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Anders Krisár

Stockholm’s Anders Krisár has a nice selection sculpture, fine art installations, and photography.

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Splendor And Power At The Origin Of Dark Ceramic Sculptures By Anne Wenzel

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Through dark and melancholic ceramic sculptures Anne Wenzel shares her views on the world’s fears and tragedies (natural catastrophes, bomb attacks, fear of millenarianism…)  She draws away the tradition of ceramic to create her contemporary and intense sculptures. The artist’s ‘modern day vanitas’ sculptures not only shake the core but also question the role of splendor and power within a deformed and vanished piece of art. Recently, Anne Wenzel has created two sets of sculptures: busts in ‘Damaged Goods’ and blossoms in ‘Attempted Decadence’.

In the first group of work, she uses the classic military bust and shiny dark brown tones of glaze to condemn the glorification of authority during times of war. She questions the fact that we worship emblematic figures that have caused violence and have damaged entire populations and their countries.
Power, destruction, heroism and violence, themes dear to the artist emerge from her strong historical awareness and political engagement; she sheds new light on the role that art plays in depicting them.

The glamour and glorification expressed in the sorrowful blossoms is raising intentional open questions that Anne Wenzel is not willing to answer for us. She wants the viewer to take a stand and ask: I am seeing this beautiful metaphor of greatness and beauty, but am I being manipulated? The purple and rust tones petals are liquefied, dripping over the structure that’s holding them. Turning healthy and fresh flowers into a devastated and agonizing dying bouquet, the visual creates a balance in the expression of abstraction and figurative art.

Anne Wenzel’s art pieces will be showing at the following events:
Emergent Gallery in Belgium until September 2015
Rijks Museum in Amsterdam until January 2016
Bonnefanten Museum in Maastricht until February 2015

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Branded: Michael Murphy Creates A Floating Human Portrait Out Of 100 Laser-Cut Logos

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Michael Murphy is a Brooklyn-based artist known for his perception-challenging sculptural installations. Featured here is a new work titled “Branded,” commissioned by the Manhattan creative consultancy Lippincott. In an exploration of the term “brand identity,” Murphy used 100 laser-cut images of graphic logos to create a human face—more specifically, the face of his daughter, Iris Isadora. Portions of her photo where printed across each logo. From a distance, the image appears complete; move closer, however, and the portions break apart into distinct logos—Starbucks, Instagram, and KFC among them. Watch the video above and see how the installation changes form depending on one’s vantage point.

Lippincott believes that a company’s brand represents not only an identity, but a possibility; “it is who you are and who you aspire to be” (Source). By constructing a human face out of logos, Murphy’s work intends to represent how brands themselves can function similar to living entities, changing and growing along with the cultural trends. The fact that perspective changes the form and cohesion of the installation suggests that one’s own experience of a brand can function within a subjective framework.

In addition to Lippincott, Murphy’s other clientele have included TIME Magazine, Washington Life, and Art for Obama. For the past two years he has been collaborating with Michael Jordan and Nike in the creation of retail centerpieces for the Jordan Brand. View Murphy’s website to learn more. Isadora is a musician whose work can be heard here.

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Brendan Fitzpatrick’s Photographs Of X-Rayed Toys

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Australian photographer Brendan Fitzpatrick’s X-ray photographs expose the inner workings of toys. Fitzpatrick’s photographs are both whimsical and mechanical, evoking the curiosity of childhood and the desire to discover how things look and work from other perspectives. The strategic placement of wires, batteries, and screws are revealed, the complexity of the inside contrasting with the seemingly simplistic design of the outside. Fitzpatrick uses chest X-ray and mammogram machines to photograph flowers, toys, and creatures, then enhances the color in the images in order to more effectively distinguish the various parts that have been exposed. This photographs are part of series he calls “Invisible Light.” (via colossal)

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Jonah Freeman And Justin Lowe’s Meth Lab And Space Retreat Installations

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Jonah Freeman and Justin Lowe’s Black Acid Co-op is a large scale installation of contrasting rooms and objects. The space is accessed through a large hole in the wall in the gallery space, requiring viewers of the work to physically climb through the entrance in order to experience it. While some space is sparse and empty, with evidence of abandonment and decay, others resemble a meth lab, a foreign shop, and a space of retreat. All spaces recontextualize the idea of installation space as a place of continual decay and renewal, calling upon viewers to directly engage with the various spaces. Deitch Projects commissioned this particular piece that was available for viewing in 2009.

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Caio Fernandes

Caio Fernandes mainly paints portraits of faces that hold an incredible amount of intensity behind them. Intensity that could be interpreted as pain, doubt, or realization. Though the intensity we feel from Caio’s paintings compel us with curiosities as to what it all implies, Caio firmly states that the paintings stand for themselves.

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JC Debroize Creates Creepy Typeface With Human Features

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French digital artist JC Debroize has created an unsettling font called “The Human Type” using modeling clay and digital effects. Debroize completed this project as the creative director for the graphic design studio Kerozen.  After using modeling clay to render the shapes of the letters, Debroize took photos of both the letters and the faces of the 7 Kerozen team members. “Then I made a mapping of skin textures on the letters with Photoshop and added the hair and the eyes,” Debroize elaborates. “It was not a problem to show an unflattering image of us. We laughed a lot making this.” (via laughing squid)

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B/D Best of 2010 – WALEE TAKES PHOTOSHOP TO A WHOLE NEW LEVEL

WALEE

WALEE’s insane digital portfolio.

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