Danish-icelandic Olafur Eliasson has done it again! “Your chance encounter” is showing at the 21st Century Museum of Contemporary Art in Japan. His intent to make his work engaging and relevant in the tailored museum space brings the institution to life. The rooms and corridors are transformed through his use of light, mirrors, shadow, color, wind and fog. Eliasson re-proposes the idea of the art museum as not just simply a building we go into to see art removed from society, but as more of a public space with the potential to engage society and the urban environment. If you’ve had the “chance encounter” with Olafur’s new installation, let us know what you think- was he successful in doing so?
Sean Pecknold is a Seattle based artist who has created some incredibly poignant videos and animations. The video “White Winter Hymnal” for Fleet Foxes–a sort of time-turning-backwards retrogression via a magical crank — recently caught our eye here at B/D. Sean recently discussed that, as well his other works, inspiration, and process behind creating his magical shorts.
The artwork of Andrew McAttee erupts from the canvas in an atomic explosion of vivid colors and bold lines. His compositions suck you in like a vortex of cosmic proportion. Like an explosion of atoms, asteroids, fire bolts, and lightning, McAttee’s dynamic, large-scale paintings catch your eye and demand your attention. Each painting is layered in acrylic paint and spray paint in incredible, bright colors. The artist mixes flat lines and shapes like that in a comic book, with a variety of more dimensional elements.
This repetitious explosion present in McAttee’s work hints at themes of cause and effect. Both beauty and destruction can be seen in the breathtaking palettes and the collisions of the color combinations. It is almost as if his painting are molecules ready to erupt. The artist’s comic-pop style combines the occasional action word such as “Smash!” straight across his compositions. He is very apparently influenced by comic books and graphic novels, and also pulls inspiration from pop art and abstract expressionism. Street art and graffiti also has a hand at play in his multifaceted paintings, as he is known as a street artist as “STET”. Andrew McAttee is represented by Stolen Space Gallery in London and works and lives in the UK.
”My aim is to provide the viewer with a colourful riot of gravity-less forms set in highly layered, seemingly endless space with a sense of ambiguity, humour and celebration”
– Andrew McAttee
Photographer Jeremy Blincoe works & lives in Melbourne. His series entitled Wander & Wonder is currently featured at the Lindberg Galleries. These fantastic images bring to mind, perhaps, the more innocent side of adult tales such as Alice in Wonderland or Huckleberry Finn – just before that darker something sets in, where pure curiosity still survives with wide eyes.
Lara Schnitger’s show, Damned Woman, at Modern Art in London (July 9th to August 7th) seems to hail from another time has it explores the idea of women from every angle. Schnitger uses methods and media associated with the domestic realm–textiles and stitching–to further explore the female role.
Collage inherently involves nothing less than altering existence. By taking found imagery, Mario Zoots makes changes both hand-made and (occasionally) digital to alter the perception of the everyday, and continue their evolution towards new definitions. The Denver, Colorado-based Zoots is on the forefront of the modern collage movement, and was featured in Gestalten’s recent The Age of Collage: Contemporary Collage in Modern Art, the definitive investigation into how collage has become one the most vital forms of current visual expression. Separate from the concerns of any loosely-affiliated movement, Zoots describes his own practice from a more personal perspective, “I would like to think that my work is about tapping into the unconscious and setting up parameters to allow chance to work its magic.”
Typically focusing on the human figure, and often in portraiture genre, Zoots utilizes geometric pattern, layers, and physical manipulations like scratches, drips, and tears to obscure, thereby creating new faces to interpret. In an interview with Monster Children, Zoots describes his attention and focus on the face of his subject, “It’s really about the eyes for me. When I disrupt someone’s gaze, I find some mysterious, surreal quality. It makes you forget who you’re looking at. I try to create collages from dreams. When I dream I know who the people are, but I usually can’t see their faces. There’s a real energy behind that.”
Mario Zoots will take part in the upcoming travelling exhibition INTERNATIONAL WEIRD COLLAGE SHOW (IWCS) at The Invisible Dog in Brooklyn, New York. The 8th Edition of the IWCS opens Saturday April 19, 2014, from 6 to 10pm, and runs through May 11th, 2014.
A short animation from the mind of David OReilly. We observe the destructive, hopeful, yet abusive marriage between a cat and a mouse. Incredibly witty, minimalistic, and very conceptual. This is a personal favorite of mine.