscape in which they are manifested; a comparison of language.”
Though Dorf is certainly not the only artist working with juxtapositions of technology and the natural world, his work specifically calls attention to the psychological and sociological damage our dependence on the tools we depend on, which once served us and now control us. Acknowledging that this dilemma too is human nature, Dorf seems to call for a combination of understanding: an existence both within the frameworks of our digital lives, and within our natural environment. Dorf explains, “It is no longer about logging on or off, but rather living within and creating harmony with the realms and constructs of the internet for our newest generation of inhabitants.”
Any “best of” list must surely be subjective. This one is no different. Choosing the best photographs of the year is an enormously difficult task, with many terrific photographs slipping through the cracks. But with major news events as a guide, and with single images I fell in love with throughout the year forcing their way into the edit, I look at my favorite pictures from the first four months of the year. Two main stories dominated headlines in the first part of the year: the Japan earthquake and tsunami, and the rising of the Arab Spring. The protests in the Middle East would spread to Greece, Spain, and eventually inspire the Occupy movement in Western nations. Other stories included a historic wave of tornados in the U.S., and the creation of the world’s newest nation in South Sudan. Images from the rest of the year will follow in posts later this week. — Lane Turner (Via Boston Globe)
A motorcycle policeman burns as his colleague tries to help him after protesters threw a petrol bomb in Athens on February 23, 2011. Scores of youths hurled rocks and petrol bombs at riot police after clashes broke out during a general strike. (Dimitri Messinis/AP)
Canadian photographer and general polymath Chris McVeigh has found fame as an in-demand commercial illustrator and designer, but his recent forays into LEGO toy designs have been bringing him even more attention recently. Taking inspiration from outdated and outmoded technologies, McVeigh’s recent collection creates sets from existing LEGO parts – and offers them as kits for sale or open-source plans for those who wish to build their own.
Not only does McVeigh create toy replicas of tube-televisions, early computers and gaming systems, but he also creates miniature “sets” – realistic era backdrops – complete with shag carpet, wood-paneling, and tacky wallpaper, just so his creations fit in. (via colossal)