Spanish photographer Eugenio Recuenco has taken the timeless and iconic work of the notorious artist Pablo Picasso and translated it into contemporary photography. He models each photograph in this series after a single Picasso painting, recreating it as a seductive, contemporary photograph. Each painterly photograph is taken in such a way that even these real life women seem to be painted onto a canvas. Having had his hand in commercial and fashion photography, the influence from modern high fashion can be seen. Because Picasso’s work contains such vivid colors and a strongly recognized cubist style, the model’s make-up and clothing are a vital part of what allows the photograph to imitate Picasso’s paintings.
Cubism, the artist’s most famous stylistic period, is achieved by dissecting parts of the subject in the painting, and breaking them down into geometric forms. In this case, the subjects in the photos are women covered in geometric patterns imitating Picasso’s paintings. Recuenco brilliantly achieves this reference to Cubism not only by the women’s clothing, but also by the perfectly placed photo fragments. Several of the photos in this series are altered so that there is an abrupt crop in the image, with extra limbs on the other side. This cleverly recreates Picasso’s ever-popular figures with extra legs, arms, or eyes. Some may say that there are just some things you can do in a painting that you cannot do in a photo. Recuenco proves this wrong with his incredible and imaginative use of make-up to mirror Picasso’s fractured portraits and misplaced facial features. In one photo, an entirely new eye is created, while in another, a sharp, black line dissects a woman’s face. Intelligent and original creativity is of no shortage in this photographer’s unbelievably beautiful series paying homage to a fellow Spanish artist.
Make sure to check out Eugenio Recuenco’s new project, a short film titled “A Second Defeat.”
Many contemporary artists incorporate materials traditionally associated with craft into their art practice. Craft, often segregated from the high art world, is used to describe a pastime or profession that requires skill and concentration. Fine artists involve styles such as knitting, crocheting, beading, ceramics and many others practices to create their works. The effects of using these generally intricate and time-consuming techniques are impressive as works by these five artists demonstrate.
Shane Waltener was trained as a sculptor and now makes beautiful and haunting installations using yarn. Many of his works are engaging and beg a viewer’s participation. Over Here, which mimics a giant spider web, references a technique called Shetland lace and is made of fishing line. Sherry Markovitz is a Seattle-based artist who incorporates buttons, feathers, fake pearls, shells, sequins, seed beads and other items to animal heads or dolls. Markovitz says that she “was never influenced by the contemporary art world,” and indeed, her works created from hours of labor and scouring flea markets for material feel as though they walked out of another place and time. Elaine Bradford uses crochet to create otherworldly sculptures. Her installation at the Vinson Branch of the Houston Public Library, for instance, consists of an elephant and a gaggle of Canadian geese, all sheathed in crochet skins. The work is fun and playful, but also sophisticated and clever. Orly Genger, most recently known for covering Madison Square Park in New York with a massive installation consisting of 1.4 million feet of layered, painted and hand-knotted rope last summer, is an artist who employs traditionally “feminine” activities to works that reference artists like Barnett Newman. She titled her Madison Square Park installation after his Who’s Afraid of the Red, Yellow and Blue? series from the 1960s. Edith Meusnier is a French textile and environmental artist who transforms nature into installation spaces. She uses craft installations to raise questions about sustainability and the vulnerability of nature.
Rosanna Webster’s Tribalism series is a response to primitive beliefs in a fluidity between human and animal forms, and therianthropes. In many early hunter gatherer societies animals were seen as messengers between worlds with costumes and ritual used to aid spiritual practice. The images here were inspired by the idea that through animal costume and imitation spiritual transgression could occur.
Swiss artist Daniele Buetti’s light box constructions feature punctured holes that emit light from beneath the surface of the image creating a glowing highlight to the images of the distressed models and adding poetic text and musings to her provocative works.
Digital artist and graphic designer Kode Logic (aka Boss Logic) is used to taking existing imagery and adapting, changing and repurposing it. With his newest series, Playing With History, the Melbourne, Australia artist samples some of the most recognizable photos in the history of the medium, and either subtly or blatantly alters them by including superheroes and villains.
Ranging from the construction workers who built New York’s skyscrapers palling around with Spiderman, or an alternate history where Mortal Kombat’s four-armed boss Goro menacingly watches over Ellis Island on the Statue of Liberty’s plinth, Kode Logic plays with both humor and irreverence (exemplified by two separate Kennedy edits – one with Marty McFly skitching on his hover-board, the other featuring The Watchmen’s The Comedian preparing to assassinate the president). Explaining the project (and a premise shared by many from the digital and web-based design and art communities), Kode Logic says, “…as a digital artist we are the new breed of artists and we are all trying to innovate our own style to be remembered and past on as a foundation you laid down…” (via albotas)
Loris Cecchini explores the nature of structure. His amorphous forms resemble the most basic element of life which is a cell, and with that basic shape the artist comments on human experience. His interdisciplinary installations have appeared worldwide garnering him praise and interest. They have been called visual poetics because his work prefers to be seen and experienced opposed to talked about.
Some of Cecchini’s grander projects have included a series called Intro. Environments. In this work the artist created large, site specific installations with forms that look similar to broken tree branches, natural sponges and cell structures. He placed these organic items randomly throughout a space and attached them to electric power lines, on trees or connected to flying wires. The impression here is that life is all around us. Even if we cannot see it we should always be conscious that something is growing and living nearby.
Another piece called Extruding Bodies created wall relief structures studying sound waves. These visual vibrations appeared to be moving and in some cases ear forms could be seen within the structure. Putting the pieces directly in the wall allowed for an optical illusion to occur which turned cinematic. Since sound waves are invisible the attempt to give the viewer an idea what they might look like is the type of question Cecchini answers and why his work is significant.
The artist was recently commissioned to design a class one watch for Chaumet. Only 300 of the special edition were made and the exclusive jewelry company used one of his wall wave structures on its face covered partially in diamonds. (via fubiz.net)