Delicate wood carvings by Satoru Koizumi.
If you’ve spent any time looking at Google Earth, you’ll notice that the photography isn’t always perfect; sometimes things appear a little weird. Brooklyn-based artist Clement Valla looks for these oddities, scouring the site and viewing places from different vantage points. At certain angles, highways appear as if they’re melting, dipping into ravines and rivers. It’s trippy. He collects these images and calls them Postcards From Google Earth.
These scenes aren’t the result of glitches or of errors in the algorithm, but are the logical result of the system. Valla explains, “They are an edge condition—an anomaly within the system, a nonstandard, an outlier, even, but not an error. These jarring moments expose how Google Earth works, focusing our attention on the software.” 3D images like we see here are generated through texture mapping, where the flat satellite image of earth is applied over 3D terrain. Most of the time this is seamless, but sometimes, when the spaces are so different, things look wrong. Valla goes on to remark:
Google Earth is a database disguised as a photographic representation. These uncanny images focus our attention on that process itself, and the network of algorithms, computers, storage systems, automated cameras, maps, pilots, engineers, photographers, surveyors and map-makers that generate them. (Via Amusing Planet)
Miles Aldridge’s fashion photographs pack a powerful punch of color and bizarre surreal narratives.
This incredibly detailed newspaper art or “lace newspapers” are the work of Canadian paper artist Myriam Dion. Using an Exacto knife and a surgeon’s precision, Dion creates intricate lacey shapes using existing text images from newspapers, cutting out white space and leaving some of the paper image in tact. The results are beautiful new images that have been completely transformed through Dion’s skilled paper cutting and fine attention to detail. She creates other deconstructive work, like her ornate burned photograph series.
Dion is currently working on a masters degree in visual and media arts at the University of Quebec, and will have her work featured in a number of upcoming exhibitions, including Pulse Miami,Art Toronto 2013, and Foire en art actuel de Québec. (via colossal)
Project B unearths vintage photographs from the margins of society, presenting rare originals and printing large format limited editions to the public for sale. The artists are anonymous / unknown and this is exactly the curatorial allure. Whether you’re a collector, designer, or everyday art enthusiast, this project is not about capturing the honored. It’s about appreciating the medium’s forgotten past and exploring its throwaways. The personal and technical flaws are just as endearing as the mysterious people who elusively inhabit these cryptic realms.
We’ve been getting a lot of emails asking what we’re doing for Book 2 of after having Kyle Thomas hand draw all 1,500 hundred copies of Book 1. If you haven’t seen Book 1 yet rush over to our shop and check them out!
After months of planning and scheming I’m excited to announce that each issue of Book 2 will come with a limited edition, silk screened, hand signed & numbered 4″x6″ print by Cody Hoyt. For those of you not familiar with Cody, he is one of the main guys behind the Apenest books as well as an amazing artist. The print was silkscreened locally by our friends over at Two Rabbits Studios.
This print is nothing short of bonkers featuring a skeleton, zombie, four armed creature practicing yoga, eating a taco, eating cereal, vomiting, pouring glue in its eye, and taking bong hits all at once! I wish I could multi-task like that!
The only way to get this limited edition print is through purchasing Beautiful/Decay. They will not be sold separately anywhere. Head over to our shop and reserve your copy of Book 2 by subscribing.
The mythical creatures and monsters in Korean artist Seungae Lee’s drawings twist, morph, and transform into one another while simultaneously doing battle for their life.