John Grade’s Capacitor is a site-specific installation which reacts to the climate of the site it inhabits. Located within the John Michael Kohler Arts Center in Sheboygan, Wisconsin, this enormous coil is roughly 40′ x 20′ x 20′ and slowly reacts to the changing wind directions and temperatures of the outside environment. Physically behaving according to statistics collected outside the institution, a mechanized controller within the installation powers the enormous coil’s shape. According to Grade, “the whole of the sculpture will appear to be very slowly breathing”. Capacitor also changes the brightness of the lights within the construct, giving an entire reaction to outside elements. (contemporist and artist’s site)
Our friends over at Strange Attractor have launched an interesting new interview series entitled “Still Life.” SA sends the artist a lomography camera and a roll of film, and the “interview” becomes conducted entirely through artist-created images. The above interview with Denmark based artist Kim Høltermand is a beautiful look at his life, through his own eyes.
Artist Ramiro Gomez alters luxury magazine ads and photographs by adding in the often-underpaid workers that make their beauty and opulence possible. He paints gardeners, cleaning ladies, people who maintain swimming pools, and more. They are faceless bodies and appear like ghosts in and in front of mansions and sunny palm trees. By doing so, Gomez highlights the disparity between these lavish lifestyles and the workers who barely make minimum wage.
Gomez experienced this firsthand as a live-in nanny for a wealthy West Hollywood family. In an interview with Fast Company, he states, “It was interesting the feeling that would happen as I was signing off this purse, that the family had so much already, yet they weren’t able to pay [me] more,” Gomez says. “I took it personally, in a way.” This job was also where he first had the idea for the series. After fishing magazines like Dwell and Luxe out of the trash, he tore out the ads and started painting in figures.
So, what do affluent folks think of Gomez’s work? Those that have seen it actually like it, including his former employers. His paintings illustrate the complex economic system that find ourselves in. Those who can most likely afford Gomez’s work are ones that identify with the luxury lifestyle. But, they are essentially buying work that is critical of their status. That’s part of the point of Gomez’s paintings – to engage with an audience who might otherwise not realize the other side of their privilege. (Via Fast Company)
On a subway, personal space is a luxury that you don’t always have. People invade your “bubble,” and while annoying, it can be especially problematic for women. Artist Kathleen McDermott set to even the playing field with her Personal Space Dress, a garment that physically extends the space around a wearer’s body.
This dress is the second in a series titled Urban Armor. It’s a relatively simple concept with technology integrated into its design. When proximity sensors identify that someone’s too close, the sharp plastic scaffolding within the garment causes the hemline to expand outward. Anyone who’s in its area will be ushered away by a patterned-pink skirt.
McDermott got the idea for garment while living in Hong Kong where she’s currently finishing her MFA. Interested in wearable technology, the artist wanted to expand its purposes beyond something that only techies might have. She tells Co.Design, “Taking a photo of your sky diving experience while wearing Google Glass is awesome, but it’s really a small minority of the population that will have this experience. I wanted to explore how wearable technology could impact your physical world, and help the wearers, specifically women, exercise more control over their surroundings.”
While it doesn’t excuse and or solve the problem of sexual harassment on public transportation, it certainly makes a clever point. McDermott plans on making instructions and code for the Personal Space Dress available for download. So, theoretically you could make one of your very own and give yourself some extra breathing room. (Via Co.Design)
Japanese artist Sekintani takes all the dirty thoughts you’ve had whirling in the cesspools of your mind and makes them into these crazy horror-movie collages. He’s definitely gone there and further: melting childrens’ faces, mutated breasts with Murakami-esque googley eyes and a hide-and-seek Pikachu peeking out of female genitalia. Yup, he’s definitely gone there.
This artist was brought to my attention via MAFIA-HUNT.
Montreal based mural artist Jason Botkin loves to paint large, strikingly colorful abstractions of faces doing weird things. And bodies doing weird things. He likes to paint hands out of scale, eye brows quivering, bird faces animated, alien shapes in bright bold shades and cartoon characters who are larger than life. Recently returning from the Festival Internacional de Arte Público in Mexico where he collaborated with Jeremy Shantz on a series of weird masks and faces, he is no stranger to combining his distinctive pop style with other artists’, to create unforgettable imagery.
Botkin is not only a master of street painting and graffiti-style work, but also of installations and drawings – all which have a surrealistic twist. His work in Cancun is a natural progression on from his more figurative work which is aptly described here after the success of his second solo show in 2008:
Figures turn inside out, dressed in their emperor’s finest; bodies unwrapped to explore inner worlds, emotions, and ideas; vapors and clouds permeate architectural structures of unknown purpose; buildings chart impossible perspectives, cities in chaos; geometric forms emerge from and are swallowed by the imagined inner workings of internal landscapes. These various elements form a tapestry of self divined utopias and personal myths. These offerings are made with the belief that change is possible, when we reinterpret social identities and then test deeply entrenched, and often flawed social realities. (Source)
Leading on from that, Botkin leaned toward painting more cartoon-like heads complete with their own personalities. He adds a healthy sense of humor to his work and enlarges it, places in it a public sphere and allows people to enjoy it at their own leisure. See more of his paintings after the jump. (Via Hi Fructose)
Although Gowri Savoor experiments with dozens of different mediums, ranging from drawing and painting to mixed media sculptures made from fabrics, woods, her Seedscapesseries might be the most immediately powerful. Taking various plant and fruit seeds which are pinned against boards like butterflies, in more geometrically-challenging patterns and formations, the sculptures resemble other natural forms, such as waves, sound-waves and snow or sand dunes.
The Leicester, England-born artist currently lives and works in Vermont, USA, where she gathers the various seeds used as materials in her metaphorically ephemeral works (including pumpkin, apple and sunflower). Says Savoor of her loaded-material choice, “In themselves they’re very fragile. No matter what I do, the pieces will continue to decay. There’s a human sadness as well, that everything will eventually die.” (via junk-culture)