Roof Runners (2015) is a series by photographer and filmmaker Michael Snyder. As an avid traveler and international artist, his work typically explores the intersections of social justice and environmental sustainability as they occur around the world. This series—which depicts people leaping daringly across rooftops—takes a more personal turn, drawing on Snyder’s childhood imagination. In the following project statement provided to Beautiful/Decay, he explains:
“Car sickness plagued me when I was a child (it still does). While my siblings were able to read or play video games on long road trips, I always had to look out of the window to keep from being sick. To fight the boredom I would project myself out of the car and into the landscape as it passed by. Often, I would imagine myself as a runner, crossing rooftops and hurdling from building to building at high speeds.”
Snyder turns the urban architecture of Columbia Heights (Washington, DC) into a kind of real-world platform game, where the protagonist is a powerful projection of oneself, navigating the world with a sense of adventure and invulnerability. For Snyder, this reinvestment in a youthful fantasy operates as testament to the importance of personally-derived creativity. In a fast-paced world dominated by electronic entertainment, Roof Runners encourages us to return our gaze to the corporeal world for imaginative outlets and self-exploration.
photographer Chris Wiley‘s deceptively simple, minimal and highly composed photographs document the small pieces of our landscape that we overlook each and everyday. If Rhothko took photos they would probably look something like this.
Happy Halloween everyone! Let’s all take a few minutes to celebrate the funniest holiday of the year. Hope your day is filled with lots of ghouls, goblins, ghosts, spooky monsters and maybe some David Letterman??? More crazy pumpkin carving pictures after the jump!
Why is it that with the ease of publishing available today people so often choose to re-post content as opposed to create it? Jon-Kyle asks. We don’t take offense, as we make plenty art…. we just like giving unknown artists a little bit of light… anyway, Jon-Kyle has responded by creating a Repository, in curating culture. The above video, created by a computer that manipulates raster videos, is scary and amazing. Invented in the the 1970’s, the machine is refered to as a Rutt/Etra Scan Processor. We’re not sure you can find it on Ebay… but if anyone see’s one, nothing’s wrong with an early Christmas/Hanukkah/Kwanzaa present!
It is hard to summarize what Ben Jones does. One, overly broad, way to describe his work is that Jones creates genre defying art in a wide range of media, and within his oeuvre there are a lot of nooks and crannies, each of which has its own special ideas and charm. His creative work has been enthusiastically followed by artists since the late 1990s through zines, underground animations, painting and sculpture. I remember seeing something called Paper Rad on the internet around 2003 or 4, and being mesmerized by the bold drawing and color, and, not to be cheesy, but there was also a contagious sense of joy. The imagery remixed pop culture with high cultural stuff like abstract painting. A few years later, towards 2007, the broader popular culture became aware of Jones through his animated television series Problem Solverz, and more recently his new series entitled Stone Quackers. All of the work seems to hover half in the subconscious, placing seemingly real and present iconological formations alongside impossible or wonderful subconscious riffs. In Jones’s work it feels like half the colors are colors, the other half are memories.
Jones has a new exhibition opening Saturday July 11th at Ace Gallery in L.A from 7 to 9pm, and you can see the show until September. This is a major show that is going to transform the gallery. You will be immersed in both high-tech painting and the ladder sculptures we discuss in the interview. His televison show, Stone Quackers, has recently aired new episodes on FXX in the Animation Domination block, and you can see his animations all over the internet and on Hulu.
Cinta Vidal Agulló‘s paintings depict a topsy turvy yet mundane world. There’s a dream-like quality to her work, like Alice falling down the rabbit hole and remarking on the various jars of marmalade. With a background in painting backdrops for the theater, Agullo excels and creating immersive worlds that, though they have an M.C. Escher-esque sense of physics, seem like they are a part of real life.
“With these un-gravity constructions, I want to show that we live in one world, but we live in it in very different ways – playing with everyday objects and spaces, placed in impossible ways to express that many times, the inner dimension of each one of us does not match the mental structures of those around us. The architectural spaces and day-to-day objects are part of a metaphor of how difficult it is to fit everything that shapes our daily space: our relationships, work, ambitions, and dreams.”
Agullo’s paintings are lushly illustrated like one of Graeme Base’s children’s books, almost playful in the way they explore the spatial and emotional connections between the tiny figures that inhabit them. Though they are definitely surreal, we’re invited to imagine how the different parts of each painting might fit together, like the puzzle pieces of our everyday lives.
What are the relationships between the people in her paintings? We can’t tell for certain, but it’s clear that the orbit around each other or, at the very least, they are neighbors in the same world — if not the same reality. (via Hi-Fructose)
Argentinian artist Estela A Cuadro has a body of work both ethereal and precise. She has beautiful pen work layered with watercolor backdrops creating worlds of her own. Her pieces show themes of acrobatics and carnival in an understated way.