Marci Washington is an artist, based in Northern California. Her lightly rendered gouache and watercolor paintings depict the interiors and exteriors of creepy houses, reed-bordered pitch swamps, forbidden correspondence, and nocturnal, aristocratic cannibals who always seem to maintain a certain measure of grace amidst unsavory conditions and elements. To me, it’s always appeared as if such figures are pausing for her to paint their portrait while the world crumbles around them. A macabre fashion shoot staged amidst the apocalyptic environs of a world without sunrises, Washington’s delicate, detailed work is a rich stroke of contrast between dark and light; brutality and delicacy. I caught up with Marci in-between her various travels and projects and, in keeping with her reputation for graciousness, she answered some questions and brought us up to speed with her career. (Images courtesy of Rena Bransten Gallery.)
It’s pretty hard to make street art these days that actually grabs the publics attention but the Billboards of Peter Fuss manage to stop us in our tracks. I could do without some of the usual suspects that make appearances such as the jabs at Larry Gagosian and Hirst’s spot paintings but I’ll take a double scoop of the political and social commentary. There are a few billboards that I can’t seem to translate. Please post in the comments if you can!
Steven Kenny’s portraiture and figure paintings form a vibrant commentary on the nature of balance, sexuality, and that fickle concept: transcendence. Controlling a unique penchant for lighting and surrealism, Kenny has filled a rich portfolio with figures and dynamic echoes that pervade every sense with which we associate being alive.
Bangkok-born artist Tintin Cooper‘s collages weave different images in popular media, such as sporting figures, to cut away the different faces and obscuring their identity. The themes of her work highlight society’s obsession with celebrity, and undermines this illusion by forming work that seems to shatter her subjects from within. More after the jump.
The Site Unscene is one of only a handful of new businesses radically changing the landscape of the art world for the better. JB Jones and Wil Atkinson, who founded The Site Unscene [TSUS], are two of the greatest people around – so it’s no wonder that artists as diverse as Gregory Siff and XVALA treat them like family and often drop in to their headquarters from time to time just to say hello. However, one of the most unique aspects to their HQ, besides the art and artists themselves, is that TSUS have a massive garage space where the artists they represent, as well as their friends, are able to come in and paint for however long they need to – which is crucially important, especially to those who work with spray paint and don’t have the space to do so where they live. They even have lockers for all the artists to store their supplies in! I guess you’re wondering what exactly TSUS does and the only way I can explain it is to repeat their mantra of “We help make art happen” – since they really do it all, from putting on pop-up shows to helping an artists realize an ambitious project. In fact, I love TSUS so much that I frequently ask JB and Wil if I can do many of my interviews with artists at their space because everyone instantly feels right at home with the vibe they’ve set up for it. In the future I hope that we will begin to see the downfall of snooty gallerists who are rude to young collectors and the rise of organizations like The Site Unscene who open their arms welcomely to anyone who loves art – whether or not they have a Phd or a zillion bucks.
The focus of Chrissy Angliker’s painting style lies in creating a balanced relationship between the controllable and the uncontrollable. Paint drips from every deliberate brush stroke, challenging it. By contrasting form and free-falling dribble, she seeks to illustrate the duality in life between our best-laid plans and the host of chaotic shit that can befall them.
But no, really, Matthew Yake’s series “237 Pieces of Trash Around the Bleachers” is anything but a trash collection. His photos are poignant, clear, and powerful. He’s got other equally awesome series including one of artists in their studios that holds it’s own against other interior powerhouse sites like “The Selby“.