We sent off Book 4 to the printers the other day, so we thought we’d give you a sneak peak of what we have in store for you. The above is a screen cap from an amazing collaboration between 26 artists from around the world. I don’t want to give away all the details for this project, but think of it as a Y2K version of one of the most classic art-based games. Confused? Good! Read on to see more behind-the-scenes tidbits….
In two of Aurel Schmidt’s more recent series, the artist’s highly rendered drawings depict leafy vagina lettuce and ginger toes, among other inventive combinations of body parts and edibles. Her older drawings focused more on hedonism and a kind of consumptive chaos. She created party beasts constructed from accumulations of coke baggies, cigarette butts, pabst cans etc. They mischievously smiled out at the viewer like a visualization of a hangover. Even with discarded condoms and burn holes, she’s always had a tendency for beauty, though.
In contrast, the ideas in FRUITS are refined to a few poignant elements. There is a strong focus on associative forms, and Schmidt’s choice to pair white grapes with a plump penis emphasizes the gravity in the image. The nippled melon is equally sumptuous, and it’s great to finally see melon and breast united in one. Her style is laborious, but it doesn’t show in her drawings. She’s funny, with an I-don’t-give-a-fuck attitude that’s present throughout her work. It’s not indignant or aggressive; it’s joyful and celebrates absurdity and decay.
Black Drawings returns to a more standard subject matter for Schmidt, and the drawings become more severe without colour, maybe even cult-ish. The bellybuttons are the most seductive, because of their subtlety and curiosity. It takes a while to identify them for what they are. This series definitely demonstrates Schmidt’s breadth of ability, where the spurting penis cross is much more in your face than the bright sunflower nipples.
San Francisco-based illustrator Emma Munger combines two things that popular culture holds dear – the television show Twin Peaks and Sailor-Jerry style tattoos. She’s reproduced the classic flash pages you see in tattoo shops with characters from the bizarre David Lynch production. But, there’s a twist. Instead of a straightforward look at Audrey Horne, Laura Palmer, and the Log Lady, they are done in a pin up style.
The amusing mashup may never make you look at Twin Peaks the same again. Munger draws some characters sexier and some homely characters unnecessarily seductive.
Now that you can imagine these pinups on arms, legs, and other body parts, the real question is – would you ever get one tattooed? If so, which one? (Via Dangerous Minds and Welcome to Twin Peaks)
Benny Diar is a true inspiration. Even though Benny became paralyzed a few years back from a bad car accident he is keeping things positive and pushing forward. Recently he’s been getting back into the swing of things with art. Using his mouth to hold a brush Benny has been creating paintings on any and every surface he can find, including the human body. Check out the video of him doing some body painting on tattoo model Malice McMunn after the jump. Keep up the good work Benny and thanks for reminding us to live each day to the fullest and to not let anything get in our way.
"(Bounce Room 2), 2009". Digital video projection, watercolor on canvas
Took me a while to figure out what was going on in this image (well actually, they’re almost all videos) but it’s an awesome visual trick. The rest of Michael Guidetti’s work is along the same vein. Kind of 2D into 3D…so 2.5D?
The images of photographer Álvaro Sánchez-Montañés‘ series Indoor Desert seem like elaborate installations. However, he actually found them this way. These buildings were once part of a town named Kolmanskop in southern Namibia. It had been situated near a gold mine. When the mine ran dry it was abandoned as was the town. The strong winds quickly overtook the town filling its buildings with the sand of the nearby Namib desert. The homes now filled with desert instead of families only emphasizes each photographs loneliness and underscores the immense power of nature.
Altering found photographs with a ghoulish touch, artist Angela Deane’s series Ghost Photographs depicts the supernatural having a good time. The quirkiness of subject matter pairs well with the aged source materials. Large group images are no longer a sea of smiling faces; Now, they are white, hollow-looking sheets staring back at the viewer. It’s amusing more than it is creepy because they aren’t terrorizing people, and existing as a normal person would.
Ghosts symbolize what’s gone but not forgotten. Deane paints over portraits of time that we’ll never get back. It’s the passing of a memory, and something that won’t easily leave us, no how matter good or bad.
Perhaps this series doesn’t need to be so existential. We can enjoy these small, strange works about ghosts on vacations, celebrating birthdays, and at the amusement park. Because hey, sometimes the supernatural needs a break from haunting. (Via Flavorwire)