Margie Livingston’s work articulates the interaction between the architectural grid and the natural, organic world. Based on three–dimensional models that she builds in the studio, her paintings directly translate the phenomena of space, light, color and gravity upon these hybrid structures into lines and bands of color that hang seemingly suspended in space. Now, letting accident and discovery meet invention and experimentation, Livingston reverses her usual process, using paint to construct objects. Her new paint objects—built entirely from dots, strips, and skins of dried acrylic pigment investigate the properties of paint pushed into three dimensions and offer a compelling view into how the medium of paint can be used sculpturally. The sculpture featured above contains 62 layers of poured color going from dark to light.
Rebecca Wilson talks about her paper cup project, “The paper cup is an icon of the ‘throwaway culture’ and by imposing classical ceramic styling and transposing materials I aim to highlight and question our tendency towards wasteful consumerism.
Not only does Steven Riddle make bold and eye catching collage work but he is also one of the featured artists in Beautiful/Decay :Future Perfect book. We can’t ruin all the fun and show you what Steven’s contribution to the book is but you can get your very own copy here at the B/D shop before it sells out!
I know I may be partial to artists who went to the same art school as me (Maryland Institute College Of Art) but Milana Braslavsky’s photographs are downright quirky, playful, funny, and most importantly Beautiful. For some reason all the figures in her photos remind me of quirky art school girls with thick rimmed glasses who listen to Buddy Holly albums on vinyl.
Annie Farrar’s work explores the gray area between painting and sculpture, the territory between picture-plane and object, and delves into themes of entropy, decay, time, blackness, the abyss, the infinite, death and regeneration, loss and renewal.
How does an artist contribute his own personal story in the face of prevailing historical narratives? In this film, Rashid Johnson discusses the fluid nature of black identity in America and its escapist tendencies, from the Afrocentric politics of Marcus Garvey to the cosmic philosophy of Sun Ra. Johnson’s invented secret society—”The New Negro Escapist Social and Athletic Club”—is a framework through which the artist humorously upends, through repetition and juxtaposition, conventional expectations of historical influence and legacy. Inspired by a story by the artist Lawrence Weiner in which one character says to another that “a table is something to put something on,” Johnson creates sculptures of shelf-like structures from materials such as black wax, mirror, tile, and branded wood. Each structure is filled with culturally resonant objects—such as Miles Davis and Ramsey Lewis jazz records, books by comedians Dick Gregory and Bill Cosby, and treatises by scholars such as W.E.B. Du Bois and Debra J. Dickerson—as well as the artist’s own photographs and hand-made objects. Watch the full documentary after the jump.