When I first saw the work of Don Porcella, I found it to be quite humorous, and with a second glance I realized how much detail he puts into each one of his sculptures. Each one is made of pipe cleaners and I find all the different things he chooses to make with them quite creative.
Let’s face it no matter how much we learn about the benefits of good nutrition junk food will always remain part of our diet. Even if we’re not eating high calorie high processed food everyday there are times when you ‘just need it’. Nothing beats the crispy crunch of French Fries or a delectably cheesy quesadilla after an exhausting day at work. It makes for a nice comfy meal when you’re just too tired to make something healthy. Then there are those who would rather eat junk food over everything else. Who hasn’t heard a friend say they went to a fancy restaurant and afterwards thought the local diner was better? My mom used to say she liked hamburgers better than steak and I’m sure she still does.
Poking fun at this idea is a project by “fake chef” Jacques La Merde. Under this fictional name, La Merde creates junk food dishes reimagined and plated as high end nouveau cuisine. Through his intepretations we see a Coney Island corn dog broken down into fancy morsels metaphorically selling for $30 a plate. The food is almost unrecognizable from its original state and one has to look very closely to see which junk food staple the artist is recreating. Some of the barely familiar items on view are hostess cupcakes, cheese and crackers, hard boiled eggs, creamsicles, hot pockets, tv dinners, dunkin munchkins and the list goes on.
La Merde displays new creations on an instagram account which currently has 60k followers. Just another testament to the public’s love of all things bad for you disguised as something else. (via escapekit)
If you want to say something, say it on a cake. People have come out via frosting, and now graphic designer Sarah Brockett created the Bold Bakery project as a way to impart some sassy sayings onto sweet treats. Curse words abound, they are on full display on cakes, cookies, and in the filling of a pie. The juxtaposition between the beautifully-crafted baked goods and their harsh sentiments make this series amusing. It might make you hungry, too. Brockett explains the thinking behind her bakery:
Though it’s branding may make it appear cute and friendly, the Bold Bakery is not where you want to purchase Grandma’s birthday cake from. It is, however, the perfect place to have a pie created for your cheating husband, or your bratty pre-teen daughter. This establishment simply oozes with sarcasm and sass. Don’t have anyone on your “shit list”? That’s okay. Plenty of our customers partake in “cake wars”, where they gift their friends with raunchy baked goods for no reason at all. Sometimes a little crude humor and chocolate cake is all you need to get by in life. (Via iGNANT)
UK’s StudioMakgill creates big, bright presence in packages of all shapes and sizes.
It is the age of the selfie, and yet Roberto Foddai’s self-portraits feel like anything but. His images range from dramatic, erotic snapshots to costumed and posed portraits. The Photoshop manipulations he executes, notably in the “make it double!” series, are both subtle and transformative. He merges pictures of himself into the same frame, doubling the impact. Two Robertos laughing together, two lying on the same bed, and, memorably, one pleasuring his “other” self. The effects are transparent and the narrative in the pictures exists outside of their computerized genesis.
Why the costumes, the playacting and grimacing? Why two Robertos in the frame? He answers:
1. I like to be other people as I am often bored of myself.
2. It is easier to be boring in my daily life and dressing up in photographs fills the need I often have to be different.
3. I think, as Feminist and writer Carol Hanish said “The Personal is Political” so it is me in the pictures but they are often a political statement and maybe not as personal as they look.
We see Roberto Foddai as Freida Pinto. Roberto Foddai as a pink gowned ingénue. Wearing a necklace of shuttlecocks. In a swim cap, a nightgown. In underwear and red socks. Cindy Sherman’s self-portraits in disguise are called to mind, but unlike Sherman, Foddai makes very little effort to camouflage himself completely.
I always liked the idea of documenting my own life for myself. Keeping a visual diary of my life also gave me other ideas or other subjects I could work on. This is clearly a work in progress and without any doubt one of my favourite parts of my work. I often struggle with the way I look but it helps me to look at my life in a more objective way.
In many of these self-portraits Foddai is not conventionally attractive. Sweaty, with decayed looking teeth, and testicles poking through his underwear, these images are raw and unadorned. And it’s that truth in the images, in the portraits, that makes it difficult to look away.
Tomoo Gokita’s abstracted erotic paintings have a very nostalgic feel. As a child, Gokita snuck to read his father’s playboys, which he says are still a big influence on him now. His father created the images for advertisements in Playboy for its launch in Japan in 1975. Gokita now keeps the entire collection in his studio, and this influence shows heavily in his work. The curves and teasing stances of his characters are obvious references to such imagery. The forms and colouring make for a very retro feel, but the strange dot-eyes or the patterned zigzag head of the tuxedoed man have more of an Internet age vibe.
Gokita never reveals faces, except for the subtle suggestions in the dots. Often he flattens them completely or creates intestinal-looking deformities oozing from their head. Gokita says that he doesn’t depict faces because he became tired of them, and now he is instead interested in masks: “to hide a face and to become a different character.” This too seems to relate to his fascination with the women in Playboy. Although the images are extremely revealing, they’re also highly composed, and act almost like a mask of sexuality. Both the paintings and the images they are inspired from are a fantasy or a caricature of a woman’s true and much more deeply complex sexuality. Gokita’s paintings reduce them to be even more elemental, and also reveal their oddity. This is done very acutely due to his respect and love for the imagery. It’s a fascinating way to examine the inner workings of commercial erotic images. (Via Hunted Projects)
Teale Coco is a Melbourne-based designer, photographer, and international model who has crafted her own dark and fascinating brand of handmade accessories. Inspired by occultism, fetish, and human anatomy, Teale’s designs are characterized by powerful statement pieces influenced by occult symbols — such as the pentagram and sign of the triple goddess — in addition to harnesses that mold to the body in provocative ways. As a synthesis of dark themes and alternative culture, Teale’s work is a holistic approach to fashion, one that melds personal identity with empowering aesthetics.
“Fashion is art,” Teale wrote in a statement provided to Beautiful/Decay. “I don’t have boundaries with what I create, and I set no limitations. […] Human anatomy is one of my biggest influences. The shapes, sizes, lumps, bumps, bone, flesh: everything is derived from a natural source — even our technology today was first inspired by the mystery that is nature.” And, referring to how her “Medusa” full leg harness is an evolution of the garter (a time-honored fashion item), she goes on: “I am expanding these traditions and creating something unearthly.”
At the core of most subcultural fashion is a dissenting spirit that seeks expression beyond societal norms and limitations. The same energy drives Teale’s work as she endeavors to create pieces that foster individual empowerment. Following designer Yohji Yamamoto’s perspective on the seemingly paradoxical beauty of black — a “modest and arrogant” “color” that says “‘I don’t bother you, don’t bother me’” — Teale’s versatile pieces are both assertive and romantic, and can be hidden under clothes or displayed over top (Source). Furthermore, the harnesses are gender neutral and made to adapt to all body types, placing no restrictions on who can wear them. “I want people to love themselves, feel good, wear what they want to wear, and not judge themselves,” Teale wrote, explaining how body positivity was important to her project. “It’s not about what other people think about you, it’s how you feel about yourself — and my designs are here to help liberate you.”
Teale Coco the Brand is a passionate project that is destined to go far. In just over a year, after transforming her Etsy store into its own company, Teale’s work has gained an impressive, international following. All of the styling, designing, editing, creative direction, makeup, and social media are currently done by Teale herself, with a team of artisans sewing the designs. Check out the brand’s website, Facebook page, Tumblr, and Instagram to learn more.
Eddie Martinez is hands down one of the best artists working today. I’m not even going to qualify it by saying he’s one of my favorite artists, he’s a lot of artists’ favorite artist. For visual people, being in front of Martinez’s work is like sitting down to a dinner where the food is so delicious you forget to say anything to each other. If you count visual as a sense, it’s sensual. I was very happy to get to visit his studio and report back to Beautiful/Decay with the goods. Eddie had a big stack of drawings which had not been photographed before. As I flipped through that rich pile of drawings my brain melted and the hair on my arms stood up. So take a moment, picture your spirit animal, relax and enjoy this. I feel like Morpheus, and you’re Neo, in that scene from the Matrix where Neo has to choose between the red pill and the blue pill. Once you’ve seen things through Eddie’s eyes you can’t go back.