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Jackie K. Seo’s Hyper Realism

Jackie K. Seo’s hyper realistic figurative sculptures are painstakingly created to depict every hair, skin blemish, and spot on the figures bodies. Jackie says about her work, ” In each of my pieces I like to show a moment where we feel the need to repair something in our lives and how we deal with it. I think the style of hyper-realism is a good way of showing the minute subtleties of the challenges of life, in a sculptural form.

I can show things like the wetness of tears in the eyes, the flushing of skin or the story that the fine lines and wrinkles of the face tell. The biggest challenge is balancing the overall feel of the piece without getting lost in the details.”

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Ill-Studio’s Greatest Abilities

 

 

Whether it’d be through art or design, France is the top destination to go to for any interested in construction and ingenuity with an urge for color experimention. Ill-Studio (founded in 2007) truly belongs to this cognition. Ill represents a collective of talented individuals headed by Léonard Vernhet and Thomas Subreville under one pretty ‘sick’ name.  The group experiments with shapes (a combination of both geometric and organic), thin and thick lines, and bold color saturation. Art-direction, photography, design, motion design, and typography are their greatest abilities; to describe the least.

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Next Day Flyers Presents: Pencil Vs Camera!

Ben Heine’s Pencil Vs Camera! series combines photographs and Ben’s unlimited imagination to create images where anything can happen thanks to a sharp piece of graphite and a small piece of paper.

 

Provided by the sticker printing experts, Next Day Flyers.

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Kostas Seremetis’ Ready…Steady…Go!

Belonging to the genre of abstract expressionism, Kostas Seremetis uses recognizable imagery from comics, film, and life in new and evocative ways; juxtaposing shapes and colors to powerful effect. Kostas’ Ready…Set…Go!, a solo exhibition by Kostas will premiere on September 12th at Fourth Wall Project in Boston.

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NEW CORNUCOPIA AND THE BIG IOU

Towering over visitors at a height of almost seven stories, New Cornucopia and The Big IOU by John Salvest is comprised of 105 multi-colored steel shipping containers, stacked seven high and fifteen across. The containers will be used as mosaic tesserae, with “I O U” spelled out on one side of the massive structure, and “U S A” on the other. Developed over the course of the past year, this striking installation is unfolding in Kansas Cities Grand Arts at a moment of exceptionally divisive national politics and public discourse.

Says Salvest of IOU/USA:

 

“The placement of the project near a regional branch of the Federal Reserve Bank, one of the main components of national economic policy, comes at a time when concern about the United States’ ballooning federal budget and foreign trade deficits is a major part of the national conversation. Its location between the Fed and the Pioneer Mother Memorial is also fitting in that, whereas the permanent public monument rightfully celebrates America’s and Kansas City’s triumphant past, the temporary public sculpture may generate meaningful discussion about where we, as a nation, are heading.”


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Graham Caldwell’s Glass Reflection

Manipulating glass to the limits of its expandability, Graham Caldwell creates surfaces marked by crumpled and stretched distortions. These agglomerations simultaneously recall stainless steel and shriveled skin, quite an unfamiliar pairing. The spectrum of forms and structures embodies an otherworldliness found in microorganisms or evolutionarily complex sea creatures.

Teetering between playful and sinister, much of Caldwell’s work hinges on the importance of viewer interaction. In one work the convergence of angles toys with the viewer’s understanding of perspective. One’s own image is contorted as if by multiple funhouse mirrors. In another work, planes of iridescent glass are interlocked in an organic, geodesic structure. Seemingly less concerned with the viewer’s presence, this work plays a mise en abyme within its own brightly hued peaks and valleys.

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Ricardo Gonzalez Garcia

Ricardo Gonzalez Garcia’s paintings walk the fine line between abstraction and representation with dense layers of patterns, various mark making techniques, and coded imagery.

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Ronald Kurniawan

Ronald Kurniawan’s illustrations are inspired by ideograms, syllables, letterforms, beasts and heroic landscapes. He slowly but surely continues to create a visual language where the wilderness and civilization could merge happily together. With the belief that the sublime and nuclear age could coexist, he paints romantic environments and breaks the quiet scene with juxtaposed imagery taking the shape of icons and letterforms.   He currently lives and works in Los Angeles where he paints meticulously and happily accompanied by his pug Ruffles, an avid artist himself.

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