If you weren’t lucky enough to subscribe to Beautiful Decay in time to get Book One: Supernaturalism, there’s still time to sign up and get our upcoming Book Two! Here’s a sneak peek of what Book Two will feature! But hurry, there’s only two months left to subscribe, so don’t dilly-dally, you don’t want to forget two months from now.
We interns went exploring/gallery hoppin’ this past week, as the Beautiful/Decay office resides conveniently in the heart of the Culver City Art District.
I was particularly charmed by “Seasonal Change,” a group exhibition which just opened at LeBasse Projects on June 20th. With a line-up featuring the talents of Edwin Ushiro, James Roper, and Tessar Lo, this exhibition just sounded so promising! Some pieces are ethereal with slightly serious undertones; others are blatantly whimsical and playfully riotous, but all seem to be on the brink of something explosive…on the verge of unleashing ear-splitting noise.
“Seasonal Change” runs until mid-July, I believe, so be sure to check it out before then!
Photographer Antoine Rose captures Miami’s beaches and its coastline in the series Up in the Air Miami. Shot from a bird’s eye view, umbrellas, beach goers, and yachts are miniaturized and abstracted, and look like tiny toys used in a diorama. The candy-colored images offer an unusual glimpse into a day on the water, as we see only a general depiction of the beach yet its captured on a large scale. We aren’t offered many details, but still, there is a lot of energy in these photographs. Rose communicates leisure, and minuscule figures evoke the famous French post-impressionist “bathers” series by Cezanne.
Emmanuel Fremin Gallery in New York City is exhibiting Rose’s works, and they describe how the extreme point of view affects what we’re seeing:
… people sharing common behaviors and exposing themselves like hedonistic herds. The stills of people swimming, surfing or just sitting down on their beach pads suggest a showcase or, given the distance, an Insectarium. One can even see a religious connotation: the bird’s eye view makes people seem insignificant dots in the infinite space of the universe, crushed by the immensity of the water field, recalling the biblical universal flood; seen from the sky, like through god’s eyes, people and nature coexist in harmonic or tense relationships. -Eduard Andrei
Miami isn’t the first or only place that Rose has photographed. Previous series of Up in the Air include the Hamptons, Long Island, and Wollman Skating Rink in New York City. To capture these images, he is situated outside of a helicopter that flies as low as 600 feet.
If you noticed we didn’t make a lot of posts yesterday. Why do you ask? Because the entire B/D team was knee deep in sanding, painting and other horrible acts of construction on our new office space in downtown LA. The move couldn’t have come in a better time as we have been literally crawling over boxes of t-shirts and magazines at our office. Some photos taken during some much needed breaks after the jump!
Elik is a true NYC graffiti legend, gettin’ up hard with the roller. But like many of his peers in the graff world, he’s turned to exhibiting ‘street art’ on indoor, gallery walls. Last spring he unleashed a full load of collage and mixed media works on the Brooklynite Gallery in Bed-Stuy. The compositions are playful, and full of dynamic elements. Any one of the works could serve as an advertisement bill for a show (or party) that serves as a gritty, comprehensive sum-up of the entire 20th-century.
NYC-based artist Jon Widman really pays attention to surface quality in his seemingly mundane, photo-realistic paintings of papery things. Record sleeves, paperback novels and cardboard boxes are rendered in careful detail, but with the faintest trace of the painter’s hand in the tiny, graphic details. In some pieces, small, industrious rodents make an appearance, hinting at Widman’s sense of humor as they climb and hide among stacks of antiquated media. The subject matter would usually leave the viewer with a trace of nostalgia, but his color palettes and intriguing compilations keep the work feeling fresh and vibrant.
If you aren’t careful, the video Milkyeyes by Donato Sansone might give you nightmares. The piece describes itself as “A slow and surreal video slideshow of nightmarish, grotesque and apparently static characters.” The video clocks in at just over 2 minutes and features 26 different characters, and is accompanied by music you’d hear in an old, abandoned warehouse or horror film. Some characters have faces that have been mutilated and warped to the point where they are nearly unrecognizable. Milkeyes is a name that conjures an unpleasant visual. So, it’s not surprising that this video is a visceral journey into a world of unfortunate humans. We see steam coming from their heads, stuff bubbling from their lips, and eyes floating of their head. While they are affected, the environment behind them remains static and untouched. The juxtaposition between calm and a surreal chaos makes this video both puzzling and trippy. (Via Artnau)