Korean born and New York City based Jay Sae Jung Oh’s dynamic functional sculptures is made out of manufactured objects conspicuously transformed into unexpected new forms, making a strong statement about our current cultural condition of abundance. Sharp attention is focused on reconsideration of the ordinary. In this project, Jung Oh started by collecting discarded plastic objects, assembled them together, and finally wrapping them with a natural plant fiber (Jute). The transformation occurs in the amalgamated form and its concealment. Innovation, invention, and beauty can emerge from anywhere, even the most familiar, ordinary and everyday. (via)
Laurent Gongora creates interventions in nature, and this is his biggest stunt yet. The artist made 24 metal plates and attached them to the façade of a waterfall, the Cascade de Vaucoux in France, to redirect its flow. The name of the project is Les Cascadeurs, which means stuntman in French, and also references cascades, which can mean waterfall. It looks like a much more majestic plinko (that game in The Price is Right where you drop a chip and try to land it in the $10,000 slot). In a video you can see on Gongora’s website, the power of the waterfall is accentuated by the installations as they waver back and forth under the bombardment of water. Gongora’s aesthetic gives the piece even greater impact, as its simplicity allows you to wonder about the logistics of mounting such a piece.
Another artwork that acts similarly to Les Cascadeurs is Le Diamant Noir, where Gongora places a black diamond in the middle of a forest in Pays de Condé, France. The land is a heritage site which used to be a coal mining bassin, and so the diamond represents the interaction between the natural landscape and the mining enterprise. The black diamond was installed over a tree, but the material is a metal with holes all over. Slowly the tree grows out from under the diamond and will theoretically overtake the structure. It is a balance between nature and human intervention, and Gongora demonstrates that each may have an effect on the other. (Via My Modern Met)
I know, I know, this is a bit cheesy. But try to look past the terrible music, the Yanni style haircut, and even the cheesy artwork. What I’m into is the technique. I challenge you, loyal Cult Of Decay members to use this painting technique to make something amazing. Watch the full video after the jump, turn off the computer and get going!
Today is your lucky day. I just happened to stop by the office of one of our book distributors today and he handed me a box containing these 8 SOLD OUT B/D Books. have four copies of Beautiful/Decay Book: 1 with HAND DRAWN covers, and four copies of Beautiful/Decay Book: 6. I was going to keep these for myself but since I’ve gotten so many emails about these I thought I’d make them available to you. Book: 1 is extremely rare and you’d be hard pressed to find it even on eBay.The first 8 people to email us at firstname.lastname@example.org can get these rare books at the usual $20 plus shipping. The faster you email me the more likely you’ll be to get your hands on these so if you are missing that coveted Book:1 or Book: 6 to complete your Beautiful/Decay collection email us now!
Brazilian artist Felipe Guga creates melt-in-your-mouth imagery in sunny Rio de Janeiro. Maybe that’s why his pieces remind me of fruity cocktails and sand in my hair. Guga has successfully designed an array of t-shirts, websites and print ads with his sun-bleached pallete and swirling collage effects.
Together, artists Anton Abo and Ooli Mos make up Orka Collective. The like-minded, Eastern block natives draw inspiration from nature, animals, people, and magic in the creation of their predominantly black-and-white illustrations.
For SWAMP’s piece Supermajor (a term used in the Gulf Coast referring to the six biggest publicly owned oil companies) the artist collective has created an ingenious and perplexing sculpture that will surely make you take a double take. In the gallery a wire rack of (vintage) oil cans sits. One oilcan has a visible fissure out of which oil slowly flows cascading onto the pedestal and gallery floor… The only thing is, the oil isn’t exactly flowing out of the can. Instead, oil appears to slow slowly drop by drop back into the can. At times the drops of oil hover unsupported in midair. Other times the drops are in the process of a slow motion splash onto the pedestal. This is a piece that can only be fully appreciated in person or on video as the oil literally looks like it is moving backwards in time back into the can.
SWAMP (Studies of Work Atmosphere and Mass Production) was founded in 1999 by artists Douglas Easterly and Matt Kenyon. Focusing on critical themes addressing the effects of global corporate operations, mass media and communication, military-industrial complexes, and general meditations on the liminal area between life and artificial life.
Watch the video above and after the jump to see the piece in action! (via)
Using abstract expressionism as muse, Brooklyn painter Andy Piedilato plays off visceral emotion. With unyielding imagination, he reaches a place between here and another, a type of painter’s purgatory, where ship wrecks float in brick shaped waves on huge panoramic canvases. Intertwined with vast metaphors, the ship motif was first inspired when a friend built his own boat. The idea stayed with Piedilato and he started thinking about how a handmade vessel would fare at sea. Soon he was painting parts of boats with a technique he had already acquired using bricks. This completely changed his purely abstract canvases. Paintings that were once finished in a day were now taking a month to complete. Before, the focus was not so much on a thing but a moment. This produced dozens of messy works which concentrated on sole mark making.
Today, his painstakingly tedious process uses a technique which paints around hand taped sections of canvas, allowing the tiny brick shapes to form into pictures. The results are flatter and less heavily impastoed. There’s a translucency present, especially in two recent works called “Red Sail” and “Sea Snail.” Both over 10′ wide, they exude a Japanese scroll effect making them slightly more watercolorish. This might account for the large amount of white in the background, thus opening up a new path for Piedilato. His present state of mind, is that of an artist who’s been asked to paint ‘smaller’ by potential dealers to encourage more salability. His refusal has allowed the paintings to get bigger and weirder, adding more aura to his increasing cult hero status.