A. Ruiz Villar parcels out space in relation to geometric positions, with minimal pops of color threaded throughout. His subtle gradations of white give special depth and age to the work so imagery doesn’t feel flat, but formed, or architecturally emerging. These vibrant compositions are not easy to visually choreograph– however, Villar makes it look beautifully accidental and organic.
Of his work, Villar’s stance seems like a conceptual mash-up of science, math, and poetry, suggesting it “revolves around the quest for a language akin to the following factors: 1.1.1. Provisionality (doubt): Lack of an evident purpose. 1.1.2. Continuity: There are silences, there’s no rest. 1.1.3. Uprootedness: There’s no commitment to technique, structure, or materials.”
While Kiel Johnson constructed an entire magnified twin lens camera out of cardboard (which actually works, amazingly but not surprisingly), Theo Jemison artfully captured the endeavor on another medium, film. It’s more than just a time-lapse video, it’s beautiful and captures the fun and tediousness that was involved in making this gigantor camera. Click here to see photographs the camera actually took! They’re eerie and gorgeous, just in time for Halloween.
A friendly reminder that our big warehouse clearance sale is still going strong. Support your favorite brand and get a ton of goods at a giant discount all at once. This sale will end next week and items are selling out hourly so start your holiday shopping now and get in on the deals! The shopping spree starts HERE!
While combining realism and expressionism, Mao Yanyang new works surprises the observer with very audacious paintings. Using daily broadcasted images he appeals to the spectator’s collective and individual memory shaped true years of media confrontation.
But there’s a very big difference between those known images and Mao Yanyang’s Works. The audacity of the artist’s ideas is expressed true the constant presence of several microphones in every single one of his paintings. This presence might seem kind of irrelevant and surreal, certainly when the artist is depicting war scenes, but they symbolize in fact the transformation of our world into an image consuming universe.
That’s right folks! Today is the very last day to submit your work to our Future Perfect Book sponsored by the good folks at Prius Projects. We’ve already received hundreds of submissions but we still have room for your work so stop what you’re doing fire up your camera, paint brush, pencils, or computers and help us create a better tomorrow filled with positive creative energy! Get all the details, submission forms, guidelines, and a nice sampling of submissions on the Future Perfect website!
Colorful, textured creatures imagined by designers Andy Reisinger and Ezequiel Pini from The Six and Five Studio. The series called “Morbo” is a rendering of 3D printing and digital coloring. The result is bluffing. Easily mistaken for real existing sculptures or hyperrealistic paintings, the designers have had to explain themselves a lot about the disturbing aspect of their work.
Pushing the limits of art and design, the Argentinian duo Andy Reisinger and Ezequiel Pini like to explore the three dimensional world. Stranded on the beach after an apocalyptic episode, the creatures are found as they are presented to us. Raw, shapeless and twisted by the centrifugal force of nature, they mix elements which has nothing to do with each other. Hair, coral, gelatinous paste, plastic, porcelain and more are harmonized in objects that, in the end, make sense to the eye.
At first glance, the creatures seem ugly. Part of it is due to the fact that we can envision a living hairy animal coming out of it. Once the process of creation is understood, the look on it changes. The designers are interested in that shift. From unpleasant to attractive, our curiosity grows as we discover that these fantasy ‘things’ do not really exist. Leaving us wondering if beauty is better off restrained within our minds instead of being exposed out there. (via booooooom)
Now you can decorate your home/office/studio with wallpaper that strays from the norm. A company called Feathr has started collaborating with artists to make statement with bold wallpaper design that will inspire your daily routine. Definitely staying within the parameters of textile design the company now represents a large group who think outside the box. Some of the collaborators include Peter Judson who takes art deco in his brightly colored patterns to arrive at a striking motif and Russell Marshall who pulls directly from Warhol and uses a gun and the check bought with it for pop effect. Using both abstract and figurative patterns the placement and use of color pushes these new designs just a tad off the grid thus allowing for more free-flowing ideas. By joining up with different artists the company allows for more conversations to occur between design and fine art which references Andy Warhol’s pop and consumer ideal. This middle ground allows more people to see the work of these artists and also show how their ideas can be used in a more commercial sense.
The papers are all reasonably priced and can be bought on the Feathr website. They are currently becoming a cool commodity in the design field. (via designmilk)