Make sure to catch Kevin Cooley’s gorgeous show at Kopeikin Gallery in Los Angeles up until February 11th of next month. Titled Take Refuge, the exhibition features large scale photographs and videos evoking human struggles in the harsh and unforgiving, yet sublime, natural world. This body of work was created in disparate locations including the Arctic territory of Spitsbergen and the American West as well in more ordinary places such as New York City and Los Angeles. Referencing the Romantic movement in art and literature, the work attests to both the fear and longing nature inspires.
I’m absolutely loving these sleepy narrative illustrations by Japanese artists Fuco Ueda. It’s as if each painting was painted with the tears of fairies from a far away distant land where animals and cute teenagers lived as equals.
Nick Georgiou creates grotesque yet mesmerizing works that blur the lines between sculpture and painting with his works. Using discarded newspapers and magazines, Nick re-imagines the material in surprising ways bending, folding, and cutting it into relief paintings as well as life size sculptures.
Stockholm based Sanna Dullaway brings to life powerful black and white images from the past by carefully retouching and coloring them. By updating these iconic images Dullaway not only breathes new life into each photo but also reminds us how powerful these historic figures and moments were.
A native of Porto Alegre, Brazil, artist Duda Lanna creates colorful paintings and illustrations of often mind-bending detail. The artist claims inspirations both within the realm of visual arts and separate from them, including science fiction and psychedelic rock of the ’70s. These diverse inspirations definitely show in his many works in ink and acrylic. Their vibrant color palette and bold graphic patterns will take you on a trip, that is for sure. Folks, hold on to your eyeballs.
Marci Washington is an artist, based in Northern California. Her lightly rendered gouache and watercolor paintings depict the interiors and exteriors of creepy houses, reed-bordered pitch swamps, forbidden correspondence, and nocturnal, aristocratic cannibals who always seem to maintain a certain measure of grace amidst unsavory conditions and elements. To me, it’s always appeared as if such figures are pausing for her to paint their portrait while the world crumbles around them. A macabre fashion shoot staged amidst the apocalyptic environs of a world without sunrises, Washington’s delicate, detailed work is a rich stroke of contrast between dark and light; brutality and delicacy. I caught up with Marci in-between her various travels and projects and, in keeping with her reputation for graciousness, she answered some questions and brought us up to speed with her career. (Images courtesy of Rena Bransten Gallery.)
It’s pretty hard to make street art these days that actually grabs the publics attention but the Billboards of Peter Fuss manage to stop us in our tracks. I could do without some of the usual suspects that make appearances such as the jabs at Larry Gagosian and Hirst’s spot paintings but I’ll take a double scoop of the political and social commentary. There are a few billboards that I can’t seem to translate. Please post in the comments if you can!