Olafur Eliasson’s dazzling “Your Rainbow Panorama” is a permanent installation on the rooftop of the ARoS Museum in Aarhus, Denmark. The spectacular work of art has a diameter of 52 metres and is mounted on slender columns 3.5 metres above the roof of the museum. Visitors can literally walk through the entire color spectrum viewing the world for the first time in all pink, green, blue and yellow tones.
“Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving”. -Olafur Eliasson
These majestic, bird’s eye view images are of the remote Yuanyang Hani Rice Terraces located in China’s Yunnan province. Small bodies of water are punctuated by the bold lines that create the terraces, and they signify the harmony of man and nature. Their brilliant colors and complex designs give them the appearance of abstract paintings rather than natural splendor.
The 1,300-year-old terraces cover 461 square kilometers, and are said to display the best-developed in three valleys. And although it’s hard to tell from these photos, they cascade from a summit of 2,000 meters above sea level to the base of the Ailao mountain range.
From late April to late September, the Hani people grow red rice. The water from brooks, springs, and rain is collected by forests and distributed through the gravitational system. This accounts for the vibrant grounds we see here. (Via China Discovery Blog and Dana Boulos)
Holland based Eric van Straaten is one of the most technical and talented 3-D sculptors in the world. According to trendwatchers, 3D-printing is the next big thing: in the near future, every household will own a printer that is capable of printing digital three-dimensional objects into a physical object. In the process that is best known under the name ‘Additive Manufacturing’, a 3D-printer builds up a model layer by layer by selectively hardening liquid or powder.
If this powder is a plaster-like material, a model can be directly printed in full color. The 3D-printing of delicate and colored models is far from being just pushing a button, but requires great technical skills. Therefore only a few specialize in this technique and there is no artist who pushes the boundaries of colorized 3D-prints as far as Eric van Straaten.
There is no technique that is capable of achieving such a great degree of hyper(sur)realism as 3D-modeling. At the same time, 3D printing is the only technique with which virtual models can be made actually physically touchable. Physical expressiveness in form and content is the biggest strength of the work of Eric van Straaten: while the sculptures remain to have a certain digital feel to them, the pieces contain a weirdly eroticized corporeality. Balancing on the edge of kitsch, the marzipan-like quality of the material resonates beautifully with the apparent innocence of the scenery. –Prof. Dr. Arnold Ratsberger
Matthew Cusick is a collage artist. Born in New York, he now lives and works in Dallas, Texas. He uses all kinds of media for his work, one which I found interesting is maps! Cusick’s Map Works is a collection of portraits, landscapes, freeway interchanges all painted on maps. His skills are remarkably beautiful. Check out more works by him after the cut.
Ladies and Gentlemen! The latest issue of Beautiful/Decay is upon us! Sent to the printers in the last weeks, there will be only 1000 copies produced (all of which are ad-free) and only subscribers will receive their copy before it ships out to stores. You also save 33% by subscribing versus going to the newsstand (plus you don’t have to go past your mailbox to get it!). Subscribe today and secure your newest addition to the Beautiful/Decay series.
To get you ready for the release of Book 5 dust off your tablets and fire up your copy of Photoshop because today we continue the contest to give away a free copy of Beautiful/Decay Book: 5 to the fastest gun in the wild west. Each Tuesday for the next 3 weeks we are going to be releasing a new piece of Beautiful/Decay cover to get you guys ready for the upcoming issue. The rules are simple: Be the first person to piece together the cover of the Book:5 and email the completed image to firstname.lastname@example.org, and your speed of hand will be rewarded with a free copy of the book you just solved. In case you are just tuning in, be sure to check out the B/D blog for the previous missing pieces. So wrangle up your magic lassos and get busy winning!
Korean artist JeongMoon Choi uses surprisingly simple materials to create installations that appear to be pulled off the computer screen. Simply using thread and UV lights JeongMoon illuminates complex geometric patterns. The arranged thread patterns glow against the dark space at times resembling three dimensional plans. Her installations explore the gallery space, both literally and conceptually. Glowing angles bounce off walls and ceilings emphasizing an architectural space that typically tries to not attract notice.
Brooklyn-based photographer Ji Yeo creates Somewhere on the Path, I See You, a project in which the photographer captures two different types of women: one with extreme self-regulation and distorted notions of beauty that suffer from eating disorders, and the other women are aspiring actresses and models living in Hollywood, California, who are interested in the process of being represented because they carry dreams of fame.
By carefully selecting various body and personality types ,Yeo creates a sample of photos (and people) that further examine larger societal issues regarding ideas of beauty, self-definition, and self-respect.
By forcing viewers to confront images of women who by definition had been judged continuously by themselves, it brought focus to the viewers natural impulse to judge. In doing so it implicates them in the complex relationship we have with making aesthetic judgments.