Butt Johnson’s ornate, ultra-detailed ballpoint pen drawings are the perfect mix of OCD patterning, social commentary, and comic relief.
Gorgeous and a tad grotesque photography by Frederik Heyman.
Llobet & Pons installations and site interventions include a basketball hoop too small to fit a basket, creating a collective sculpture by collecting a single strand of hair from gallery goers, and creating geometric shapes out of broomsticks and floormats.
Seattle based artist Vincent Pacheco also known as “Mudchicken” creates beautiful mixed media collages and paintings. These cigarette paintings are hilarious. I feel the cancer coming on just by looking at them.
Designer Armin Blasbichler‘s work is often jarring. His series ORSON, I’m Home strikes a special chord, though. The series is composed of three “dining sculptures” created primarily from the bodies of various farm animals. While we may be more accustomed to farm animals adorning plates on the furniture, seeing them as taxidermy furniture makes for a surreal juxtaposition. The furniture confronts its users with the consumption it usually facilitates. Interestingly, for the series Blasbichler features a quote from professor and writer Don Slater: “In talking of modern society as a consumer culture, people are not referring simply to a particular pattern of needs and objects […] but to a culture of consumption.”
I feel like most people dream of falling in love one day, but what if that day turns into a year – and then another? What if the act of falling in love becomes an all-consuming force that necessitates the creation of your own color-coded language? What if your name is Michelle Jane Lee, and this series of ‘what ifs’ has actually been your life for the last three years? The end result of that experience might resemble a thirty-foot love letter and a mountain of other drawings representing your unmentionable thoughts and desires for a woman that would ultimately come to reject you. A hard pill to swallow for most, but Lee seems undeterred in her pursuit of the unattainable. After all, true obsession is captivating – for both artist and audience in this case. Her work is incredibly personal, absolutely honest, and exceptionally beautiful. If you are in or around Los Angeles on April 7th – I recommend that you attend the opening reception of her most recent solo exhibition at Gallery 3209.
Philadelphia-based artist Mike Tanis produces intricate paper sculptures using a combination of origami and kirigami techniques. If you’re not familiar with what those are, they’re Japanese art forms that fold and cut paper in complex ways without the help of glue. Here, Tanis has used these methods to create abstract structures that appear soft and wavy as well as splintered and fractured. Sometimes, it’s hard to tell that they’re made of paper.
Tanis tells Quanta Magazine that he uses a scalpel to make any cuts and doesn’t use directions or crease patterns. “I start with a folding technique or principle and improvise once I start to feel the 3d form developing,” he explains. The results are dramatic forms that are reminiscent of architecture and nature. His taller, cut-paper structure mimic skyscrapers while his completely-folded pieces conjure images of the beach or a mountainscape.
Anders Oinonen, of Ontario, Canada, just opened “People people”, a solo show at Cooper Cole in Toronto. For a while now, Oinonen has been pushing the features of the face to new bounds in his paintings. The artist has removed familiar eyes, noses, and mouths from their intended plane, and inserted them along the lines of an Expressionist landscape. Such a presentation of the face -associated with communication of our inner life more than any other part of the body- in tumultuous states of despair and incredulity as stimulating blocks of color masterfully applied to canvas arranges a statement which is hard to miss and extensive in depth.
You can also read a copy of Beautiful/Decay Issue: Z to read an in-depth interview with Anders.